Elaborate high-quality three-dimensional initials, with shadows, in various styles including numerous exotic letters, incorporating vignettes, flourishes, stems, flowers, vines, and other decorative elements. These masterpieces of typographic art were inspired by Italian hand-etched designs dating back to 1839. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, and texts conveying the feel of the 1800s.

Equip Slab, a new hardline, serif dominated face designed on the same geometric base as the rest of the Equip family. With its clarity it appears strong, imperative and straight forward. The Equip Slab family comprised 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Decour Soft is the rounded-edged version of Decour. It is a slab serif humanist low contrast typeface. The overall design also features strong curves, making it a very friendly face. The font retains the original elegant features of Decour—based on Art Deco design—such as high contrast between upper and lower case characters. Decour Soft is a suitable font for logotypes and packaging. Its design also allows it to be used with certain elegance in book titles and magazines subheadings.

Pelle Piano is the stage name for Per Ellstrom, a musician in Stockholm with an interest in irregular and informal lettering. ITC Coolman was inspired by lettering styles of the 1950s. “I have a passion for old '50s type lettering,” says Piano, “as seen on posters from B-movies and pocketbooks and cartoons.” Although ITC Coolman is not a script face, its caps work best with the lowercase, rather than together. The funky, bouncy look of Coolman cries out for beach movies.

Hasan Hiba is an Arabic display typeface. It is useful for titles and graphic projects The font is based on the simple lines of Fatemic Kufi calligraphy. Hasan Hiba won the 5th place in Linotype’s first Arabic Type Design Competition. It supported Arabic, Persian and Urdu. In November, 2008, Hasan Hiba was upgraded by working with Mirjam Somers an award-winning Arabic type designer to the DecoType font format for use in WinSoft Tasmeem which is now bundled with InDesign CS4.

I have made this font properly monospaced (all characters are the same width) as that is how an old typewriter worked. In addition to correcting and expanding the character set, of course. Keving King says: "Kingthings Trypewriter is a deconstructed typewriter face. I have always loved decayed fonts, this is the first of mine - and yes, I know there are lots of these around - this one is MINE". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Alesand A new contemporary font family designed with balance and versatility. The addition with outline and extrude font styles, makes it very simple to coat these fonts together perfectly. Simply duplicate the "Extra Bold" layer and change the setting to "Outline, Extrude", and the type will be automatically offset for you! And supports international communication extending to Western languages. Perfect for displays, headers, invitations, save the dates, weddings, brand creation, graphic design and so much more, Alesand will become a playful staple in your font library!

Polke is a single weight display face brimming with style and charm but simultaneously exuding impressive core strength and a vibrant personality. Floating ball terminals rub shoulders with contrasting sharp and rounded letterforms to produce a distinctively decorative headline font built on robust foundations. Polke's name is derived from the striking terminal dots which dominate the character set, creating a Polka-Dot effect throughout. I also had the artist Sigmar Polke in mind which explains the spelling, and so the two ideas simply morphed together.

The inspiration for SJURecord was calligraphic lettering used for the title of a student newspaper, St. John’s Record, during the late 1920s and early 1930s. The three upper-case and nine lower-case letters were considerably different from any calligraphic lettering I had developed, so I thought creating a complete typeface around these twelve letters would be an interesting challenge. The SJCRecord family has four members: regular, oblique, shadowed, and oblique shadowed. There are alternate letters for A, J, L, S, V, W, and X.

Notre Dame is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Notre Dame was designed by Karlgeorg Hoefer, who was inspired by the structure of forms once used mainly for liturgical purposes. Digital techniques made it possible to add Gothic ornaments and borders to the font, perfect for designing anything which should have a late Gothic feel.

