Mexa , contemporary of Serif font, Mexa offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

HeartMatrixed is based on a matrix of dots in the shape of little hearts. It uses the same design pattern for placing dots as Dottie.

Coupon Clipper JNL is a fun, playful, casual sans serif font that evokes some of the lighthearted typography of the late 50s and early 60s.

Contra Sans is the base of my Contra family of fonts. It has just sufficient contrast to make for easy reading and an interesting appearance.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

PRISMATIC SPIRALS PRO FONT! The Prismatic Spirals PRO is a Decorative Type-System and ‘Assembling Game’, itself. Settled in squared pieces modules or tiles, embedded by unprecedented Intertwined Prismatic Structures Design, or intricate interlaced bars that may seem quite “impossible” to shape. Although it originated from the ‘Penrose Square’, it may not look totally as an Impossible Figures Type of Optical Illusions. More an “improbable” Effect in its intertwined Design, that even static can seem like a source of Kinetical Sculptures, or drive eyes into a kind of hypnosis. Prismatic Spirals Pro has two related Typefaces both more basic or easier to use versions, the Default Family plus its “bold” braided version Prismatic Interlaces… PRO provides a more advanced, complex, and twisted Design, plus requires to be typed alternating caps. Instructions: Use the Map Font Reference PDF as a guide to learn the 'tiles' position on the keyboard, then easily type and compose puzzle designs with this font! All alphanumeric keys are intuitive or easy to induce, you may easily memorize it all! Plus, often also need to consult it! *Find the Prismatic Spirals Pro Font Map Reference PDF Here! (!) Is recommended Print it to have the Reference or open the PDF to also copy and paste, when consulting is required or when it may be difficult to access, depending on the keyboard script or language. The 2 glyphs sets are separated in colors for facilitating. Also use the Map Font with key captions or switch to it for ensure that the characters are alternating between both uppercase and lowercase letters as other Keys as numbers, marks, and punctuation along the strings, holding Shift one by one or actually two by two. As a Tiles Type-System, the line gap space value is 0, this means that tiles line gaps are invisibly grouted, so the user can compose designs, row by row, descending to each following row by clicking Enter, same as line break, while advances on assembling characters. Background History: The first sketches of my Prismatic Knots or Spirals Designs dates back then from 2010, while started developing hand-drawn Celtic Knots and Geometric Drawings in grid paper, while engage to Typography, Sacred Geometry and the “Impossible Figures” genre… I started doing modulation tests from 2013, until around 2018, I got to unravel it in square modules or tiles from the grid, then idealized it as fonts, along with other Type projects. This took 13 years to come out since the first sketches and 6 months in edition. During the production process some additional tiles or missing pieces were thought of and added to the basic set, which firstly had only the borders, corners, crossings, nets, Trivets connectors or T parts and ends, then added with nets and borders integrations. Usage Suggestions: This type-system enables the user to ornate and generate endless decorative patterns, borders, labyrinthine designs, Mosaics, motifs, etc. It can seem just like a puzzle, but a much greater tool instead for higher purposes as to compose Enigmas and use seriously. As like also to write Real Text by assembling the key characters or pieces, this way you can literarily reproduce any Pixel Design or font to its Prismatic Spirals correspondent form, as Kufic Arabic script and further languages and compose messages easily… This Typeface was made to be contemplated, applied, and manufactured on Infinite Decorative Designs as Pavements, Tapestry, Frames, Prints, Fabrics, Bookplates, Coloring Books, Cards, covers or architectonic frontispieces, storefronts, and Jewelry, for example. Usage Tips: Notice that the line-height must be fixed to 100% or 1,0. In some cases, as on Microsoft Word for example, the line-height default is set to 1,15. So you’ll need to change to 1,0 plus remove space after paragraph, in the same dropdown menu on Paragraph section. Considering Word files too, since the text used for mapping the Designs, won't make any literal orthographical sense, the user must select to ignore the Spellcheck underlined in red, by clicking over each misspelled error or in revision, so it can be better appreciated. Also unfolding environments as Adobe Software’s, the Designer will use the character menu to set body size and line gap to same value, as a calculator to fit a layout for example of 1,000 pts high with 9 tiles high, both body size and line gap will be 111.1111 pts. Further Tips: Whenever an architect picks this decorative system to design pavements floor or walls, a printed instruction version of the layout using the ‘map’ font may be helpful and required to the masons that will lay the tiles, to place the pieces and its directions in the right way. Regarding to export PNGs images in Software’s for layered Typesetting as Adobe Illustrator a final procedure may be required, once the designs are done and can be backup it, expanding and applying merge filter, will remove a few possible line glitches and be perfected. Technical Specifications: With 8 styles and 4 subfamilies with 2 complementary weights each (Regular and Bold) therefore, Original Contour, Filled, Decor, with reticle’s decorations and 2 Map fonts with key captions. *All fonts match perfectly when central pasted for layered typesetting. All fonts have 106 glyphs, in which 96 are different keys with 2 versions of each of both caps and shift keys, plus a few repeated for facilitating. It was settled this way in order for exchanging with its Prismatic relative fonts which has only 48 different keys repeated twice. Concerning tiles manufacturing and Printed Products as stickers or Stencils, any of its repeated pieces was measured and just rotated in different directions in each key, so when sided by other pieces in any direction will fit perfectly without mispatching errors. Copyright Disclaimer: The Font Software’s are protected by Copyright and its licenses grant the user the right to design, apply contours, plus print and manufacture in flat 2D planes only. In case of the advent of the same structures and set of pieces built in 3D Solid form, Font licenses will not be valid or authorized for casting it. © 2023 André T. A. Corrêa “Dr. Andréground” & MMC-TypEngine.

