Sheet music from 1910 with another one of those ridiculous thirteen word titles (“I Love My Steady but I’m Crazy for My “Once-in-a-While’”) had the lengthy verbiage hand lettered in a bold serif typeface with slightly spurred serifs. This has been recreated in a digital typeface with a much shorter name: Weekend Date JNL, which is available in both regular and oblique versions.

A typographic conundrum presented itself with the hand lettered title on the cover of the 1919 song "I Am Always Building Castles in the Air". The capitalized portion ["Castles in the Air"] was a hybrid mix of a few Art Nouveau-influenced rounded letters, yet along with this were squared letters with rounded corners (reflecting the upcoming Art Deco movement to take place in about another decade). As a complete alphabet, it didnít mix as well as in those few short words. What to do? It was decided to go with the squared look and save the rounder characters for a future project. The end result became Last Date JNL; available in both regular and oblique versions.

P22 Late November is a transitional Antiqua-inspired type design great for text and display uses. The name is derived from the dark, November night in which the design of the font began. The Pro version features fractions, ligatures and full Central European support.

Introducing the new font "Hate Your Writing". This font written by my daughter. Easy to read. Make your design looks stuning. What's Character Included ? Uppercase Lowercase Numerals Symbols Multilingual Language. Thank you, Regards!

Sea Gate JNL is a hybrid font creation based in part on a 1930s-era WPA (Works Progress Administration) poster and the addition of slab serifs as well as a few modifications to some of the characters in the original design. The typeface is available in both regular and oblique versions.

"Street Corner" is a display font with a Racing and futuristic theme, perfect for design projects such as sports jerseys, athletic shoes, helmets, and other sports-related products. With its dynamic appearance, this font brings a sense of energy and movement to your designs. The clean lines and modern feel of "Street Corner" make it an excellent choice for projects that require a sleek and contemporary look. Whether you're designing for a sports team or creating an athletic product, "Street Corner" will help you create a strong and memorable brand identity that embodies the spirit of sports and the future.

Some time ago I bought my smallest book ever: Kate Greenaway’s Alphabet* 57 x 72 mm. I thought it was the sweetest little book I had ever seen. Not knowing about the fame of the designer Kate Greenaway (1846-1901), I put it in some dark drawer and looked at it from time to time. Kate’s books were all outstanding successes in English publishing history; she was an icon of the Victorian era. Some of those books are still being reprinted today. This little gem I had accidentally acquired has become very rare and I have not found any reprints yet. So I thought maybe I could adapt her drawings for use on today’s computers. I ventured to redraw her delicate illustrations, blowing them up 300 percent, being forced to simplify them without losing her touch. It took quite some time! While redrawing them, I discovered that she most certainly drew them in at least three different sessions as well. Then I scanned my drawings and put them in a font. To make the font more usable, I added the ten numerals in Kate’s style; the original does not have those. I hope she would have liked my adaptations. Yours in a very preserving mood, Gert Wiescher. * Kate Greenaway’s Alphabet, edited by George Rutledge & Sons, London and New York, ca. 1885.

The opening title card for 1931's pre-code movie drama "Other Men's Women" (with Mary Astor, Regis Toomey, James Cagney and Joan Blondell amongst the cast members) is the basis for the Art Deco type face Date Night JNL.

Welcome aboard the Hyperspace Race Capsule! Let the weight of gravity slip away as our interplanetary transport system takes you around the solar system in unparallelled style and comfort. Our reclaimed UFO has been remodeled with soft, luxurious curves on the interior and the latest cutting edge flight technology under the hood, to meet all your typographic travel desires. Each weight and package includes these luxurious five-star amenities: Kick your Capsule into TURBO mode to access eleven sleek, fast-moving alternate letter shapes. Hit WARP SPEED to cross time and space with hundreds of auto-connecting letter pairs. Chat with passengers from all over Earth, as Hyperspace Race Capsule effortlessly presents speech in 224 languages. Use the versatile Variable font to access 20 preset weights plus over 100,000 options between. Hyperspace Race Capsule is a versatile, full-featured font that's perfect for galaxy-wide branding projects, now and into the future.

