For decades, spot illustrations - whether by hot type, photoengraving, clip art or (in later years) digital means provided decorative and often lighthearted breaks in reading printed copy. This collection of twenty-six cartoon images has been meticulously re-drawn in digital format from 1920s-1930s era source material. By adding a simple caption underneath a design, your ad copy can be enhanced with these wonderful period pieces.

Brilliant Simple is a very Beautiful, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! Brilliant Simple is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, Contains full set: -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. Thanks & Congratulations on the Design.

This is a font to build an Hebrew Bible (Tanach) or any Hebrew prayer book. This is a variable font with 5 styles! Hebrew Esther Tanach Variable has all Unicode Hebrew marks and others like ShevaNa, Dagesh Chazak, Qamats Katan, and Cholam Chaser. This font has a complex and exclusive Programmation of Opentype features. This font is very good to read even in small texts

Allineato was part of the Face2Face project, a fontlabel created with a couple of friend in order to stimulate new ideas and forms in the typographical landscape. Most of the Typefaces were used by Alexander Branczyk in his famous techno magazine "Frontpage". About Allineato: "Al" means "Alessio Leonardi" and Lineato "lined", but if you read it as an italian world means "conformed to a given line".

f you like being creative with bold serif fonts, then the BOLDTEXT font could be your choice. The thick and sharp shape will direct the eye to your special design. A legible letter style will form words that are easy to read. You can use this font to design logos, titles, magazines, comics, text effects, banners and more. Feel free to contact me about this font.

Mistery Heart - A lovely Calligraphy Font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. Features: Uppercase and lowercase letters Swash alternates ( Beginning, Middle, Ending ) Multilingual symbols, numerals, and punctuation. How To Access Alternate Swashes? You can read this article: https://helpx.adobe.com/illustrator/using/special-characters.html Follow Instagram: @sronstudio Thank You!

I like strange words. Widdershins is one of them: it means ‘to go counter clockwise’ and I picked it up from a book I am reading at the moment. Widdershins font was created using a broken bamboo satay skewer and Chinese ink. It is a little messy, uneven and maybe even unnerving, but I am sure you’ll find a way to put it to good use.

A great fun typeface with a straightforward childlike simplicity. It really hits home with kids, but if you want to add this extra playful personality to your designs this is the one to use. It has a strong, easy to read structure, which makes it ideal for children’s books, toys and other fun applications. Designer Alexandros Papalexis has discover the kid within. You can too!

Darby came about while playing with a loaded round-tipped brush. The letters remind me a bit of signage I remember seeing at county fairs in my youth. It's a casual comfortable font that lends itself well to outlining and drop shadows for emphasis. Not intended for long copy, it would work well in headlines or in signage where one is wishing to attract attention.

Zenon is a compact text font in four weights. Zenon is a sum of different styles, from Francesco Griffo to Granjon, from modern typefaces to the first sketches of Times New Roman. Zenon is an apparently Renaissance revival with modernish proportions. A closer look reveals that it is a typographic potpourri. Zenon was design as part of the MATD program at the University of Reading.

Breuckelen was inspired by the regular patterns of the New York City plan. The grid of any large modern city is immediately recognizable by the distinctive pattern of major roads curving or slanting through it. This face is intended to be recognizable in the same way. It is named after the Dutch town after which Brooklyn is named, a word which also roughly translates as "broken land".

Malebu is a sans serif font that was created based on grotesque and humanist models with certain geometric features. It is clear, simple, gentle and friendly, and can be used in text sizes. It is easy to read in long texts, magazines, books and the like. The rounded shape makes it friendly and fluent. A short x-height is functional and adds economy without losing consistency.

Maigreds is a display font vintage simple typography and easy to read so comfortable to wear. You can use them as logos, badges, badges, packaging, headlines, posters, t-shirts / clothing, greeting cards, business cards, and wedding invitations and more. The flowing character is ideal for creating interesting messages to your taste. mix and match a group of alternate characters to fit your project. Thank you! Maculinc

Moon Pretty, Font by Forberas Modern and beautiful handwritten script font! Great for wedding greeting cards, logos, branding materials, Invitation, business cards, quotes, posters, Cricut artwork and more! • No special software is required. The fonts can be opened and used in any software that can read standard fonts! • This font works with any application Microsoft Word, Adobe Photoshop, Microsoft Paint, Corel, Adobe Illustrator, Cricut, and many others!

