Lighters is a light and minimalist logo font family with unique lowercase that will make your logo and design looks more clean and simple. With three weight styles that you can use together will make your design more cool . You can use this font for any purpose, especially to make logotype and poster design. You can mix and match the uppercase and lowercase to make your logo more advanced. This font also comes with number, symbol, and multilingual support!

If you are looking for an expressive, witty and whimsical typeface, Dinzy Minzy will beckon to a change of pace for any designer looking to create space, time and lighthearted imagery. This typeface draws you into the message of the mind, lending fresh, new life to party, holiday and grand opening invitations. Whether it's a poster, a billboard, or the card in the mail, Dinzy Minzy will be sure to capture attention and turn on the senses.

Katuku is an Arabic Style Font based on the exquisite Arabic calligraphy style, which means that the writing style is highly decorative and highly variable. Arabic style fonts will give your designs a genuine Middle Eastern feel. Use this font in your super projects to grab everyone’s attention. Not only is it perfect for logos and headlines, but it adds an elegant Arabic touch to the design and will give you a real edge over your competitors’ designs.

Hello all, I will introduce my new font with the name “Sweet Girls” “Sweet Girls” is the form of letters that many variation and look very beautiful. available over than 50 glyphs for alternative letters that will make this font look so cute, funny, beautiful and fascinating. What's Included : Sweet Girls OTF Sweet Girls Slant OTF Sweet Girls Icons OTF Thanks so much for checking out my shop! Hope You enjoy it so much All the best, Haksen

Any prototype you can imagine, Skolar Sans can materialise. This industrious type family is more than just a versatile partner for our award-winning Skolar collection: it is a true sans-serif type system envisioned for the age of responsive design. We developed Skolar Sans to accommodate contemporary typographers and the challenges they confront: an ever-changing spectrum of outputs and devices, in which serious typography can get lost. Skolar Sans is engineered to cope with complex editorial texts and data-rich layouts alike. Its construction is designed for easy reading, and its subtle personal style and a touch of flourish. From gently thin to black, the finely-tuned weight variants will fit any composition from wide-screen dashboards to compact mobile editorial designs. Its four subtly graded width variants allow you to fit any page context with comfort. The 72 styles; 36 weight and width variants in uprights and true italics with ligatures, arrows, scientific figure variants, and fleurons. The two variable fonts (one for uprights and one for the italics) allow user precise navigation of the Skolar Sans design space and streamline delivery. The linguistic scope of Skolar Sans PE is an exact match to Skolar PE: Latin, Cyrillic, and Greek (including polytonic) scripts and support for hundreds of languages and transliterations.

Introducing Crispy Thunder, a bold and electrifying font that will make your designs stand out with its unique and powerful look. Inspired by the raw energy and force of thunder, Crispy Thunder is a reimagining of this natural phenomenon with sharp, crisp lines that add a touch of modernity to the design. The result is a font that captures the essence of thunder with its strong, geometric shapes and a crisp design that gives it a cutting-edge feel. Every letter is crafted with care to reflect the power and intensity of a thunderstorm, making Crispy Thunder the perfect choice for designs that need a touch of drama and excitement. With its modern and futuristic look, Crispy Thunder is ideal for a range of applications, from branding and advertising to digital and print media. Its clean and minimalist design ensures that it is both easy to read and visually striking, making it a versatile font for any project. So whether you're looking to add a touch of thunderous energy to your next design project or simply want to make a bold statement, Crispy Thunder is the font for you. Download it now and experience the power of thunder in your designs.

Allow me to introduce Hello Blushberry - Font Duo is a playful script containing many choices of alternative characters to choose from as well as ligatures that look natural to add to the authenticity of letters. A collection of strange and initial swash tips is also included to add finishing touches or fill the design space in your type design. Hello Blushberry a modern handwriting fonts, loaded with awesome opentype features, and full alternative upper and lower case character sets. make custom letters a dream thanks to all the extra decorative choices you can enter for beautiful and unique customizations - swash, endings, alternative letters and ligatures all make it the prettiest little thing since tutus and tiara. Designed to work harmoniously, this duo font consists of super fine and casual signature scripts and a complete and clean set of all sans serif letters. Sans Serif fonts consist of two outline fonts of different weights, and a regular version. Layer them with different colors and turbidity to get a million different views. This font is perfect for branding, logos, web and editorial design, branding, prints, invitations, crafts, quotes, and more. Includes Files: • Hello Blushberry Script • Hello Blushberry Script Capitals Need help? If you need help or advice, please contact me by e-mail at Greatstudio92@gmail.com.

