Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design. The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts. A veritable swiss-knife for the designer, Codec Pro also includes a wide range of alternates and stylistic sets that cover all the subfamilies and the moods of the original type system. So while the standard set (Codec Cold) has terminals cut parallel or perpendicular to the baseline, emphasizing geometry for a more constructed look, stylistic set 4 (Codec Warm) uses open diagonal cuts and humanist shapes to give the typeface a gentler, warmer feeling. Set 3 (Codec Cold Logo) comes alive with funky ligatures, while Set 5 (Codec Warm Logo) stretches uppercase characters horizontally for a dynamic, unexpected effect

"BROSTEL Typeface" is a modern sans serif font that comes in a variety of weights, ranging from Thin to Heavy. It has a high body, making it easy to read even in small sizes. The font includes 502 glyphs, which allow for a wide range of typographic possibilities. In addition to the regular weight, "BROSTEL Typeface" also includes a condensed version, which is ideal for situations where space is limited. The font supports Private Use Area (PUA) encoding, allowing you to access special characters and symbols that are not available in standard character sets. Overall, "BROSTEL Typeface" is a versatile font family that can be used in a variety of design contexts, from branding and advertising to editorial and web design. Its clean and modern aesthetic make it a popular choice for designers looking for a fresh and contemporary look. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Arthur Ornaments offers a range of about 70 unique ornaments and pictographs in the sophisticated style of the Art Deco era: lavish floral compositions and leaves, borderpieces and geometric elements – and a stunning set of period lifestyle, sports and travel pics. Arthur Ornaments lend a breath of elegance and exclusivity to your designs. Arthur Ornaments is the perfect compagnon to all fonts of the Arthur Sans, Arthur Cabinet, Ardagh and Artemis font series. Use Arthur Ornaments to create posters, banners, menus, invitations and title pages of distinctive noblesse and beauty. Combine them with other Arthur fonts for a perfect match. The Arthur Ornaments set of characters is the very same as the respective part of Arthur Sans Regular (if you already have Arthur Sans Regular you don’t need this one!). Technical remark: Many of the characters in this font are encoded in the 26xx, 27xx and 1Fxxx ranges. However, for the ease of use most of the glyphs are doubled to the a–z, A–Z and 1–9 positions. _________________________________________________________________________________ If you like fine ornaments you should also have a look at Behrens Ornaments, Andron Ornaments and Leipziger Ornamente.

Keep it fresh with South Coast! A cool and confident brush font designed to deliver refreshing script lettering to a range of design projects. South Coast consists of: South Coast • A handwritten brush script font containing upper & lowercase characters, numerals, and a large range of punctuation. South Coast Alt • This is a second version of South Coast, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. South Coast Swash • A third font containing 23 hand drawn swashes. Simply type any a-z or A-Z character in this font to generate a swash. Perfect for underlining your South Coast text and adding a bit of extra flair! Ligatures • 15 ligatures (double-letters) are included to help your lettering flow more naturally. Language Support • South Coast fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Marujo is a highly decorative typeface inspired by painted pieces of Arthur Bispo do Rosário, a striking Brazilian artist who lived for 50 years in a psychiatric institution. Besides its spirited Regular and Light cuts, Marujo family brings nifty eye-catching variations adorned with dots and stripes. It also brings complementary fonts to spice things up even more: there are 2 shadow options and yet a picture font packed with doodles, mostly on nautical subjects (which are strongly present on Bispo do Rosário, a former seaman apprentice.) Bispo do Rosário's works employs a multitude of materials and are often very intricate. Words are everywhere, painted or embroidered at most. He produced a vast amount of works, and is now - posthumously - widely recognized in Brazilian art scene. The psychiatric institution in which he lived is now a museum dedicated exclusively to his work. Marujo draws inspiration not only from Bispo's works, but also from this man's potency, a persistent man who produced amazing art locked in such a tough environment for a life-long. Marujo fonts are positively adventurous and will safely navigate through a sea of feelings, reaching free spirits everywhere. To navigate is precise...