Kithan is a font that provides three weights and three compressed from semi-fine to bold, while the compressed have a reduced contrast creating a tall and soft look. Bold font sizes allow letterforms to be appreciated, with the same restraint and focus. Creates a smooth texture for small font sizes and long reads. Kithan's theme is inspired by the Mexican currency of the year 2000.

"Lekker" is an Afrikaans word, that does not quite have an English equal. I can sum it up with the following mixture of words: yummy, nice, fun, joy. That is what this typeface encapsulates. A fun, playful, informal and easy-to-read font with a few script ligatures. Lekker includes multilingual support for All Western Europe languages, as well as Afrikaan (of course). xx Susan

About this font family: News - Dedicated to writing a news text in newspapers, magazines, road boards, book , TV and other printing products, and web pages. The News font contains 3 styles (regular, Medium and bold) The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu. Language families: Arabic, Persian, Kurdish, Urdu, Latin Designer: Sultan Maqtari Design date: 2021 Publisher: Sultan Fonts

Malebu is a new sans serif font that was created based on grotesque and humanist models with certain geometric features. It’s clear, simple, gentle and friendly, can be used in text sizes. Its easy to read in long texts, magazines, books and the like. The rounded shape makes it friendly and fluent. A short x-height is functional and adds economy without losing consistency.

Kastela is a brush script font. It is inspired by brush lettering and has a soft and welcoming look. Kastela can be used for branding, logos, packaging and wherever you need a script font that is easy to read and smooth. Kastela has many ties, strokes, and alternative characters that will make your designs unique and beautiful. All Style Alternatives also have language support.

Tamitsa is a condensed display sans font. The font is universal and can be used in different directions of graphic design - Internet, printed materials, clothing, logos, posters, labels, navigation and more. Thanks to character compression, you can place a large amount of information in a compressed space. It will read equally well in large and small sizes. Tamitsa contains 4 fonts: 2 regular and 2 slanted.

Havelock Titling builds upon the essential geometry of Havelock , adding new weights for spacious, authoritative text. Made to combine with Havelock’s display capabilities for more traditional reading scenarios. Built on the same weight range as Rocinante Titling , which broadens your design options. Light matches Light, Bold matches Bold, and so on. Both Havelock and Havelock Titling collections are included in Havelock Complete for a lower price.

Grate is a simple styled Font, it is best for Logo designing. How much we can cut down a Font till it is possible to reat it? That was the question, and this font is the answer. I think it is so much cut down but Human can read it. It is total simple Kerning inside. You can overlay the glyphs and it is almost readable.

Grayson is a 1940s art deco typeface. The inspiration came from vintage store signs in London, New York, and other major cities. The font is clean, easy to read, and its letterforms are memorable which makes it perfect for branding. You can use this font for a wide variety of projects, possibilities are endless. The downloads comes with OTF and TTF versions of the font. Enjoy!

Bo Berndal's handwriting was terrible in his younger days, and he could not even read his own notes. When he started out as an apprentice in a printing shop, he started to copy Garamond italic and formed his own style of writing. Later he was inspired by both Alfred Fairbanks and his reform-writing and by Paul Standard in the U.S.A and created the Boscribe font.

Best Choice is a family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Best Choice has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have a very large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Very clean and natural letterform is good for reading. Common curvature for tails and hooks makes harmony and a sense of unity. Best Choice supports almost all Latin including Vietnamese and Cyrillic. Try this all-new experiment.

