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  1. MBF Raveny by Moonbandit, $19.00
    Raveny is a high contrast modern display font by moonbandit, This typeface is a unicase font, meaning that the uppercase and lowercase has the same height. Raveny also comes with multilingual support and several alternates for you to explore.
  2. Penna by DSType, $45.00
    Penna is a calligraphic type system designed by Pedro Leal. Amidst the four available styles you get four different ascender and descender styles, two different styles of starting and ending swashes, a plethora of ligatures and several other features. Choose between regular, swashes, unconnected and connected versions or mix them all up for a deeper calligraphic feeling.
  3. Goodfellow by Solotype, $19.95
    Our font (circa 1895) of this old wood type was made by Hamilton of Two Rivers, Wisconsin, but we have been told that another identical font was made earlier by W. H. Page, Greeneville, Connecticut. Hamilton became the final home of many of the old wood type patterns as the early companies went out of business.
  4. IngyArrows by Ingrimayne Type, $10.00
    IngyArrows is a set of three fonts with three sets of arrows, with one of them a blend of the other two, where normally there are standard numbers, letters, and punctuation marks. The revision of 2011 added many of the arrows that exist in several places in the unicode codings and that cannot be accessed by normal keystrokes.
  5. Blackstone by Chris Costello, $28.75
    Dragons, pirates, magic, and all that is gothic was the inspiration for this design. Blackstone was one of ten winners in The 1988 Chartpak Typeface Design Competition and is now available in two styles with additional characters, alternates and dingbats. Several alternate caps can be found using alt keystrokes, so try using different combinations of all caps.
  6. Morenita by John Moore Type Foundry, $20.00
    Morenita is a script letter style, very basic geometric construction which refers to the style and the Art Deco glory, designed to provide a highly readable. It comes in two weights, Regular and Bold, italic versions both comes equipped with terminals and final words or tails in ways very easy to apply glue. Ideal for creative banner ads, versatile and readable form makes it’s ideal to creating logos or marks or create modern invitations, children’s publications or interesting or video or film credits. His look goes from vintage to contemporary.
  7. Aharoni MF by Masterfont, $59.00
    One of the famous Hebrew typeface ever, revived with new weight, allows lots of combinations.
  8. Magneta by Volcano Type, $19.00
    One of our first fonts ever. Simply made from some magnets hanging on a refrigerator.
  9. HGB Ypsilon by HGB fonts, $23.00
    Playing with old rub-on letters led to this alphabet. On the Letraset sheets (the older ones still remember...) there were always letters left over that were never or rarely used. I sometimes let interns play with it. To explain, I first rubbed an example myself. Two y's from a Helvetica made a pretty shape. Looking closely, you see a contoured, italic N. I developed the HGB Ypsilon font from this N. A purely decorative typeface – it could be interesting for some logo.
  10. Bluebottle by Greater Albion Typefounders, $14.50
    Bluebottle is a lively fun family of typefaces, a boisterous fun design, BLuebottle brings a distinctive cheerful character where ever it's used. Use Bluebottle to bring life and fun wherever you will.
  11. SG Rogibogy by Studio Gulden, $20.00
    SG Rogibogy is a playful font, suitable for your design that needs a cute touch. There are several alternative choices of letters available.
  12. Echophonic by Rocket Type, $14.00
    Try new Echophonic today! It's hi-fidelity sound you can actually see! Another miracle of modern science in several weights by Rocket Type.
  13. Bodoni Classic Ultra by Wiescher Design, $39.50
    Bodoni Classic Ultra is my really fat, high contrast extension to my ever expanding Bodoni Classic family. The Script cut is very decorative, the italic cut can be mixed with it to give it a calmer touch.
  14. Plastilin by ParaType, $25.00
    Plastilin type family of two weights obtained its name due to the soft, curved, stroke terminals of characters (J, K, L, R and others) and the little pointed serifs, as if extruded from stroke plastic mass. The character set has a lot of additional Latin and Cyrillic ligatures, as well as several alternate letter forms. Plastilin was designed for ParaType by Oleg Karpinsky in 2005. It is for use both in display setting and short text passages. In 2008 the author added two weights (Light and Black) and improved letterforms of some characters.
  15. Schmalfette Fraktur - Personal use only
  16. F25 Bank Printer - 100% free
  17. PixL - Unknown license
  18. Artlessness by sugargliderz, $18.00
    I used a technical pen to the trace the letters in an alphabet learning book for this font. Of course, I drew several letters by freehand as if I were practicing, and included all of them together as a Stylistic Set.
  19. Kane by Device, $29.00
    Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes' "Batman: Black and White" comic book. It retains the signature reversed-stress weight distribution, seen to best effect on the A.
  20. Jadran by Mina Arko, $7.00
    Jadran drew inspiration from holidays in the 80's, spent on the Adriatic coast. This all caps display face supports all European languages and comes with several illustrations. Jadran font is an homage to a cult children's magazine named 'Ciciban'.
  21. Dschoyphul by Ingrimayne Type, $9.95
    Dschoyphul is a serifed typeface that was crudely drawn with a pen. It is sloppy and irregular. It was one of several efforts to draw a serifed typeface by pen; see also SarahfSlob, which contains a complete family of styles.
  22. Kitra 77 by LightHouse, $49.00
    Kitra 77 was one of the studies to Hamuel Nine Five. Though at first glance we can find several similarities, a closer look will reveal a completely different font in color and proportion. Kitra 77 is an OpenType/TTF Unicode font.
