Freehand 471 is the Bitstream version of Cascade Script by Matthew Carter. Released by Mergenthaler Linotype in 1965, this design is based on an earlier type by the Ludlow foundry. It's a dark, disconnected script with angular forms. It seems written by heavy marker and thus suitable for informal posters and signage and for advertising and display typography as well. Central European, Cyrillic, and Greek Monotonic characters were designed by Oleg Karpinsky. Released by ParaType in 2011.

Lithuanian type designer Mindaugas Strockis created this display FontFont in 2002. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, film and tv as well as software and gaming. FF Elementa Rough provides advanced typographical support with features such as alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Elementa super family, which also includes FF Elementa.

The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition. Sharp contrast, strong weight, slightly condensed Modern Serif with calligraphic elements. The typeface is useful in text and display composition, in scientific, fiction and art books. The revised and completed digital version was designed at ParaType in 2002 by Lyubov Kuznetsova.

PT Parangon™ was designed in 1986-2002 by Anatoly Kudryavtsev and licensed by ParaType. This type family belonges to Neogrotesque subclass of closed Sans Serif. Letterforms of lower case is based on the tradition of 1710 Civil type and some modern Italic types. The family has a lot of weights and styles including Extra Condensed, Condensed, Regular, Extra Light, Light, Bold, Extra Bold. For advertising and display matter. Also it can be used for texts in advertising magazines.

Ando is a condensed sans serif typeface available in seven styles. Built on a simple geometric structure, this family packs a lot of elegance with its super smooth curves and unique details. Designed for headlines, Ando really shines when used big, specially in the lighter weights. Initially released in 2011, the family was extended and updated in 2020. OpenType features include standard and discretionary ligatures, stylistic alternates, tabular figures, localized forms, case-sensitive punctuation, and more.

Neva Regular with Italic was created by Moscow book and type designer Pavel Kuzanyan (1901-1992) at Polygrafmash in 1970 for slugcasting and display composition. Based on simple strict letterforms of Russian classical typefaces. Neva typeface was rewarded on the Gutenberg international type design contest in 1971 (Leipzig). The typeface is useful in text and display composition, in fiction and art books. The digital version and bold styles were designed for ParaType in 2002 by Lyubov Kuznetsova.

French type designer Albert Boton created this script FontFont in 2002. The family contains 2 weights: Regular and Italic and is ideally suited for advertising and packaging, festive occasions, film and tv as well as poster and billboards. FF Elegie provides advanced typographical support with features such as swashes, ligatures, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Milwaukee, is a geometric typeface with an embellished-like touch. Designed in 2011, in capital English & Greek characters, including numerals, and basic punctuation marks, as well as CE characters. It was initially inspired by Byzantine and Japanese typography and later from the cityscape of Milwaukee, thus its name. This typeface comes in four weights and is suggested for logos, short titles, social media marketing, book covers, posters, labels and more applications you will choose to go with.

Pretty Sweet in a beautiful handwritten style. Equipped with 300 glyphs. Pretty Sweet is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

James Sophia in a beautiful handwritten style. Equipped with 400 glyphs. James Sophia is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

Baby Morgana in a beautiful handwritten style. Equipped with 300 glyphs. Baby Morgana is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

AllSmiles is a sunny little face in which all the letters smile at you. It can be used in notes and cards of congratulation or in celebrating good-news announcements. In the update of 2011, emoticons were added in the appropriate unicode slots (unicode 1F601 to 1F640 slots). For the sad version, see BringInTheFrowns, and if you only want to proclaim a little joyfulness, you can temper the feelings with a plain version of the typeface, FebDrei.

Artù ! Strano ma vero, strange but true. A beautiful, intelligent and lively Italian dog and a great friend, unfortunately no longer among us ... but his memory lingers. A typeface designed in Rosennano (Tuscany), its Italian, but executed in Amsterdam. This monospace typeface might prove to be extremely useful for household products like washing powder or any anything like that. Just use it in your designs, let it live! Concept/Art Direction/Design: André Toet © 2017

Glamour Script in a beautiful handwritten style. Equipped with 380 glyphs. Glamour Script is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

Angatha in a beautiful handwritten style. Equipped with 350 glyphs. Angatha is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