Gojali is a sleek and modern geometric sans serif font family. It offers a range of 5 weights, from Thin to Thick, combining contemporary style with its distinct softness. The design of Gojali is characterized by its minimalistic, elegant, and versatile nature, providing a unique feel and ensuring ease of reading. Gojali was specifically created to deliver an easy-to-read text display. It is suitable for both text and display purposes, making it a perfect choice for headers, titles, posters, websites, branding, apps, and a wide range of other creative designs or projects. Gojali features various OpenType functionalities, including standard ligatures and number variations such as old-style numerals, fractions, numerators, and denominators. It also offers extensive support for the Latin language. With Gojali, you can effortlessly create captivating text displays with a special touch. Its soft yet strong design makes it an ideal option for crafting extraordinary and charming designs.

Now everyone can create simple pieces of graffiti in an easy way. With all our experiences in the real graffiti scene combined with our skill in creating fonts, we create these "Street Pieces." This is a simple version of a wildstyle graffiti piece; you can clearly read the font; unlike heavy wildstyle, which not everyone can read clearly, your message is still clear with this font. It's very easy to use, but for a better result, you should adjust the kerning and lead manually because the real graffiti is like that, and use your own graffiti style because there are no rules in graffiti. In this package, you’ll get two fonts. "Street Pieces Line" for the line, and "Street Pieces Fill" for the fill. Don’t forget to combine with "alternate" fonts; see the preview fonts for the sample; and also add a drop shadow or extrude effect to make it more realistic.

Derived from a photograph Rian Hughes took in Hong Kong, the Roadkill family of typefaces is a literal interpretation of rough and worn road lettering. The original provided almost all of the key character shapes, with the others being designed to keep the unique hand painted feel intact. Most of the letters have alternate versions provided. This font works equally well at wider letterspacing settings. Roadkill Alternates provides curved versions of the 2 and the S, a G with higher crossbar, and less worn versions of several other characters. The heavy version packs even more gritty wallop in a non-condensed and blacker weight. Roadkill Heavy packs even more gritty wallop in a non-condensed and blacker weight. Use in conjuction with the original Roadkill and Roadkill Alternates. A set of arrows and other road symbols again taken directly from tarmac to Mac, thus preserving the worn and eroded appearance of the original characters is also part of the Roadkill family.

Known sometimes as “utopia”, “journey” other times, but also named with name´s place where one wants to go, “Ithaca” home of Ulysses. Typographic Cartesian coordinates are usually two, from the skeleton, the narrower, to the black, the widest. Nowadays, Maese Patau had traveled a road made by four Cartesian axes of typographic geography. A road from thick to thin, from expanded to condensed, to offer us a new family, a larger and extensive series than the traditional family. 48 “relatives” in a pure neo-grotesque font, with a large “eye” that makes it especially suitable for display. Solid hinting in small sizes due to it´s pure and simple basic forms. The jazzy cursive, available in all weights, looks as a simply slanted letter, but when works in conjunction with its regular version, generates an outstanding typographic game. As usual, Maese Patau offer us a extensive typeface in weights, extensive on supported languages, and all kind of OpenType´s capabilities.

The concept of Biscotti rised from a personal research into a system of styles that we commonly consider “vintage”. One above all, the Victorian typography that has been rediscovered and widely re-studied during the 70s. Today, thanks to the technology innovation in digital typography fields, Biscotti is certainly an interesting subject which expresses an appassionate and nostalgic homage to a vintage font, seen from the perspective of a technical inspiration. Biscotti is composed of two styles: the “default” and the alternative one. The first is of course more conservative and formal, while the alternative formally chooses a change of the diagonal lines into curves, so it creates a much more friendlier reading. Biscotti consists of 4 styles that can be combined by layers in order to form different ways of reading. This renewed effect increases exponentially the potential use range of this typography. Biscotti has 517 characters; and are composed for 220 latin languages.

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

The Rally Symbols 2D font family has been developed for integrated graphical motor racing design. First of all that includes rally, rally raid, cross-country rally and hill climb. With the Rally Symbols 2D - Signs font one can create quality road maps with rally routes and various symbol books. The font also includes symbols that can serve as workpieces to create competition logos and other design solutions. The Rally Symbols 2D - Arrow font has been specially developed for building tulip diagram road books. It includes various ready-made combination of traffic direction indicators and individual elements that can be combined together. The Rally Symbols 2D - Picto font can be used for the same purposes but also contains a range of convention that can help to find one’s bearings on the ground. This is a a wide range of icons or pictograms of various scenery, for example: different buildings, churches, cemetery, bridges, tunnels, different types of trees, posts, etc.

