The hand lettered title on sheet music for 1915's novelty song "Gasoline Gus and His Jitney Bus" by Byron Gay and Charley Brown offered up the lettering style which is now Nouveau Arts JNL.

AndrewAndyStencil is a sans-serif, stencil font in two weights derived from the Ingrimayne font AndrewAndreas.

When you're ready to leave your cozy picket fence life in Typeville, make the move to the hustle and bustle of Fontropolis! FONTROPOLIS is populated by friendly-faced characters you can always count on to help you through the thick and thin of everyday life in the Capital. Why not take a day to admire the classic arches of the ascenders, descenders and horizontals featured in Fontropolis's architecture? Indulge in a little idle chitchat with your fellow Fontropolitans! Fear not! The People of Fontropolis will stand firm beside you when the unavoidable Supervillains and Crackpots descend on the capitals, spouting Arrogant Expositions of their Nefarious Plans as they seek to usurp our great country’s democracy! FONTROPOLIS will always prevail! The Fontropolis font family includes four weights (Regular, Italic, Bold & Bold Italic) with alternate uppercase characters, Western & Central European & Vietnamese support, Manga characters and Crossbar I Technology™

An uppercase font that has versatile character. Got a story to tell? Cowgirl can help you tell it. Includes western-themed vector illustrations handmade by Meg Burk. I grew up spending almost every family vacation as a road trip across the southwestern US. In these adventures, I fell in love with learning about the nature around us; deserts, mountains, plains, piñon trees, rainbow trout, black bears, eagles, and more. I fell into freezing cold white water rapids, explored long-abandoned cliff dwellings, camped under the Milky Way, saw old cave markings, stone markings, preserved art, and read many a many old map legends. These memories are visceral and the inspiration that I get from them permeates my every day. Take a piece of these stories with you and use them in your designs, too. Handmade, meant to last a lifetime and inspire others for decades to come.

VLNL Jelly Donuts’ Jelly Donuts is the round sibling of VLNL Donuts. Equally funky, just round. Like its counterpart Jelly Donuts is heavily infused by hip 1970s geometric fonts like Blippo, Pump and ITC Bauhaus. It nonetheless has both feet in this modern day and age. Meticulously designed and tightly spaced, VLNL Jelly Donuts is very suitable for logos, headlines and music artwork. We especially recommend using it on big 12" album covers. VLNL Jelly Donuts is deep fried, filled with cream, custard or jam, and ometimes glazed or covered in a variety of sweetness: sprinkles, cinnamon, coconut, chopped peanuts, powdered sugar or maple syrup. As a very sweet and saturated snack should, VLNL Jelly Donuts is fitted with a full set of alternate swoosh caps that can be deployed to liven up your already ‘out there’ designs. You can’t get any more funky than this.

Smooth with the roughness and made from scratch, Miser sans serif font family was designed by Mislav Serdarušić and it's name is derived from designers name. Miser typeface blueprints were somewhere in the subconsciousness of the designer but have seen first light of the day in September, 2021. during the Covid pandemic. Inspiration comes from handwritten technical letters of designers parents and graffiti explorations. It comes in 12 styles (6 weights with pairing Italics) with all Latin European language characters which are in daily use(without Greek or Cyrillic). Designed in contemporary appearance with innovations on some letters. Basic ligature set is included. It is suitable for magazines, books and websites, various graphics and paragraphs. Miser has a taste of science, technology, design & architecture, sports and more, yet contemporary boldness but distinctive to regular and oval modern typeface shapes. A must have on your system.

Nami, the Japanese word for wave," is the latest collaboration between Adrian Frutiger and Linotype's Type Director, Akira Kobayashi. This typeface family is the most humanistic sans serif design ever to come from Adrian Frutiger, and it has an interesting twist: lapidar alternates that may be surfed through with the help of OpenType-savy applications. Adrian Frutiger began the design that would blossom into Nami during the 1980s. Although it would not be produced during the 20th century, it was quite forward thinking. The typeface included several seemingly avant garde alternates; these were "lapidary" versions of common letterforms. Revisiting the project in 2006, Akira Kobayashi reworked the concept into a working family of three typefaces. Each font contains 483 glyphs, including 11 alternates-two extra forms of the lowercase g, as well as new forms for a, e, h, l, m, n, r, t, and u."

Underpaid? Overworked? If you like Fritos, Jolt and Mountain Dew in your cubicle, your big warm fuzzy Donkey Kong heart is going to like these fonts a lot. Developed in conjunction with actual Code Monkeys*, this user-defined type IS defined -- it's loud and proud, and available in functional monospace for screen or elegant proportional spacing for print. When your pet project needs a soft, pretty face that's visible from across the office, sit down and pretend to work with CodeMonkeyVariable. Released from the captivity of monospacing, these lovely letters can convey even your wildest story ideas. When your syntax needs to line up on screen, get monospaced out with CodeMonkeyConstant. Copy from other sources and your screen captures will look so sweet you'll no longer have to pray your code complies to specs, because even your login page will look like dynamic rock star programming.