Leo is an economic magazine and book face meant for use in sizes suitable for immersive reading, with different cuts optimized for different body copy size ranges, like footnotes and legal text. Designed with the explicit intent of relaying information without calling attention to itself, this typeface places itself squarely on the "function" side of the eternal debate about form versus content. The roman Leo fonts were built with as little ornamentation as possible, with wedge serifs, a high x-height and a skeleton somehwat rooted in the designers' reflections on the modern, post-war Dutch archetype. Rather than follow traditional models with entirely different forms, contracted widths and steep slants, the Leo italics deliver naturally subtle emphasis in reading by closely relating to the forms, stance and rhythm of their roman counterparts. The 12 Leo fonts contain over 700 glyphs each, and include support for the vast majority of Latin languages. Included OpenType features are built-in small caps, lining and oldstyle figures in both proportional and tabular sets, superiors, numerators, denominators inferiors, ordinals, automatic fractions, ligatures, and optional long descenders for optimal counterspace management in book and magazine text layout. For more information on Leo's character set, features and some print tests, please consult the PDF in the gallery section of this page.

Maxengine is a bold script font that refuses to conform. This rebellious yet playful typeface marries boldness with a touch of whimsy, creating a dynamic and unique script that captures attention and refuses to be confined by traditional design norms. The characters in Maxengine boast a rounded shape, bringing a sense of friendliness and approachability to the bold script. What truly sets it apart is the intentionally uneven outline details, adding an element of spontaneity and creative flair to each letter. This unconventional approach results in a font that exudes personality and breaks away from the ordinary. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Maxengine fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Adelle family continues its stylistic expansion with the release of Adelle Mono and Adelle Mono Flex by Veronika Burian and José Scaglione. Monospaced typefaces are the default choice for developers and programmers and are also an aesthetic choice for many designers and communicators. The Adelle Mono font family has two widths to serve both breeds and a variable font for the flexible spectrum in between. Monospaced typefaces are born of necessity rather than purely aesthetic values. Each glyph is constrained to a strict box, making the naturally smaller ones the same width as the naturally wider ones. While this serves the functional purpose of keeping text aligned in vertical and horizontal rows, it is completely unnatural in terms of readability. A monospaced ‘l, i’ are overblown compromises while ‘m, w’ become compressed mutations. The Adelle Mono family was therefore designed with both the developer and the aesthete in mind. Adelle Mono respects its necessary constraints while still being visually appealing and easily read. Activate it for use in Sublime, Swift, Terminal, or your IDE of choice and see how well it performs. Clarity will lead to less developer mistakes, and its aesthetic appeal will make your work enjoyable. Adelle Mono Flex is the proportional width version that works for any kind of normal text reading or a design intended to invoke “system or information aesthetics”. Opposite the demands of the monospace family, Flex is reader friendly and intended for branding, annual reports, paragraphs, UI, logos, posters, screens, tables, captions, and more. Employ the Mono version where monospace is needed and the Flex version where reading or coherence is priority. Adelle Mono’s experimental 20-style design explores the space between proportional and monospaced types. It boosts creativity and coherence by providing flexible options in the same family, including italics and the variable font format with an axis of weight and a spectrum axis between multi-width and monospaced characters. Combining Adelle Mono with either Adelle or Adelle Sans adds more layers and adaptability to your work.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Poison Flowers is a psychedelic trip back in time to the era of peace and love. Who would have ever thought that grunge or techno could be so groovy?

I really like Wales; I like the culture, the people and the language. I also like the Welsh legends, especially the ones about King Arthur and Merlin. I am reading a book about Arthur right now, so when I was working on this font, I wanted to give it a Welsh name. Caerphilly is a town in Southern Wales and is home to an immense 13th century castle (Castell Caerffili). Caerphilly font is based on a 16th century manuscript. I kept the glyphs rough, to give it ‘ye olde’ look. Comes with a hoard of diacritics, a bunch of double letter ligatures and some alternate glyphs as well.

Utlity Signage JNL is a collection of fifty-two various "all purpose signs" we've all seen in hardware and variety stores is perfect for spot illustrations in ad copy, making one-off images for props in a stage play or production or even for novelty jokes or gags. NOTE: Usage of this font to create printed or digital "stock signs" for resale is not part of, nor allowed under the terms of the standard Jeffrey N. Levine Software License Agreement. A separate license for the manufacture and distribution of derivative products is required by contacting the font author directly. Please refer to the EULA for further details.

The last couple of years felt like I was living in a bad dream: I witnessed crazy leaders, climate change and now Covid. I usually name my fonts after things that affect me and this one is not different. Dreamworld is a font I made with a cheap marker pen I liberated from my kids’ pencil box (I will put it back, pinky promise…). It is a bit rough, but also very easy to read and distinctive enough to make your work stand out. Of course it comes with extensive language support (let me mention Vietnamese again…) and two sets of alternate glyphs, that cycle as you type.