Ardentia is a serif typeface, supporting a wide range of Latin based languages and Greek (see TechSpecs). Ardentia was created inspired by most serif text font used in book printing. Smooth curves help the flow for long text reading. Ardentia is designed with medium contrast in order to have all parts of the letter’s shape well printable in book size printing, for high or low resolution printers, high or low paper quality. Other than book printing, the medium contrast also gives good visibility in display thanks to its clearness. Thus, Ardentia will work well for both printing and display, webpage or electronic/digital display. Ardentia consist of 4 weights: Light, Regular, Semi-bold and Bold, plus matching italics. The thickness of the lowercases (vertical stem) of the regular font is drawn at about the middle of the thickness of similar kind (serif) and similar size fonts. So Ardentia is the right choice for both textbook and display altogether. Being a normal serif typeface, Ardentia is applicable to a wide range of usage. From book typing, news, magazines notes, cards, sticker texts, banners, to logos and the others design mean. Enjoy using Ardentia for your projects.

Vito is a strong and elegant sans serif family in 60 styles. A wide range of weights and widths offering tremendous typographic flexibility. Perfect to mix in magazines or packaging, corporate designs or movie titles. Masculine and sporty for adrenaline junkies, reliable and elegant for serious typographers, but with a touch of bling for high snobiety. Vito was selected as one of Typographica’s favorite typefaces of 2015. The Vito Family sets its goal to stay very functional but with a strong and unique look. Neutrality is good, but sometimes you need a bit more edge. The extreme weights and widths work great in title sizes, while the normal weights make longer texts deliciously readable. The classic and elegant outlook in all sizes make the family suitable for everything high quality. While the family looks great on the outside, it is even greater on the inside. Loads of OpenType-Features, a big amount of language support, and the flexibility of alternative letters, make working with Vito easy and exciting. And the big range of widths invite you to mix all together, and find new ways to express your designs. We would love to see, what you come up with!

"MOUBARU Typeface" is a modern sans serif font that comes in a variety of weights, ranging from Thin to Heavy. It has a high body, making it easy to read even in small sizes. The font includes 680 glyphs, which allow for a wide range of typographic possibilities. In addition to the regular weight, "MOUBARU Typeface" also includes a condensed version, which is ideal for situations where space is limited. The font supports Private Use Area (PUA) encoding, allowing you to access special characters and symbols that are not available in standard character sets. Overall, "MOUBARU Typeface" is a versatile font family that can be used in a variety of design contexts, from branding and advertising to editorial and web design. Its clean and modern aesthetic make it a popular choice for designers looking for a fresh and contemporary look. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Start good day for new font! present to you, Aminah! Aminah is a retro serif font that brings a classic and charming vintage touch to your designs. This font combines elegant serif elements with a stylish retro feel, creating a unique and eye-catching combination. Aminah is suitable for use in a variety of retro design projects, such as posters, greeting cards, logo designs, and brand displays that want to convey a vintage, classic yet modern feel. With Aminah, you'll have an elegant, stylish, and full of character retro serif font with a large selection of ligatures to bring that special touch to each of your designs. This font will be the perfect choice for designers who want to explore design inspiration from the classic retro era but still trendy. What did you get? Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. I really hope you'll get pleasure using Aminah font and it will be perfect addition to your font collection! If you have some questions, please write me a letter! Shakira Studio

If you need to say something weighty, say it with Blood Orange. Blood Orange is a hearty rounded serif font with an easygoing confidence and a delightful nostalgic feeling, without the dusty burden of actual fonts from the last century. Blood Orange works great as a logotype, in magazines, headlines, posters, advertising and packaging. It’s at its best in short sentences since it’s so bold, but can be used for a bit longer text passages too, with some spacing added. As a product of modern era, Blood Orange is fully equipped with plenty of OpenType goodness: Contextual Alternates and Standard Ligatures do their usual trick in smoothing certain letter combinations, and they’re automatically on. In addition it has a wide range of Discretionary Ligatures, Stylistic, Swash and Titling Alternates that you can trigger on from OpenType controls in any OpenType savvy program, or manually select the suitable variations from the character window. Try these alternates for more eloquent designs, but remember to treat them like you would treat you would treat really strong spices: just a bit at a time. See the full range of the alternative glyphs on the specimen posters.