Want to transport your audience to a world of wonder with your branding? Want your headings to spark happiness and engagement? Introducing Burnt Rose - A Modern Calligraphy Font. A modern and elegant handcrafted calligraphy font that’ll make your audience swoon and enhance your branding projects, printed materials, and website design. Every stroke and curve was created to capture the essence of elegance and style. Ideal for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Burnt Rose includes Ligature & Stylistic Sets as well as Multilingual Support to make your branding globally acceptable. Get ready to engage and captivate your audience with Burnt Rose. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

BulletNumbers come in very handy for all kinds of lists that don't exceed 100 categories. I have long since been using my own Bullets in positive and negative and four styles, serif, sans, engravers and script, a fitting one for every occasion. Now I added six more designs and perfected the Bullets for all of you. The following is a »must read«! Here is how to use them: (Important! Set letterspacing to '0', otherwise the two digit numbers will have gaps!!!) The numbers 1-0 reside on the standard keys. Two digit numbers 01-99 can be composed out of left and right half circles by using (lowercase) 'abcdefghij' for the first digit (left half circle) and 'lmnopqrstu' for the second digit (right half circle). The critical pairs (all combinations with 1) can be found in various places. Type '!' for 10, '#' for 11, '$' 12, '%' for 13, '&' for 14, '(' for 15, ')' for 16, '*' for 17, '+' for 18, ',' for 19, '-' for 21, '.' for 31, '/' for 41, ':' for 51, ';' for 61, '?' for 81, '_' for 91. The two arrows are on the < and > keys. '100' can be found with shift+option+1. Last but not least, the capital letter bullets A-Z can be found on the shift+letter A-Z. Your very practical Gert Wiescher

Katlynne is unpredictable. Katlynne is erratic. Katlynne is beautiful. Katlynne is an alternating contrast, sans serif type family. Arbitrarily separating the characters into ‘rounder’ and ‘straighter’ letterforms to determine what contrast each glyph will take. Katlynne is inspired by the observations made while watching the inexperienced use of broad tip pens. I found how and when individuals rotated their pen gave a visually intrusive, if not also pleasantly conspicuous effect. Often, the pen would naturally rotate horizontally (vertical contrast) on the rounder letterforms, and vertically (reverse contrast) on the straighter ones. This is more or less the formula Katlynne adopts as the contrast changes throughout the styles. Katlynne’s severity of contrast varies from ‘Negative Three’ to ‘Positive Three’ in four weights. With a central style ‘Book’ being the sensible, low contrast font in the family. Within the family there are four weights with 7 contrast styles, with complimenting true italics. Giving a total of 56 fonts! Katlynne's array of options works for creating stylistic similitude within layouts, where conspicuous title faces are needed with a cohesive text face to compliment. Alone, the ends of the contrast spectrum (Negative and Positive Three) create striking word forms for advertising, packaging and anywhere else a loud voice is needed.

Are you having trouble finding a perfect font for your projects? Using an inappropriate font will only show unprofessional, uninteresting projects and leave bad impressions to the audience. Therefore, let us introduce you to our script font to help you create lovely, unique, prominent designs. This is Sweet Jasmine. Sweet Jasmine is a handwriting-like script font created with mixing the natural handwriting elements with natural nuances to produce warm, flowing-looking designs. Its letters are interconnected in high contrasts, and it is suitable to apply for big text sizes because it has somewhat complicated font style details to ease the font to read. In addition, you can enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Sweet Jasmine fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

This is a must read!!! BulletNumbers come in very handy for all kinds of lists that don't exceed 100 categories. I have long since been using my own BulletNumbers in positive and negative and four styles, serif, sans, engravers and script, a fitting one for every occasion. Now I perfected them for all of you. Here is how to use them: (Important! Set letterspacing to '0', otherwise the two digit numbers will overlap!!!) The numbers 1-0 reside on the standard keys. Two digit numbers 01-99 can be composed out of left and right half circles by using (lowercase) 'abcdefghij' for the first digit (left half circle) and 'lmnopqrstu' for the second digit (right half circle). The critical pairs (all combinations with 1) can be found in various places. Type '!' for 10, '#' for 11, '$' 12, '%' for 13, '&' for 14, '(' for 15, ')' for 16, '*' for 17, '+' for 18, ',' for 19, '-' for 21, '.' for 31, '/' for 41, ':' for 51, ';' for 61, '?' for 81, '_' for 91. The two arrows are on the < and > keys. '100' can be found with shift+option+1. Last but not least, the capital letter bullets A-Z can be found on the shift+letter A-Z. Yours very practical Gert Wiescher

