During the turbulent era of the 1960s, the youth of America found various ways to protest against "The Establishment". Whether it was campus unrest, protest songs, sit-ins or other methods, the message was the counter-culture movement. Arising from this disenchantment with traditional social standards, a small but effective means of protest arose that made no sound, yet spoke volumes - the pin button. Statements against the war in Vietnam, free love, drug use and other messages popped up on little metal discs pinned to tee shirts, suspenders, head band and hats. Sixties Pin Buttons JNL recreates twenty-six of these messages in both white on black (upper case keys) and black on white (lower case keys). Blank buttons in both white and black are found on the parenthesis keys.

Chlara is a Modern Ligature Serif Font. It's soft curves mixed with high contrast glyphs, give it a feminine and masculine quality. It comes with epic ligatures and alternates. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Feel free to follow, like and share. Thanks so much for checking out my shop! If you need a custom license or have questions, please email to: krismagraph@gmail.com

Haven font family is based on the compositionality of constructive elements that create the final shape of individual letters. Mechanical connecting was continuously adjusted by a type designer’s feeling. In this way Haven differs from similar typefaces of the 1960s and 1990s. Six fonts of different stroke intensity create a rich family of typefaces for a variety of uses in typography for special occasions. Although the typeface was drawn for headings, it is suitable for typesetting of long texts in a book. Even in extreme reduction it retains its technical basis, negating classic book alphabets, and it adds an experimental look to the text. Both extreme fonts Thin and Black create strong contrast and their magnification brings attention to their interconnection of all details. Serif version Haven Serif is also being prepared.

AmpleAlt is a alternate version derived from Ample type family. AmpleAlt is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewer's attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. AmpleAlt is designed by Aakash Soneri in the year 2014.

DIN 2014 Rounded is an extension of the industrial sans serif DIN 2014. It combines the softness and friendliness of the rounded endings with the seriousness and stability of the original typeface. Not a typical childish rounded font. DIN 2014 Rounded works well for medical or architectural topics, headings on the web or in periodicals, brand identity, packaging, and, thanks to the DIN proportions, for signage. DIN 2014 Rounded includes six styles ranging from extra light to extra bold, corresponding to the upright styles of DIN 2014, as well as a variable version. The typeface supports all European languages based on Latin, Cyrillic, and Asian Cyrillic (Tatar, Kazakh, Kyrgyz and other languages). Isabella Chaeva and Alexander Lubovenko worked on the rounded version. The typeface was released by Paratype in 2021.

AmpleSoft is a softer version derived from Ample type family. AmpleSoft is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewerís attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. AmpleSoft is designed by Aakash Soneri in the year 2014.

AmpleSoft Pro is an extended version of AmpleSoft type family. AmpleSoft Pro Includes Extended Languages Character Set for following: Azerbaijan, Belarus, Bulgaria, Czech Republic, Kazakhstan, Latvia, Lithuania, Polish, Romania, Russia, Slovakia, Ukraine, Uzbekistan, Vietnam. AmpleSoft Pro is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewer's attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights: Thin, ExLight, Light, Regular, Medium and Bold.

Hoping to make bold and statement projects? Trying to impress your audiences or costumers? How about a mix of tropical, style, and elegance? Then check this one out. Introducing Safira March- A Serif Font Family This gorgeous font will engage your audience and make your promotions and projects stand out. It comes with 9 different weights fonts. Bring your branding to life and add a touch of modernity and style with Safira March. Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Our font always includes Multilingual option to make your branding globally recognized. Features: Standard Ligatures Stylistic Sets Multilingual Support (91 languages) PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

When I am working on a new font, I usually play some music, or have a song in my head. When I was working on this font, an Audioslave song called Getaway Car was playing in my head. Again: naming a font is not that difficult! Getaway Car was made with a cheap brush and expensive Chinese ink. It is an all caps font, ideally suited for posters, book covers and designs that need a bold, rough & ready look.

High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings. Whole family contains small caps, subscript, superscript, italics, fractions old style and tabular figures. Over 1100 glyphs and 18 fonts makes a perfect match for clean and minimal projects. With Artigua it’s super easy to prepare adverts, books or web headings.