Callisto is a classic serif stencil fonts that is a stencil font like no others. Elegant curves are paired with great legibility and wide range of available glyphs. While stencil fonts are generally thought of as too masculine and rough, Callisto is very feminine and soft, which makes it perfect as a logo font for those who seek to further emphasise their brand's identity. Despite being a display font, Callisto looks great at smaller sizes, so short headlines and headers will look natural and email legible even in smaller sizes. Callisto comes in two styles —Regular and Half —which can easily be combined within the same body of text. Regular is a more minimal style, with wider and more open apertures, while Half is a hybrid between a serif and stencil font that still has longer strokes and stems. Each style consists of 415 glyphs, ranging from fractions to diacritics. There are a number of glyphs with cool stylistic alternatives (which is awesome for branding), lots of punctuation and OpenType features. Callisto is a great font for designers and artists who need a feminine font with a really strong character.

Introducing the Amoret Collection; A stunning pair of luxury script and sans fonts, designed to contrast & compliment each other with elegant beauty and contemporary style. Design luxurious logos, branding, product packaging, wedding invites and quotes in a flash. Here's what's included; Amoret Sans • A classy, high contrast sans font containing uppercase characters only, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Amoret Script fonts. Amoret Script • A thin and elegant script font with exaggerated strokes and a loose flow. Contains upper & lowercase characters, numerals and a large range of punctuation. Amoret Script Alt • This is a second version of Amoret Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Amoret Script Alt also contains 4 swashes assigned to the [ ] { } keys. Fonts include multilingual support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Maple Peachy, is a stylish and modern retro font perfect for making a statement! Featuring elegant tail swashes, this stunning font is versatile and perfect for creating graphic designs, branding materials, and more. Whether you're looking to create eye-catching logos, monograms, or headlines, this modern retro font will be the perfect addition to your design arsenal. With its unique vintage character, Maple Peachy offers a timeless look that won't go unnoticed. For DIYers, Maple Peachy is compatible with many popular programs including Cricut, Silhouette, Canva, and more! It's easy to install and use, so you can get to creating amazing projects quickly. From beautiful wedding invitations to logos and other branding materials, Maple Peachy can help you make your projects stand out with its modern retro font. Bring a unique flair to your creations with this elegant font with its distinctive swashes — your creativity will know no bounds! Make a statement and bring your creative visions to life with Maple Peachy! This modern retro font is the perfect blend of vintage elegance and modern charm. Get started today and add a timeless touch to your projects with Maple Peachy!

Discover the versatile and stylish Abraham Font Family at MyFont. With 8 unique styles, including Regular, Italic, Rough, Stamp, Shadow, Outline, and Rounded, this modern sans-serif modular family offers endless creative possibilities. Perfect for a wide range of design projects, Abraham is suitable for logos, greeting cards, quotes, posters, branding, business cards, stationary, blog headers, and more. Each style of the Abraham Font Family features both uppercase and lowercase letters, ensuring flexibility in your designs. Additionally, it includes stylistic alternates, standard ligatures, and numerals & punctuations in OpenType format for seamless typography. Enhance your artwork with the multilingual support of the Abraham Font Family, which includes a wide range of accents and characters to accommodate various languages. The font family is PUA encoded, allowing for easy access and usage across different platforms and software. With the Abraham Font Family, you'll receive the following fonts: Abraham Regular, Abraham Regular Italic, Abraham Outline, Abraham Outline Italic, Abraham Rough, Abraham Stamp, Abraham Shadow, and Abraham Rounded. Whether you're designing greeting cards, package designs, brand identities, or art projects, Abraham Font Family will add a touch of sophistication and creativity to your work.

Mousse Script is based on Glenmoy, a 1932 Stephenson Blake typeface. Glenmoy a prime example of what display typography was in pre-WWII American ad art. It graced the pages of magazines, sold numerous products and services, then simply died out when the typographic trends shifted towards the more personalized, stylized and handwritten types of calligraphy. The current trend in typography is a revivalism that brings all of the distinctive display typography of the 20th century, without chronological discrimination, back in the name of ‘retro’. Who are we to deny the masses what they want? Mousse Script doesn’t just bring Glenmoy back from the ashes of the 20th century. It expands upon the limited metal character set nearly twice over and takes advantage of the latest type technologies. This makes Mousse Script a striking typeface, both functionally and visually. A simple, attractive display font on the surface, Mousse Script is unique in its bold upright calligraphy, something rarely found these days. The OpenType version of Mousse Script combines both the regular and alternate character sets into a single, cross-platform package that takes advantage of the extended typographic features of the OpenType format.