"Welcome to the distinctive world of typography! A genuinely distinctive sans-serif display typeface is Egovu. Egovu is the ideal option if you want a bold and distinctive style for your many different visual design tasks. What is so unique about Egovu? has incredible characteristics. Egovu allows you to be as creative as you like with its selection of ligatures and alternatives. Every project may simply be given a distinctive, personalized touch by using different letter combinations. Since we understand how crucial it is to communicate with a worldwide audience, Egovu supports numerous languages. Your message will be efficiently and clearly heard by individuals all across the world. Are you prepared to advance your design, then? Egovu is prepared to advance your initiatives. Egovu is ready to take your projects to the next level. Get this font now and see how Egovu turns every design into an unforgettable work of art.

DETERMINE is a strong modern sans style with upper and lowercase feel nice balanced. Its wide range of uppercase with alternates and ligatures allow versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : Regular and Italic version Character set A-Z Ligatures in Uppercase Alternates in Uppercase Numerals & Punctuation Accented Characters Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol If you have questions, just send me a message and I'm glad to help. Have a great day, Haksen

Rectoba is the sporty sans style with uppercase and lowercase looks and feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with Open Type feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Cilcle TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Cilcle TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Cilcle TwoLetter Thin Cilcle TwoLetter Extralight Cilcle TwoLetter Light Cilcle TwoLetter Regular Cilcle TwoLetter Medium Cilcle TwoLetter Semibold Cilcle TwoLetter Bold Cilcle TwoLetter Extra Bold Cilcle TwoLetter Black Hope you enjoy. Intuisi Creative

Pentagram TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Pentagram TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Pentagram TwoLetter Thin Pentagram TwoLetter Extralight Pentagram TwoLetter Light Pentagram TwoLetter Regular Pentagram TwoLetter Medium Pentagram TwoLetter Semibold Pentagram TwoLetter Bold Pentagram TwoLetter Extra Bold Pentagram TwoLetter Black Hope you enjoy. Intuisi Creative

The typeface family TV Nord is based on the corporate typeface NDR Sans which was developed by Elsner+Flake for the Norddeutsche Rundfunk (www.ndr.de) between 1999 and 2001. This new design came into being as part of a complete overhaul of the visual image of the NDR. This became necessary because the NDR, founded in 1954, incorporated the stations of the East German states Mecklenburg-Vorpommern (1992) and Brandenburg (1997) after the re-unification of Germany. The Hamburg advertising agency DMCGroup developed a new and unified image for the NDR which is in existence to this day. The typeface TV Nord relates to the design of the Trade Gothic and similar American sans serif typefaces of the early part of the last century. Its development concerns itself as much with good legibility for print, as it does for the reproduction on TV screens, which among others, is achieved through its high x-height. The logotype for the NDR as well was developed from the capitals of the NDR Sans. In 2014, the TV Nord was revised stylistically and expanded to incorporate all European-Latin languages. As part of this effort, further complementary cuts were added.

Primot is an upright script heavily influenced by italian gelaterias . After releasing 3 sans serifs , we were looking for an opportunity to design a display type with less constraints for legibility and expression. We started playing with brush lettering and looking into vintage scripts from different eras. Some cool things that made it into Primot were some unusual vertical connections and the sweet brush flairs in the letter endings. From that point on, we set out to create a beautiful looking vertical script – something we don’t see that often – in which each word set could would make a nice piece of graphic design (think logos, video game titles, shop windows etc.). We also made it smart by including hand-lettering inspired features such as initial and final forms for letters, contextual alternates and swashes. The result is a versatile 900+ glyphs display typeface, suitable for a wide range of applications. We hope you have as much fun with it as we had designing it! And while we’re here, you may like that it also pairs beautifully with our sturdy sans-serif family Motiva Sans .

This font was created for use in a ”bird nest story”. It can be used for any other things but the main idea is that someone looking for a font to use anything related with birds, this can be a perfect match.

Contagia is a trendy and stylish serif font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Scrans (Script + Sans) is a modern script family that gets both, conceptual and formal elements, from classic rational and geometric styles. It's main purpose is to make the difference in an innovative manner. In other words, you can use Scrans in texts where traditionally the classic scripts won’t fit. Scrans is a powerful tool that helps you to obtain clean, minimalists, geometric, contemporary, and mostly, highly legible designs. Each detail in the design of Scrans (like it's compact proportions, it's soft connections, it's cutted endings and it's subtle slant angle), was carefully crafted so you can get a high quality font to use in any project. You can also take advantage of its Open Type features that improve the potential of the typeface, with stylistic alternates and the options to underline smartly the words. Each one of the eight weights supports many languages, including Central and Eastern European as well as Western European languages.

