Ancient Olympian god of the sea, brother of Zeus; Poseidon is the bearer of a trident, the three pronged spear of tunny fishers and is drawn along by monstrous sea creatures-half horse, half serpent. Around him travels an entire retinue of dolphines, nereids, seals and different spirits of the sea. Likewise, the Poseidon font family is accompanied by the waved serifs and flourishes that enable its character to retell these ancient Greek myths.

Nasty Graffiti is a very cool graffiti tag font, inspired by California street art movement scenes mixed with horror and Halloween vibes. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. This font will add a cool touch to your designs!

Pixel Promise is my wannabe pixel font. Yes, it is not a pixel font…but it is handmade and the “pixels” are deliberately off here and there. Nevertheless, when typing with Pixel Promise, you get that retro gaming feeling, and before you know it, you feel like you just want to insert another coin, press 1 or 2 players and complete that level! :) I have added 5 different versions of each letter and multilingual support

“Good Friend” has hard strokes and signature style that speak to instant unique sensation. Take your creative projects to the highest level with this font. “Good Friend” will help you to create special and touching typographical design for your projects, for every day or the happiest day in life, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

Introducing Gomoku—the chunkiest, sweetest, most playful paper cut-out typeface you’ll ever lay your eyes on! With its bold and thick slab serifs, this typeface is sure to make a statement and add a touch of whimsy to any design. Gomoku’s foreground font is the star of the show, featuring a thick and chunky design that demands attention. But why stop there? Gomoku’s optional background layer adds a whole new level of depth and texture to your typography, making it stand out from the crowd. Whether you’re designing posters, greeting cards, or social media graphics, Gomoku is the perfect font choice to add a quirky and playful touch to your project. So why settle for boring, basic fonts when you can have Gomoku’s delightful paper cut-out design? Get your hands on Gomoku today and start creating bold and beautiful designs that are sure to make a lasting impression. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Based on the writing used by the Copts in ancient Egypt, the font includes alphabet and numeral symbols. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Borsga is a mono fraction linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures, fractions provided in opentype .otf and .woff format.

Geometric Patterns JNL offers a large and varied assortment of interesting design variations in a 'tiled' (square) format that can be adapted to spot embellishments, running borders or repetitive patterns.

Agobb is a frolicsome piquant sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Tall X-Height, Angled Terminals and Medium Contrast, Few Grotesk is a UI font designed with personality. Originally conceived as a hybrid between Grotesque & Humanist, Few Grotesk pairs legibility with character.

Jh Flynn is modern tall sans serif typeface; a variable type including eight weights: light / regular / medium / bold and the italics; Ideal for headlines, logo design, signage and short text paragraphs.

Polydot is an experimental Font, built following its own rules. It has interesting letter shapes, making it a perfect choice for creative packaging and magazine design. At the same time it makes a beautiful, neat but vivid text pattern when used in smaller sizes: Use it for children’s books, food and beverage, cosmetics or health topics. Each Glyph is based on at least one dot on the body line, and has up to two more on the lower case level and the ascender level. Since they have the same size and are on the same height on all letters, no matter what weight and shape, these dots give a strong structure to the typeface, allowing for dynamic and easy letter shapes, inspired by brush strokes. It’s not a hand font but it has the dynamics of one. It has no serifs but provides the structure and readability of a roman type. It has an extensive choice of weights, but it’s characteristic dots have the same size and it has the same tracking through all weights. Try it, it’s special.

Vinery Sans serif Introducing Vinery - our latest sans serif font that combines modern design with unique swash alternates. This font is perfect for any design project that requires a clean and sleek look. With its minimalist and elegant design, it's ideal for branding, packaging, editorial, or web design. Vinery comes with a range of swash alternates that are carefully crafted to add an extra level of creativity to your designs. Whether you're looking for a simple or elaborate swash, this font has got you covered. The alternates are easily accessible, so you can switch them up to create different styles within your design. This font features a modern and sophisticated look with its clean lines and geometric shapes. It's easy to read and versatile, making it suitable for both headlines and body text. Vinery is perfect for creating a contemporary and professional look that stands out. With its unique swash alternates, it's sure to add a touch of creativity to any project. Try it out today and take your designs to the next level!

