Halender Script is an Elegant script font that comes with very beautiful character changes, a type of classic copper decorative script with a modern touch, designed with high detail to present an elegant style. Halender script is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections. I also offer a number of decent stylistic alternatives for some of the letters. Thank You

Interbellum is an Art Deco inspired font family which contains 3 display fonts, 2 modern-looking text fonts and 4 AllCaps fonts. In combination, you can easily give your designs a bold, yet elegant look. And by using the many different style sets, it is able to stand tall in all sorts of designs. Although it was inspired by the roaring 20s, we still think of Interbellum as an everlasting time traveller that will definitely impress your clients.

Baekrajan is a luxurious, casual and distinctive script that is perfect for your branding design, wedding invitations, business cards, and more. Baekrajan features Uppercase and Lowercase characters, figures and ligature standards that are very realistic. There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

Cern is a family of20 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility. Cern is designed to be highly readable in print and on-screen. The italic variations are true italics and have been designed for smooth, fluid reading and text-setting. The Cern family works equally well for text typesetting and for display design work.

Monotype Gallia's design was initially developed by Wadsworth A. Parker for the American Type Founders (ATF) in 1927. Monotype released its own version in 1928. Its style is embodied with the spirit of the American Art Deco age and the Roaring 20s. It makes a superb headline selection, and has also been used effectively for packaging as well. Also try the typeface on signage, menus, invitations, or stationary. If you like Monotype Gallia, check out Monotype Broadway, too!

If you’re looking and imagining for a modern font to interest your audiences or customers then we’ve got the font for you! Introducing Starstone - A Display Font This typeface with modern style looks very interesting for loads of different projects and promotions. It is perfect to be used on any projects likes website, for your social media branding, pinterest banners, printed products, and more, especially that needs outers space touch. Features: Multilingual Support PUA Encoded Numerals and Punctuation

Rackem PB started as a digitization of a film typeface known as "Eightball" by LetterGraphics, not to be confused with Eightball that was released by other film type companies of a totally different look. This crazy typestyle had all the flavor it needed to make regular appearances in 70's sticker body modification ads for Chevrolet cars and trucks side panels. Loaded with hooptie appeal, it's something you really need to take for a ride to appreciate its novelty.

Captain Quill is a lively calligraphic style script font designed by Jim Ford, based on the handwriting of a fictional pirate figure named Paul Pierce, aka Captain Quill. The Captain Quill font is an exciting font that's loaded with adventure, perfect for pirate-themed documents, scrapbooking, invitations and correspondence. Creative Professionals will find the Captain Quill font useful for everything from logos, packaging, menus & headlines, as it lends an old-worldly feel with its authentic rough texture.

Niko is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The wedge-shaped stem heads add liveliness and variety to the carefully crafted letterforms. Niko, a highly versatile type family consisting of 54 styles that are designed to work equally well on paper and on screen. The family includes condensed, as well as extra-condensed variations, for situations where space-saving typography is required.

Ideal is a neo-grotesk typeface characterized by exaggerated pro­portions and an un­­con­ventional shift in balance such as in its a, k or s. Following low-contrast construction principles and with a generous x-height, Ideal works well both for expressive headlines and versatile reading sizes. The family consists of ten weights plus corres­ponding Italics. It supports languages written with Latin, Cyrillic or Greek alphabets. Each font includes fractions, tabular and oldsytle figures, arrows, ligatures and more.

Angustina is an elegant display typeface, it takes inspiration from classic letter styles. I chose the font name after reading the classic Italian novel “The Tartar Steppe”. I was inspired by the sickly, stoic and mysterious man who differs for his willingness to stay at Fort Bastiani. Angustina conveys distress and stinging sensation with extreme contrasts between thick and thin strokes and exasperated serifs. The alternate of hairline and bracketed serifs gives Angustina a modern and military appearance.

Mollinder is a Aesthetic script come with retro and refined style, you can explore and combine creating rhythm for comfortable reading. This font perfect for any projects, such logotype, stickers, greeting / wedding cards, packaging design, headlines, brand identity, t-shirt, posters, magazines, books, Instagram, websites, and many more. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates. Hope you enjoy it.

The Beaverist belongs to the group of handwritten fonts and is inspired by the culture of small and cute villages located far from big cities, almost as a part of nature. Beaverist does not have the pompousness of calligraphic fonts, but it has the warmth and softness of natural forms that we rarely meet in our hectic life. So if you want a simple and easy-to-read handwritten font, don't hesitate, the Beaverist font is your choice.

Polaris is a rounded sans-serif family with four styles designed for easy reading. Perfect for print - brochures, posters, newsletters and stationery. For signage, Polaris comes with a variety of compatible arrows. Polaris is also great on-screen: use it on your website as an alternative to the over-used standards. Polaris works in the background, creating an atmosphere of harmony and modernity while your words deliver the message and your graphics and images achieve the prominence they deserve.