An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. The exit strokes link words together visually, and in handwriting they lead to spontaneous joins along the baseline leading logically to a joined-up hand. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Typefaces developed to meet demand for letters that can be used to produce pupil material for reading as well as handwriting. Regular and Bold typefaces covering pan-European languages: 9 Latin, 6 Cyrillic, Greek, Turkish, 13 Baltic, 8 Rusyn, 6 Nordic, Vietnamese. How to access Stylistic Sets of alternative letters in these fonts Cyrillic Stylistic Sets examples Greek Stylistic Sets examples Vietnamese Stylistic Sets examples

I present to you an elegant, playful and very harmonious duo of serif fonts "Favio", inspired by ancient printed texts. It looks great on its own as part of a minimalist design. Play with letters to get different effects. The font "Favio" is guaranteed to give your text an individual and very attractive look. Great for branding, wedding invitations, packaging, quotes and labels. And it is also a bold choice of typography for the design of logos, album covers, illustrations, children's books, posters and much more. Font Features: - A-Z; a-z character set; - 1 language (English); - numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

Introducing Aisling - Creative Display Typeface loaded with 6 fonts Aisling is long, futuristic typeface with 6 fonts loaded with ligature glyphs, alternates and multilingual support to enchant your next project. Very versatile fonts that works great in large and small sizes. Aisling is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Short - Straight and Rounded Regular - Straight and Rounded Long - Straight and Rounded ligature glyphs alternates Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Publica Play is Publica Sans’ and Publica Slab’s playful sister. It comes with loads of subtle open type features, tabular options, rare currencies signs and symbols and arrows – ‘Publica Play’ has everything you need for playful design tasks. Take a close look at our gallery (especially ‘OpenType Features 1–7’) to discover the versatility of Publica Play. Alternates and Stylistic Sets Give your typography a certain spin with the variety of alternate letters provided. Explore the Stylistic Sets provided. Currency You need to set prices in exotic countries? No problem: Publica Play gives you loads of rare currency symbols. Case Sensitive Forms Sometimes you write in all caps and there are some symbols (e.g. brackets) that need some extra treatment to make it look perfect – that’s what case sensitive forms are for. Figures Publica Play provides 6 sets of figures, like lining, tabular, oldstyle, numerators ... Discretionary Ligatures Ligatures can make your logo or headline look spicy. So there are plenty of them.

CT Ausetan is a typeface designed for perfect reading in continuous text. With humanist proportions and calligraphic details but actual, both in appearance and in function. Its asymmetric serifs and slightly curved stems recall the warmth, dynamism and character of the first humanist typefaces built according to the logic of the flat pen. It has a high x-height and its moderate contrast make reading in small bodies comfortable. The many OpenType features make it a versatile typeface that fits into any publishing project. To cover present-day needs, CT Ausetan consists of six weights and their corresponding italics. Each font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions as well as various geometric figures and stylistic sets. With an extensive Latin character set, CT Ausetan covers a large number of Latin-based languages. Initially designed for small texts, below 14 pt, its calligraphic details accentuate its personality when used in larger bodies such as headlines.

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

Lemony is a serif font family in 8 different volume options expressing formality and elegance in your designs. Its family character is that it has small lines in horizontal or vertical forms on the letter body, easing readers to read the letter as the lines guide readers’ attention to the reading directions. As a result, you may use this font on any text sizes. In addition to the font weight variations, you will have freedom of how and where you should use the font. Enjoy the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Lemony fits for various design projects, such as posters, banners, logos, magazine covers, quotes, invitations, greeting cards, merchandise social media, etc. Find out more ways to use this font by taking a look at the font preview. Hopefully, you have a great experience using our font. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.