A revival and major expansion of a 1926 Ludwig Wagner Schriftgiesserei typeface called Titanic, Lexington is the ultimate art deco expression of the high times of signage and theater during the first half of the twentieth century. Big feminine caps and cozy direct minuscules make for a unique combination rarely found in other deco faces. Topped off with the humorous and quite suave tall and pointy ascenders and descenders of the alternates, Lexington makes for a versatile and uniquely eye-catching display face beneficial to poster art, book covers, classy menus, product packaging and music paraphernalia. The original specimen Hans van Maanen worked from showed the majuscules, minuscules, figures, and 4 alternates of some ascending minuscules. This new digital version includes all of the above, plus many more additions: - Plenty more alternates, for some caps as well as for all the ascending and descending lowercase. - Three different size variations for the comma and the period. - Oldstyle figures. - A full complement of accented characters to support more Latin-based languages than ever, including Baltic, Celtic, Turkish, and Central/Eastern European languages. - A Handtooled style variation that covers both the main character set and the alternates. Lexington was named after Manhattan's Lexington Avenue, home of the some of the most famous and polished art deco architecture of the 1920s and 1930s. Lexington and Lexington Handtooled come in all popular font formats. The OpenType versions combine their respective alternates with the main character sets, for ease of use within OpenType-savvy applications.

Drop Caps happen. They started off life as decorated initials way back when in the days of illuminated manuscripts. Then printing came and they became the work of the rubricators and then somewhere soon after printing began, at least by the 1490’s, they were printed directly into the text. This then is a collection of over a hundred glyphs from that closing decade of the Incunabula period. All of them are based on examples found in the works printed by Michael Wenssler in Basel. This font also contains a few useful pointing hands and a set of spacing characters.

Majestic Mishmash is inspired by old times, patterns, ornaments and Eduardo Recife's work. Majestic Mishmash is totally hand drawn and every letter is unique. There’s even double version of A-Z and a-z to prevent identical characters being side by side. It’s suitable choice for flyers, posters, and headlines and advertisement whenever you need to have a distinguishable visual style.

This font has been especially designed for Mostardesign Studio by Olivier Gourvat. Created in 2010, this font family has been designed to serve sectors like financial services, modern industries, business and many more activities who needs a modern aspect in their communication. Its square proportions make the design very readable at a wide range of sizes. Shapes give the face a unique futuristic look and is a very practical choice for modern headlines, branding, text and web fonts work. The family contains also an alternative set with simplified letters designed especially for text and a unique stylistic set for titles and branding. UNicod Sans is available in 5 weights with corresponding italics and 2 styles.

Ancoa is a Sans Serif Display typeface, which plays with its rough form and works perfectly on posters, designs of different uses, contains 19 fonts and includes different styles from Inline, Layer Inline, Rough and the different Weights between Regular to Fat.

Grao is a modern, funny and casual script. All the glyphs have been carefully designed giving the texts a wonderful flow. A fat and thin blow in this font impresses the harmony. This font includes alternative stylistics and contextual, swsh, and ligatures for a genuine handwriting effect. It also includes a Central European language support with its corresponding alternative characters to have more options in those languages. Grao looks good in children's books, fashion, magazines, restaurant menus, book covers, wedding invitations, greeting cards, logos, business cards and is perfect for use in designs based on ink or watercolor, and more..

This font was designed with scholastic visuals in mind. Whether advertising for a school event, or creating handwriting worksheets for young children, this font covers all the basics with Latin alphabet languages. Three fonts with identical spacing to make interchangeable. Spacebar adds a regular space between words/sentences. To connect words with ledger lines, use the underscore (_).

Glupy Retro is a display type font with the style fat below and skinny on top. Use this display font to add that special retro vintage touch to any design idea you can think of! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

I have actually never had a sherbet. When I made this font family, I wish I had one, as it was a whopping 38 degrees (Celsius, not Fahrenheit…) outside. Raspberry Sherbet is a cute little font family, consisting of a rounded fat kids font and an inline version. Comes with all the bells & whistles, plus a super duper cooling effect when you use it!

MB NOIR is a 4 weight with italics font family that visually has different layers of style, at first glance its a modern clean geometry based face with some nice retro touches, it also has hints of the vintage about it, with a nod to the art deco style, with alternates and ligatures it gives a lot of scope for its uses and works very well at large and small sizes.

Rum Sans is designed inside out based on modular counters. Rum Sans is a text & display family suitable for any purpose, any media, any size. A humanistic modular sans serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2001-2014 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

Valibuk is a compact clean typeface for headlines and short text. No details are small and it’s a bunch of details that make Valibuk as it is. It’s a heavy, condensed face with a high x-height and tight spacing and that’s why Valibuk can write loud. The quality of the spacing and kerning is ensured by Igino Marini. Lomidrevo is a grunge stencil family derived from Valibuk.

