Bogie Bogie – Logo Typeface A special font for the company logo and the logo of the project you are working on will certainly make it easier to create a logo. so for those of you who are still starting a business, this font will be very suitable for your identity and you will not bother anymore to create a logo. Bogie Bogie is perfect for logo designs, electronic logos, drone logos, smartphone logos, computer brand logos, camera logos, and other logo logos. What’s Included : + Standard glyphs + Multilingual Accent + Works on PC & Mac, Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support + Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Thanks

White Dove Script is a modern script font with a sweet and smooth handwritten style. This font has been enriched with additional alternates characters up to 700 glyphs. White Dove Script is perfect for logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

In the July 24, 1915 issue of “Dry Goods Reporter” is a demonstration of hand lettering rendered with the use of a “speed pen”. Two suggested examples cited in the accompanying article were the Payzant pen and the then-new Speedball pen. An ornate Art Nouveau serif alphabet is displayed, with some examples having delicate floral elements entwining the letters. The initial alphabet was auto-traced, then cleaned-up and modified to recreate the core design of the basic (unadorned) letters. The numerals, punctuation and all additional characters were then made from scratch. Nouveau Rose JNL is the finished result, and is available in both regular and oblique versions.

Elegant, classic yet contemporary. Salient is a updated interpretation of the Didot school of type design, typified by Giambattista Bodoni in Italy and the “modern” French styles of high-contrast fonts cut by Fermin Didot in Paris the early 19th century. Salient is not a historical revival but a contemporary reworking, using fewer pen-derived forms especially in the lower case. This gives it a cleaner edge. Instead of ball serifs, it uses lightly flicked stroke terminals. It is suitable for both text and headline, and the wide range of weights make it a versatile choice for books, magazines, reports, posers, packaging and corporate identities.

Sirba, a serif typeface family with a friendly personality, was conceived especially for the demands in complex text environments like dictionaries, academic texts, annual reports, novels and magazines. It has many design features that were particularly designed with Sirba’s purpose in mind. Because of its open counters, the large x-height and its short ascenders and descenders, this typeface conveys a pleasant reading experience and high legibility even in small sizes. Sirba is a low-contrast typeface, contemporary but with a classical touch, revealing its beauty in design details, such as the asymmetrical bottom serifs, curved bracketing and calligraphically reminiscent terminals. Furthermore, the capitals appear integrated into the text, thanks to the low cap height, and the constant width of all tabular numbers between the weights make this typeface very usable in annual reports and tables. Sirba is available in the four classic styles plus a special heavy (Black) version, which is particular in that its proportions are designed so the counters remain big enough when set in very small text sizes. This means that Sirba Black’s spacing and letter width are rather generous in comparison to other typefaces of that colour. This ensures excellent legibility. During the design of the typeface family, much attention was given to the italic and regular as counterparts of each other. The italic distinguishes itself just enough while reading without creating strange spots within the text when looking at the text as a whole.

More information about this Font Introducing “Brick 3D esport Font” This font can be used for any variety purpose, such as: Logo, Esport Logo, Band Logo, Championship Logo, Military Logo and Clothing FEATURES : uppercase lowercase symbol & number All images on the demo is just for preview purpose only, not included on the file! FILES INCLUDE : TTF OTF Hope you love it Thank you!

Get ready to rock your designs with the brand new Chunky Groovy Font, GLADOLIA! 🎉 Gladolia is a chunky typeface with a unique retro style that is sure to make your designs stand out. With 2 different style fonts, regular and oblique, plus an extra Extruded Font version for each style, you can easily create eye-catching designs without any extra effort. This font is perfect for a retro 80s theme and can be used for cover magazines, brochures, logos, headlines or quotes, stand-alone displays, and short paragraphs or content. Each font in the family is dynamic and authoritative on its own, making it perfect for any display project. So what are you waiting for? Elevate your designs with the cool and groovy vibes of Gladolia! 🤘 Similar Item: Sugar Peachy : LINK HERE Gyoza : LINK HERE Gunydrops : LINK HERE Swipe: LINK HERE Replay : LINK HERE Bright : LINK HERE Margin : LINK HERE Nighty : LINK HERE What you get? Gladolia Regular Gladolia Italic Gladolia Shadow Regular Gladolia Shadow Italic Features : Alternates and Ligatures Instructions ( Access special characters, even in circuit design ) Letters, numbers, symbols, and punctuation No special software is required to use this typeface even work in Canva Multilingual Support Give your design projects that fun, playful edge with GLADOLIA! Thank you, Dharmas Studio

