Pueblito is a hand drawn font with a rustic and antique appearance. Was inspired from old books and newspapers but express a very own personality and not necessary represent a specific classic style. The family consists of twelve fonts in six weights plus a set of ornaments in order to compose all kind of texts. Using Pueblito in your projects, you can obtain an original aged flavor and just by adding a subtle texture effect will help you to obtain the desired vintage look.

HS Masrawy is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy. The font has a new modern idea where the vertical strokes have a constant value in all of its five weights. It has (5) weights and supported Arabic, Persian and Urdu compatible with Unicode (6.2). HS Masrawy is the first released typeface of collaboration between Hasan Abu Afash and Egyptian designer Abdulsamie Rajab Salem.

In 2015, Amsi Pro was released with the intention of easy usage and headings. After more than 5 years, Amsi has developed itself into the direction of Grotesk, which can be use comfortably as Graphic, both text and headlines, keeping its friendliness trait with Semi-Rounded and Humanist approach looking pleasing to the eye, succeeding the DNA of Amsi. The font has been set to equipped with 3 widths (Normal / Narrow / Condensed) for flexibilities in various demands. We are truly proud to present Amsi Grotesk.

My Dizzy Edge font is really not that dizzy! Actually it's quite steady and legible - super good for packaging, greeting cards and perhaps even commercials for toys, candy, t-shirts, movieposters...yep, that list is long! What's more interesting is that the font as got 6 different versions of each letter - at first glance, the letters don't vary that much, but a closer look reveals the sometimes grungy outline of a pen! But theres more!!! Dizzy Edges comes with multi-language accents!!! What's not to like!!!

For Vega antikva, too, 16th and 17th century typefaces stood models. I made a free interpretation of them, with a nice result, if I am allowed to express myself. Vega antikva makes a beautiful impression in books, but even as a web typeface it behaves well. The name Vega can be traced down to a constellation, a mathematician, a writer, a movie character, or a research ship, as you like. Now there is a typeface with that name, too. Vega antikva was released in 1994.

Winchell is the only identified typeface designed in Buffalo, NY prior to the formation of P22 type foundry. It was created by Edward Winchell of the Matthews-Northrup Printing Works and released by the Inland Type Foundry in 1903. The Winchell typeface was also made in Wood by the Hamilton Manufacturing company in the mid 20th Century. The Winchell typeface is a Clarendon styled slab serif that clearly has the look of a pre-modernist design. E.E. Winchell’s Arts & Crafts tendencies show through in this design

Released by Intertype in the 1930’s, Vogue was a geometric sans serif rival to Futura and Kabel. Vogue had many unique quirks such as its distinctive G, that striking Q with a vertical tail, and many others. Almost ninety years later there has been no decent digital revival of this wonderful typeface... until now. Intervogue brings this classic to life in the modern age. Seven weights complete with true obliques and an alternate cut give Intervogue the versatility to be a true workhorse.

Douglass Pen was inspired by the handwriting of Frederick Douglass, who was born an American slave but died a distinguished 19th century statesman, orator, and abolitionist leader. He also had fine penmanship. Douglass Pen is modeled chiefly after Douglass's handwritten account of John Brown's famous 1859 raid on Harpers Ferry, Virginia. It simulates his somewhat condensed cursive, dashed off in a swift, bold style. The OpenType release has more than 800 glyphs, including scores of ligatures, alternative upper cases, inkblots, crossouts, and Eastern European characters.

Released by Intertype in the 1930’s, Vogue, was a geometric sans serif rival to Futura and Kabel. Vogue had many unique quirks like its distinct G, that striking Q with a vertical tail, and many others. Almost ninety years later there has been no decent digital revival of this wonderful typeface... until now. Intervogue Soft brings this classic to life in the modern age. Seven weights complete with true obliques and an alternate cut give Intervogue Soft the versatility to be a true workhorse.

Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web. One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014. The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.

As a follow-up to his popular Chocolate font, Angel Koziupa softens his brush again to produce Felipe, a font made in the memory of his brother. As packaging-friendly and versatile as any Koziupa font, Felipe contains fresh perspectives on old characters. Some of the majuscules and figures show characteristics normally reserved for minuscules. The overall color of the font is somewhat bittersweet, which adds to its ability to capture the attention in display settings. Felipe is ideal for packaging, signs, culinary-related designs, and posters.