Amici means 'friends' and the Amici family was conceived as a big friendly Roman typeface for headings, posters, signs and anywhere else that an approachable easy-reading typeface is needed. It's the sort of thing you used to see in Magazine mastheads before everything went boringly sans serif. Three faces are offered within the family, Regular - solid and clear, Bold - with that bit more body and presence and italic - bringing in script elements to its design.

Coltan Gea is a Slab Serif typographic family with 6 Weights plus the italic versions all include small capital letters and cryptocurrency symbols. It is a geometric, minimalist typeface, with neo-grotesque modulations and slightly rounded corners. The typeface has alternative letters and numbers, small caps and advanced OpenType functions. The proportions, metrics and kerning I have configured meticulously for a perfect reading in any size. The complete package includes the roman version in VariableFont format.

The SF Handwriting font family is designed for educational and printing purposes. It is a carefully crafted font that supports Arabic, Latin, Persian, and Urdu. The font is characterized by its clarity, ease of reading, and visual appeal. It is also convenient to use in small sizes. The SF Handwriting font family includes three weights: Regular, Bold, and Black. The Dotted style is designed with a straight background for printing and overwriting by children or other users.

Kiddo is a whimsical, handwritten font family created for use along side children's media. It pairs nicely with Monterrat and other neat, rounded sans serif fonts. It looks great with brightly colored, soft illustrations to create lively layouts full of movement. The characters are simple and easy to read as to not compete with the semi-inconsistent baselines and stroke weights. The line variations add a lot of character to the typeface that really compliments a good story.

Sweet Vusstain is a Serif Display Font with a modern, classy, fun, unique and versatile style. It looks amazing on any screen size and is easy to read in any text size.This font also has tons of unique alternatives and binders that will make for stunning design projects.This will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all the glyphs and sweeps easily and more.

This in-yer-face kinda face is based on a broad brush font from "The New ABC of Showcard & Ticketwriting" by C. Milne, published in Australia in the late 1930s. Brought to my attention by Ms. Kat Black, and named in honor of Ms. Kat's grannie, to whom the book originally belonged. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

A little goofy, a little nerdy, Winooski mixes loose pen-drawn gestures with legible forms to deliver a playful workhorse. It’s packed with goodies like small caps, ligatures, case-sensitive alternates, and broad linguistic support. It also sports extras like two styles of catchwords that can be fired up by flanking the desired word with either asterisks or underscores and discretionary ligatures for pricing. There are even easter eggs in the OpenType features for the scavenger hunters among us.

Isbellium is a sans serif version of Dick Isbell’s Americana type, designed in 1967 and the last type cut in metal by the American Type Founders Co. (ATF). Isbellium retains the large x-height, open character, wide stance and elegance of Americana, but with a quieter voice and polite authority. Isbellium is a display face with broad Latin support along with small caps, fraction support and other typographic niceties are included in the ten font family.

Argonautica is based on a relict of the future that was left on earth by time-travelling extra-terrestrials. In 1947, an UFO crashed in the New Mexico desert. There were unknown glyphs found on the spaceship which couldn�t be deciphered to date. Based on one of the unknown glyphs, Gabriele Lindemann developed a complete alphabet readable for human beings. Argonautica is particularly suited for colored typography and can be read much better with growing distance.

Herb is based on 16th century cursive broken scripts and printing types. Originally designed by Tim Ahrens in the MA Typeface Design course at the University of Reading, it was further refined and extended in 2010. The idea for Herb was to develop a typeface that has the positive properties of blackletter but does not evoke the same negative connotations – a type that has the complex, humane character of fraktur without looking conservative, aggressive or intolerant.

Salto was developed by Karlgeorg Hoefer and introduced in 1952 by the foundry Gebr. Klingspor in Offenbach. The capital letters were drawn with a brush, the lower case with a broad-tipped pen developed by Hoefer especially for the task. Salto reflects the Zeitgeist of the 1950s, appearing frequently in advertisements during the years of the Wirtschaftswunder. The font’s extravagance and dynamic quality arise from the contrast between the strong, zestful capitals and the more reserved lower case letters.

Bold mutant light typography. Futuristic astroluxtype. Digital pixels and hex head wrenches from the toolbox were the influence for this font. Hexxes Light and Hexxes Bold are a minimal font set that includes upper and lowercase letterforms which can be used at various sizes but, we consider it to be a headline/display font, best applied larger than 24 points in size.

Vanilla Cream this beautiful handwritten font duo, is light and elegant and light, they go well together and complement each other, it looks amazing on wedding invitations, thank you cards, quotes, greeting cards, logos, t-shirts, business cards and any other design that needs a handwritten touch. This font is easy to use, has OpenType features, and supports PUA encoding.

Hermist - Elegant Serif Font by Sans and Sons Meet our Elegant Serif Font Duo – Extra Light and Italic. The Extra Light variant radiates timeless charm with delicate strokes, while the Italic adds a creative touch with its gentle slant. Together, they bring a natural, graceful beauty to your messages. With Elegant Style this is perfect for branding, logos, invitation, masterheads and more.