Odyssey Pro is an elegant and majestic face well suited for display work in books, magazines, posters, invitations, and more. Featuring an abundance of ligatures and alternates, as well as swash capitals. Its design was inspired by the letterforms of classical Roman inscriptions in stone but also strongly influenced by later calligraphic forms. The result is a chiseled authority and dignity tempered by a refined warmth and flow.

Crushider Brush, inspired by the feeling when we see your crush, and you will see a lot of butterflies and your heart rate goes up. Crush + hider, mixed feelings that are addictive but you also want to get out of the situation. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded

Rum Serif is designed inside out based on modular counters. Rum Serif is a text & display family suitable for any purpose, any media, any size. A humanistic modular Serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2011-2014 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

The flower children of Canada Type are at it again. This time we went above and beyond the call of duty and right into the land of reconstruction in order to make this font. When we saw a few letters from an early 1970s film type called Jefferson Aeroplane, we had the sudden urge to bring their beauty to digital life. But since further research revealed no more letters or information, we just had to "wing" the rest of this Aeroplane. Now this Genie is out of the lava lamp, and it's nothing short of groovy. A few symbols and alternates come within the font, so make sure to check out the very full character set. We love this font so much that we couldn't help but play with it for a week. Some of the Wes Wilson-inspired results are in this page's gallery, so check them out for a flashback. Keep on trucking!

Nutcase is a perfect example of a font that principally designed itself. I created a hexagonal template (the most economical form in nature by the way) and took out the center to increase the decorative element. I played around with it, creating some pleasing characters at first but it soon became clear it would translate into a complete alphabet, so I set to work applying the idea to both upper and lower cases. It wasn't all straight forward though, avoiding awkward characters and retaining legibility took a little perseverance but it eventually paid off. I thought of this primarily as a decorative display face but having tested it out, found it reads surprisingly well as body copy too.

Cynosure Soft is a rounded, friendly version of Cynosur, a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

Designed by Arthur Baker in 1994 for URW, Kigali is a wide-bodied display type with bold, uneven, pen-drawn strokes that taper dramatically downward. This unusual theme creates a unique, recognizable look. Furthering the effect, the Kigali typeface family contains additional decorative design fonts, one with a zigzag pattern filling the spacious strokes, and another with the letters in black squares for use as ornamental initials. The regular and italic versions include two alternate faces: one with long, tall ascenders and regular-length descenders, and one with shortened ascenders and descenders that allow it to fit where its companion might not. Use Kigali sparingly in display advertising, labels, flyers, and other incidental work.

Elena Albertoni on Dyna: “While studying in Paris, I worked for a design studio specialized in packaging. French supermarkets are full of lettering with a handwriting flavor, which seems to go very well with a wide range of very different products. With the aim to analyze and summarize the qualities of these letterings in one typeface, I faced choices and limits similar to the ones encountered with handwriting. The letters are sloped at different angles, which gives them rhythm; their open shapes suggest movement and gesture. Letters want to dance!” Dyna Pro’s extended character set provides support for a wide range of European languages that share the Latin and Cyrillic scripts. Cyrillic characters designed by Elena Novoselova

Experimental lettering Stephen Rapp created in 1999 became the spark that Stephen's imagination transformed into the Tai Chi design. Tai Chi is a display face but it could also be used as a textured calligraphic script. Its delightful sense of movement distinguishes it from other scripts. Individual characters stand poised in a vertical Zen-like balance while at the same time displaying an inner rhythm that makes them appear to dance along the line. Rich in texture and variation, Tai Chi works very well at medium and large point sizes. The font contains several alternate letters that help maintain a hand-lettered look. Tai Chi includes both upper and lowercase letters but works well in all uppercase settings.