While researching the history of Onitsuka Tiger's branding and graphic design, I came across an odd, yet highly appealing piece of custom lettering on the company's ONICK ski boots from the 1970s. Reminiscent of aspects of the typeface Black-Out by Eli Carrico (released by my type foundry Wordshape), yet vertically compressed with razor-sliced counters and odd stencil element that makes up one of the legs of the "K", the ONICK lettering is a potential source for an intriguing modular font. I immediately thought of Ryoichi Tsunekawa as a potential collaborator to bring this piece of lettering to full-fledged life in the contemporary context. Based in Nagoya, Tsunekawa runs an independent type foundry called Dharma Type, including three specialized foundry sub-labels: Flat-It, devoted to display lettering; Prop-A-Ganda, a series of fonts inspired by and based on retro propaganda posters, movie posters, retail sign lettering & advertisements in the early 20th century; and Holiday Type, a series of decorative and retro scripts for holiday use. The past year has seen a flurry of notice of his work abroad, having been featured in both MyFonts' "Creative Characters" and YouWorkForThem's newsletter. As the work of most Japanese type designers is almost wholly unnoticed abroad, for Tsunekawa to be interviewed by two of the most popular type distribution companies in the world is definitely something beyond the norm. Perhaps it is because he works independently, or perhaps it is due to the charm and friendliness with which his typefaces are infused. Either way, this attention is both welcome and appreciated. Beyond mere charm, Tsunekawa's work is nuanced, detailed, and accessible due to its high level of finish. His fonts stand apart from his contemporaries in Latin typeface design in Japan due to his fascination with pop, vernacular and historical lettering from "non-pure" sources- whereas type designers like Kunihiko Okano and Akira Kobayashi have spent years analyzing the essence of Western letterform construction and unlocking the essence of Latin forms, Tsunekawa views surface and the awkward nature of his sources as being of value, as well. His irreverence for the formal doctrines of history imbue his typeface designs with a rugged inventiveness that would be missed by most- glyphs without source designs are guessed at and approximated, often in a manner wildly divergent from what Western eyes would assume. It is in these moments that I find sheer delight in Tsunekawa’s work and what make me most pleased to invite him aboard Neojaponisme and Onitsuka Tiger’s type development project. His assorted typefaces show an eclecticism in finish and as holistic systems- Tsunekawa's return email to me about the proposed type project showed a digital sketch of how a completed typeface family from the source lettering might look, rendered with an effortlessness and dedication to detail that belies a skilled craftsperson. Further development showed Tsunekawa’s rigor- the typeface in development rapidly featured glyphs ignored by many: a full set of fractions, Eastern European diacritics and accents, superior and inferior numerals, alternate characters, and custom ligatures - all designed with regulated, detailed spacing. ONICK is a typeface Tsunekawa should be proud of- an homage to a moment in history rendered in the absolute best fashion. We are proud to present it to the world! --Ian Lynam

