Costa Brava and Costa Dorada are devoted unforgettable days on beaches of tender Mediterranean sea in Catalonia. Enjoy! Both fonts were originally created in the summer 2003. The OpenType version, with extended Latin characters, was released in 2009.

Part of the first typeface release package from ITC in 1970, Busorama melds Art Deco and 70s flower-power into a delightful sans serif design. Designed by Tom Carnase, this three-weight sans serif family still turns heads.

Retro Lettering , Inspired by 70s Design Era with 2 style : Regular & Shadow, Include 4 style ending swash. Retro Lettering offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Costa Brava and Costa Dorada are devoted unforgettable days on beaches of tender Mediterranean sea in Catalonia. Enjoy! Both fonts were originally created in the summer 2003. The OpenType version, with extended Latin characters, was released in 2009.

Discover Wintery Christmas, a font that embodies the spirit of the season with its sweet and approachable handwritten style. Its versatility ensures it's a perfect fit for a diverse range of design projects, limited only by your imagination.

That she blows! Another disco-era delight, this typeface is based on an Affolter and Gschwind release called Moby Dick. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Goudy Fancy was originally released in the 1970s and was not previously available in digital form until revived by Josh Korwin in 2004. This OpenType revival features alternate glyphs, additional new glyphs, as well as automatic ligature substitution.

Sonita is an elegant serif display font designed with lovely circle tails to create a classy feeling. It perfectly represents a classic yet modern style. This font is perfect for elegant logo design, packaging or invitation cards. Enjoy!

Bowman is an informal slab-serif face written by hand with a marker. Its live and playful nature makes it suitable for comic books, illustrations, informal advertising and package design. Designer Alexandra Korolkova. Released by ParaType in 2010.

RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European languages plus Turkish.

Can one have enough butterflies? I think not, which is why I created these little creatures. Another release of Butterflies, containing more butterflies and perhaps a few other critters thrown in, will be available later in the year.

Militaria JNL is a collection of various military insignias modeled from vintage printer's blocks. While this in no way represents all ranks, specialties and branches of the military, it is still a nice little package for themed projects.

Introducing, Yolien Font. A retro, cute, and modern inspired by the flowy freeform lettering of the '60s and '70s. This font has a unique shape where every corner is smoother and more rounded. Every curve is designed based on an authentic and natural style. Yolien is perfectly suitable for a layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations: logotypes, and much more.

Now here's a font that won't spoil anything! It's my ALL CAPS brush font with slightly uneven and quirky lines. Just enough to make font look lively and fresh, but not overdoing it. Every letter has 7 different versions, which automatically cycles as you type - and I have added an extra SMALL CAPS for each letter. Exchange every letter here and there with SMALL CAPS, and you will get an even more authentic result!

Ashley Southine is a handwritten script font that offers an elegant and personal touch to every character. Inspired by handcrafted strokes, this font presents a natural handwritten feel that is both warm and inviting. Each letter showcases uniqueness in every curve and stroke, creating a relaxed yet refined atmosphere. Ideal for design projects seeking a personal touch, such as wedding invitations, greeting cards, brand logos, and other design elements requiring a warm and elegant ambiance.

WTF Strange Crispy - is a playful bounced display font that inspired by retro typeface, I make it with 100% hand drawn to get the artistic look. Perfectly suited for quotes, branding, logos, and social media posts, “WTF Strange Crispy” has a unique touch to every design, ensuring it stands out and makes a lasting impact. Illuminate your content with the enchanting allure of “WTF Strange Crispy” font, and let your creativity shine in every project.

Yellow Balloon is a typeface named after my two year old son's favorite book: The Yellow Balloon by Dutch author/illustrator Charlotte Dematons. Every night before he goes to sleep, he wants to read the book and manages to find the yellow balloon on every page. Yellow Balloon is a cartoonesque font with an uneven baseline. It would look great on book covers or posters. Yellow Balloon comes with extensive language support.

This font was inspired by the many changes in printing habits over the last half millennium. Every book has a story and sometimes the printing itself can be its own story. Every era has its own tendencies in decorative elements and these practices were observed and included such that the font contains over 200 hundred glyphs with which to add variety to your documents. It is provided with a complete character map.

The universe always made me curious as to what could be found beyond earth. For the past few weeks, I’ve been staring outside my bedroom window looking at the same star. Every day at one in the morning, it shone beautifully in the cloudless night sky as I face West. That same star paved way for some inspiration to create a futuristic typeface. Every day, I watch it before it disappears into the oblivion.

The Saroja is a meticulously crafted display font type that brings captivating aesthetics to every design project. With distinctive characteristics and various artistic elements, this font breathes new life into your text. With The Saroja you have access to a creative tool that allows you to bring aesthetic beauty to all your design projects. It's the perfect blend of art and typography, ready to transform every word into a captivating work of art.

The font EXTRAKT references the grotesque fonts and elementary typography as developed at the Bauhaus (ITC Bauhaus, Futura). Extract originated from a child's game: How many matches are needed to write the word EXTRAKT? (https://hof3.com/arbeitsweise/extrahieren) In the development of the typeface "EXTRAKT", the design principle of reducing the letters to the most necessary strokes was central. In addition to the reference to Bauhaus, EXTRAKT also has a futuristic feel. ("The Expanse")

Specimen PDF | Graphic presentation | Customization options TT Wellingtons is reborn! Introducing the 2023 edition of the Humanist sans serif! Functional, aesthetic, and technically flawless. We have thoroughly worked on every contour and every detail of the font. The expanded character set now consists of 913 characters The font supports more than 230 languages 35 OpenType features, including new ligatures and stylistic alternates Most of the characters now have standardized and improved shapes

Lately I have been thinking about rabbits. Not that I have a particular love for rabbits - they’re cute, but also kind of stupid. But as Christmas dinner is approaching, I see more rabbit carcasses lining the shelves of supermarkets. These poor animals never saw the light of day, never felt the grass between their paws and never had a ‘true life’. In honour of the hundreds of thousands of rabbits being slaughtered for Christmas this year, I have named this font: Rabbit Escape. Rabbit Escape is a slightly back-slanted typeface - handmade with a permanent marker I bought in Japan. It is quite unusual, maybe a bit weird, but it will serve you well. Comes with a generous stuffing of diacritics.

Caltic-Holiday, Caltic-Festival, and Caltic-Straight are three eye-catching, very bold typefaces that are suitable for posters and signage. Caltic-Holiday and Caltic-Festival base letter shapes on trapezoids with curved sides but with curves that are reversed going from one to the other. Caltic-Straight has letters based on trapezoids with straight sides. None are suited for text and with their built-in spacing will not work as all upper-case or all lower-case. All three come in two widths, regular and wide, giving the Caltic family six members. Caltic has nothing to do with Celts. The Calt refers to the calt or contextual alternative OpenType feature that makes this typeface work. When the letters on the upper-case keys alternate with the letters on the lower-case keys, they fit snuggly together. As long as the user has a word processor that supports the contextual alternatives feature, there is no need for the user to alternate letters; the calt feature does it automatically. Although the fonts seem similar to hand-drawn lettering that was done on posters and signs during the hippie era of the 1960s and 1970s, I can find nothing quite like them. My inspiration for them is older, in a newspaper from 1932 that led to the typeface family PoultySign. Caltic (and Lentzers) are the result of seeing what else I could do with the inspiration that sprang from that 1932 newspaper.