Chop chop! VLNL Cleaver is an important tool in the Vette Letters’ kitchen. It’s a butcher knife of a font. Razor sharp, ultra heavy and with pointy slanted serifs. At first glance it seems straight-lined, but a closer look revails that all straight lines are curved inward slightly, which enhances the sharp image even more. Cleaver was originally designed by DBXL for cutting meat - hell, it even hacks right through bone. It can easily splice a chicken in one slash or seperate ribs, just like that. You can also very well use it to chop up hard vegetables like pumpkin or squash on the chopping block. It gets better, the opposite blunt side can be deployed to crush ingredients like garlic, nuts or spices like black pepper. You could use a grinder, but with Cleaver it’s more fun, isn’t it? VLNL Cleaver is suitable to give a sharp edge to flyers, posters, logos (Heavy metal bands and other) or magazine headlines.

Antique monumental incriptional majuscule, originally carved in stone, and sometimes called “Roman Capital”, is the origin of the upper-case part of our latin alphabet. Its narrowed form, derived from handwritten originals used between the first to third century A. D., served as the inspiration for the Mramor typeface, which I drew with ink on paper in 1988 under Jan Solpera’s leadership. After composing negative letters on a strip of film it was possible to use Mramor with the early phototypesetting devices. In 1994 with the help of Macintosh IIvi I added the lowercase letters and bolds, and issued this typeface as 14-font family. After some years of using Mramor for various purposes, I realized a need of modernization and humanizing its very fragile appearance, as well as removing numerous decorative and useless parts. Besides that, type design made a huge technical progress in past few years, so I was able to finish the remaining approximately 9600 glyphs contained in the present font system named Amor. It is already usual to combine sans and serif fonts within one family in order to distinguish (e. g. in a book) historical part from contemporary, a plain chapter from a special one, or, in quotations, to divide speaking persons. Sans-serif typefaces don't arise by simple removal of serifs; they have to be drawn completely separately, when occasionally many declined forms may be made, considered to the serifed original. Nevertheless, both parts of this type system appear consistent as for proportional, aesthetic and emotional atmosphere. Usage of type is often closely linked to its original inspiration, in this particular case with architecture and figurative sculpture. An inner “order” was also text setting in smaller sizes. A smooth scale of weights enriches the possibilities in designing of magazines, brochures, exposition catalogues and corporate identity. Economizing, but opened shape of characters is well legible and antique hint comes into play after longer reading.

Bagins Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Bagins Sans Serif is a subtle Sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project. FEATURE : - Ligature - Uppercase and lowercase - Numbering and Punctuation - Works on PC or Mac - Simple Installation - Supports Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works in Microsoft Word Hope you like it. Thank you.

Power Display Inspired by Fun cartoon style combined with modern style. This Playful Font Comes In Three Widths; Condensed, Normal, Expanded. This Font Can Be Used For Modern And Vintage Designs, Also Can Be Easily Paired With Some Graphic Elements (Illustration, Photography) This Font Perfect For, Logotype, Branding, Title, And Packaging.

Savoire is a hand lettered serif that have a handmade vibes. You can use this font for any project especially for design that require handmade and organic feels. This font also comes with Regular and Bold that you can use both to highlight the point. This font already support multi language.

Katelyn is a sans serif font that reflects a straight and perfect handwritten note. In being in the middle of a sans serif font and completely handwritten, it will bring and lightness and playfulness to any design. Included in the face is a set of Ornaments that enhances the youthful font.

ALCHEMIA is a modern sans serif font with mystical motives. The font is created in classic proportions and decorated with celestial and boho decor. ALCHEMIA is represented by sans serif lowercase and ornate uppercase. The font is suitable for the design on the theme of astrology, mysticism, spirituality, witchcraft, magic, esotericism.

Introducing Etnier – A brand-new modern family with a unique! Etnier is a modern variable font. Essentially, it's a sans-serif font with a sturdy and squared appearance, ensuring excellent legibility. It offers various widths and italics that provide versatility for your designs. The bolder, the stronger – this defines Etnier. Its bold and robust qualities, especially in the italic version, make it ideal for UI/UX-related designs. In total, there are 14 font styles available, or even more if you use the single files variable. You have the flexibility to slide through the weight and width options to find the sweet spot for Etnier. shape! What's Included? Etnier Main File 14 fonts family with Weight and Oblique options Instructions (Access special characters in all apps, even in Cricut Design) Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Have a great day! Dharmas Studio

The quest for an identity in the 1980s world of personal computers is the best way to describe Technerd JNL, a retro-style monoline font with clinically mechanical letter structure and a personality only a dot matrix could love. Picture if you will columned reports, interoffice memos and other paper ephemera of the day with this perfect form-and-function typeface, simply reeking of early 80s know-how!