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Taro Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive a good balance between the following three things geometrically. 1. To be Natural, Flowing, Organic. 2. To be Neutral, Unbiased, Universal. 3. To be legible, distinguishable, readable. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

This family was inspired by numerous documents and books printed in Paris during the end of the 1700s. Mainly, documents printed by P.G. Simon & N.H. Nyon, “Printers of the parliament” were used for the Normal and italic styles and “Caps”. “Titling” characters were coming from a collection of hymns printed by Nicolas Chapart. In France these Fournier characters, as Baskerville in Great Britain, were the most often in use in the late 1700s, just before the Didot designs. This font supports strong enlargements, specially the capitals of “Caps” file and “Titling”, remaining very smart, elegant and fine.

A condensed sans serif designed as an additional companion to the Corbert font family. Incorporating the key characteristics from the original family with influences drawn strongly from the Bauhaus and modernist era. This condensed version is 15% closer than the normal family improving economy of space across design layouts. Used in conjunction with the regular widths Corbert becomes a functional and versatile font system ideally suited for large complex design projects. Details include 9 weights with italics, 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and Opentype features.

This family was inspired by a small French "toy print" box, with rubber stamp characters, from the 1920s. The set contained only capital letters, no accented letters and limited punctuation. We have reconstituted a complete modern standard set. The doubling of each usual character in each style (A-Z/a-z and numerals) gives a rich and variously uneven appearance, looking like the results of the real use of those old rubber stamps. The bold style may be used as a reinforcement, mixed with Normal style without disadvantage, allowing four choices for each usual letter... The original size is 6mm (about 17 pts).

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

Marconi was created by Hermann Zapf in 1973. According to Gerard Unger, it was the world's first digital typeface. Zapf’s design was developed as a text face for books and magazines. The round forms of the Marconi follow the principle of the superellipse. The lowercase letters are enlarged as the result of reading tests, while the capital letters are slightly reduced. The 8-point size — normally used for newspapers — looks more like 9 1/2 points. Marconi is a legible typeface with its large and open lowercase letters. It is ideal for long text blocks in newspaper, book, and magazine production.

Introducing you a cartoon font family straight for your Halloween or other horror events. A wide range of variations completely satisfy the most sophisticated font gourmet. From Thin to Bold horror sans styles and a fancy horror script. Also, 62 Halloween graphic elements come as a Graphic Style! Each font has Normal and Roughen Styles. All sans serif's come as filled, inlined and inline separately. 33 typefaces total. • Halau Script has two uppercase letters sets and a lot of alternates included swashes. Halau Sans also has few alternate symbols and pair of ligatures (fj, fi). Trick or treat, folks. Enjoy!

This family was inspired by the two fonts used by the famous William Caxton in Westminster (UK) in the late 1400s. There is only one (Normal) style. We have added the accented characters and others not in use in the early time of printing, but the ligatures and the few abbreviations for the Old English language and Latin were present in the original fonts. The original cap height is about five to seven millimeters. Decorated letters like 1495 Lombardes, 1512 Initials, 1550 Arabesques, 1565 Venetian, and 1584 Rinceau can be used in complement with this font without anachronism.

This font is inspired by typography found on old German shop windows. It is a script font, but instead of imitating human handwriting and the gestures connected to it, the goal was to come up with a new writing flow and stroke order. As opposed to handwriting Latin script letters, which normally means drawing each character and then connecting it to the next one, the strokes of this font run across multiple glyphs. Intentionally, the design aims to achieve a flowing transition between each glyph without making use of contextual alternates, taking the limitations of classic machine lettering as a challenge.

Mohr is a neutral, versatile and contemporary font based on some characteristics found in geometric sans-serif typefaces. Mohr’s features, together with its design characteristics, make it suitable for a wide range of applications, from display use to small text. The Mohr family comes in three versions: normal, alt and italic, each with 9 font weights, from Thin to Heavy, resulting in a total of 27 fonts. Mohr also includes initial and terminal swashes in most of the uppercase and lowercase characters. This gives the font a unique personality and provides a greater range of uses such as branding and packaging.