A strong, horizontal sans serif typeface. The letterforms distinct lateral emphasis combined with condensed proportions helps improve readability and use of space across layouts. Ideally suited for a wide range of modern applications, details include 9 weights with italics, 540 characters, 5 variations of numerals, manually edited kerning and Opentype features.

Film Noir JNL is a classic Art Deco Alphabet from the brush of the late master sign painter Alf R. Becker, and appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

Kong Script is a contemporary, geometric, script typeface, a modern interpretation of a traditional style. The upper and lower case character sets link seamlessly, in the manner of a traditional script, to create an easy, flowing look. It's full of character and works well as a stylish, memorable display font.

Inspired by a scoreboard of the public transport in London our best selling font family is the basic font for the german magazine Starshot and even earned feedback from Sports Illustrated. The technical look of the entire DigiBo family is making the font a worthy member of the Eurostile / DIN -league.

Filogofil is a sophisticated type of sans serif logo font. Inspired by a mix of logos and philosophies, a solid, uncompromising style can be felt through controlled letterforms and a modern twist. A balance of hard lines and smooth curves.Filogofil are perfect for logo projects and great for any design project

Quadrus is the work of New York graphic designer Peter Fahrni, a condensed open slab serif typeface. Fahrni was inspired by the lettering styles typical of baseball, basketball and American football sportswear. Quadrus is an all caps alphabet ideal for a variety of applications, particularly for those related to sports.

Calligrapher Carolingian Minuscule Font is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Carolingian Minuscule calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin glyphs.

Who took the last cupcake? It's a mystery! This lovely cookie Is made out of crunchy handmade lines, and comes with 7 different versions of each letter - these automatically cycles as you type. Pretty lovely, if you ask me! On top of all this, Cupcake Mystery has multilingual support! Enjoy!

A warm duo of fonts in front of you! This is a super duo with lots of ligature. This is perfect for logos, wedding invitations, easter, posters, business cards, logos, headlines, Instagram stories, youtube stories, book cover, poster promotion and many more! Get the best pairing fonts with Chelsea Olivia!

A full-featured typeface that simulates old newspaper text from the 1700s, Broadsheet gives you all the “long s” ligatures you could ever dream of. Wonderfully authentic in either display type or long blocks of body copy. Includes a couple of printer’s flourishes. (Based on antique publications from 1728 and 1776.)

Bitra is a beautiful, elegant, and versatile serif family. It has tons of alternative characters with Excessive flourishes, giving a playful feel to your design. Ornaments are inspired by the beauty of the bird of paradise tail. Bitra comes with seven weights with its matching italic, ornaments, and variable format.

Inspired by classic art, the cocomate font is the epitome of beauty and strong authenticity that is embodied in the art of typography. made with the characteristic variations of italic contrast and bold size in the letters. suitable for use in graphic designs such as logos, labels, packaging and others.

Snake head is a script font with a graffiti look. cool to be use in various types of designs, with several choices of characters and various kinds of swashes, so that your design looks powerful, this font is sutable for branding, clothing, logotype, packaging, advertising, crafting, and various other designs.