Amfibia™ is a soft, flat-sided geometric grotesk family with a lot of character, equipped with tons of ligatures and swashes. Its main function is display use of all kinds, however it is prepared to serve as paragraph text typeface thanks to its 5 widths, giving total amount of 100 fonts. It is crafted for a broad variety design situations - from posters, magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications. Main features: - 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts - 10 weights for each width (from Hairline to Black) - handdrawn, carefully crafted obliques - over 900 glyphs, full of swashes, initial forms, terminals and ligatures - pronounced ink traps and large x-height improving legibility in small sizes as well as adding strong personality to display sizes - flat-sided letter shapes adding vertical rhythm and elegance to narrow widths - extended latin language support - OpenType features (swashes, initials, terminals, standard and discretionary ligatures, stylistic sets, contextual alternates, case sensitive forms, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Witch Hazel has been quite a while in the making; a fun font with slightly flared serifs, lots of ligatures and alternates, and over 1150 glyphs! This font is great for holiday designs, from Valentine's Day to Halloween to Christmas! It also bridges modern and vintage styling, so you can use it for fairy tales and pirates, or for your company's branding and logo! I just couldn't stop adding more and more to this font. Witch Hazel includes: - The usual A-Z, a-z, 0-9, and tons of punctuation; - Greek uppercase letters; - Cyrillic uppercase letters; - Over 430 extended Latin characters; - Small caps; - Decorative alternates for all letters (some letters have up to 8 alternates!); - Numbers and uppercase letters with pointy spurs; - Numbers and uppercase letters with rounded spurs; - 40 two-letter ligatures! All characters are OpenType coded and PUA-encoded, so they can be accessed by all design programs. And I'm including a PDF with the full character list; you can use it for reference, or you can copy/paste directly from the PDF into your project!

Nyata™ — Clearly Visible, No Matter What. I love London for its finest visual branding, especially its Johnston typeface spreading all over the city. It inspired me to create this new font family: Nyata™. Nyata means clearly visible in Indonesian. The typeface is designed to be clean, unique, and legible. It is a great combination for any display requiring high legibility, such as city’s way finder. Long ascenders help some characters more obvious. You will never confuse wether it is an h or an n. Moreover, I tried to create all the letters are distinguishable. Of course, no time for people to doubt between Uppercase “I” and lowercase “l” when seeing a way finder. Last but not least, it is equipped with tons of OpenType features such as slashed zero to help the words more obvious, or stylistic sets if you don’t fancy the serifed uppercase I. Nyata™ is also delivered in Variable Font format. Enjoy all the styles and everything in between in one variable font only sized less than 150kb.

Say hello to my serif font, Transcity! Transcity is a Bold Playful Elegant Modern vintage font with beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. This beautiful font perfect for branding projects, logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features: More than 100 beautiful swashes in this font Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters Fully accessible without additional design software. Multilingual Support: à á â ã ä å æ ç è é ê ë ì í î ï ñ ò ó ô õ ö ø ù ú û ü ý ÿ š fl fi ž œ ı ç ø š ž æ œ À Á Â Ã Ä Å Æ È É Ê Ë Ì Í Î Ï Ñ Ò Ó Ô Õ Ö Ø Œ Ù Ú Û Ü Ý Ÿ Š Š ŽŁ Ð Ç

I do a lot of taller, narrower handwriting fonts; this time around, I was inspired to make a wider, shorter handwriting font! MUGGSY has everything you expect from one of my fonts: clean and smooth curves, a full set of alternates, and a feeling of fun! MUGGSY has two uppercase-height alphabets (with a few lowercase-style letters like a and e in the lowercase set), plus a full set of 63 "smallternates" -- the same letters, numbers, and ampersand sized down to 75%, and beefed up in weight so they can be mixed in with the full-size letters. Plus 30 double-letter ligature sets, and a few additional alternates for variety! You also get a ton of punctuation, and my usual 300+ extended Latin characters for language support, for a total of over 600 glyphs! And just because you may want things a bit heavier, I've also made Muggsy Heavy, a bolder weight of Muggsy with all of the same alternates and extras. Enjoy, my fonty friends!