North American version for teaching children’s first letterforms With dots and arrows these print script fonts have no ‘exit stroke’ found in the European version. An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Free to download resources How to access Stylistic Sets of alternative letters in these fonts

Tierra Script is a connected script typeface with a simple structure and organic contour. Its naivety and fluency makes it easy to read and close to everyone. The system has two main styles, one more formal than the other, then could be used in a wide diversity of designs applying the appropriate look. Also has other features, like swashes, alternative characters and contextual replacements. All that features are supported by a careful Open Type programmation, then is just needed to play a little with the font to obtain lovely words and phrases. Some features are present in all the fonts but the "Plus" version contains all of them.

I recently bought a small, portable speaker. I can now listen to music when I am making fonts! Output Volume is a name I came up with after reading the quick start guide that came with the speaker. Output Volume is a 100% handmade display font - it was based on a protest sign, but after a few glyphs it started to morph into something unique. I created 2 sets of contextual alternates (including the most used accented glyphs), that will cycle as you type. I also added some discretionary ligatures, to get an even more random effect. Output Volume comes with a vast array of accented letters, including Vietnamese.

I read something interesting the other day: in 1910 a cat called Kiddo snuck on board an airship and was found by aeronaut Walter Wellman - after he had already taken off in an attempt to cross the Atlantic Ocean. Wellman and Kiddo spent 71 hours aboard the airship, but never completed the journey, due to engine problems and foul weather. Luckily, they were both rescued. It was a funny story, so I decided to name a font after it. Reluctant Aviator is a handmade font (pen and paper). It has a rough edge, some shaky glyphs and a lot of bravado. Comes with diacritics and swashes.

Winsome is a friendly script face that offers virtually endless variation. This charming font balances the casual with the calligraphic, and Winsome’s generous letter spacing and unfussy letterforms are always a pleasure to read. Customizable with over 59 alternates, 466 swash characters, and 89 ligatures, Winsome even includes a disconnected version using the titling feature for even more design versatility. See what’s included! http://bit.ly/1Q11B1U *NOTE* Basic versions DO NOT include swashes, alternates or ornaments This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Durazno de Chile are cursive fonts based on Chilean school script. It can be written in Aymara, Mapuche and Rapa Nui from Chile. It can also be written in Dutch, Maltese, and other languages. This font family is cute. The style is wide and rounded. It has wide and open loops. The strokes are drawn with a round cap tool, with no contrast. It is cursive and connected. The form is upright because upright is the Chilean script standard. It is easy to read in Chile. Parts A have capitals with high starts. Parts B have capitals with low starts. Parts F are Final forms.

100.000 years ago years ago, a group of mad scientists from the far away planet ZyrXX, encountered the earth and just waited to conquer the planet. Their masterplan was to use electronic brain waves to manipulate our minds. Sounds cheesy and comic, right? Well, that is the true story about this font. The font was built using a grid (hence the name!) and all I had in mind, was a mixture of old sci-fi movies and computer graphics from the 80ies. I did my best to recall and re-create this - I will let you be the judge to decide whether I succeeded! :)

The Trellis font family was an effort to combine my love for Art Nouveau and storybook lettering. The capital letters are intricately illustrated and fully appreciated when magnified. Trellis is a font family decidedly decorative and ready for greeting cards and holiday cheer. I was inspired by Storybook caps for the capital letters, and wanted to combine it with some lettering from early 20th century posters. What are its main characteristics and features? Leaves intertwined and growing out of the ends of the capital letters. Although it's highly decorative, it remains legible. Usage recommendations - Holiday Greetings, scrapbooking, personal seals since the capitals are quite attractive.

Introducing "Abyssal Gothic Textura," a hauntingly elegant blackletter font that reimagines medieval dark-fantasy with a modern twist. This font captures the allure of ancient calligraphy while preserving its historical aura. Meticulously crafted, each character exudes gothic grandeur, appealing to both traditionalists and forward-thinking designers. Ideal for sophisticated projects, it lends enigmatic allure to book covers, posters, and invitations. With support for multiple languages and stylistic alternates, "Abyssal Gothic Textura" empowers creativity in diverse designs. Let it guide you into the dark-fantasy realm, where it unveils hidden depths, bridging ancient charm and contemporary allure. Embrace the enigma of history with this captivating typographic gem.

