Fresh and Roast is a bold italic serif. It is suitable for a coffee shop or cafe branding with retro / vintage theme. and it is perfectly to be applied to the other various formal forms such as advertising design, vintage garage design, adventure / mountain hiking brand, animation or movie, poster quote, book / novel cover and any type of advertising purpose.

Nouvelle is an elegant sans serif family of six fonts (light, regular, semibold and italics). This modular typeface works just as well as display typeface as it does in body text. Because of the high x-hight it stays readable in very small sizes. It has 1884 characters: oldstyle numerals, ligatures and extra characters that support almost all European languages.

Battleslab is a slab serif made for setting few words in large sizes. Two heavily contrasted weights work well when combined, with its mono-line wide light and heavy black it is perfect for making that "one-two punch" in headlines or logotypes. Display oriented Battleslab derived from Battlefin Family (which is much more comprehensive with its ligatures, italics and SC).

Trendy, bold & modern style serif font for your fancy projects. Elegant, fashion and classic style on Bellingham font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :) Multilingual support Lot of alternate characters Lot of ligatures Web font Great for modern branding projects!

Dalton Marine is an absolutely elegant serif font and designed for display. This typeface includes stylistic alternates set that allow you to change multiple characters in one click. It will elevate a wide range of crafting ideas, from cards to branding, labels, and more. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease.

Makani is a sans serif font family with modern, corporate, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Makani is also included full set of: uppercase and lowercase letters 9 weights multilingual characters numerals punctuation Wish you enjoy our font. :)

Metropolis Bold was commissioned by Publish magazine for their 1990 redesign. Although other digital versions exist, I think this was the first one and is characterized by extremely pointy serifs. It is well to remember in laying out copy for Metropolis to allow plenty of white space in the layout. Metropolis is based on the 1932 Stempel cut as designed by W. Schwerdtner.

Decorative, Display, Headline, Sans Serif, 1930s, Hand Lettered, Monoline, Retro, Vintage, Nostalgic, Stylized, Elegant Some beautiful and stylized Art Deco hand lettering found in the Jan. 6, 1934 issue of the British movie fan publication Picturegoer Weekly inspired Movie Palace JNL, which is now available in both regular and oblique versions. This monoline design adds a touch of elegance to any retro projects.

Goat is a font display with extremely fine and sharp serifs, inspired by Gothic architecture, which brings a vertical elongation in extent and an allusion to the typical ogival vaults of the style. A font that not only carries a texture of writing with magnitude and elegance, but also causes some kind of strangeness for the subversion of some typographic laws.

Restoration is a two style sans serif font with a rustic vintage aesthetic. It’s angled bars give it a unique appearance and sets it apart from other vintage fonts. You’ll get a textured version and a clean version, so you’ll be ready for any project. This vintage font is great for logos & branding, titles, web design, marketing, advertising & much more!

a modern, stylish serif font that offers excellent legibility for a variety of applications. This font is ideal for use in any kind of graphic design or advertising work, from logo designs to web design and print projects. Its easy-to-read character shapes, distinct letterforms, and beautiful typographic details make this typeface perfect for creating impactful and captivating visual designs.

Satisfice is alteration of satisfy, influenced by Latin satisfacere. The formal use dates from the 1950s and I hope that with this font you as a user of this font can feel satisfied using this font. Satisfice is a modern serif typeface. Clean, delicate, classic and has a characteristic. Please let me know if you have any questions. Lettercorner Studio

Proudly present the fresh from the oven, modern bold sans serif font. Nexomuki made with rising feel modern, bold, but still looks elegant too. Perfect pairing among uppercase and lowercase characters is suitable for your project design such as logotype, branding, headline text, advertising, slogan, qoute, magazine, publishing, and more. This font is already with multilingual support more than 20 leanguanges too.

My new font is beautiful and smooth modern calligraphy with a floating baseline. Charme Script will look beautiful on Christmas and holiday invitations, wedding invites and stationery, logos, and more. I love using it for emphasis words and pairing it with serifs Includes: Charme OTF & TTF Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: www.instagram.com/dmitriychirkov pinterest.com/dmitriychirkov7

Introducing my new font - Quride Quride is a modern Serif with a very unique alternate and ligature Quride came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : -Uppercase & Lowercase -Multilingual support -Number, -Symbol -Punctuation. -Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more) .