Between geometry & shapes inspired by nature, in 4 fonts Audace was born as a response to a simple brief: how to visually express human interaction and technology with abstract forms? The starting point is a humanistic sanserif, to which are added external references: design pieces, furniture, buildings. Architects shape our world with the intention to reconnect nature, human and address a perfect functionality. Not so far to typeface design which combines a personal vision and ensures good legibility in a certain context. Audace — like the works of those artists, designers, architects — is clearly influenced by the tension of the line, the play with negative space, the dynamics, the surprise, the nature that will influence the shapes of the letters. So if a v is asymmetrical, and the y based on similar asymmetry but in reverse, these two shapes help to distinguish from one to the other. This is a consequence of the influence of forms from design and art in the design of the Audace. And this small example illustrates the confrontations of the designer’s influences: the search for the most unique shapes, but without compromising on function: to be read, to be legible, even at very small size in the worst conditions. Audace, between geometry and shapes inspired by nature

Evoque Text is a humanist serif type family specifically designed for a comfortable reading experience. This has been achieved by optically adjusting the regular weights from my original Evoque family (released November 2021). You will notice a significantly reduced x-height and longer ascenders and descenders, complemented by adjustments to weight and spacing. This makes Evoque Text a perfect choice for any long passages of text. All OpenType features have been retained from Evoque. A plethora of swash alternates and discretionary ligatures enhance Evoque Text, giving you the opportunity to embellish your typography. Simply activate Stylistic Sets to start adding these flourishes to your text. Other useful features include Small Caps at the click of a button, and Old Style Figures are an option to the default proportional figure style. There are 14 fonts altogether over 7 weights in roman and italic, you can also avail of two variable fonts which allow you to fine tune the weight to your exact liking. Evoque Text has an extensive character set (900+ glyphs) that covers every Latin European language. Key features: 7 weights in both roman and italic 80 Alternates 26 Ligatures Small Caps Variable fonts included with full family Full European character set (Latin only) 900+ glyphs per font.

Introducing Polotan, the ultimate futuristic and modern sans-serif font. With its sleek and streamlined design, Polotan is perfect for creating a cutting-edge, high-tech look that's perfect for a variety of design applications. Featuring strong lines that convey a sense of power and confidence, Polotan is perfect for headlines, titles, and branding materials. But what sets it apart is its unique alternates, which give you the flexibility to create custom designs that stand out from the crowd. And with its alternates, you can take your designs even further and truly make them your own. Its clean and minimalist design makes it easy to read, while its sharp angles and unique letterforms create a sense of energy and movement!. Whether you're designing a high-tech website, a sleek user interface, or a modern brand identity, Polotan will help you make a bold and unforgettable impression. So why settle for a boring and outdated font when you can make a statement with Polotan sans-serif? Try it today and see how it can take your designs to the next level. And please message me if you want your language included or if there are any features or glyph requests, feel free to send me a message.

Ladoga — one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles. It was one of the first attempts in Cyrillic typography to create text face in a style of renaissance antiqua. Stylization to broad pen calligraphy resembles early forms of Latin types that were based on handwritten humanistic minuscule. Unique in its character set digital version of Ladoga was designed by Viktor Kharik on the base of artworks of Shchukin for ParaType. The family consists of roman and italic styles in text and display versions. Character set includes characters of original shapes as well as more modern alternatives. Besides there are a set of additional characters, old style figures and small caps. The fonts cover all modern languages based on Latin and Cyrillic scripts, Greek alphabet (including polytonic extension), Hebrew and historical Cyrillic letters. Ladoga is gorgeous in display sizes and pretty readable in texts. It’s well suitable for fiction literature, historical books, art criticism, religious and philologist works. It will be extreme helpful for multilingual issues and for inclusions into body text historical passages in original orthography. The family was released in 2010.

If you need a typeface suitable for the most elegant and hard work, you will fall in love with Schotis family, your true Scotch Roman style workhorse. Schotis Text is designed for perfect reading on running texts, leaving the setting of big sizes for Schotis Display. Each optical size family has seven weights plus matching italics, with 1100 glyphs per font. With a very extended character set for Latin based languages including Vietnamese, Schotis shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. Schotis family is based in Scotch Roman style but designed from scratch, with a more contemporary and not nostalgic look. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th century with Pica No. 2 in the catalog of William Miller (1813) and assumed the British route towards high contrast and vertical axis modern Romans. In opposition to the continental route of Fournier, Didot, and Bodoni, the English way opted for a wider, more legible letter also resistant to bad printing conditions.

Gogh is a geometric sans serif with a modern look and traditional spirit. It blends evenly without overly distracting the reader, yet still keeps a rich and distinctive character. The generous x-height, easily distinguishable glyph forms, and open terminals help the eye perceive a block of text smoothly, making it clearly legible. Gogh thrives when used both on-screen and on print media. Gogh type family consists of 10 weights from Hairline to Black and their matching Italics. Gogh is also available as a fully functional variable font, which gives unlimited opportunity to explore typography without the restrictions of predefined weights. Gogh Variable is also the best option if used on the web as it has a much-reduced size compared to the original font family. Regardless of which Gogh family you choose, the typeface covers a broad spectrum of languages, as it includes Extended Latin and Cyrillic. And it also comes with an alternative stylistic set that will completely change the overall look of a paragraph, giving it a more contemporary and display appearance. In addition to that, Gogh type family is enriched with an extensive list of OpenType features for advanced typographic layout, including standard and discretionary ligatures, tabular and small figures, fractions, language localizations, case sensitive punctuation, and more.