Proudly Introducing, Biomorph! Biomorph is a brand new condensed sans font family released by us. This font is very suitable for your projects especially for brandingm publishing, titles, book, magazine, website, etc. Biomorph is font family that comes from thin, extra light, light, regular, medium, semibold, and bold version, with all of these styles gives yoiu freedom to design as you like!

Hennepin derives from a bridge, a street and a county that share the same name in Minneapolis, MN. It is a serif font comprised of three agile weights: regular, light, and extra light. The character set contains typical OpenType features in addition to small caps, and old style numbers, but most importantly, it embraces stylistic alternatives that unite and complete this font.

Introducing a vintage Japanese style all caps font named Tokugawa. This font was inspired by Japanese hieroglyphs. All available characters you can see at the screenshots. This font has six styles: Regular, Shadow, Light, Aged, Shadow FX and Light FX. This font will look good on any retro and Japanese styled designs like a poster, T-shirt, label, logo, etc.

Goldie Sans is a clean sans serif that is perfect for logos, quotes, long-form copy, and more. Both uppercase and lowercase are included in light and bold, but I am particularly fond of using it as an all caps font for logos, headlines, and short quotes. INCLUDED uppercase letters lowercase letters numbers & punctuation light and bold fonts foreign language characters

FECKTOR - MODULAR TYPEFACE Fecktor is a decorative typeface made for display needs, headlines, logos etc. Made with minimalism inspired by the shape of butterfly wings combined with modular to produce a modern Art deco impression and style. Fecktor has 8 variations ( light, regular, bold, solid, extended light, extended regular, extended bold and extended solid ) equipped with uppercase, lowercase, numbers and some symbols

Introducing a vintage look label font named "Whisky Trail". All available characters you can see at the screenshot. This font have 7 styles - Regular, Full, Shadow, Light, Shadow FX, Light FX and Print. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effect layer: Type your text in Regular. Copy that and paste at the same position. Change the style to Light FX or Shadow FX. After that you can choose different colors for Regular font and Shadow or Light effects. For the catchwords type the word with space before and after word (for sample ' with ', or ' with2 ' for alternate view of catchword), 'Discretionary Ligatures' on the 'OpenType' tab must be turned on. Or paste it from 'Glyphs' tab in any place on your text. This in Illustrator. In Photoshop 'Discretionary Ligatures' you can find in the menu Type - OpenType. Thank you!

**Richard & Caroline** is a classic font with a modern style, so it adds a luxurious feel to this font, there are many ligatures and alternates that you can use for your design, and this will make your design more stunning and stand out. This serif font contains a number of ‘lowercase’ (A, E, U, I, O) and Uppercase Alternates characters. this can be accessed by enabling ‘stylistic Alternates’ in any software that supports OpenType. all ligatures and special characters are also accessible via the Glyphs panel. it is available in most Adobe & Affinity Designer software. **NEW UPDATE - RICHARD & CAROLINE FAMILY** what’s included: - Richard & Caroline Thin - Richard & Caroline Extra Light - Richard & Caroline Light - Richard & Caroline Normal - Richard & Caroline Thin Italic - Richard & Caroline Extra Light Italic - Richard & Caroline Light Italic - Richard & Caroline Normal Italic - Added Many Ligatures - Added lots of Uppercase Alternates - Support 75 Languages If you have any questions, please contact us

Roza is a cute and lovely handwritten font. Designed to use when in need of something light and playful.

GroteskRemix — remix of a Grotesk typeface in 6 styles (thin - light - regular - medium - bold - black) language: all latin glyphs

Head­line Font / Dis­play Font / Techno Fat Font Hea­vy­Loun­dEdge with 4 styles (regu­lar, bold, light, line) & 304 gly­phs, including accents & €.

Smart Sans is a personal tribute to Leslie (Sam) Smart, the first type director to be hired by a major typesetting house in Canada. Smart was a twentieth century design pioneer who raised the standards of Canadian typography. Together with three of his peers, he established the first Type Directors Club in Toronto. After Smart's death in 1998, type designer Rod McDonald decided that something should be done to commemorate Smart's life and achievements. I had first thought of establishing a scholarship in Sam's name, but a typeface design soon replaced this idea," says McDonald. "Once I decided to design a typeface, however, it became a foregone conclusion that it would be a sans serif - for no other reason than that I loved the name Smart Sans." Two typefaces served as inspiration for McDonald's work. "Like thousands of designers, I'm keen on Matthew Carter's Helvetica Compressed series. And, when I was younger, I also loved Fred Lambert's Compacta," says McDonald. "I thought there might be a place for a small range that could take over from these 'old workhorses' and, in the process, bring a fresher look to the genre." McDonald drew three weights for the Smart Sans family, all ideally suited for setting attention-getting headlines and powerful display copy. The two-storied 'g' contributes to the design's lively personality, and the short 'r' helps maintain tight, even spacing. Smart Sans is the perfect homage to a great typographer, because it raises the bar on what to expect from condensed sans serif typefaces. Sam Smart would be pleased."