Halloween soon arrives!!! Blade Halloween is a natural Serif style handwritten font. This font has sharp angles that gives it a horror look, but it still remains firm and attractive. Blade Halloween includes uppercase & lowercase characters, alternate glyphs, punctuation, numerals, and multilingual support. That way this font is perfect for meeting your Design and Branding needs in welcoming Halloween day!

The Tiresome is a sans serif brush font that has bold, strong, bold characters. This will add a very unique and powerful touch to your design. This font is PUA encoded which means you can access all the glyphs and sweeps easily Features: All Uppercase Numbers and punctuation Multilingual Ligatures Alternates PUA Encoding Full Character Set !"#$%&()*+,-./0123456789?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[]^_abcdefghijklmnopqrstuvwxyz{}~ ¡¢£¤¥§©«­®°±»¿ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýþÿıŒœŠšŸŽž–—‘’‚“”„†‹›€−

Introducing the Nura Font Family is the modern Display sans serif family. The Nura Font family comes in various sizes from Thin to Black, giving you the freedom to get creative with this font. With strong characters in the size of Black, it is very suitable for use for sign displays. and other sizes you can use as needed for your project

Character Sans is a detail full sans serif typeface in 5 styles. It features all european languages, ligatures, arrows and minuscule numbers. It's characteristic style features are straightened ends and sharp curves. The lighter weights have great white spaces and their width is orientated on the heavier weights. Character Sans was made to have style and not to be uniform.

"BD Supper" is a friendly and humorous geometric-organic sans serif typeface great for use on food packaging and in gastronomy-related topics. It features a wide selection of alternate characters to choose from. Use them as you like. With two weights regular and bold, «BD Supper» fits the needs to structure a body text with a headline and to create logotypes.

Melange is my new serif font inspired by the good old past, but it still has a strong modern appearance. The font includes stylish alternate upper and lowercase characters. And that is why it's perfect match for logotypes, branding, wedding monograms and invitations, blog headlines, posters and much more. Font is available for Western European, Central European and South Eastern European Languages.

Trendy, bold, elegant, artistic & modern style serif font for your fancy projects. Elegant, fashion and decorative style on Markwen font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :) Multilingual support Lot of alternate characters Lot of ligatures Web font Great for modern branding projects!

Masserini is inspired by the 20's art deco era of colorful posters, fonts, and typography with a vintage flair. With its strong geometric shapes and letters, like a style of sans serif that was used in signs and posters during that time period. This collection consists of a variety of widths, weights, and variants to suit your creative needs.

Makeevka typeface is sans-serif semi-condenced font family. It has wide multilingual support with cyrillic also. This font was crafted with the intention to present clean, legible, multipurpose characters that are easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other applications and medium.

Introducing Ameda: A modern, stylish sans-serif font with high contrast that radiates sophistication. Elevate your designs with Ameda's attention-grabbing style, infusing an exhilarating flair into your creative projects. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Introducing my new brush serif typeface Wesloy. Vintage font with unique dry strokes with rough edges decoration elements. Perfect to use in any fashion labels, glamour posters, luxury identity, etc. What you will get: * Regular style * Uppercase and lowercase glyphs * Numbers and symbols * Multilingual support * Ligatures Please feel free to request to add characters you need: kaer.pro@gmail.com Thank you!

A humanist sans-serif family which displays subtle influences of the edged writing tool. Inspired by modern faces such as Chaparral and Enigma, Arum Sans is versatile enough to be used for high-end text setting as well as display purposes. A full international glyph set, extended for European use, allows Arum Sans to play on the field with the big boys.

Ethereal Havena, a typeface exuding femininity and beauty, combines the delicate strokes of serif typography with the elegant touch of ligatures. Perfect for diverse applications seeking a graceful and sophisticated aesthetic, it graces luxury branding, fashion editorials, and lifestyle magazines with its refined allure. Crafted with expertise, Swagume harmoniously blends modernity with timeless beauty, presenting a distinctive style that encapsulates grace and poise.

Augan Modern sans serif typeface with beautiful alternete, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features: Lowercase and Uppercase alternete Numerals & Punctuation Accented characters Multiple Languages Supported

Crem is a big Slab Serif font family with gentle minimalistic forms. Variability of styles allows you to experiment very widely with moods Crem reflects. Perfect for use​ in magazines, posters, logotypes, quotes, invitations, flyers, greeting cards, product packaging, book covers, etc. Crem Slab consists of 14 styles total, has wide language support and dozens of ligatures. Hope you'll enjoy using Crem Slab!