Franz Kafka’s manuscripts have always been a source of inspiration for designer Julia Sysmäläinen. At first she was just interested in literary aspects but later she noticed that content and visual form can not be separated in the work of this ingenious writer. Analyzing Kafka’s handwriting at the Berlin National Library, Julia was inspired to design the typeface FF Mister – by now a well known classic. Over the years, FF Mister K became a handsome typeface family and even produced offspring: the Josef K Patterns. Some of Kafka’s most expressive letterforms were the starting point for these decorative ornaments. How do the Patterns work? Outlines and fillings correspond to the uppercase and the lowercase letters on your keyboard. You can use them separately or layer them on top of each other. If you write a line of “pattern-text” in lowercase and repeat it underneath in uppercase you get a row of fillings followed by a row of outlines. Now you can color them and then set line space = 0 to get a single line of layered colored ornaments. Alternatively, activating OpenType / stylistic set / stylistic alternates will also unite the two lines to a single layered line. Further magic can be done with OpenType / contextual alternates turned on. On the gallery page of this font family is a downloadable Josef K Patterns.pdf with an alphabetical overview of forms. Hundreds of patterns are possible … we’d love to see some of yours and present them here on the website!

Welcome to the world of Saqtah! A display font with a superhero style that will bring strength and courage to your projects. Whether you’re working on a film, game, or design with a strong and bold theme, Saqtah is the perfect solution for you. With a stunning appearance, Saqtah will be the main highlight in every design. Each letter is filled with strength and thickness, creating a powerful and impressive look. However, the advantages of Saqtah do not stop there. This font is also equipped with special features. Alternate ligatures and characters allow you to create unique and creative typographical combinations, providing endless possibilities for the expression of your designs. Apart from that, Saqtah also supports multiple languages, so that your message can be well received by audiences from various countries. Make Saqtah your choice and give your project a hero touch. With the strength and boldness that this font has, you can create a bold and unforgettable look, captivating the heart and eye of every viewer. With its special features, Saqtah provides unlimited flexibility and creativity. Let’s be creative and bring an awesome impression with Saqtah in your project. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Carumba is the work of California designer Jill Bell and like the name suggests, it exudes liveliness and festivity. Carumba is perfect for anything which says FUN!

Amstello is a cute and fun handwritten display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Belinar is a sleek, signature script that will give your work instant class and style. Use this font for branding, logos, signatures, invitations and any other designs.

Love Castle is a fun and playful display font. This cute font will look truly outstanding in a wide of contexts from letterheads and titles, to logos.

With the display typeface Flogert, you can create stunning headlines that will grab attention. Let Flogert impress your viewers and help deliver your message with strong impact.

Brewmaster Modern is a very contemporary script that will work well for sign lettering and t-shirt designs, it also resembles the lettering used for Budweiser Racing.

Destroy, destroy, destroy. Insurgent was expanded to include extended Latin, extended Cyrillic and Greek alphabets so it will work with most languages in Europe and the Americas.

Slippery is a warm serif that's formed with the aim of readability. The letterforms is filled with soft edges, spacious counters, moderate x-height, and slippery italics.

Arabic and English font, designed according to font standards, based on quarters and a half circles. The font will add a wonderful touch to your visual works.

Gauntly is a stunningly sweet and delicious single line handwritten font with a cool vibe. It will turn any design idea into a true piece of art.

Biglove Christmas is lovely, cute and fun display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Just Style is a fun and playful display font. This cute font will look truly outstanding in a wide of contexts from letterheads and titles, to logos.

Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Xet-hand Script is an elegant script font. It features a unique style that will look amazing in wedding invitations, branding, social media posts and much more!

Make No Sense is a natural, bold and powerful handwritten font. This will turn any design idea into a standout! Make No Sense make unreasonable designs outstanding!

Superxoid is super-distorted, super-damaged and super-noisy...summa summarum, Superxoid is super-grungy! You will need to use OpenType supporting applications to use the autoligatures.

Happy Halloween is the perfect font for the scariest time of the year. Inside the font, you will not only find stunning letters to create Halloween decorations.

Running Stars is a chic and festive decorative font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Shepherd is a beautiful calligraphy font with an incredibly luxurious feel. It will add a romantic touch to any crafting project! Get inspired by its whimsical charm!

A wrecked, monospaced font containing ligatures for double letters, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.