Lindum is a classically-proportioned Roman font that is almost a sans serif, the serifs appearing only on the upper part of the letterform. The lowercase features a large x-height and very short descenders.

A redraw of Beton, Bauer, Intertype. with additional weights, shorter x-height and new Italic styles. Roman and Italic share same Roman Caps. Hunter has some text kerning but requires subjective display kerning and compensation.

A revival of one of the popular wooden type fonts of the 19th century. Suitable for text or display, Aetna has thick stems and serifs, related to Roman and Doric, short descenders, tall x height.

A heavy obround sans with a high x-height and unusual lower-case spurs that flow up and into the bowl. This curve is mirrored in the ascenders. The alternates provide for closer, denser setting.

Swifty is four-style font family that features a low x-height and a towering cap height. This gives the font a distinct retro look that is great for titles, magazines, signs, shirts, and scrapbooking.

Super Drift consists of a racing style with sharp lines with a verified tilt angle that will emphasize a modern and sporty style. Super Drift very suitable for automotive magazine covers, racing game covers, logos & branding, product design, labels and so on. What’s Included Super Drift 3D Super Drift Ragular Super Drift Line Standard glyphs Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. Thank you for your purchase! Hope you enjoy with our font!

Texicali is a multiple weight type design based on our FontMesa logo. The idea was simple: create a sans serif with a few slab serifs added resulting in a style that could feel at home just about anywhere. The regular/standard set works well for general use while the Alt set is perfect for when you want to add a little country charm. The Alt set has a few additional alternate letters built in which are easily accessed using Adobe Creative Suite products such as Illustrator and In Design. The X version, with its higher x-height lowercase, is ideal for signage where you want the look of a lowercase, however your sign still needs to be readable from the street. Larger x-heights also come in handy for web use helping to make the text more readable on smaller devices. The price of font styles are subject to change without notice.

Introducing Diverge, a dynamic variable font with two axes - Weight and x-height. Inspired by the sleek and modern design of driveways in apartment complexes, Diverge is a font that stands out with its contemporary, yet sophisticated look. The Weight axis of Diverge ranges from Thin to Black, offering designers a wide range of options to choose from. The Thin weight is perfect for delicate and refined designs, while the Black weight commands attention with its bold and impactful appearance. The x-height axis of Diverge ranges from 420 to 800, giving designers greater control over the font's legibility and versatility. Whether used in body text or headings, Diverge's x-height axis allows for greater flexibility in design, making it a valuable addition to any designer's toolkit. Diverge's variable design is perfect for a wide range of applications, from branding and advertising to editorial design and web development. Its unique look and feel will make any design project stand out from the crowd.

ludovica. This beautiful script is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, save the date cards and feminine branding.

JoyRider is an 8-font family consisting of 4 weights with italics. Its bold appearance is strongly influenced by motor racing and the fast car modification culture, hence the name JoyRider.

WurstHassen is an ugly, violent typeface, full of anger and rage. The two overlay styles can be used alone or layered with the base font to produce bi- or tricolored lettering.

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

SF Hypocrisy is a simplistic san serif with an x-height that goes all the way up and curves in all the right places. This baby works great for all your sexy headlining needs and more...

Originally created by Craig Frazier, San Francisco designer and illustrator, for The Alphabet Critter Playbook, the clever creatures of Critter tell you their names by the letter they represent. A helpful hint: x" is for xenopus."

A revival of one of the popular serif wooden type fonts of the 19th century, tall x height, quite short descenders, thin, rounded serifs, thick stems, based on Roman styles, deliberate, accurate rendering of the original.

Siro is a large x-height sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 7 weights from ExtraLight to Heavy and their matching Italics. The basic skeleton of their letterform was designed simply to create neutral, natural and clean impression and their very large x-height makes this family legible and readable even on small size screen. Siro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.

»Supra Mezzo« – designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, a weight in between the normal and the condensed width. This cut comes in very handy if you need to put lots of text into a relatively small space without loosing readability. The compactness with great legibility makes Supra Mezzo absolutely unique. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family.

Kelpt font is an extra large super family of 54 fonts! Kelpt has such a big abundance of contrast, styles, weights, X-Hight. Typesketchbook consists of a very usable, clean and modern sans typeface with rounded corner. The font looks clean and geometric but it’s designed with unusual stylistic features to give the Kelpt font a special and unique touch. The complete Kelpt type family includes 9 weights with italic and X-Hight (A1-A3) versions for each of them all in all 54 fonts for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Working on The Lab late one night, evil comic book genius Scott Christian Sava realized there was something missing from his graphic experiment! No, not slugs and snails or puppydogs' tails, nor sugar, spice, everything nice and formula 'X'....No, what his nefarious scheme was missing were the actual numbers and letters with which he could complete his equation! BRILLIANT! What he needed was something antiseptically clean and readable, even at small sizes for megalomanical rambling as well as the 5 point type under the Bio-Hazard logo that nobody really reads, and yet also bouncy and energetic enough for the inevitable sound effects that might follow exclamations such as: "IT'S ALIVE!" or "IT JUST-MIGHT-WORK!" Thanks to those awfully nice chaps at Comicraft, MadScientist is now available to evil geniuses everywhere, and guaranteed Laboratory tested.* *On reanimated human beings reconstituted from bones and organic body parts and organs from local charnal houses. No animals or small children were hurt during the creation and use of this font. Well, not yet, anyway. Artwork by Lew Stringer