Aesthet Nova is a display type family. Released initially as Aesthet in 2015, it had a significant makeover. Inspired by the 70’s aesthetics, Aesthet Nova remains true to its original "back to nature" roots. It is a smooth talker with a larger than life personality. Equipped with an extended Cyrillic character set, it features rounded serifs, ball terminals and soft corners.

Hello. this is the variable version of CalliSans : a revolution in typography. 14 fonts, 7 regular and 7 italic, seamlessly blend calligraphy's grace with sans-serif simplicity. Perfect for projects demanding elegance, from books to digital screens. Make a bold statement with its distinctive style. Timeless yet contemporary, it transcends trends. Your creative secret weapon. CalliSans Pro: where art meets design.

Foliage Exotica is a serif font that can add a playful touch to your project. It comes in a brush handwritten dreaming style. Foliage Exotica is perfect for casual types on greeting cards, illustrations, quotes, quaint branding, book covers, children's books, packaging, and more. Features: - Total 230 Glyph - Uppercase - Numerals & Punctuation - Alternates and Ligatures - Multilanguage Supports 60+ Latin based languages

The idea of a brand-new grotesk is certainly rather foolish – there are already lots of these typefaces in the world and, quite simply, nothing is more beautiful than the original Gill. The sans-serif chapter of typography is now closed by hundreds of technically perfect imitations of Syntax and Frutiger, which are, however, for the most part based on the cool din-aesthetics. The only chance, when looking for inspiration, is to go very far... A grotesk does not afford such a variety as a serif typeface, it is dull and can soon tire the eye. This is why books are not set in sans serif faces. A grotesk is, however, always welcome for expressing different degrees of emphasis, for headings, marginal notes, captions, registers, in short for any service accompaniment of a book, including its titlings. We also often come across a text in which we want to distinguish the individual speaking or writing persons by the use of different typefaces. The condition is that such grotesk should blend in perfectly with the proportions, colour and above all with the expression of the basic, serif typeface. In the area of non-fiction typography, what we appreciate in sans-serif typefaces is that they are clamorous in inscriptions and economic in the setting. John Sans is to be a modest servant and at the same time an original loudspeaker; it wishes to inhabit libraries of educated persons and to shout from billboards. A year ago we completed the transcription of the typefaces of John Baskerville, whose heritage still stands out vividly in our memory. Baskerville cleverly incorporated certain constructional elements in the design of the individual letters of his typeface. These elements include above all the alternation of softand sharp stroke endings. The frequency of these endings in the text and their rhythm produce a balanced impression. The anchoring of the letters on the surface varies and they do not look monotonous when they are read. We attempted to use these tricks also in the creation of a sans-serif typeface. Except that, if we wished to create a genuine “Baroque grotesk”, all the decorativeness of the original would have to be repeated, which would result in a parody. On the contrary, to achieve a mere contrast with the soft Baskerville it is sufficient to choose any other hard grotesk and not to take a great deal of time over designing a new one. Between these two extremes, we chose a path starting with the construction of an almost monolinear skeleton, to which the elements of Baskerville were carefully attached. After many tests of the text, however, some of the flourishes had to be removed again. Anything that is superfluous or ornamental is against the substance of a grotesk typeface. The monolinear character can be impinged upon in those places where any consistency would become a burden. The fine shading and softening is for the benefit of both legibility and aesthetics. The more marked incisions of all crotches are a characteristic feature of this typeface, especially in the bold designs. The colour of the Text, Medium and Bold designs is commensurate with their serif counterparts. The White and X-Black designs already exceed the framework of book graphics and are suitable for use in advertisements and magazines. The original concept of the italics copying faithfully Baskerville’s morphology turned out to be a blind alley. This design would restrict the independent use of the grotesk typeface. We, therefore, began to model the new italics only after the completion of the upright designs. The features which these new italics and Baskerville have in common are the angle of the slope and the softened sloped strokes of the lower case letters. There are also certain reminiscences in the details (K, k). More complicated are the signs & and @, in the case of which regard is paid to distinguishing, in the design, the upright, sloped @ small caps forms. The one-storey lower-case g and the absence of a descender in the lower-case f contributes to the open and simple expression of the design. Also the inclusion of non-aligning figures in the basic designs and of aligning figures in small caps serves the purpose of harmonization of the sans-serif families with the serif families. Non-aligning figures link up better with lower-case letters in the text. If John Sans looks like many other modern typefaces, it is just as well. It certainly is not to the detriment of a Latin typeface as a means of communication, if different typographers in different places of the world arrive in different ways at a similar result.

