Europa Grotesque is a condensed sans serif font family that was originally designed by Sam Ardell (TP) in the 1950’s for the Techni-Process Collection. Steve Jackaman (ITF) acquired the rights to the TP Collection in 1991 and produced Europa Grotesque in its digital form in 1994. Europa Grotesque has impressive impact at display and subhead sizes, and its geometric forms sustain that distinctiveness in both all-caps and lowercase. The family is flexible and freeform enough to support both a laid-back feel while still feeling tight and controlled.

Corton was inspired by the traditional lettering on a gravestone in an English village. While that might sound a rather solemn beginning, Corton has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Eight faces are offered: regular and titular each in three weights plus regular condensed. Between them they are ideal signage and display faces, merging 'olde-worlde' charm and fun character, but remaining clear and legible.

Nouvelle is an elegant sans serif family of six fonts (light, regular, semibold and italics). This modular typeface works just as well as display typeface as it does in body text. Because of the high x-hight it stays readable in very small sizes. It has 1884 characters: oldstyle numerals, ligatures and extra characters that support almost all European languages.

This font set is the second in a series from P22 Type Foundry based on the lettering styles of Frank Lloyd Wright. Created in 1931, the Exhibition lettering was intended primarily to accompany Frank Lloyd Wright's exhibition drawings and models. Many of the 72 Extras were designed to form continuous linking borders. Combinations of these geometric forms can provide endless variations of decorative elements in the style of Frank Lloyd Wright. Many of these images were based on Mr Wright's "Saguaro Forms and Cactus Flowers" illustration for an unused Liberty magazine cover of 1926. Other imagery in this set was derived from assorted geometric designs by Wright. Exhibition Regular, Light, and Bold have been remastered and now contain almost 400 characters including support for Western and Central European languages.

Comicraft's latest joint has us swollen with pride! This one caps 'em all! Yes, it may look a little bony and stick out at right angles to our shins, but we reckon we'll win the a whole bunch of contests with this one... if we get up off our haunches and hobble up on stage. Trust your knee jerk reaction and download KnobblyKnees now, they look good on Kate and Angelina, they'll look good on you too! Features: Five fonts (Regular, Bold, Light, Broken & Open) with upper and lower case characters.

Simplo: the ‘Italian Futura’. Simplo is a geometric sans serif typeface, built in sixteen styles. It is a tribute to the 1930s typeface Semplicità, designed by Nebiolo’s Alessandro Butti. Although many details of Simplo differ from Semplicità, it preserves the spirit of the original. Simplo is ideal for use in display sizes. It is also quite legible in text, and is well suited for graphic design and corporate identity design. Simplo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. The most notable characteristics of this typeface are the ‘t’ and the ‘f’. The ‘t’ is the culmination of simplicity: a vertical line with just a simple right-side crossbar. The ‘f’ also has just a right-side crossbar, and is really tall: it reaches both the highest and lowest vertical position of the typeface. The top of the distinctive ‘s’, is much narrower than its bottom. The ‘a’, ‘b’, ‘d’, ‘g’, ‘p’, ‘q’, and ‘u’ are spurless, and show a family resemblance with Hans Reichel’s 1990s typeface Dax. However, these letters are rounder and more geometric than Dax’s counterparts, because of Dax’s higher x-height and narrower design. In Paul Shaw’s Imprint article about typefaces that have been overlooked and/or underappreciated, “Overlooked Typefaces”, he concluded his discussion of Semplicità as follows: “These idiosyncrasies suggest that Semplicità might find a warm reception today, given the current love affair with Gotham, Neutraface and Proxima—and the resurgence of ITC Avant-Garde Gothic.” Free demo font available. For more information about Simplo, download the PDF Specimen Manual.

Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.

Fun Play Arabic is sibling of Fun Play comes with Arabic version ; Arabic, Urdu, Persian, Kurdish and Jawi. Fun Play is a Fun and Playful display typeface family with 5 wights variant; from Light to Bold. Comes with many features; Multilingual Support, Ligatures, Stylistic Alternate and more. Each character represents a child's joy. ‘Fun Play’ can be used for branding, packaging, headline and all styles of children-related design.

Cubest is a geometric sans-serif typeface. Created by Mans Greback in 2021, this futuristic font has a square, monolined appearance with a retro-digital style. The family consists of eight styles: In addition to Light, Medium and Bold, it is also provided as Cubest Monospace and Cubest Variable, plus each weight as Italic. The font supports all European Latin-based languages and contains all symbols, characters, punctuation and numbers.