Narevik consists of 7 styles -- 4 uprights (including black) and 3 italics. It’s a type of dynamic low contrast design with slightly rounded triangle serifs and drops which conveys to it a certain peculiarity. The vertical strokes have gentle intasis that brings additional softness to the shapes. The family was created by Armenian designer Manvel Shmavonyan and got its name after his daughters Nare and Arevik. It can be used in text composition as well as in display matters. Released by ParaType in 2011.

Ripe Apricot is a display typeface with flared semi-serifs. The design was created by renowned Armenian type designer Manvel Shmavonyan who gave to the typeface such a name not because of some associations with letterforms but just because the end of the long work happened at the time of apricot maturity in Armenia. The font family consists of four standard styles. It can be recommended for use in advertising and display matters as well as in magazine and Web design. Released by ParaType in 2010.

The box cover of “Drawing Stencils No. 3 for Use on Slate or Paper” [a children’s drawing set produced by Montgomery, Ward & Company of Chicago circa the 1890s] had its title in an elegant spurred Roman type face. Working from the few letters available, a complete character set was created that resulted in Antique Packaging JNL, which is available in both regular and oblique versions. To note, this is the 1500th font release from Jeff Levine Fonts since its inception in January of 2006.

Chandello is a handwritten signature script with a natural & stylish flow, perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more. A handwritten script font containing upper and lowercase characters, numerals and a large range of punctuation. Chandello is a must-have signature script that has a diverse set of alternates that will surely be used many times over in various projects in the future. This collection fills a void and separates itself from other scripts available.

Mocha Mattari is a distressed font designed based on Bebas Neue released as a free font in 2010. The Original Bebas Neue has an inordinate level of popularity and it has often been used as a web font in recent years. This Mocha Mattari was made by damaging the original and tweaked by hand work. Basically, Mocha Mattari does not have lowercases but alternative Uppercases. Exceptionally “g, m, oz, fl, lb” for “gram, milli, ounce, fluid, pound” can be available by opentype dlig or salt features.

Croog is a rounded geometric monoline typeface, built in three weights with true italics. Inspiration for this typeface was derived from FF Roice, with desire to create typeface less spicy or unconventional in appearance and more neutral, calm and friendly to use. Squarish in proportions, monoline letterfoms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog is released as OpenType single master with a Western CP1252 character set.

Collateral Damage is a classic splatter font from the earlier days of the internet. A consistent fan favorite since its initial release in 1999, this ink-dripping font was inspired by the gonzo art of Ralph Steadman. It looks hand-painted, like graffiti. Or crazy scary, like splattered blood. It was made by designer Chris Hunt who lives in the Canadian North with the polar bears. After years as a Chank.com exclusive, it is now available at MyFonts for your personal or commercial use.

New month means new font. Let us introduce our latest (another) sans serif; Tawakkal Sans. This font is a mix of modern and classic style, its cleanliness and irregular shapes represent the future, while its elegant curve mimicking old style typography. Tawakkal Sans is highly versatile, you can use it on many designing fields, ex: headline, editorial, quote-writing, tees/poster design, logo, etc. Packed with lots of glyphs (including OpenType chars), this font is a must have weapon on your designing arsenal. Enjoy!

The Bitstream version of Bell Gothic designed by Chauncey H. Griffith in 1938 for telephone directories of the Bell Telephone Company. It is a good sans serif choice for listings, catalogues and directories as its design is very space saving. The weight of the line is moderate and uniform. Being a clear and easy-to-read font, Bell Gothic is popular now for display and magazine advertising. Cyrillic version by Isabella Chaeva was released by ParaType in 1999. Italic styles added in 2009 by the same designer.

The name of this font is TWOMBLY, which is inspired by the abstract art master Cy Twombly. This original typeface has an Art Deco style with a firm, straightforward, confident character. Its self-respect is HEAVY, but it is very elegant and has a literary temperament. This font reveals a calm and calm temperament from Northern Europe. The details of the triangle used as a transition in the serif are full of playfulness, which makes the whole font have a youthful and cutting-edge feeling.

Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. The character set in normal upright faces was expanded to include small caps and all faces include old style figures. The typeface was designed by Manvel Shmavonyan with the participation of Alexander Lubovenko and released by ParaType in 2016.

The 1960 British film “Beat Girl” (released in the U.S. as “Wild for Kicks”) was a typical [for its time] story of a teenage girl looking to have some fun by hanging out with SoHo beatniks and going against parental authority. One of the posters for the film features the title in a condensed slab serif stencil form, with eroded edges. The basic letter forms were smoothed out and cleaned up resulting in Jazz Beat Stencil JNL, which is available as in both regular and oblique versions.