Alio™ Text is the workhorse of the Alio family . It works beautifully as display type, body copy and anything in between. We redesigned Alio Text with taller x-height, more pronounced accents, and wider letter spacing than its siblings, Alio Pro. We also cut down from 6 weights/12 styles to 4 weights/8 styles. All of these is to ensure the legibility and readability and to maximize the weight contrast at small sizes. Whether your designs call for all caps, title case, sentence case or all lowercase, Alio Text has got you covered with the case-sensitive punctuations. No more baseline shift all your punctuations. Alio Text supports most Latin-based languages and even the Chinese Pin-Yin. This typeface also packs with Open-Type features similar to Alio Pro. For examples, both recognize fractions vs. dates; Both features several alternate positions for the legal symbols (3 in Alio Text; 5 in Alio Pro). If you’re looking for a go-to, versatile typeface for most occasions, Alio Text is for you. (4 weights/8 font styles, 500+ glyphs each).

A thin caps-only cross-stitch font, based on a late 19th century embroidery pattern. It is suitable for birthday cards and posters, signs and ads in the Thanksgiving and Christmas season.

Roadway is an original typeface with an antique accent, inspired by Clarendon woodtypes from late 19th century. It comes in three matching varieties, with extended character sets and a lot of personality.

This beautiful roman style typeface is inspired from an E.C. Matthews book. Although the book we have is dated 1967, the style appears to have been created in the 1920s or 30s.

Chamferwood JNL is another interpretation of the block lettering style most popular during the late 1800s and the early 1900s. The design was modeled from examples from a set of wood type.

Cyberglass JNL is a throwback design to the Techno rage of the 1980s, when everything seemed to be typeset in lettering that represented something to do with computers, electronics or outer space.

Tylbor was inspired by vernacular German typography but mostly by handwritten signs found on the archive photographs from the late 40s of the 20th century. Tylbor contains 14 styles in 7 weights.

This typeface was designed specifically for producing movie posters, as well as VHS and DVD packaging for them. The uppercase letters are ultracondensed, and the lowercase letters are small caps, approximately a third the size of the uppercase. Also included are various logos and symbols suitable for the intended use, including those for MPAA ratings, and various audio and video formats. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Created following personal preferences, Stimulus gathers some styling elements of some of my favorite sans-serif typefaces. It was designed with the intention of being a slightly narrow, high x-height, clean-looking typeface for general purposes.

Fortuna has some resemblance with handtexted characters based, loosely, on the classic italic. But, like Ad Hoc, Fortuna is drawn on a monitor in every detail. The name is Latin and means fate, luck. The composer Carl Orff was actual at the time when I worked with Fortuna, because he had been born 100 years earlier. Orff's Carmina Burana were being introduced on the radio when I was wondering what to call my most recent creation. The song cycle begins with a song to Fortuna: a fated choice of name. Fortuna was released in 1995.

Our new Hamburger font is based on the old classic Brush Script design with many new additions. We've added many alternates to the design including lowercase swash tail letters, swash underscores and a few alternate uppercase letters. Upright scripts are popular these day so new to this old type design is a near upright script version, a lot of hand work went into producing it. One of the biggest problems with the old Brush Script font is that people use it as all caps, which doesn't look good because of the extended swash on the top left side of the caps letters. We've fixed that problem by making an all caps version where the caps in the lowercase position have the top left swash tucked in to help the letters display better as an all caps font. We've also created a small caps version, again the small caps lowercase have all the top left swashes tucked in to bring the letters closer together for a better display. Also new to this font are two higher x-height versions that are ideal for signage. The first is Hamburger X which stands for extra x-height and the second is Hamburger SPX which stands for super x-height. Both of these higher x-height fonts are suitable for signage on a building, billboard and vehicle lettering where you're looking for faster readability from moving traffic. We've designed a new lowercase b and moved the original to an alternate position. We've also redesigned the uppercase C bringing the bottom up to the baseline and moved the original C to an alternate position. The original lowercase g was open at the top, we've closed it and we're not offering the original g as an alternate.

Jan van Krimpen’s famous Lutetia, released at the late 1920s, revived by a complete fresh design. To get access to all ligatures in both styles, it is recommended to activate Discretionary Ligatures too.

Inspired by the speed of drifters. This font is made with a unique and cool value, this font has an aggressive impression and is suitable for use in graphic designs related to racing.

Neosonic is a modern display font made in a more dynamic, fast racing style, suitable for your modern designs with technology or sports themes. Neosonic comes complete with : - Allcaps Font - Multilingual - Number & Symbols

A cardboard stencil toy for children from the late 1950's or early 1960's was the inspiration for Study Hall JNL, part of a series of stencil revival fonts from Jeff Levine.

This is an idea to reproduce the masks of the Mexican wrestlers of the late 60s and 70s. The typography is based in keeping the shape of the face in the wrestler's masks.

RosarGrad is a simple but elegant calligraphic face with six style: plain, italic, medium, medium italic, bold, and bolditalic. It was inspired by hand lettering on a graduation picture from the late 1960s.

Qeuliner is a font with a modern, sporty, and futuristic design. Carrying the form of oblique blocks separated by vertical lines. Very suitable for use on sports-themed displays, racing, games, space, etc.

Kutai is an explorative typeface that created to pursue unique display typeface fuse with ethnic look. It's consist of three styles or instance; Normal, Tall and Taller which have different height between each other, especially the x-height.