As as a computer programmer, it is my job to stare at screens of text all day. For my first font, I completed a simple monospaced font, Debug, based on my own handwriting. Mickey Mono is much more ambitious: I wanted a humanist design - something with organic curves. It had to be clean and fresh. It had to have the advantages of Debug, like distinctive numerals (to distinguish between 8 and 3) and huge punctuation characters (so I could read complicated Perl one liners). Mickey Mono would be a good friend to me as I struggled through difficult coding tasks. It has a wide range of Latin Extended characters and diacritics, so it can speak French, Portuguese, and Ruby. Enjoy!

Handle Oldstyle is an all-capitals and small capitals typeface from the Engravers collection. The Handle Oldstyle font is appropriate for headings and personal and business letterheads.

Broken home is a cute handwritten font with display letters! This font is perfect for shirts, mugs, signs, children's designs, headings, blogs, logos, brandings, invitations, and more!

FG Emmy works great for both small and large text pieces and headings. I like the way the font bends in different directions. That makes it interesting!

Ishtar was the Babylonian goddess of war, fertility, love and sex - all in all a lethal combination. She wasn't the sweetheart her lovers had hoped for; I guess the 'war' part in her resume is a dead give-away. Ishtar font is no sweetheart either: it doesn't have a real baseline and its spooky character might not be everyone's cup of tea. It does have a certain charm, however, and befitting a Babylonian goddess, it comes with Babylonian language support!

I bought something online, but when I received it, it wasn’t exactly what I had hoped it would be. So I read the return policy and sent it back. And… came up with this font and its name in the process! Return Policy is a hand drawn slab serif, inspired by a bunch of slab serifs from the early 20th century. Return Policy has been given a ‘grunge’ overhaul, making it ideal for sturdy products, websites with an industrial look and manly posters.

Pill Gothic walks the tightrope between a heads down, hard working, utilitarian sans and something that stands out, saying, "Look at me!" Designers looking for a type that will work in blocks of text for callouts, captions and headlines will find that unique balance with Pill. Pill Gothic asks the question: what is the effect of a few truly unique characters on the meaning of a type? In particular, the 'a' and the 'g', while relating strongly to the forms of the other characters, stand out from the traditional milieu of sans serif types. The name Pill Gothic came from early studies of the condensed weight where the lower case characters had the shape of a pill capsule.

Poole Standard is the "flagship" typeface from former wine label designer, Wesley Poole. It's a versatile friendly face, antique but not antiquated, elegant yet inviting. "I first used a hand lettered version of this look on the Carmenet label. I've had this alphabet designed in my head for some time. It's perfect for upscale work. Like wine, this font is well rooted in the past, but meant to be appreciated and used in the here and now. Poole Standard is a stylish headline face, yet works well as a text face because of its readability at smaller point sizes. (Other styles and weights are coming soon!) If you're looking for understated elegance, Poole Standard does the job.

Elida JNL was modeled from an image of some wood type for sale online. Although the type design most likely has its roots in the classic Bodoni, there were a few characters in the original wood type that had a bit of a square or block shape to them. Those characters were modified in order to keep with the overall roundness of the other characters. The name Elida JNL comes from a small town in New Mexico. Available in six styles: Regular, Oblique, Extra Condensed, Extra Condensed Oblique, Ultra Condensed and Mega Condensed.

Georges Peignot designed Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715–1790) although its style had little to do with that of the copper artist’s. The font displays a curious mix of style elements and could be placed as a part of the typographical Neorenaissance movement. Cochin is especially large and wide and was very popular at the beginning of the 20th century.

Modern antiqua (Victorian, Scotch Roman) «Dodo», 2008–2019. Named so as a portmanteau of Bodoni – Didot. XIX-th century fonts, especially Victorian antiquas, were almost excluded from the modern use by their XX-th century's descendants. And these new books had lost too much of their former beauty, elegance. Their old noble spirit. This project, «Dodo» was started in 2008 year as the first then modern revival for the Old Imperial Russian book scotch antiqua, used 120–170 years ago in almost every printed book. Still keeping the spirit of the Steam æra.