  23. Bridgetown by Edcreative, $17.00
    Bridgetown is a beautiful, elegant, clean and stylish font equipped with several additional glyphs so that it is even more attractive to complement your design. This font is perfect for wedding cards, t-shirts, branding logos, posters, mug designs and more
  24. East Bouvent by Zamjump, $19.00
    East Bouvent is based on references to old luxury lettering, retro, vintage illustrations, and Victorian calligraphy. The retro East Bouvent style is suitable for a number of applications such as product labels, advertising, interiors, and more Including : Alternate Multilingual support
  25. Dialog Anila by Prioritype, $12.00
    Simple and eye-catching display fonts for your design touch. You can apply it to packaging designs, posters, logos, quotes, merchandise etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features
  26. Monogram Challigraphy by Jehansyah, $9.00
    monogrammed party select and make this your craft to add a perfect impression to your design Take a look at the preview image and you will find out what this monogram is for make sure you don't miss it There are several monogram options to suit your taste
  27. Maiden Sans by Deltatype, $29.00
    Maiden Sans is a humanist sans-serif based typeface which contains nine weights, from thin to black. Designed to use as body text to headline. The design of Maiden Sans typeface can easily be recognized at the terminal with reverse pen-head style and a bit sweet link!
  28. Mordings JNL by Jeff Levine, $29.00
    Mordings JNL is an odd-lot collection of images. These assorted dingbats are leftover art that never quite made it to one particular dingbat font category, but together comprise an eclectic assortment. Topics range from weather to vintage-style restaurant menu icons to decorative embellishments to an old-fashioned telephone dial.
  29. Radiant Extra Condensed CT by CastleType, $59.00
    I was commissioned by the Emporium (now Macys) to digitize Radiant Bold Extra Condensed (originally designed by Robert Middleton in 1940) for use in their Sunday supplement to the San Francisco Examiner. For several years, I stubbornly refused to add the lowercase letters to the font, because I thought it looked best just used with caps, but finally relented, added the lowercase letters and at the same time created two more weights as well: Light and Medium. Used very large and carefully, these faces can be quite elegant.
  30. Part and Parcel JNL by Jeff Levine, $29.00
    Part and Parcel JNL is a collection of twenty-six packaging and shipping labels in a retro style. Use them for spot illustrations or scale them to make actual labels. Please refer to the license agreement for specific use in commercial applications regarding derivative or salable works.
  31. GarbageG - Unknown license
  32. Garbage2 - Unknown license
  33. JulianaJoy by Lebbad Design, $24.95
    JulianaJoy is a condensed elegant sharp serif typeface for headline display and text use. Several alternate characters are included with this original font design.
  34. Endast by Cercurius, $19.95
    Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.
  35. Dephiana by Nurf Designs, $19.00
    Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.
  36. Manita Px by Letradora, $10.00
    Manita is a quirky, humorous unicase face, reminiscent of comic lettering. Supports most Central and Western European scripts. Includes ligatures and several fun dingbats!
  37. Blushbutter Fae by Blushbutter, $45.00
    I've always loved drawing faeries and I love using them in my scrapbooking pages. So after hunting around for a unique decorative fairy font for my crafts I couldn't quite find what I wanted to use, so I decided to create a whimiscal set of fairy drawings and characters that would suffice. I was influenced in the drawing of the fairies by my love of the 3D poser graphics art,several awesome comics, Alphonse Mucha and several Masters of Art. These decorative Fairy dingbats would be great to use in fabric crafts,textiles, embroidery patterns, scrapbooking, greeting cards, Rubber stamps, name titles, Calligraphy, the possiblities I feel are endless when thinking of craft applications.
  38. Economica Next by Underground, $19.90
    Economica Next is a redesign and expansion of the classic Economica typeface celebrating its tenth anniversary. This new version has a wider range of weights and was adapted to work in new digital environments. It was carefully designed to save space without loosing its legibility, it is used in several publications around the world and many important websites. It includes sixteen weights and a comprehensive set of characters that allows you to write in several languages. Economica Next is a typeface especially developed for web and app design in complex situations. It has been tested successfully for use in small sizes improving legibility. It is an ideal font for menus, tables, charts, etc.
  39. Sregs Serif Display by Propertype, $18.00
    Sregs Serif Display Family A Serif family inspired by popular 1960s-80s typography. Combined with modern nuances that are much in vogue in now days. Reflexive serifs with soft transitions make the letters easy to read and recognize. Its 7 weight with 2 style (Standard and Italic) variations provide several options that will help you find the ideal typographic feel for your project. Made for use in branding projects, large-scale printing such as billboards, signboards, titles, headlines, writing on short paragraphs, books title, page titles, taglines, websites, apps, logos, etc. Several Alternatives letters can be used to create a variety of design style or to make changed some letter in text.
  40. Henriette by Typejockeys, $-
    The redefinition of a classic In the 1920s the Viennese government decided to standardize the street signs across the city. A typeface was especially constructed for the purpose. It was available in a Heavy and a Bold Condensed version, to support short street names as well as longer ones. As the years went by, the typeface was adopted and redrawn by several enamel factories. These adaptations lead to variations on the design, and to the fact that there isn’t a Viennese street sign font but 16 – in part severely – different versions. Henriette is not a digitization of any of those versions; rather, it is influenced by all of them. The italic versions are completely original and designed to accompany the Roman.
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