Chamberton is a font script that I made for your needs and is easy to read so it is comfortable to wear, you can use it as a logo, badge, badge, packaging, title, poster, t-shirt / clothing, greeting cards, business cards, and wedding invitations and many again. Flowing characters are ideal for making interesting messages according to your taste. mix and mix with many alternative characters to fit your project. It will be more interesting if you add swash. Alternative characters in this font are divided into several OpenType features such as Stylistic Alternate, Ligature and Ligature Alternates. Mail support: maculinc@gmail.com Thank you! Maculinc

I used to live in the English Lake District - in a town called Ambleside to be precise. It was a nice time in my life, as living in the Lake District gave me the opportunity to go out every day and enjoy the beautiful nature! Troutbeck is a small, old fashioned village on the narrow and hilly road from Windermere to Penrith. If you ever make it there, you will discover that the area is a walhalla for hikers! Troutbeck font is a pleasing, handmade all caps font. It would look great on product packaging or book covers, or maybe postcards reading ‘Greetings from the Lake District’.

The Daytona™ typeface family grew out of a desire to provide improved fonts for use in televised sporting events. Jim Wasco drew the design as sturdy squared letters based on humanist shapes and proportions. Letters were kept narrow for economy of space, and inter-character spacing was established for easy reading. While televised sporting events may have initially been his target, the design considerations he incorporated into the Daytona family also enabled it to perform well in a variety of other video and on screen environments. Daytona Variables are font files which are featuring two width axes and have a preset instance from Thin to Fat.

Radar Qromo elegant serif Hi ladies and gentlemen! The latest elegant font release has come, which is the font that is in the sights of these ladies and gentlemen. Namely the Radar Qromo font. The Radar Qromo font is a very pretty and handsome serif font. comes with a modern elegant style to become a market favorite. We keep this font looking elegant, classy, easy to read, stylish, attractive and easy to use. Radar Qromo Font is the right choice for brands, brand names, business cards, modern, magazines, classy designs, retro designs, newspapers, books, branding, weddings, and other projects. The Radar Qromo font is here to enhance the quality of your designs. The Radar Qromo font style will let you design a fancy and elegant name for this font. Keep following us for updates on making further fonts :) Feature: • All Uppercase letters • Multilingual Support • Numerical • Punctuation • Ligature collections

Please note: Acorde webfonts are exclusively available at willerstorfer.com Acorde is a reliable workhorse for large, demanding design projects. It was designed to be perfectly suited to all different sizes, from small continuous text to large headlines and big signage. The typeface’s name is derived from ‘a’ ‘cor’porate ‘de’sign typeface, however Acorde is not only suitable for corporate design programmes but for information design and editorial design purposes as well. Acorde’s inception was in early 2005 as Stefan Willerstorfer’s final project in the Type and Media course at the Royal Academy of Art in The Hague (NL). It is a humanist sans serif with noticeable diagonal contrast and shows clear influences of the broad nib pen, especially in the Italics. Acorde’s characterful details give it a distinctive appearance in large sizes and contribute to its high legibility in small sizes. It comes in 14 styles – seven weights in Roman and Italic each. While the proportions of the Regular style were chosen to guarantee optimal legibility without being too space consuming, the heavier the weight gets the more suitable it is for headline purposes. The heavy weights are relatively narrower than the lighter ones, which gives them a strong appearance. The huge character set contains 925 glyphs per font and covers a vast range of latin-based languages. Various accented letters, small caps, eleven figure-sets, superscript and subscript are all included. OpenType features allow for a comfortable use of the large set. Acorde was honored with the 2010 Joseph Binder Bronze award for type design by DesignAustria.

Zapf International font is the work of German designer Hermann Zapf, formal enough for widespread use yet tempered with calligraphic warmth. Vigor in the italics is achieved more from design than from slant. One of the distinguishing characteristics of Zapf International is its graduation of weights. Light and medium are relatively close and equally eloquent for text. Demi is a full two steps heavier than medium and heavy several steps beyond demi.

Marit Otto about New Daily: This typeface design has a modern but yet classic appearance. That is why she listens to the name New Daily. I took some elements from the Art Nouveau and Art Deco (type) styles. And modernized it by cultivating the beautiful curved features of both styles and playing with the stylish fluid lines and open structures. By adding a bit of the no-nonsense office look of a typeface like Nimbus Sans a new but familiar look occurs. This typeface is very readable and useful for many purposes. It has a playful distinguished character.

Aw, aren't they sweet? This lettering is based on a 1950s note a husband wrote to his wife shortly after they were married. His beautifully controlled and strong handwriting knows no lowercase characters; he gets his point across in uppercase only. In today's world of email and internet writings, we know that uppercase means shouting and is considered quite rude, but he didn't know that when he wrote this letter to his lovely wife! Love Ya Honey is very legible and looks beautiful when used for headlines, titling or even long expanses of body copy. Perfect for scrapbooking too!