Ethery. Decorative modern serif font with a unique style. Elegant & Refined modern font. Geometric and stylish, this font is ideal for creating logon and branding. With original ligatures. It works perfect for creating stylish logos, striking editorials, invitations, graphic quotes, and more. Uppercase Characters Lowercase Characters Discretionary Ligatures Multilingual support for various languages Follow me by Instagram: @labfcreations Made in France with LOVE. © LABFcreations

Contane Text is the text optimized version of the Contane family. More solid, more robust, it repesents the down-home addition to the more subtle Contane family. Stronger hairlines, solid serifs, and slightly more comfortable proportions make it appropriate for bold headlines, as well as for small text sizes. 20 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows, and alternate characters.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Cynosure Soft is a rounded, friendly version of Cynosur, a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

FT Massachusetts is a dense, hand-drawn sans-serif typeface with uneven edges and a dancing baseline. It creates a vivid impression, feels friendly, playful, and communicative. The font is full of alternate letters, symbols, and graphics. It easily adapts, confidently engages with the customer, and transforms slightly depending on the space and purpose. Change letters to alternates for the uniqueness of spellings. For convenience, alternative characters are used when typing in lowercase, and normal letters are used when typing in uppercase. Additionally, you can always switch letters to additional alternative ones and insert symbols. Furthermore, to add visual interest, the font is equipped with auto-replacements for prepositions and word endings.

Animo stands out from the crowd. Animo is surprisingly legible for its outspoken personality. Many of Animo’s small details were crafted to enhance its legibility, while preserving its personality. Animo is suitable for both text and display use — for graphic design, corporate identity design, magazines, reports, editorials, web, advertising, signage, etc. Animo includes 32 fonts, 8 weights, 16 uprights, and matching italics. Animo provides nine numerical styles: lining and oldstyle figures (proportional and tabular), small cap figures, superiors, inferiors, numerators, and denominators. Animo provides small caps, arbitrary fractions, and extensive language support. Animo Alt provides a more usual shape for the ‘A’, ‘M’, ‘W’, and ‘w’. For more information about Animo, download the PDF Specimen Manual.

Rivea is two-font, hand-lettered script family designed to mimic real calligraphy. Each font dances along a natural, variable baseline and has a distinctive slant. Long, thin upstrokes contrast with rich downstrokes in a style reminiscent of "wet noodle" pen writing. Each Opentype font includes eight different ampersands, a swash feature that automatically substitutes beginning & end of word letters, a set of alternate letters, old style numerals, arbitrary fractions, six common "word-art" prepositions and six common honorifics. All Opentype features have been duplicated in Stylistic Sets for Microsoft Word users. To enable alternate ampersands, simply turn on the contextual alternates feature and type &1, &2, &3, etc. Opentype coding automatically substitutes the new "and".

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

One of the first messy typewriter fonts to hit the market, Chandler 42 was compiled with forensic care from the voluminous output of a circa 1942 portable. All the eccentric personality of this particular machine is intact: a slightly angled "m," filled in gaps in the most-used characters; even the number "4" is reminiscent of gasoline pump numbers of its day. Chandler 42 features edges meticulously redrafted by hand, fully developed Western character sets and is available in 4 weights, plus obliques. Chandler 42 is everything you need to type a 1940s business letter, prep your own vintage facilities report or write that hard boiled novel you've been planning to start.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Fireside is a logo font with sharp edge that will make your logo and design looks more futuristic and edgy. With the unique characteristic lowercase, this font will make your logo even more stunning. You can use this font for any purpose, especially to make logo e-sport. You can mix and match the uppercase and lowercase to make your logo more advanced. This font also comes with number, symbol, and multilingual support!

stable logo font stable is a new font for design of sharp and powerful logos. The font is suitable for creating wordmarks, Logo, titles, taglines. Use alternates to emphasize separate letters in your text.

