Fire the retro rockets! Here's a decidedly different take on techno type, patterned after Robert Williamson's Program 32 from the 1970s. Despite its machine-readable pretensions, it renders remarkably warm headlines. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Export Drive is a bold condensed stencil font of the kind traditionally used to mark tea chests, packing cases and other goods in transit. Nowadays of course its applications are universal, although it is particularly well suited to branding or publishing projects which strive for a sense of freshness, urgency and immediacy, or a rugged, rough-and-ready feel.

is a font from the sans serif family that is bold and bold and has character, an update from the previous “Akira Monoletter” font. This font was made to support the languages ​​of countries that require a dialogue arrangement of letters that have special marks. thus forming this special font. thank you

Introducing vintage label font named No Remorse. This font has a multilungual and cyrillic characters support (check out all available characters on previews). The font family has six styles: Regular, Inline, Shadow, Inline FX, Shadow FX and Aged. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

-OC Revolt is a variable display font made for the protest graphics of the NYC based T*#@p Brexit era Non-Complicit project who initially made guerrilla type with masking tape applied directly in situ or to silk screens. An uppercase only font there are alternate versions of each character on the lowercase keyboard. Double letter ligatures are used to prevent direct mechanical repetition of letters in the static styles and the Shift axis can be used to make each letter variably unique.

Breakdance is inspired by dance moves, the first font created with this concept is sans serif with a curved shape in one direction. Curves are made not too extreme, so that they maintain the shape balance. And now Breakdance comes in several styles and is divided into three typesface, namely script, sans and serif. Each typeface has several different styles and the total is 18 fonts.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp . Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

Sudtipos’ new sans serif font Replete is inspired by the mixture of aesthetics and philosophies found on the streets of metropolitan cities the world over. Buildings constructed throughout the twentieth century, including those made in the Art Deco style or influenced by the Bauhaus’s gospel, stand side-by-side as symbols of their time. Typography is one factor that bonds these vistas, and simultaneously further complexifies them. Art deco letters appear on storefronts and signage in Europe’s oldest cities and as remnants of the Golden Age of economic expansion for Latin America. Typography, like architecture, sometimes coexists in perfect harmony, and other times in ideological opposition. But it is these juxtapositions in places such as Shanghai, New York, London, Buenos Aires and Tokyo that shape each city’s identity. Replete is inspired by this mixture. We wanted to create a useful modern sans serif family – a set of 7 weights with playful geometric alternates – that allows you to combine characters including wide-width and filled letterforms. Replete is apt for long texts, and equally, for instances where letterforms can stand together like a cityscape. Replete means full, packed and abounding … it is a sans, it is grotesque, it is geometric and it is Deco. Replete is a new family that has a little of everything we like, equipped with everything you need to design anything you want.

Introducing Esport Graph Inspired by Esport style, Esport Graph offers Futuristic typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Presenting Relost Brush! An All-caps Brush Font with Texture. This font made with the perfect combination of each character. You can combine with Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Relost Brush looks strong and wild on design projects. So, Relost Brush Font can't wait to give its touch to all your design projects such as quotes, Adventure themes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? Relost Brush • It comes with uppercase, lowercase (All-caps), ligatures, numeral, punctuation, symbols, Alternates, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). Extra Swashes • Included 9 Underline Swashes. You can feature all with typing c_1 until c_9 (Opentype Feature) or using Characters Map. A Million Thanks Colllab Studio

Alphabet Agency presents this super cool new font originally designed for use in e-Sports related projects. Due to the private success, it is now commercially available for you to use. So now is your chance to stay ahead of the competition with this trendy font and create some new cool designs. gg.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp. Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

Introducing vintage classic display typeface its called Reborn Typeface. Reborn Typeface is a multi-layered type family with awesome ornament. Inspired by antique, mix victorian and art deco period with decorative shapes*. and last the beautiful set of ornament pack match pairs of letters to fit in your designs. Those all will make you work easily to create : Posters, Logos, Print, Quotes, Headers, Clothing, Labels, Packaging etc. Features : Layered font system Character Set A-Z Numerals & Punctuations (OpenType Standard) Accents (Multilingual characters) Above the description of this font, I hope you're satisfied with what I have created. if there's anyone who purchase and find some problem, don`t hesitate to using product support or email me storictype@gmail.com Thanks and enjoy designing.

Detailed guided tour available here. Port is an experimental Didone typeface with a modern twist, inspired in the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces. Port melds the straight lines and strong contrasts of the Didone typefaces with the elegant lines of calligraphy in a geometric way, resulting in exuberant characters with geometric swashes that can be combined in countless ways. The result of this experiment is Port, an unique and rich display typeface meant to be used on big sizes and it’s main perk is the amount of alternative characters it features. Port is Open-Type programmed and includes hundreds of alternates, from swashes to titling alternates, ligatures and stylistic sets with each character having a thin version of itself, giving complete freedom to all your creative needs. Port is available in several flavours: Port Regular, being the base version and featuring the whole base character set; Port Regular Decorated, featuring richer forms and containing more ornamentated and more extravagant characters; Port Medium and Port Medium Regular, designed for the occasions you need a bit more thickness and the decoration variants: Port Ornaments, containing a wide set of elements meant for the creation of fillets, vignettes and fleurons, resulting in an almost infinite number of possible combinations to embellish your designs and Port Words, a set of some of the most common words used in English, Spanish, French, German, Italian and Portuguese. It’s strongly recommended that you use it on big sizes, for better performance you can also set the Photoshop text anti aliasing settings to Strong when you type, for a better understanding of all the uses of Port and the full character list I recommend the reading of the manual.