Kingslayer1875 is a typeface inspired by German Blackletter Fraktur with a twist of Sweden. The elegant design was created by fusing modern and vintage elements. The available Ligatures provide a diverse range of characters to make your project design stand out. 5 Styles (Regular, Inline, Outline, Shadow, Simple) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate glyps Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Franko Luin, Carniola's designer, on this typeface: Carniola is a pastiche of different type designs from the beginning of the 20th century, mostly American. I am not very fond of it, but was convinced to release it by someone who needed a typeface with a time typical feeling. On the other hand: why not use the original typefaces from that period? Carniola has its name from the Latin name of Kranjska/Krain, a principality in the former Habsburg monarchy (Austria-Hungary), now part of modern Slovenia.

Encorpada Essential is part of Encorpada Project. It started in 2011 with Encorpada Black. Encorparda Pro was released in 2012 with 14 weight - being seven uprights and seven italics. The Pro version brought a lot of opentype features and a extended character set. The Encorpada Essential has the basic character set with 455 glyphs, that supports more than 50 languages and opentype’s basic features such as: allcaps, standard and discretionary ligatures, numerator, denominator, superior, inferior and fractions. Check out the details on Encorpada Project website.

RMU Belvedere is a revival of Heinrich Wieyncks design, which was released by Bauer in 1906. The font was completely redrawn and redesigned, and comes with a long s, two framing elements and two tailpieces. Get the long s by typing [alt] + b or turn the round s into a long s by using the OT feature Historical Alternative. Start making the frame by typing [alt] + >, and continue with [alt] +

Tarocco is a typical book face with good readability and rather tall x-height. The origin for this typeface is found in Nordisk Antikva. A typeface especially constructed with attention for the Swedish language. Waldemar Zachrisson was determined to realize his ideas and in 1906 he began to cooperate with the foundry Genzsch & Heyse, based in Hamburg. Some influences of Jugendt can be found and the typeface were released in 1910. It became rather popular until around 1930. The MRF version includes 7 weights all together.

Magazin ST is powerful but delicate. What fascinated me seeing, a couple of letters, in Bob Roy Kelly's book (American Wood Type:1828-1900) were the little squares in the corners that represent a glow from lighting coming from below and from the right. Such ambiguity excited me and I thought that today with digital resources it wouldn't take long to do it. Seeing it working is excellent. Look In the posters what it is for and the effects it produces, including the sensation of relief.- L.S.

Rosalia is an impulsive typeface designed by Heinz Schumann in 1964 as Stentor for Typoart Dresden. The marked stroke contrast and the spontaneous look typical of handwriting gives the typeface a lively, energetic character. The generous capitals lean slightly to the right and contrast beautifully with the reserved, upright lower case letters and can also be used for initialing. Rosalia is a good choice for headines and texts in middle to large point sizes. OpenType features: Contains 390 Glyhps Central European faces Standard Ligatures Discretionary Ligatures

Ultima Pro is a geometric sans serif typeface family of eight styles – light, regular, bold and black in roman and italic respectably. Ultima Pro typeface is an upgrade addition to Ultima family (2010). All glyphs have gone through shape refinements, and the amount of glyphs was significantly extended, which enabled support of more Latin languages as well as full support of Cyrillic. Fonts released in OpenType format with some opentype features. The typeface is ideal for use in display sizes though is quite legible in text.

The Waymar font family is an modern elegant high-contrast serif, inspired by the fashion glossy magazines typography and handwritten signature script. It perfectly represents modern & vintage esthetics. Both fonts includes multilingual support (32 languages: Afrikaans, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmal, Portuguese, Romanian, Russian, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Zulu), alternate characters and beautiful ligatures. The font is perfect for wedding elegant invitation cards, beauty and fashion package design.

ITC Zinzinnati is based on a font called Ohio, released in 1924 by Die Schriftguss A.G. Typical of the Plakatstil letterforms of the time, the original font had a rough outline, as if drawn with a brush. Nick Curtis has smoothed the rough edges, which enhances the design's playful curves and engaging charm. As for the name: it's the punchline to an old vaudeville routine that starts with the question, Name a city in Ohio that begins with a 'Z.'" Pie in the face, comin' atcha!"

Point Made JNL is a varied assortment of pointing hands and arrows used for embellishing word copy, drawing attention to key points or simply adding some retro flair to your print or web project. Twenty six designs in varying styles offer a wide range of visual diversity. The images point to the right on the capital keys and to the left on the lower case keys. This font is a companion to Point Taken JNL, which offers twenty-six more pointing hands and arrows.