6,093 search results (0.153 seconds)
  1. Wood Stencil by Jeff Levine, $29.00
    Giving a stencil treatment to a classic wood type sans serif grotesk design, Wood Stencil JNL is available in both regular and oblique versions.
  2. Archipad Pro by Bejeletter, $14.00
    Archipad Pro is a geometric sans and slab font family, The combination of modern geometric elements make it clean and readable with the form and matching oblique. Archipad Pro Consist of 9 weight sans and 9 weight of slab, makes more free choice in writing with 36 font styles. 9 Weights Sans and Slab (Thin, Extralight, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black) Oblique font is available Latin Pro
  3. Sandwich Shop JNL by Jeff Levine, $29.00
    A 1930s WPA (Works Progress Administration) poster promoting national parks depicts Native Americans overlooking the land with the tag line "his hunting ground of yesterday". The hand lettering of that text is reminiscent of Futura Black and similar Art Deco stencil-influenced type designs, but is rendered in an oblique lower case with no capitals. Re-drawn as Sandwich Shop JNL, the typeface is now available in both regular (vertical) and oblique versions.
  4. Hermitage by Larin Type Co, $15.00
    Hermitage is a modern, elegant serif font that includes six typefaces regular, outline, oblique, outline oblique, rough and rough oblique. This font has a light weight and looks amazing in logos, branding, arranging wedding invitations, business cards, packaging, cosmetics, also works perfectly with text, it is very readable and recognizable, book cover, magazine headers, or simply as a stylish text overlay to any background image. This font includes alternates for Uppercase and Lowercase, with them you can make your project more elegant and unique and the slanted style will add dynamics to your design. Use a rough style on the craft paper, it will look great on it and create an atmosphere of handwriting. This font is easy to use has OpenType features.
  5. Woodblock by Monotype, $29.99
    The Woodblock font is a heavy face with angled counters and wedge serifs. The angles of the terminals and non-vertical strokes have been carefully drawn to add emphasis to the shapes of the letters.
  6. Hannah Joie by LightHouse, $49.00
    Hannah Joie was influenced by the early lettering that appeared on posters in Israel (e.g. the 1950s). The style of the lettering was bold, heavy, and prominent. Hannah Joie is an OpenType/TTF Unicode font.
  7. Agio by Gaslight, $15.00
    Agio - a heavy contrast style font with cuts on the top of the some glyphs and spurs on top left corner of every glyphs. Also Agio has some decorative styles for glyphs and decorative elements.
  8. Charterhouse by Device, $29.00
    A heavy obround sans with a high x-height and unusual lower-case spurs that flow up and into the bowl. This curve is mirrored in the ascenders. The alternates provide for closer, denser setting.
  9. Mymoon Stencil by Tour De Force, $25.00
    Mymoon Stencil is an extension of the Mymoon font family. It comes in 3 weights: UltraLight, Regular and Heavy. Contains extended Latin character set with OT features such as OldStyle and Tabelar numerals and fractions.
  10. Ruina Inline by RodrigoTypo, $25.00
    Ruina inline is an alternate version of Ruina, containing inline and also oblique, a very expressive font that can be seen in any casual design
  11. Sign Engraver JNL by Jeff Levine, $29.00
    Sign Engraver JNL and Sign Engraver Oblique JNL reproduce the classic rounded letters and numbers engraved into plastic signs, desk nameplates and employee name tags.
  12. Franklin Stencil JNL by Jeff Levine, $29.00
    Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.
  13. Paris Stencil JNL by Jeff Levine, $29.00
    Vintage French tin stencils with various phrases were the model for Paris Stencil JNL. The type design is available in both regular and oblique versions.
  14. Alphonse Nouveau by Jeff Levine, $29.00
    Alphonse Nouveau JNL is based on the lettering style of famed Art Nouveau illustrator Alphonse Mucha, and is available in both regular and oblique versions.
  15. Movie Classic JNL by Jeff Levine, $29.00
    The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.
  16. French Cinema JNL by Jeff Levine, $29.00
    The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.
  17. Slabserif Wood JNL by Jeff Levine, $29.00
    Vintage wood type with a strong Clarendon influence served as the model for Slabserif Wood JNL, which is available in both regular and oblique versions.
  18. French Shipping Stencil JNL by Jeff Levine, $29.00
    The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.
  19. Cattle Trail JNL by Jeff Levine, $29.00
    Modeled after an image of an almost complete set of Latin Condensed wood type, Cattle Trail JNL is available in both regular and oblique versions.
  20. Phollick by Typotheticals, $8.00
    A basic handdrawn and scanned text that could be used for scrapbooks and the like. This font is a cross between Italican Oblique and Czaristane.
  21. SwirlityText by Ingrimayne Type, $9.95
    SwirlityText is a fussy, over-the-top calligraphic typeface with lots of curves and wiggles. It comes in two weights, each with an oblique style.
  22. Sreet Pieces by Tomatstudio, $12.00
    Now everyone can create simple pieces of graffiti in an easy way. With all our experiences in the real graffiti scene combined with our skill in creating fonts, we create these "Street Pieces." This is a simple version of a wildstyle graffiti piece; you can clearly read the font; unlike heavy wildstyle, which not everyone can read clearly, your message is still clear with this font. It's very easy to use, but for a better result, you should adjust the kerning and lead manually because the real graffiti is like that, and use your own graffiti style because there are no rules in graffiti. In this package, you’ll get two fonts. "Street Pieces Line" for the line, and "Street Pieces Fill" for the fill. Don’t forget to combine with "alternate" fonts; see the preview fonts for the sample; and also add a drop shadow or extrude effect to make it more realistic.