URW Geometric® is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability. The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased. Special glyphs, which are often designed afterwards for the original geometric typefaces from the 1920s, are perfectly integrated in the URW Geometric® . These design characteristics increase the usability and legibility tremendously. With its 10 weights ranging from Thin to Black, plus 10 additional oblique styles, it has a great versatility in mind. The extreme light styles shine bright in large sizes, the middle weights are perfect for body copy and the bolder variants for the use of emphasis information or bring a strong impact to headlines and information. The optically balanced styles are designed to work in perfect harmony together. URW Geometric® is functional, strong, simple and harmonized in form, and at a glance appears as a modern variant of its predecessors. Apart from the basic characters the design has an extra focus on the special glyphs. These are designed for todays needs. For example: the email glyph looks modern and unique, including a perfectly balanced spacing. The numero sign, in modern use called “hashtag”, is space saving and optically balanced for body text. Additionally, various extra and alternate glyphs are designed to provide a friendly usability. Including a wide Latin language support and character sets, URW Geometric® is perfectly designed for today’s requirements. Please have a look at the URW Geometric® Type Specimen (PDF) for further information.

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. A few of the many interpretations from the early twentieth century were true to the source, as well as strong enough to last into the digital era. These include two from the American Type Founders Company, Caslon 540 and the slightly heavier Caslon #3. Both fonts are relatively wide, and come complete with small caps, Old style Figures, and italics. Caslon Open Face first appeared in 1915 from the Barnhart Bros & Spindler Foundry, and is not anything like the true Caslon types despite the name. It is intended exclusively for titles, headlines and initials, and looks elegant whether used with the more authentic Caslon types or by itself.

Scandinavia Brush is a wild calligraphy font by Mans Greback, inspired by the untamed beauty of Nordic nature. It captures a rugged essence, with each stroke reflecting the raw energy and grace of natural environments. This brush-painted typeface is perfect for logos, handwritten designs, and tattoo art with its active and streetwise feel. Designed with a professional touch and high-quality craftsmanship, Scandinavia Brush comes in six versatile styles: Regular, Upright, Bold, Italic, and the combinations Bold Italic and Bold Upright. The range of styles allows you to create unique, expressive designs that capture the spirit of adventure, speed, and beauty. Use underscores _ anywhere in a word to make an underline swash. Example: Nord___ic Bru_sh Ideal for designer and art projects, or high-end handcrafted products, Scandinavia Brush brings a bold, authentic, and captivating touch to your creative endeavors. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a Swedish typeface designer with a passion for creating unique and versatile fonts. With an extensive background in design and typography, Mans has built a reputation for his meticulous attention to detail and prolific craftsmanship. His many fonts are widely used by designers around the world, making his work synonymous with creativity and innovation.

Astrid Grotesk is a normalized version of Schizotype Grotesk. Normalized; not neutralized. Where many neo-grotesks appear cold with their harsh neutrality, Astrid has a warmth, eminating from its (for want of a better word) clunkiness. With the latest update, it becomes a true workhorse, with a range of widths and italics for the normal widths. Astrid Grotesk, while being clearly a neo-grotesk in appearance, has a personality all of its own. Standout characters include the f and t, and the default binocular g, unusual in neo-grotesks. And the right angled terminals on c, e and s. Stylistic sets offer up alternate forms of a, g, y, I, @, dutch IJ, german eszett and l. A full complement of numerals is included: proportional and tabular, lining and oldstyle, plus fractions, subscript and superscript. Note also that the tabular figures are duplexed across weights - very useful when highlighting specific entries in tables. The tabular figures feature also substitutes in fixed width (across all weights) comma and period, so your decimals line up perfectly always. Lastly, case sensitive forms of certain glyphs are included for all-cap settings. This typeface will be useful for corporate identities and branding work. It’s spaced more for text settings in the normal width, and gets more display-optimized as the width decreases, but with careful tracking, all styles can sing at display sizes. Bored of those other Swiss style typefaces? Astrid Grotesk could be the face you need to breathe new life into your designs. Coupled with Schizotype Grotesk, its more eccentric cousin, you've got an unorthodox branding system ready to use straight out of the box.