Calligrapher Gothic Textura Font is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Gothic Textura calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin glyphs.

Elkdale is an Antique Tuscan typeface based on a series of wood types designed in the 19th century. Elkdale exudes the impactful ornamental designs found in posters, newspapers and signage of the day. With its wide complement of weights and widths, Elkdale should fill any space with attention-grabbing delight.

Calligrapher Insular Majuscule Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Insular Majuscule calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains all the Latin glyphs.

Hammock is a chilled and simple handwritten typeface. Having the combination of the large capital letters and the small lowercase enable you to play with the font uniquely and flexibly. Also, its left-slanted letters give a bit of special look to the typeface. Most of the european languages are supported.

Hearts, and wings are both powerful symbols.The heart represents the seat of the emotions, and Wings represent movement upward, even spiritually, in the case of angel wings. These images have been drawn with a brush, some of them on rough paper, and are available as a black or white version.

Frenzy evolved from a logo for a Gen X product offered by a very staid company. It is a sythesis of Classic Roman Capitals and American Typewriter—with a bit of frenetic energy stirred in. It is dedicated to the designers son, who is the epitome of the font... contained chaos.

Designed at Polygraphmash Type Design Bureau in 1988 by Svetlana Yermolaeva. Based on Kirillitsa (1982), inspired by typographic poluustav of the Printing Office of the Russian Empire Academy of Science (late 19th century). Shadow style was added by Alexander Tarbeev in 1994. Latin alphabet was added by Oleg Karpinsky in 2009.

Calligrapher Humanist Minuscule Font, is one of the calligraphic group of fonts called “21 Alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Humanist Minuscule calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains all the Latin glyphs.

P22 Acropolis is P22's tribute to the enduring contribution of Classical Greece to world culture. This set features two typefaces in the style of ancient Greek stone carvings (one modern: Now, and one of authentic ancient Greek characters: Then) and 52 graphic extras drawn from coinage and vase paintings.

Naroid Initials JNL is one of the most ultra-compressed sets of initials available in digital type. These twenty-six initials are so narrow that a test print with all of the letters at 2-1/2 inches in height took up no more than about 5 inches in width!

IxD is a modular, semi-futuristic sans serif that uses its geometry to evoke the kind of future we all thought we'd have back when we were kids: sleek, assertive, cool. Many of its deep cuts and unusual letterforms are strikingly out of the norm, but they still feel inviting.

Somtam is a new decorative geometric display typeface, based on the continuation of a single line. It complements the style and personality of the ascetics of the continuum. Somtam is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, and more.

Eklipse is a ultra-black typeface from Neder Type. Designed to defy the limits of legibility it is also a journey into a universe of strange possibilities. With multi-lingual support, contains more than 60 ligatures and contextual alternates! Eklipse fits perfect in headlines, logos and small blocks of text.

A popular caps-only type of late Victorian times was called Mural, brought out by Boston Type Foundry in 1890. We always liked it, drew a lowercase for it, and then strengthened it by adding a bit of weight. It now has a nice, understated retro look for paragraphs of copy.

Victorian Silhouette is a decorative all-capitals face made up of small silhouettes of people engaged in different activities. Before photographs were readily available, portraits were commissioned in the form of silhouettes, and these were extremely popular during the Victorian era. The Victorian Silhouette font is ideal for initial caps.

An unusual blend of block and script letterforms, based on poster lettering for an Italian fashion house of the same name, designed by Wilman Schiroli in 1935, and notable for its very jolly lowercase c. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A Splashy font inspired by all things liquid and wet, the goal was to create a fun and realistic representation of water in the form of a letter. Water parks, Juice bars, your backyard pool party or your box of fresh squeezed orange juice, any time you need a good splash.

The Framez dingbat font is a collection of frames and borders that can be used for logos, titles or any other display function. Inspired by the traditional frames of letterpress printers, these designs were conceived as part of the Jackazz family but can also be mixed with any other typefaces.