The story of Serena is a unique one among revivals. Serena was neither a metal face nor a film one. In fact it never went anywhere beyond Stefan Schlesinger’s 1940-41 initial sketches (which he called Saranna). A year later, while working with Dick Dooijes on the Rondo typeface, Schlesinger was sent to a concentration camp where he died, along with any material prospects for the gorgeous letters he'd drawn. The only sketches left of Schlesinger’s Saranna work are found in the archives of the Drukkerij Trio (the owner of which was Schlesinger’s brother-in-law). The sketches were done in pencil and ink over pencil on four sheets of paper. And now Hans van Maanen revives Schlesinger’s spirit as closely as the drawings permit, and elaborately expands the work to cover a multitude of codepages and languages. It took more than 65 years for Schlesinger’s drawings to see the light, so van Maanen made sure to bring them to life stylishly and respectfully. Serena embodies the peace and calm rarely ever found in mainstream calligraphy or other genres of display type. With upright elegance and a slight Eastern touch, this typeface expertly bridges the gracefully casual with the deeply spiritual. The light and soft letter forms add a pleasant, breezy element to anything they touch. When used sparingly in titling or display, Serena is like a sigh of desire, rare but quite memorable and very appreciated.

Looking for a elegant, stylish, modern, and adventure font? Ready to make your branding shine? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Brighter Miracles-A Script Font Brighter Miracles is a handcrafted font designed to bring your branding to life and add a touch of elegance, modernity and style. Perfect for social media branding projects, fashion designs, printed quotes, packaging, or even as a stylish text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Looking for a elegant, stylish, modern, and adventure font? Ready to make your branding shine? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Soft Cantle-A Script Font Soft Cantle is a handcrafted font designed to bring your branding to life and add a touch of elegance, modernity and style. Perfect for social media branding projects, fashion designs, printed quotes, packaging, or even as a stylish text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Argyle Rough was originally developed for a packaging campaign in the late 80s in my studio and sat around in various stages of completion until I decided to autotrace my original drawings. I liked the quirky roughness and decided that it did not detract from the charm of the original, in fact it improved it and saved me a whole lot of work. The original campaign called for a few additional alternate characters for use at either end and double in the middle of words, ee, ff, ll, ss etc and a stylized Th, always useful. I hope you enjoy Argyle Rough, named after the world’s largest diamond mine – a rough diamond, get it?

Introducing the third reincarnation of TT Chocolates! The popular typeface was updated to stay up-to-date with the latest requirements and trends in design! TT Chocolates is an elegant Humanist sans serif with a dense typesetting and well-balanced proportions similar to the classical tradition. This font's nice and friendly nature makes it seem like something close and familiar. It has earned a reputation among designers as the perfect font for confectionery, but the application range of the TypeType's "sweetest" typeface goes well beyond that! In 2023, we decided to do a full-scale font update referring to extensive sans-serif market research. We figured out where the trends are headed and what users want—this information helped us enhance TT Chocolates. Specifically, we introduced a new Condensed font version, a narrow font style with the authentic proportions of the standard version. At the same time, TT Chocolates Condensed boasts a more expressive personality than the base subfamily, which allows designers to solve even more creative tasks using only one typeface. The third version of TT Chocolates has become even more modern and advanced. A large number of characters, various OpenType features, and stylistic sets make the font suitable for multiple purposes and tasks. TT Chocolates is a perfect match for both branding and layouts. The font's dynamic shapes make it easy to read in small point sizes, allowing the eye to move effortlessly across the line. This typeface can also be used in web design due to the TrueType manual hinting option. TT Chocolates 3.000 includes: 29 font styles: 14 roman, 14 italic, and one variable font; Condensed version consisting of 14 new font styles; Carefully crafted contours; Optimized font rhythm and completely new kerning; Enhanced italics in basic subfamily; Variable font with three axes of variation: width, weight, and slant; 32 OpenType features, counting in 13 new ones; 901 characters in each font style—the character set has grown compared to the previous version, which had 629 characters in each font style; 230+ languages support, including the new ones: 35 Cyrillic-based and 16 Latin-based. Elevate your design's appeal with TT Chocolates!

Julius comes in very handy if you want to jump back in time to the middle of the last century. Julius is also one of my first typefaces, recently I added the light version. Enjoy your trip back into the past, Gert Wiescher

Calorie Suit is a clean and super sharp comic font. Actually the use of Calorie Suit is quite wide. I'd like to dare you to use this font for massive texts, even though the real force of the font is for one liners or catchwords. Originally drawn in hand, and then cleaned up beyond recognition - but keeping the characteristics of the original sketch. You may notice influences from graffiti here and there too! :)

Golos is a sleek and authentic font face with two styles: regular and italic. Golos is recommended for use as a display typeface.