Introducing "Master Rumble" - an exquisite font that embodies the timeless elegance of the Victorian era. With its ornate details and refined aesthetics, this font exudes a sense of grandeur and sophistication. "Master Rumble" offers two distinct versions: the regular and expanded. The regular version maintains the classic proportions and delicate details, perfect for creating elegant headlines and body text. The expanded version, on the other hand, provides a more dramatic and impactful look, making it ideal for titles and display purposes. These two variants offer versatility and flexibility to suit different design needs. With an impressive collection of 646 glyphs, "Master Rumble" empowers you to craft captivating typographic compositions. The font boasts an extensive range of alternative characters, allowing you to experiment with different letterforms and create unique combinations. This abundance of options gives you the freedom to customize and tailor the font to perfectly match your creative vision. Enhancing the font's allure, "Master Rumble" comes with an additional 146 ornamental elements. These ornaments beautifully complement the Victorian style, enabling you to adorn your designs with decorative flourishes, frames, and borders. These intricate details add a touch of opulence and bring a sense of refinement to your typographic creations. In conclusion, "Master Rumble" is a font that epitomizes the Victorian elegance, offering a perfect balance between classic charm and contemporary design. With its regular and expanded versions, extensive glyph set, alternative characters, ornamental elements, and multilingual support, this font empowers designers to create captivating and sophisticated typographic designs that leave a lasting impression. Elevate your creative projects and embrace the timeless beauty of "Master Rumble".

It's 1984 and everything has sideburns. Shoulder-padded "dress for success" is in, with power suits for women, black and white layers for men, neon brights for the youngsters. Maggie's "enemy within" and "no society" speeches preface the arrival of shopping malls and corporate status symbols. The economy is a philosophy and accountants carry ambiguous but very sophisticated-sounding titles. Thousands of words and expressions are reduced to initials or monosyllabic sounds. Synthesizers are very refined and the music is very catchy. The Macintosh and MTV are making waves. Brands are lifestyles. "Yuppy," Yummy," "Bobo," "Dinky" and "Woopie" are standard consumer categories in advertising lingo. The Volkswagen identity, only 5 years old now, is all the rage in design. VAG Rundschrift, by all appearances a rounded and slightly condensed Futura, is everywhere. Tube design is king. Fast forward two dozen years. Replay, but bigger and much louder. Fab. Let's dance. Fab is Canada Type's tribute to the Eighties. It's a five-font unicase family that brings tube design into the 21st century. The main font is an all-in-one treatment of the shiny roundness that the 1980s were. Fab White is a tightly packed thick outline font that conveys luscious contentedness like nothing else. The Fab Trio package is very useful for layered and colorful design, with the Black style serving as a backdrop, the Bold style as the front forms, and the Fill style for inlining. Fab comes in all popular formats and contains support for Western, Central and Eastern European languages, as well as Baltic, Esperanto, Maltese, Turkish and Celtic/Welsh languages.

Take your typography to the next level with Super Sabretooth. A vigorous, rebellious brush font designed to bring the noise, start the fun, and leave any inhibitions at the door. It pushes lettering limits to the extreme and breaks down any boundaries on it's journey there. Super Sabretooth is packed full of great features & added extras, providing everything you need to create highly charged typography designs. Here's what this family consists of: Super Sabretooth • A high energy brush font containing upper & lowercase characters, numerals and a large range of punctuation. Super Sabretooth All Caps • This is a second version of Super Sabretooth, with all lowercase characters replaced with a brand new set of small-caps. Use this font as a larger & louder alternative to the regular version. Quick Tip! If you want more freedom, you can combine the two font sets together to create truly awesome customised typography, they will work in harmony as well as being strong standalone fonts. There are no rules with it - play around, mix it up, have fun, and enjoy the ride! Super Sabretooth Swashes • Still looking for even MORE features? Alrighty, check out this extra font containing 17 swashes and 9 paint splatters, designed to add the perfect finishing touch to underline & exaggerate your Super Sabretooth lettering. Simply type any a-z character in this font to generate the extras. Fonts include multilingual support for the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Turkish, Polish, Finnish, Romanian, Hungarian, Estonian, Filipino, Indonesian, Icelandic, Romansh, Welsh Thanks for checking it out, and remember: Push the Limits.