ITC Astro is the typeface that proves you can get your work done while watching cartoons. “It all started as a series of doodles while I was watching The Jetsons,” recalls Sasa Petricic. “The show's impossibly simplistic vision of the twenty-first century cried out for a font that fit into that world -- a world where everyday objects can carry far more fun and personality than they should.” ITC Astro is the first commercial typeface design from Petricic, whose “day job” is working as a reporter for the Canadian Broadcasting Corporation. Petricic has filed stories from across Canada and around the world for CBC's flagship evening newscast, The National. His reports have also appeared on CNN and BBC Television. Petricic's work as a correspondent and video journalist have taken him to six continents, covering everything from famine and genocide in Africa to the war in Iraq. With such serious matters filling the hours of Petricic's day as a journalist, it's not hard to see why he conceived Astro as a welcome blast of whimsy. “As I began to draw the design,” he says, “I decided that every part of Astro should be a cartoon character unto itself.” Each character has its own baseline shadow (or coaster, or circular antigravity generator, depending on how you look at things). The angular caps dance jauntily, rocking from left to right, while a suite of companion small caps provide backup. The end result is a design quite unlike any other, with surprising charm and versatility. ITC Astro comes in a two-weight family of White and Black.

Beitris is a beautiful and elegant script font. Perfect for designing branding, blog logo, website logo, print ads, book covers, film covers, apparel, cards, logos, posters, etc. Beitris typeface gives you more alternatives in designing.

HouseBay Logo Script Font Give your designs an authentic handcrafted feel. HouseBay Logo Script Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Give your typography designs a retro touch with the Glorius Nebula! Nebula Glorius is one of my fonts based on handwriting projects in 2021. This font is great for product logos, logos, clothing brand logos, vintage designs, and more.

Adoria is a minimalist logo font with unique edge that will make your logo and design looks more simple and modern. With the unique characteristic lowercase, this font can make your logo even more stunning. You can use this font for any purpose, especially to make logotype. You can mix and match the uppercase and lowercase to make your logo more advanced. Adoria also comes with alternates that's why it's called deluxe logo font. This font also comes with number, symbol, and multilingual support!

If you are looking for a font that have strong looks, meet HeroesX. We create HeroesX with a firm, strong and tough looks. This font is perfectly suit for book title, gymnastic logo, sport logo, game logo and any other creative arts.

Belgian Chocolate Font. Carefully crafted. It is a sweet chic, beautiful, modern, and elegant script. Smoothly flowing, perfect for designing blog logo, website logo, print ads, book covers, film covers, apparel, cards, logos, posters, etc. Opentype features give you more alternatives in designing.

Introducing, Planet Gamers, a serif logo font with unique ligatures! Planet Gamers is a serif based font with unique and carefully crafted ligatures that will make your logo stand out clean and modern. You can use this font for any purpose, especially to make logotype. This font is suitable for e-sport logo, game, or hi-tech company logo. This font also support multilingual.

The Kensington Runestone is a rune-covered slab of brownstone that was claimed to have been discovered in central Minnesota in the United States in 1898. Olof Öhman, a Swedish immigrant, reported that he dug it out of a field in the largely rural town of Solem in Douglas County. It was then named after the nearest settlement, Kensington. The inscription claims to be a record left behind by Scandinavian explorers in the 14th century (internally dated to 1362). There has been a long-standing debate as to the stone's authenticity, but since the first scientific review in 1910, scientific consensus has classified it as a 19th-century hoax, and some critics have directly accused Öhman of fabricating it. there is community.

In December 2013 two new weights - Thin & Ultra (with Italics) were added to the set, Small Caps included! The intention was to make a technical-looking sans with a warmer feel to it, balanced between hard geometric shapes and friendly curves with slightly narrower endings. It should be useful in a wide range of tasks, whether combining the eight weights with distinct italics for editorial design, setting multiple pages of text, making financial reports, or using the highly contrasted lights and blacks for display and packaging design. Argumentum has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

Occam is an informal calligraphic script face. The letter forms were drawn and constructed rather than penned or brushed but reflect a definite flat pen influence. The ascenders and descenders incorporate an abstract implied loop form. Some curves that would normally be round are pointed and some transitions that would normally be sharp and pointed have been made round. A few exit strokes curve back instead of moving up and out for a little different look. This font could be put to good use as a contrasting style combined with sans and serif faces in applications such as newsletters, brochures, invitations and annual reports. It could be used for heads, subheads, pull quotes, drop caps and as a title font for covers.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

Monicallisa Feminine Logo Script Font Monicallisa Feminine Logo Script Font is handwritten modern stylish fonts, combines from classic to modern typeface with a elegant baseline. Can be used for various purposes, such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.

Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.