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  1. Reclame - Unknown license
  2. Pandemonious Puffery Light - Unknown license
  3. Flying Leatherneck Outline - Unknown license
  4. pectopah - Unknown license
  5. Xephyr Shadow Italic - Unknown license
  6. Petiote - Unknown license
  7. disco 3 - Unknown license
  8. Flying Leatherneck Light - Unknown license
  9. Airacobra - Unknown license
  10. Kosmonaut - Unknown license
  11. D3 Coolbitmapism - Unknown license
  12. Flying Leatherneck Expanded - Unknown license
  13. genotype - Unknown license
  14. MigraineSans - Unknown license
  15. Phonetica - Unknown license
  16. Pandemonious Puffery Italic - Unknown license
  17. Mimi's Hand Connected by Corradine Fonts, $19.95
    Based in Maria Consuelo Roman's handwriting, Mimi's Hand Connected is a very spontaneous font. It could be used in any informal project.
  18. FLOWER GARDEN - Unknown license
  19. BJF Hunnybee - Unknown license
  20. Dearest Friend - Unknown license
  21. Schmuck-Initialen 1 - Personal use only
  22. Santa Time - Unknown license
  23. Matrix_vs_Miltown - Unknown license
  24. TV Nord by Elsner+Flake, $39.00
    The typeface family TV Nord is based on the corporate typeface NDR Sans which was developed by Elsner+Flake for the Norddeutsche Rundfunk (www.ndr.de) between 1999 and 2001. This new design came into being as part of a complete overhaul of the visual image of the NDR. This became necessary because the NDR, founded in 1954, incorporated the stations of the East German states Mecklenburg-Vorpommern (1992) and Brandenburg (1997) after the re-unification of Germany. The Hamburg advertising agency DMCGroup developed a new and unified image for the NDR which is in existence to this day. The typeface TV Nord relates to the design of the Trade Gothic and similar American sans serif typefaces of the early part of the last century. Its development concerns itself as much with good legibility for print, as it does for the reproduction on TV screens, which among others, is achieved through its high x-height. The logotype for the NDR as well was developed from the capitals of the NDR Sans. In 2014, the TV Nord was revised stylistically and expanded to incorporate all European-Latin languages. As part of this effort, further complementary cuts were added.
  25. mainstreet - Unknown license
  26. Medrano - Unknown license
  27. Charybdis - Unknown license
  28. Ptarmigan - Unknown license
  29. Zig - Unknown license
  30. fatboy - Unknown license
  31. onakite - Unknown license
  32. risk - Unknown license
  33. Sindrome - Unknown license
  34. roundabout - Unknown license
  35. JF Cotswold Leaves - Unknown license
  36. JF Cotswold Letters - Unknown license
  37. Phosphorus - Unknown license
  38. Middle Ages - Unknown license
  39. Caturrita by Armasen, $12.00
    Caturrita is a versatile family for use in both long texts, and can be used in titles. The characters have fluidity, contemplating the principle of continuity. It has structural strength of the glyphs to be drawn by considering aspects calligraphy. The name comes from the similarity between the characteristics of the bird well known in southern Brazil: drawing the loose, fluid that resembles a flying bird. Moreover, a clear reminder that some of the glyphs are the serifs beak of the animal. Prize Winner Bornancini - Porto Alegre RS - Academic Category Selected Project Muestra de Estudiantes for the Ibero-American Biennial of Design - Madrid - Spain
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