  23. Korde by Alit Design, $14.00
    Introducing Korde Typeface Korde font is designed with a retro style concept that has a unique and cool shape. It is suitable for header text fonts, book covers and designs that have a retro elegant concept, besides that Korde font is also very good when used for body text. Korde font has 26 families from Thin to Heavy and Condensed. Sans Serif typefaces such as “Korde typeface” are very easy to apply to any design, especially those with an retro and classic concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Korde typeface contains 549 glyphs with many unique and interesting alternative options. Plus, there's a cool sans serif font family for header and description text from thin to heavy and thin condensed to heavy condensed. In the poster preview all the letters are in the Korde typeface.
  24. Caridade by insigne, $29.00
    Caridade is a bold and powerful script face. It draws some inspiration from heavy brush drawn vintage hand lettering but its heavy weight is much thicker with plenty of impact and more contemporary letterforms. The face offers a wide array of weights, from the powerful Heavy weight to the graceful Thin. Caridade can get the job done for many unique design tasks. Caridade includes many useful OpenType features, including a set of non-connecting alternates, 40 ligatures, and two types of end letterforms. OpenType features include ornaments, swash endings, ending contextual alternates, discretionary ligatures, ligatures and three different stylistic sets filled with alternates. In total, there are over 60 alternate letterforms. Please see the sample .pdf to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages.
  25. 1913 Typewriter Carbon by GLC, $38.00
    1913 Typewriter Carbon is the bold version of GLC foundry's 1913 Typewriter. It is available in two styles: Normal, and Underlined (Bold). It is a complete alphabetic font. It is used as variously as web-site titles, posters design or books editing. It may be preferable, if possible, when printing, to choose a pale color - dark grey instead of heavy black, for exemple - to give a good appearance, just like the real one, and still benefit from the full details. With inkjet printers, it may be used the economic or draft option with a good result too. The old typewriter characters size is 11 or 12 points, but this font supports easily enlargement.
  26. Yenisack by Madhaline Studio, $29.00
    TUTORIALS : https://www.youtube.com/@madhalinestudio/videos Yenisack is a carefully crafted font, which features a very heavy black metal feel. Yenisack suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.
  27. Hadrian LP by LetterPerfect, $39.00
    Hadrian Bold pushes the limits for an extra-condensed titling face. Though remaining in the tradition of the 20th-century 'grotesque' designs, its heavy verticality and tight spacing demand attention for headlines at virtually any size.
  28. Zafran Arabic by Boharat Cairo, $20.00
    Zafran is an elegant industrial display typeface, full of curves and sharp angles, the typeface has an oblique feeling and unified spaces that create neat alignments.
  29. Motherboard JNL by Jeff Levine, $29.00
    Motherboard JNL is a retro throwback to the technology boom of the 1980s and simulates an LED readout display panel. Available in regular and oblique styles.
  30. Backpage Article JNL by Jeff Levine, $29.00
    Backpage Article JNL and its oblique counterpart are a variant to the popular sanserif wood types used in newspaper headlines and on broadsheets in years past.
  31. Display Engraved JNL by Jeff Levine, $29.00
    Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.
  32. Fordham JNL by Jeff Levine, $29.00
    Fordham JNL is a slab serif typeface in regular and oblique versions that has a casual, informal look reminiscent of 50s and 60s-era ad headlines.
  33. Dry Goods Stencil JNL by Jeff Levine, $29.00
    An antique Bradley stencil cutting machine’s letters and numbers were the basis for Dry Goods Stencil JNL, which is available in both regular and oblique versions.
  34. Handmade Stencil JNL by Jeff Levine, $29.00
    Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.
  35. Mud Creek JNL by Jeff Levine, $29.00
    Mud Creek JNL is based on Tuscan Egyptian – a classic wood type with a decidedly Western feel, and is available in both regular and oblique versions
  36. Retail Monoline JNL by Jeff Levine, $29.00
    Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.
  37. Tectónica by Untype, $29.00
    Tectónica is an elegant and stable heavy-duty didonish typeface in three different flavors: the strong and sober Poster Style, the fancy and classic Engraved Style and the playful and sexy Swash Style, each of one includes a distinctive set of alternates, ligatures, numbers and plenty of other resources and OpenType features for your text delight. With heavy contrast and solid presence yet full of delicate details and variations, Tectónica was especially designed for being used in headings, logotypes, large text settings and display use in general where a well-founded and firm yet graceful and refined statement is needed.
  38. Carrol by Sarid Ezra, $15.00
    Introducing My first sans font. Carrol, a classic sans with alternates! Carrol is a classic and modern sans with alternates in each alphabets! Every alphabet have alternates up to 3 kinds! This font fits in any project. You can use it for a tittle, logo, quotes, or become a pairing in any script font. This font also support multi language! You can get 6 style with italic in every style. This font included: Thin Thin Italic Light Light Italic Regular Italic Medium Medium Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic Heavy Heavy Italic Thank You!
  39. Neue Power by Power Type, $15.00
    Neue Power is a contemporary sans serif display font family in 6 weights plus 12-degree of obliques. It supports 75+ Languages (Latin Based) followed by the Grotesk typefaces, perfect for various design needs, including Branding (Identity), Logotype, Printing to On-Screen/Digital Reading, Posters, Caption, Headline, Body Text, or Captions. Neue Power Typeface will give you a nice way of aesthetic communication for your design project. Available from Light — Ultra plus obliques in a total of 12 Fonts.
  40. Simply Grotesk JNL by Jeff Levine, $29.00
    Up until the advent of vinyl plotters, computers and a myriad of other typesetting and printing changes the world has experienced over the past few decades, the art of hand lettering flourished. An early 1900s book on show card writing displayed a nice example of a Grotesk typeface (a popular style of sans serif of the time). This has been redrawn digitally as Simply Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique.
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