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Yes, some hero combos may get along better than others, but they are always more powerful together. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering HERO SANDWICH! Prepared with plastic gloves on by those awfully nice chaps at the Comicraft deli. Anyway you slice it, these five Ingredients can be layered to generate a Hero Sandwich with the carbs and protein you need to deliver a knuckle sandwich to the bulking agents of your deadliest foes! See these families related to Hero Sandwich Ingredients: Hero Sandwich Combos Hero Sandwich Pro

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Yes, some hero combos may get along better than others, but they are always more powerful together. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering HERO SANDWICH! Prepared with plastic gloves on by those awfully nice chaps at the Comicraft deli. If you're an avenging hero on the go, have no fear, we've pre-assembled these eight classic Hero Sandwich Combos! Because choosing your fillings shouldn't get in the way of knocking out a supervillain’s fillings. See these families related to Hero Sandwich Combos: Hero Sandwich Ingredients Hero Sandwich Pro

Blue Plaque is a distressed font that simulates the low relief, white-painted lettering on English Heritage plaques attached to buildings where famous people have lived. For creating mock plaques, a blank disk, with the English Heritage title at the top and the logo at the bottom, is included at the brace left { keystroke, and also at the section § keystroke. A blank plaque without the English Heritage title and logo is included at the bar | keystroke. A distressed English Heritage logo is included at the asterisk * keystroke. he outer ring of the blue plaques, which is glazed in dark grey, is included at the brace right } keystroke, and also at the plusminus ± keystroke. Photoshop's Outer Bevel Layer Style is perfect for adding a relief appearance to the letters. Buyers are welcome to request a 1000px jpeg image of a blank blue plaque by emailing K-Type directly https://www.k-type.com/contact/

Introducing our Minimalist Font, Meramint Font is a meticulously crafted minimalist typeface designed to elevate your visual communication with simplicity and sophistication. This font seamlessly blends clean lines and contemporary aesthetics, making it the perfect choice for a wide range of applications, including logos, magazine covers, headings, and beauty product branding. Will you get : 1. Uppercase, Lowercase, Numerals, Symbol or Punctuation 2. Ready Majestic Ligature and Alternate 3. Multilingual Support 4. Installed on Mac and Windows 5. PUA Encode Thank you, and Enjor our Font.

Neuramatica is a low contrast sans serif font. Simple letter form makes that this font has a high level of legibility. Thus making Neuramatica look very modern. Neuramatica has five different weights, ranging from Light, Regular, SemiBold, Bold and Black. This font is highly recommended for use as a bodytext or headline, because it has good legibility. Design with a swiss style is perfect to use this font because it gives the impression of a modern and simple but still able to read well.

Proudly present a bouncy pretty script called Blacky Anthurium. Every strike of the shape brings the vibes of pretty and elegant. Blacky Anthurium font comes with a lot of alternates, every letter uppercase and lowercase has the alternate characters from SS01-SS06. For more outstanding looks, this font comes with doodles and ornaments characters too so you can mix and match it for outstanding looks. Blacky Anthurium font is perfect for logo font, branding, greeting card, cut files for quotes, silhouette font design, monogram font, etc.

Introducing by Balpirick Studio. Daisy Perfume is a Modern Calligraphy Font that's perfect for adding a personal touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Since you like to look, Angel Koziupa and Alejandro Paul bring you Voyeur, an entirely different direction from their usual collaborations. This typeface attracts two opposite design theories by mixing bold and blocky modernism with delicate ornamentals. The unlikely mix is not haphazard, however. It is calculated with an alchemist's (or voyeur's) attention to detail. This font includes many, many different ornamental treatments, each adjusted specifically for its letter form counterpart. Open your glyph palette to find plenty more variation and alternative combinations. For everyone's eyes only.

Plasma is a contemporary font family, characterized by its clean and geometric appeareance. As a square based style, Plasma has a technological and futuristic feeling, so is suitable for a very wide range of uses, such as editorial, corporate, packaging, posters and web design. Plasma Family consists in 21 fonts, which comes in seven weights, and three different wides. Each font has 516 characters, and can be managed by using its Open Type features, and supports Western European, Central/Eastern European, Baltic, Turkish and Romanian Languages.

HK Modular stands out as a versatile and adaptable typeface that finds its strength in serving as an impactful display, title, or poster font. Its design allows for effective use in spanning entire pages, highlighting article titles, and designing logos. With a regular cut and rounded-corner design, HK Modular strikes a harmonious balance between sleekness and approachability. This dual nature of the typeface allows it to seamlessly blend sharp, defined edges with a touch of softness, making it suitable for a wide range of design contexts.

Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts. It will enhance the appearance of advertisements, wedding invitations, headlines and posters. It contains a full character set and is professionally letter-spaced and kerned.