Nagietha is a type of handwritten font with a dynamic & natural flow. This font is designed with original handwriting and gives it a personal touch. Carefully digitized by keeping the rough line still looks natural, romantic and personal. You can combine this font with many font styles such as serif, san-serif, oblique, italic, slab and etc. This font is specially made for personal branding but also works well for many applications. Perfect for logotype, labels, cosmetics, packaging, watermarks, quotes, apparel design, signature template, wedding invitation, food menu, doodle or any advertising needs. Nagietha is PUA Encoded, that allows you to access all of the alternates characters without any special software. You can simply access them by using Font Book (Mac) and Character Map (Win). TTF & OTF Format in a zip file featured : Uppercase Lowercase Numbers & symbols Accents Stylistic alternates Ligatures Swashes. Thank you for watching and stay safe everyone!

Peragat is the perfect embodiment of the harmony between classical elegance and a modern touch. Designed to meet the diverse needs of design, this serif font offers a combination of sophistication and contemporary flair, creating a captivating and professional atmosphere. Key Features: Classic Beauty: With a set of gentle serifs and balanced proportions, Peragat creates classical beauty that enriches your designs with an elegant touch. Optimal Readability: Each letter is meticulously crafted to ensure optimal readability, even at small sizes, making it the perfect choice for various graphic design and print projects. Global Flexibility: Peragat is designed with diversity and inclusivity in mind. With full support for multiple languages worldwide, this font seamlessly integrates into international projects. Design Applications: This font is suitable for various design purposes, including but not limited to: Brand identity design Marketing and promotional materials Print and digital publications Web design Business presentations

Quidic is an unusual display typeface. The upper-case letters are strongly vertical, condensed, and bold. Used by themselves, they make headlines and titles that stand out. The lower case letters do not have serifs similar to those on the upper-case letters, but rather have the serif shapes one expects from an italic style. The lower-case is also quite short compared to the upper-case letters. The italic styles of the family are unusual because the lower-case letters keep their shapes and the upper-case letters and numbers change. The family has three styles that differ more by width rather than by weight. Although some Bauhaus fonts have several letter shapes that are similar, there is no other typeface quite like Quidic. The family can be used for many things, but not for text. For a "normalized" version of this typeface, see Qwatick.

Originally designed in 2012 by Ryoichi Tsunekawa, All Round Gothic is a font family inspired by classic sans serif fonts such as Avant Garde Gothic and Futura. All Round Gothic is a structured geometric sans, but also creates a sweet and cute atmosphere by removing unnecessary stems. With their bowls shaped by not-perfectly-geometric circles, All Round Gothic makes an organic impression in some degree. As a result, All Round Gothic became a new font family that covers between 1920s Bauhaus and contemporary design trends comprehensively and one of the most suitable family for any purpose such as text, headline, logo, poster, and animations thanks to clean and legible but soft and friendly letterforms. All Round Gothic includes 5 weights and obliques corresponding to each weight. Why don't you try this family if you got a little bored with classic sans serifs. This font is used in Minions movie.

For anyone who prefers to stand out from the crowd, than to go with the flow! Arpona is a typeface with small wedge serifs and a strong character, ideal for corporate design and all projects characterized by a sense of individualism – for example art, fashion, food, beverage and lifestyle topics. Arpona is inspired by roman letters carved in stone but otherwise difficult to categorize. It is neither a pure serif nor a sans but rather a symbiosis of different design concepts. Because of its display qualities, Arpona is a good choice for packaging, advertising and editorial design and is well readable even in running text on screen. The family has nine weights, ranging from Thin to Black plus corresponding italics. Each style includes 590 glyphs supporting all western-, eastern- and central-european languages including four sets of figures and various currency symbols. For more information visit the microsite: http://floodfonts.com/arpona