Magazin ST is powerful but delicate. What fascinated me seeing, a couple of letters, in Bob Roy Kelly's book (American Wood Type:1828-1900) were the little squares in the corners that represent a glow from lighting coming from below and from the right. Such ambiguity excited me and I thought that today with digital resources it wouldn't take long to do it. Seeing it working is excellent. Look In the posters what it is for and the effects it produces, including the sensation of relief.- L.S.

Bright with many interlocking and connecting ligatures and warm with hand-drawn irregularity, Solstice is something to celebrate. Based on the inspiring hand writing of creative friend, Kimberly Mahan.

Morison is an original but versatile serif family. With just about the right amount of personality and character, it can stand out when needed, but works equally well in everyday tasks where legibility is the key. The Morison family consists of separate stylistic ranges for display and text use. Each range comes in eight weights with corresponding italics. The display versions are sophisticated enough for tasks where a certain amount of extra elegance and flair are required, without compromising much on legibility. The text versions, however, are true workhorses, suitable for continuous texts in small sizes. All Morison fonts are equipped with handy Open Type features, such as built-in small capitals and multiple numeral styles.

I present to you Dubbo, a new retro serif! Dubbo is a fashionable font that is both retro and bold. Its thick curves give it a 70s groovy vibe, while the serifs bring it back to traditional. Dubbo fits right in with those retro mood boards and vintage logos. It includes a distinct lower and uppercase, as well as numbers, punctuation, and multilingual letters. The Ligature and Alternate fonts are sure to come in handy for whatever your imagination can conjure up! 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Typeface designer and Letraset type director Colin Brignall created the font Romic. The character of the strokes as well as the serif forms give the font its calligraphic look. The placement of the serifs, on the upper left and lower right of a character, also distinguishes this typeface and allows the figures to be set very close to one another. The dots on the i and j do not hang in the air, rather, they are connected to the rest of the letter with a light, serif-like stroke. The elegant and lively Romic font is legible even in smaller point sizes. It is best used in middle length texts and headlines and wherever an individual and sophisticated image is the goal.

Operandi is geometric sans family available in 6 weights inspired with vintage posters design from period between two great wars. Unpretentious family guided by simple design solutions – slightly wide by its character, decently recognizable, fully capable to lead any project – Operandi offers combination of functionality and visual balance that should be enough to recommend it as right choice. From Light to Black, packed in extended Latin character map, Operandi also contains a few OpenType features such as Ligatures, Fractions and 2x Stylistic Sets – one for complete uppercase alternatives and one for “a” and “g”.

Twirrewyn is Frisian for ‘Whirlwind’. I have always liked the Frisian language; it’s like a crossover between English and Dutch. When I studied journalism in Zwolle (a city close to Fryslân) there were a lot of Frisian students and I did pick up a few words! Twirrewyn is a handmade font family: the fat version was made using a brush and ink; the light version was made using that same ink, but with a broken satay skewer instead of a brush. And yes, you have guessed right, we eat a lot of Satay! ;-)

In 2007 we shared our first pride together. More than 1 million people took the streets of Madrid for this huge celebration … seeing the diversity of people supporting love was incredibly touching. Gay Pride is a celebration of freedom, human rights and the right to love whoever we want. It’s a memorial for the battles, the lives lost and the pain suffered while fighting for a growing list of equal rights. But let’s not forget there are still places where LGTBQ community is repressed and persecuted. As Letter crafters we love seeing the signs people design for their different pride parades, and we wondered… Why don’t we create a collection of handcrafted lettering to share some love and to add a typographic realness to the party? Love Wins Font is a series of 60 phrases handwritten with expertise and love specially designed to celebrate diversity. The lettering was crafted with different calligraphic tools creating diverse aesthetics. You can use them to create your signs, t-shirts, stickers, poster, banners.. all you need is to spread love during your Pride Celebrations (or day-to-day life!).

Introducing NEWGATE, a trendy font that is both retro and contemporary, is now available. Its thick curves give it a 70s groovy vibe, while the serifs return it to tradition. NEWGATE fits right in with those vintage moodboards and logos. It has separate lower and uppercase letters, as well as numbers, punctuation, and multilingual letters. The Ligature fonts will come in handy for anything your imagination can dream up! 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it. Check out Leonardo Sans which is a great pair for Newgate.