The purpose of this monospace font is to display braille in an original although rather steganographic way. Its glyphs are built from a flat hexagon which can be read as 3 rows of 2 vertices (i.e. regular braille glyph grid). The initial design is illustrated by glyphs 'ç' (no dot) and 'û' (6 dots) as shown by poster 5. Glyphs are connected to each other, thus 6 connections for each hexagon (2 on left/right and 4 on top/bottom). In the final design many diagonal segments of the hexagon were removed for esthetical reason. Text is displayed not as a honeycomb but as a lattice instead which mixes hexagons, squares and "irregular convex octagons" (mostly unclosed), the design favored squares over octagons. The whole slightly resembling a PCB. Text can be framed with 3 sets of Frame glyphs (as shown in Poster 4): Octagonal: { €, °, £, µ, §, ¥, ~, ¢ } which can be mixed with Rectangular High Rectangular Low: { è, é, ê, ï, î, à, â, ä } Rectangular High: { Â, ù, Ä, Ê, Ë, ô, õ, ë } which can be mixed with Octagonal NB: When using Frame glyphs, it is advised to show Pilcrow (¶) and Non Breaking Space, which are replaced by empty shapes (e.g. in Microsoft Word, use CTRL+8 or use [¶] button in the ribbon).

Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).

Antique Tuscan No.9 was one of the earlier wood-type designs by William Hamilton Page. It was first shown among the specimens produced in 1859, shortly after Page entered into a new partnership with Samuel Mowry, owner of the Mowry Axle Company. The new company was named Page and Company and was located at the Mowry facility in the Greenville section of Norwich, Connecticut. Antique Tuscan No.9 is an extra-condensed version of the tuscan style that had been released in moveable type by Vincent Figgins of London in 1817 and had become so popular for advertising in the intervening years. Because of the extreme compression in the design, we might be tempted to describe it as "Triple-X," but that might be misleading. The analogy would, of course, be to clothing sizes, not movie ratings. Because of the compression, this typeface reads best when set extra-extra-extra large. For printing, we recommend 36 points or larger. For the screen, we suggest at least 72 points. An unusual and distinctive design, it is best used with discretion. If I were doing a term paper for school or submitting an article to a magazine for publication, I might use it for the title page, to grab someone’s attention. I would certainly not use it for the main body of text - not if I expected anyone to read what I wrote. If you wonder why we make this recommendation, take the Ten-Point challenge. Print this paragraph using Antique Tuscan No.9 and set the font size at 10 points. If you are young and blessed with good eyesight, you will probably be able to read it - with effort. So, here is the challenge: hand it to your Grandmother and ask HER to read it.

A solid powerful Bold condensed face great for headlines and sub heads and in some cases even as a text face. High Intensity will definitely get your attention.

The design approach from this humanist sans-serif is much more simple and neutral than Lisboa Tamil (lacks the hook-head terminals). Latin transliteration characters were also included.

‘FRIENDLY SHADED SANS’ is just what the name says. It’s a chubby and cheerful Sans Serif typeface that is ideal for poster work, headings and informal design generally.

A handcrafted font with extremely narrow letters, suitable for headings, logos, brands, menus, invitations, but can also be used with lowercase letters. Designed 2022 by Joachim Frank Germany.

MONZO is Contemporary Fat Font comes with 2 styles ( Regular & Outline ) with corresponding italics. Perfect for Logotype, Head text, Displayed text, and many more). Support for 75+ Language.

This font was inspired by the LogosNazhdag font, but the font is narrower and softer. Suitable for headings, packaging, logos. Developed and digitized in Germany by Joachim Frank.

Applbitz is a set of three pixel style fonts which include a matching set of food related pix fonts. The regular style is a text font, which is optimal at 14 points when used in flash. Applbitz Pix Base and Pix Top are corresponding food related glyphs, with the top providing a bit of detail. These "friendly" pix characters can also be used in flash using some TLC (and snap to pixel grid). They are fun to add your own color combinations, and are great for a variety of food icons. View the PDF file in the gallery for color suggestions. Special note: to dress the hamburger use "{" and "½" (left brace and one-half) from Pix Top.

mixed fancy style font