This is the Cased version of my NorB Pen fonts are being inspired from Arial Round font, I use this font regularly in my jazz lead-sheets. It's a handwritten text font emulating marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! Pen cased font8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

Mohr Rounded—the new version of the original Mohr typeface—features curved and softer terminals which make the font look more organic, warm and friendly. The Mohr Rounded family comes in three versions: normal, alt and italic, each with 9 weights, from Thin to Heavy, resulting in a total of 27 styles. The versatility of the font makes it suitable for a wide range of applications, from small text to high-impact headlines. Mohr Rounded also includes initial and terminal swashes in most of the uppercase and lowercase characters. This provides a greater range of uses such as branding, packaging and identity design.

Boldies is a serif font, mixed the modern with the classic concept line serif. The Alternate shape will make your design look like Modern. But don't worry if you need the Design like Classic and Bold Serif, you just put the normal Uppercase and Lowercase. With many ligatures will make your design projects stand out! Add this font to your most creative ideas for Application, Art Gallery Poster or postcard, Architectural Logo Project, Classic Magazine, Product Skincare or Logotype you want to used! Support the Multilingual Language! If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Illushvara Design

The Fou typeface family was designed as an alternative to Trade Gothic condensed bold. During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. Fou can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics, expert sets and numerous special characters.

MVB Gryphius is a digitization of uncommon type from an era normally associated with the work of Nicolas Jenson. Produced by Otto Trace, the fonts come from types used by Sebastian Gryphius in Lyon in the early 16th century. The italic appears in a book from 1524 and the roman and small caps appear with the same italic in another book printed by Gryphius in 1541. Retaining the rough contours and uneven texture of its source, MVB Gryphius is best used at text sizes from 12- to 15-point, but its old world character can work in display settings too.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Expanded, Wide, Normal, Narrow and Condensed The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Triplepass is a narrow grotesque with 3 styles: normal, with cut corners and a stencil shape. The font has a retro character, contains both humanistic rounded designs and modern smooth alternatives. The font is suitable for logos, large headlines, posters, signs, prints, font compositions, as well as for sports-related layouts where clear numbers and space savings are needed. Triplepass contains extended Latin, Cyrillic, fractions, ligatures and two icons of a basketball. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the rouble sign.

Polish type designer Lukasz Dziedzic created this display and sans FontFont in 2009. The family has 18 weights, ranging from Thin to Black in Condensed, Normal, and Wide and is ideally suited for editorial and publishing, music and nightlife as well as poster and billboards. FF Mach provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Comma Base is a sans typeface for it has no serifs. No wait, it is a typical serif typeface because it has a high contrast. Strictly speaking, Comma Base is a missing link between serif and sans, offering the best of both worlds. Comma Base supports several OpenType features for advanced typographic control. It consists of 16 styles, 8 weights from Hairline to Ultra, in both roman and italic. Comma Base is a uniwidth font. This means changing a text from normal to bold doesn’t effect the set width, a professional feature that is highly appreciated by graphic designers.

Personally I think a brush font should have the word ‘Brush’ in its name. It’s not that easy finding a name - you need some magic to come up with a good one! Magical Brush is a completely handmade font. I used a small brush (a number 3 to be precise) and Chinese Ink. I wanted just a little ‘erosion’, so I used copier paper rather than my expensive French water color paper (which is quite rough). Magical Brush comes in the normal variant and a chickenpox one. Use it for your posters, your book covers and your Christmas invitations!

JOAQUIN is a vintage font family. This font's retro look and style is inspired from many vintage packaging and from typographic cover lettering. It is perfect for vintage logo design, labels, posters, signage, t-shirt, storefront, headlines, or packaging design. greeting cards and logotype. JOAQUIN includes 4 different styles; Normal, Regular, Inline, and Shadow. So you can combine them with each other and get fancy headlines. What’s Included : - Works on PC & Mac - Easy to use ( Installations ) - Compatibility Windows, Apple, Linux, Cricut, Silhouette, and Other cutting machines Thank you for purchasing this font. Please appreciate, if you like this. ENJOY it :)

The "Fou" typeface family was designed as an alternative to "Trade Gothic condensed bold". During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. "Fou" can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics and condensed styles, expert sets and numerous special characters.

Hekaz is a graffiti font with powerful, unconventional shapes that is nevertheless pleasing to the eye. This font is the solution if you need an abstract, distinctive, and different from the normal font for remarkable design demands. Use it immediately to make your project elegant and bombastic. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.