Bodoni Classic Swing is another of my decorative additions to Bodoni’s family of typefaces. Bodoni did not design decorative versions. His quest was for purity in book design. He was purely as a printer who had to cut his own fonts because there simply weren't any foundries in those days. I think if Giambattista were alive today he would design many decorative typefaces. Yours molto classico, Gert Wiescher

I was watching a nice series the other day, which I quite enjoyed, but then I realised that the episode I was watching was in fact the last one. That kinda upset me, as I was just getting into the story. Last Episode is a handmade, all caps font - great for titling, book covers and posters. It comes with a set of alternates and some really interesting discretional ligatures.

Marlyn Malson is a beautiful and light handwritten font with a romantic twist. Use it to add an authentic spark to any design project. It includes 1-10 amazing alternates, which gives you the opportunity to create multiple unique designs with just this one download. It is suitable for logos, web, stationary kits, banners, greeting cards, quotes and every other design which needs an elegant touch. Have a great day! Thanks :)

Rock Concert JNL is a playful free form type design inspired by the opening title and credits for the 1964 motion picture comedy “Send Me No Flowers” starring Rock Hudson, Doris Day, and Tony Randall. Strongly resembling hippie movement poster lettering of the mid-1960s, this fonts fits well with any retro project emulating the “Peace and Love” movement or (as its name implies) re-creating period piece rock concert posters.

Carbon Neutral has a distinctly human style - lettering done cleanly with care -- not mass-produced nor mechanical. Get smooth typography which upon closer inspection is gritty & grassroots. The small details make this font friendly & inviting. Carbon Neutral has an exceptionally high level of detail which may cause your graphics program to operate slowly. Carbon Neutral is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

VENGEANCE IS MINE, I WILL REPAY, sayeth the Lord. "BUT IF YOUR ENEMY IS HUNGRY, FEED HIM, AND IF HE IS THIRSTY, GIVE HIM A DRINK -- FOR IN SO DOING YOU WILL HEAP BURNING COALS ON HIS HEAD.""AND FURTHERMORE" sayeth the Lord, "WHEN I FINALLY GET AROUND TO EXPRESSING MY VENGEANCE, LO. MY WORD SHALL BE RENDERED IN A FONT WITH THREE RAGGED LAYERS -- VENGEANCE IS MINE!"

We have created this family inspired from the set of well known Auriol fonts used by the French popular "cheerful" satirical magazine Fantasio (1906-1948). The present version contains Normal, Italic, Bold and Bold Italic styles, in use for texts, plus narrow titlings and normal outlined with upper and lower case, both in use for titles. This family may be used together with 1906 French News, 1906 Titrage and 1890 Notice.

Extra Crunchy is my handwriting when I am eating cookies while drawing! No, it's true! I did eat a whole box of cookies while drawing this font! :) The letters are a bit jumpy, and have no steady x-height, however, your text may look a bit off, but it is clear and legible. Fits perfect for a children's book, a postcard/poster design or something else that needs that extra crunch :)

With a nod to the Golden Age of children's stories, this delightful font will have many uses. 'Luceat' is the Latin for 'shine' and we arer sure you will agree that this is a shining example of the genre. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Makeads, a typeface exuding subtle authority, brings a touch of seriousness to the creative palette. Rooted in the foundations of Bauhaus aesthetics, this font effortlessly balances boldness and sophistication. The supertight kerning and unique texture contrast strike an air of balance between formal and casual, making it an ideal choice for projects that demand a touch of gravitas. Makeads is the silent powerhouse that commands attention without raising its voice.

I just love biscotti; they’re one of my favourite cookies! I thought they were all rock hard and half-moon shaped, but I found out that there’s a ‘soft’ variety as well, mainly aimed at young children who may have trouble munching on the hard cookies. Soft Biscotti is a handmade, all caps font. It comes with extensive language support and a set of alternates for the lower case letters.

Oh Manoghara is a beautiful and light handwritten font with a romantic twist. Use it to add an authentic spark to any design project. It includes 1-10 amazing alternates, which gives you the opportunity to create multiple unique designs with just this one download. It is suitable for logos, web, stationary kits, banners, greeting cards, quotes and every other design which needs an elegant touch. Have a great day! Thanks :)

Samalia Script is a beautiful and light handwritten font with a romantic twist. Use it to add an authentic spark to any design project. It includes amazing alternates, which gives you the opportunity to create multiple unique designs with just this one download. It is suitable for logos, web, stationary kits, banners, greeting cards, quotes and every other design which needs an elegant touch. Have a great day! Thanks :)