Laudiea is a beautiful script font with a classy, elegant, and modern look. It will add a handwritten touch to any design project!

An unorthodox font with an edgy vibe. Great for use in editorial, advertising, music, film and EXTREME sports projects. With western language support.

Pocket Initials JNL contains twenty-six initials inside of a white-into-black pattern for monograms, page headers, stationery and other creative projects.

Gas Forbes font create with passion and carefully. This lovable font can use to your design project especially for special and lovable moment.

Continental Gothic JNL is elegant and sophisticated... perfect for an Art Deco project needing a font that is not too bold or overpowering.

Klenthing is a simple typeface. It's handwritten and is perfect for invitations, branding, blog posts, greeting cards, DIY projects, labels, quotes, and more!

Bitstream’s Oranda was designed by the noted Dutch designer Gerard Unger as a custom project for the European printer manufacturer, Océ, in 1986.

In NeedALilly the characters are composed of threaded needles. It is caps only and the lower-case letters repeat the upper-case glyphs.

This font has a unique character and can be used for your logos, business cards and other projects for a unique vintage look.

A chunky, whimsical number that strikes just the right chord for modern and retro projects. Loaded with stylistic alternatives, ligatures and Vietnamese support.

Shunsine is a distinct and elegant display serif font. Its stylish alternates and ligatures make this font the perfect match for any project.

TE Classic2 Tharwat Emara is an exquisite Arabic Thuluth font that is designed to add a touch of elegance and sophistication to any project. This font is named after the renowned calligrapher Tharwat Emara, who is widely celebrated for his outstanding work in the field of Arabic calligraphy. One of the most remarkable features of TE Classic2 Tharwat Emara is its impeccable balance between the thick and thin lines. The font's curves and strokes are carefully crafted to create a seamless and harmonious flow, giving it a unique and mesmerizing appearance. The intricacies and details of the font's characters reflect the skill and artistry of the calligrapher and demonstrate the perfect balance between tradition and modernity. TE Classic2 Tharwat Emara is a perfect choice for designers and artists who want to add a touch of Arabic culture and tradition to their projects. The font comes with a full set of Arabic characters, including ligatures, diacritical marks, and numerals. The characters are designed to be easily legible and readable, making it suitable for use in both print and digital media. One of the most striking aspects of TE Classic2 Tharwat Emara is its versatility. It can be used for a wide range of applications, from branding and advertising to editorial and publishing. Its unique and captivating design will make any project stand out and attract customers, making it a valuable investment for designers and artists. The font's exquisite design is not only limited to its characters, but it extends to its overall layout and spacing. TE Classic2 Tharwat Emara has a perfect balance between its characters' shapes and spaces, giving it a smooth and consistent look. The font's spacing is also carefully crafted to ensure that the characters are well-organized and easy to read. TE Classic2 Tharwat Emara is not just a font; it's a work of art. Its unique design and intricate details make it stand out from other Arabic fonts in the market. The font's exquisite design is a result of the meticulous attention to detail paid by the calligrapher, which is evident in every stroke and curve of the font's characters. Overall, TE Classic2 Tharwat Emara is a font that celebrates the beauty and elegance of Arabic calligraphy. Its captivating design and versatility make it an excellent choice for designers and artists who want to add a touch of tradition and culture to their projects. With its unique and mesmerizing appearance, TE Classic2 Tharwat Emara is sure to attract customers and make any project stand out.

Excessive photocopying, with extreme enlargements and reductions to magnify the imperfections, helped to rough the edges and give Not Sassure a non-digital quality.

Regato is a hand made font ideal for your graphic project. Usage recommendations : Title, short text, children's book, poster, book cover, brochure, label, magazine

Buree Chalk is a unique handwritten font with a chalk texture. Fall in love with it and bring your projects to the highest levels!

Oldsman No. 1 is an uppercase font family. It was specially designed for logotypes and experimental editorial design projects. Geometric, rhythmic, modern... Try it!

Stay Wild is a stylish script font. This smooth handwritten script font can be use for any design projects that require a charming appearance.

This rough and angsty font is perfect to add a punk edge to any project. It's asymmetrical and handwritten for the authentically angsty font.

Poster Plain JNL and its oblique counterpart offer the simple, hand-lettered look of home-made poster board projects with a bold, friendly typeface.

Purify Signature is a modern and simple handwritten script font. Contemporary and fashionable, this font will look great for a wide variety of projects.

Mummbler is your tiny, crunchy and lovely serif font with tall ascenders and deep descenders. Romantic, perhaps - but definately worth your next print project!

Water is a rounded hand-printed font ideal for graphic project. Usage recommendations : Title, short text, children’s book, poster, book cover, brochure, label, magazine

LD Little Buggy is an enjoyable, outlined font that is perfect in adorning invitations, digital projects or just adding some flavor to a page.

Jack Smith is a signature script font with a natural handwritten feel. This font is a good choice for branding and logotype design projects.

Good Thinking is a beautifully designed handwritten font that’s both authentic and charming. Use it to turn any design project into a true standout!

Srikaya is a display typeface with a cheerful vibe and autumn nuance. Use it for any creative project in need of a whimsical vibe.

Happy Holidays! Okaycat's "Christmas Card" is a dingbat font that brings cheer to the season with a great selection of holiday greetings & Christmas symbols!

Oh Beloved is a beautiful script font with a classy, elegant, and modern look. It will add a personal touch to any design project!

Hollyday is designed to be practical and use of texts and titles. Ideal for application in graphics and editorial projects and mobile interface design.

Friendly and spontaneous, Catbird loves to have fun. Catbird approaches life with undaunted exuberance and adds a delightful and curious energy to every project.

Introducing the Nolita Font Duo, a classy pair of script and serif fonts. Nolita offers beautiful typographic harmony for a diversity of design projects.

Nukman Tsabit a modern serif. This "Nukman Tsabit" is well suited for various design projects, such as logos, advertising, quotes, packaging design and others.

Dinila is a fashionable and quirky handwritten font with a unique style. It will add an authentic and personal touch to any design project!

Rugen is an urban all-caps sans serif that perfectly matches your branding project and more. FONT FEATURES Additional Accents 66 Languages Kerning Alternates

Little Tokyo is an authentic signature script font. This natural style handwritten font is suitable for various projects, such as logos, branding and packaging.

Mirabeau Buonaparte Lamar had an exotic name for a historic Texan, but he left his mark beginning in 1836, the year of Texas independence and the first year that pioneers other than mountain men made their way West. Lamar went on to become the young republic’s first elected vice-president (to President Houston) and second president -- and to author a number of interesting letters in his elegant, stylish hand. (Mirabeau B. Lamar grew up a well-to-do southerner from Georgia, and his penmanship shows it.) One of the most interesting aspects of designing old handwriting fonts, to me, is pausing to reflect on the actual moment that the letter-writer is sitting at his or her desk or table, pen in hand, putting thoughts to words -- 150 to 200 years ago. Has a complete character set, and plenty more.