Exorts Compressed is a display font family. This square condensed sans is designed with an increased cap character and tight kerning to give the ability create the large and bold typography. It is made specifically for editorial design, headlines, posters, magazines, clothing and other purpose printed material. The family comes in weight from extra light to extra bold and have italic version of each weight. Features include: OpenType stylistic sets, ligature, and Multiple Language Support.

Constructed for maximum impact in tight horizontal spaces, Vanguard's eight weights span a featherlight Thin to a striking Heavy, with accompanying obliques. Vanguard CF impresses in print, headlines, video, and social media. Vanguard CF pairs excellently with its sibling typeface, Integral CF. It also contrasts well with warmer styles, like Artifex CF and Greycliff CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Viktorie might easily be mistaken for the handwriting of a note-taker in a hurry: it looks swiftly jotted down. These energetic characters pay little heed to such arbitrary contraints as baseline or x-height -- taken together, they give the effect of casual penmanship that's both curiously legible and inspiringly unleashed. Viktorie has a single, medium-light weight and comes, of course, with a full character set.

Neumatic compressed has a super compressed character set, increased cap height and tight kerning that combine to give you the ability to create large, beautiful and effective headlines and copy for your artwork. Neumatic Compressed packs punch when it comes to large copy lines and is perfect for posters, display copy, headlines in printed materials like magazines and books . The family comes in 8 weights from extra light to Black so it's versatile. Its extra light weight can give you some great height due to how narrow it is. Play around with the opentype Superscript with an underline or the Opentype stylistic sets which turns the default squared dots on i's, j's and punctuation to round dots.

Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics because they didn't look nice to me. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family for professional typography with an extended character set of over 700 glyphs. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and smallcaps can be found in all cuts.

Honeydew Script: Light, Whimsical, Soft & Bright Honeydew is a calligraphic font in a monoline script style. It is a modern twist on classic schoolhouse cursive, and is extremely versatile. Use this typeface for branding, social media, weddings, stationery, packaging, layout design, and advertising. The sky's the limit! Honeydew has 527 glyphs, including the complete Latin alphabet (upper and lowercase), numbers (lining, old style, fractions, and super/subscript), punctuation, and diacritics, and over 40 standard and discretionary ligatures.

Cinemas from the early 20th century are called “Lichtspiele” in Germany. “Lichtspiele” transports you back to a time where neon lights and marquee letters decorated cinema façades. Of the five styles, three have two versions of italics — the left-leaning italic evokes looking up from lower-left, the right-leaning italic is as if we are looking from lower-right. Display is the basic style, while Neon is inspired by the old neon letters found outside cinemas. Try placing Neon Outline on top of Display or Neon to add another layer to your artwork. Neon 3D is a extruded version of Neon. The Screen Credits style is based on the notes — producers, cast, crew and so on — on movie posters. Get more out of life, go out to a movie.

With TILT CAPS and lowercase "CAPS" you can shakeup your headlines on the fly. Tilt left or right, bounce up and down to find the right mix for your message, perfect for fun active design projects.

Linotype Sketch is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German designer Dieter Kurz gave his display font a calligraphic character. The forms lean slightly to the right and have a spontaneous and individual look. This light, cheerful font also displays a harmony among the forms and gives text a personal touch. Linotype Sketch combines well with modern text fonts which have the same narrow proportions. This font is well-suited for headlines and short and middle length texts with point size 12 or larger.

Isle Body is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sweet font with a casual and calm look, with generous spacing and an even weight, adapted for body texts and small sized type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Headline, also a serif font, which has the same basic structure but more distinct weights and a sharper look. Each style contains ligatures and support for a wide range of languages.

Isle Headline is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sharp font with a clear and attentive look, adapted for headlines, titles and large type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Body, also a serif font, which has the same basic structure but with a softer look and adapted for body text and smaller type. Each style contains ligatures and support for a wide range of languages.

Clover is a modern retro font with a light, bubbly feel! This font is perfect if you are after a fun script font that has a lot of edge! The versatility of this font reaches wide. Use this one for branding, logos, advertisements, shirts, stickers, social media, invitations and more! The complete package includes a complimentary shadow version for easy and perfect layering every time! Clover will take you right back to the 70's but still provide a fresh look to your designs!