- Unique Modernist Look - 590+ characters per font - Standard & Discretionary Ligatures - Multiple Stylistic Sets - Old Style Figures - Case-Sensitive Punctuation - Multilingual - Cyrillic Included - Uppercase + Lowercase Porte is an elegant sans serif font inspired by stone carving and modernist typefaces of early 20th century. While at its core Porte is a display font, it can also be used for larger bodies of text and in a variety of projects. Thanks to its unique proportions and feel Porte is reminiscent of early 20th century type, wherein aesthetic qualities often overweighed matters of practicality and applicability. Porte is at once delicate and sturdy, subtle and unyielding. Porte is very OpenType friendly, boasting an awesome selection of useful OpenType features, precise and exhaustive kerning (around 1000 pairs) and lots of discretionary ligatures to make your designs look amazing. A selection of wider and narrower alternate glyphs allow the designer to modify the rhythm of the typeface, extending its application and impact. With 590+ characters on board, Porte supports all major Latin based languages as well as a number of Cyrillic languages. Porte received its first major update in fall 2022. Not only was the character set expanded considerably, but also some glyphs were re-drawn to fix visual inconsistencies, and a large number of stylistic alternates was added. The kerning, too, was re-done to accommodate new letterforms. Trials available upon request.

Octin Sports is a typeface that commands attention and exudes a sense of strength and resilience. The seven available weights—light, book, regular, semi-bold, heavy, and black—provide a range of options for designers looking to add a bold, dynamic element to their work. But make no mistake, this typeface is not just for the sports world. Octin Sports has a versatility that extends beyond the playing field and can lend a rugged, no-nonsense vibe to a variety of themes. Whether you’re designing for a school, construction site, or law enforcement agency, Octin Sports is up to the challenge. The sleek, angular lines of this typeface give it a distinct sporty feel, making it an ideal choice for designs that seek to convey energy and excitement. The bold weight options are particularly striking and provide a strong visual impact that demands attention. Overall, Octin Sports is a solid choice for designers who want to infuse their work with a sense of toughness and vitality. Its versatility and sporty design make it a font that can rise to any challenge, whether it’s on the field or in the boardroom. Check out the rest of the Octin families: Octin College, Octin Prison, Octin Stencil, Octin Vintage & Octin Spraypaint. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Sports Wave is a specialty font that can be used for sports-themed projects. Previously available as a free version with only the pictograms, Sports Wave has been a popular download. Now we offer you the added usability of a full and extended character set. Some glyphs have been provided to extend the height of the shorter “banner” glyphs. These glyphs are negatively kerned and appear near the end of the set.

Typeface for sport labels, business headlines, finance posters, delivery cards etc. Letters made of two parallel lines. I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Introducing original label font named Sport Bar. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font family has six styles: Regular, Contour, Fill1,Fill2, Rough1 and Rough2. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Original released in 2006 Depot has now been updated to Depot New. While staying true to its original robust charm Depot New has been reexamined from the ground up with improved outlines, spacing, kerning and opentype features. Depot New also boasts two new weights with Thin and Thin Italic added to its arsenal, making it the perfect choice for the most demanding of jobs.

Falcon Sport is a square typeface with a bold, easy design. The typeface includes Latin and Cyrillic uppercase, numbers and punctuation. Falcon Sport comes two styles and includes italics. This typeface works great for logos (also sport logos), packaging and other display settings.

The Sports Headline font family was developed from design work creating captivating sports related typography for branding and logotype. The font characters are all capitalized and the two different font weight offer a variation that allows each weight to play off the other and work together well. Each font contains all Latin simple characters.

Old Depot is a newly reworked idea for the Depot Trapharet 2D font. It supports more languages and is available in more lettering. Old Depot stands out with its industrial nature of archaic spirit. It is a wonderful choice for solid uncompromising inscriptions or slogans. Don't be afraid to be brutal!

Each style is a collection of 174 illustrative sports symbol, printer cut designs.

SPORT NEWS headline magazine, logo racing Awesome sport font with italic wide letters, modern letter cutout and dynamic slant. Ideal for sports headline of Megazine, car race, logo and monogram of automotive game or other modern dynamic text Font “Sport News” compares favorably with its readability and massiveness, creates the effect of power and speed. but with a slightly different font design.

Race Sport is a modern techno display font, strong and unique style instantly add power and movement to your projects. It’s perfect font for sport or racing-themed projects, such as logo, poster, games, product design and much more.

Sport Numbers contains classic sport number designs, similar to those that appear on sport uniforms and competition vehicles, in the proportions of 6 x 10, 8 x 10, 10 x 10, and 12 x 10, both vertical and oblique. The vertical numbers are located under the character set and the oblique numbers are located under the respective keys of the shift + character set.

Alphabet Agency presents Elite Sport Expanded, a super bold sans serif font inspired by college sports lettering. The font has a strong character defined by the straight edges and corners. Elite Sport Expanded is an all caps font. The font contains Latin Simple characters.

Exorts Compressed is a display font family. This square condensed sans is designed with an increased cap character and tight kerning to give the ability create the large and bold typography. It is made specifically for editorial design, headlines, posters, magazines, clothing and other purpose printed material. The family comes in weight from extra light to extra bold and have italic version of each weight. Features include: OpenType stylistic sets, ligature, and Multiple Language Support.

A WPA (Works Progress Administration) sponsored Water Carnival taking place in Central Park in the 1930s had "Department of Parks, City of New York" in the thin Art Deco hand lettering which is now available as Parks Department JNL.

Record Store Stencil is based on classic stencil lettering from the first half of the 20th century. The font features Upper and lowercase, small caps, in upright, italic, and backslant. The font's multipart letterforms are ideal for color application. Available are two color variations, Black with Red accents and Blue with Red accents, with cycling activated through contextual alternates.