Monroe was designed in 2010, but in 2013 the font’s designer stopped selling it. Eight years after its initial release, Monroe returns in a new and upgraded version—with improved drawing and spacing—which includes more weights as well as alternate glyphs. Each font style has 819 glyphs and the whole set contains 394 characters which support 207 Latin-based languages. Monroe also includes 5 stylistic sets that offer a wide range of signs, swashes and discretionary ligatures, all specially made to add aesthetic value to your designs. The family comes in 5 weights: Thin, Ultra Light, Light, Regular and Bold. Monroe was designed by Daniel Hernández with the collaboration of Alfonso García.

Raven hair and ruby lips, it may have been a trick of the light but I'm sure sparks flew from her fingertips. I definitely heard echoed voices in the night, of a restless spirit on an endless flight. If I remember correctly she held me spellbound in the night, with dancing shadows and firelight. Yes, I think I did see a crystal ball on the table, showing the future, the past and I did drink the potion she offered me, when I really should have gotten out of there fast. And that's my story and I'm sticking to it, your honor. It was that girl with the white hair, I'm telling you. She has my wallet too.

This is Ekamai, named after the district of Bangkok I lived in. It is based on Quinella, and was supposed to be a quick and easy reworking of that font into a "tight-not-touching" (rather than overlapping) version. As is often the case with quick and easy things, it turned out to be neither, and the vast majority of glyphs needed to be completely overhauled to fit the new system. This face is deliciously plump face, with lovingly rendered curves and just the right amount of cuteness; perfect for food packaging (of the sweeter variety probably!), logos, magazine headlines and the like. It performs admirably in all caps settings. The numerals are expressive hybrid figures (somewhere between lining and oldstyle). The overall feel is friendly and soft, without being overtly saccharine. Ekamai is equipped with subtle contextual alternates (which I'd recommend leaving on) to help with the tight fit, a handful of discretionary ligatures if that's your thing, and a case feature for all caps settings. The stylistic alternates and stylistic set 1 features simply change the # glyph to an attractive numero. Automatic fractions are included along with wide-ranging language support.

More Printing Helpers JNL gathers another assortment of vintage printing embellishments and ornaments from the late 1800s. Within the standard twenty-six alphabet keys are pointing hands, corner pieces, border elements and decorative center and end pieces. On the lower case, certain elements have been flipped or inverted for matching effects. Some additional positions are available on the 1 through 9 keys and on the colon and semicolon. A bonus to this font: three expandable panels. the first (with decorative end caps) is attained by typing the left parenthesis for the left side, the hyphen for the center lines and the right parenthesis for the right side. The second one features ribbon ends, and the combination of the less than-equal-greater than keys creates this panel. The third design can be made by typing the left brace/vertical bar/right brace keys.

Say hello to the Editor's Note Family, an editorial serif display that includes 16 fonts, regular and italic, from Hairline weight to Bold, and still has all the clean lines, tight curves, and trendy minimalist vibes! I've been loving the clean, editorial type trend happening in design right now (let's be real, there's always a place for timeless editorial type). Editor's Note is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text (think big headers, pretty quotes, calls to action, etc.). I've been loving combining the regular and italic, especially in big, bold quotes.

Vermont is an outline semi slab serif created by British designer Freda Sack. The serifs of Vermont are typical of slab serif fonts, having the same stroke width as the base strokes and forming a right angle to them. The strong figures of this font still manage to seem light and airy and the marked shading makes them seem almost plastic or sculpted. This class of font appeared at the beginning of the 20th century as an advertisement typeface, rose in popularity through the 1950s and phototypesetting in the 1970s. Vermont should be used exclusively in headlines and displays in larger point sizes.

Okay, we admit it! Comicraft's latest offering -- wrenched heavy-handedly from the pages of CHARLEY LOVES ROBOTS – is definitely a little awkward, maybe even loose-limbed and goofy. Those (usually) awfully nice chaps in the Comicraft studio are perhaps best known for their dexterity, their lightness of touch and nimbleness of finger rather than the kind of bungling, graceless, clumsy work evident in their latest digital alphabet. So, yes, MALADROIT is probably the most inept, cack-handed, undiplomatic addition to our catalogue ever submitted by freewheelin' John Roshell (formerly GAUCHE-ell) but might just possibly be the perfectly wrong font choice for your more bungling, inept, incompetent and hamfisted characters.

Midnight is a neon-sign-style font with two "gauges," Light and Bright. Works best when used in reverse against a dark background. The styles have a 2:3 ratio, as do the gauges of the neon "tubing," making both fonts equally useful across a range of applications. An elegant, stylish, wonderfully rendered display font. Comes with a complete character set.