A 1930s poster advertising horse racing at Havana, Cuba’s Oriental Park inspired Ninth Race JNL – a condensed Art Deco sans serif type face with rounded corners; available in both regular and oblique versions.

The free form hand lettered titles for the 1961 film “The Children's Hour” inspired the digital typeface Late Hours JNL, which is available in both regular and oblique versions.

The hand lettered title on the cover of the 1914 tune “I Want you to Meet My Mother” served as the inspiration for Nouveau Date JNL, which is available in both regular and oblique versions.

Introducing a vintage look label font named Race To Space. All available characters you can see at the screenshot. This font have 7 styles - Regular, Shadow, Texture, Shadow FX, Texture FX, Full and Aged. This funny style font will good viewed on any retro design like poster, t-shirt, label, logo etc.

A beefy unicase flare serif typeface inspired by a Frank Kane pulp paperback of the same name. Dead Rite is filled with awkward comic personality, mixing Capital and lowercase forms into a pseudo-unicase format that is a joy to play. A dangerous temptress, with large scale easily legible letterforms, this typographic conundrum is waiting for you to solve how it should be used for your designs!

The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions. A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.

Road Race Extra Font Family includes 4 Style Fonts. It can be used to create almost all types of design projects like print materials. Just use your imagination and some graphic design set in Extras, your project will become more alive and look great than ever with one of the Road Race Extra font. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, wedding font, pop vintage design, retro design or any purpose to make your art / design project look pretty and trendy? Feel free to play with all the patterns and shape!

A wedding begins long before the "I Do's" on the big day—everyone works together throughout the process to make sure that everything happens as planned: details, color combinations, decorations, the way we convey the magic of the visual elements and deliver our message of love. Through this beautiful font, we would like to deliver to you that very message, you make it your own and express yourself in your own way—through the perfect invitation on your wedding day. No matter how sweet or wild your invitation looks, try to be yourself. Save the Date is a font collection consisting of 9 styles and 4 variants: Script, Sans, Serif and Small. The font set is intended to provide users with a wide range of choices for any design project. Save the Date was designed by Paula Nazal and Daniel Hernández. Digital editing by Rodrigo Fuenzalida. Photos by Mónica Muñoz. Mónica specializes in wedding photography. You can find more of her work here: www.thewildbrides.com

Ginger Mate is a handwritten funny font duo which makes it great for Christmas cards or advertising, as well as for any children's design. Each of these fonts include latin and cyrillic characters, diacritics, numbers and punctuation.

Race Timo Sport Display Font. Regular stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Race Timo font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Race Timo font. Cheers, Maulana Creative

The GateKeeper typeface was inspired by old horror movies, and the various poster typography that went with some of them. A loose and pointy typestyle, GateKeeper embodies the dark side of typography and life, with a creepy and on edge feeling. With large and small capitals, it is easy to exchange cases in events of double characters, which can lend for a very interesting offbeat quality. Usable for any ocassion, but most suitable for dark matter. Learn about the GateKeeper, study his methods, and pass his test. Get the GateKeeper typeface today, and you are on your way!

Rat Infested Mailbox is a strange, exaggerated typeface with a seriously worn-out look. It can be used for posters, cards and websites. It will certainly give your designs an unusual touch.

Use elegant LD Eleanor Rae to add formal or shabby chic accents to your scrapbook layouts, handmade greeting cards and other creative projects.

Street Rats is a Handwritten font with a Realistic monoline graffiti style, with awesome swash perfect for your awesome urban designs. It will elevate a wide range of design projects to the highest levels, be it branding, headings, designs, invitations, signatures, logos, labels, and much more! Features: Uppercase Punctuation Swash PUA Encoded open Support for MAC or PC Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) That's it! If you have any questions don't hesitate to ask! Stay Classy!

LordRat is a rugged unicase typestyle built for childish and off kilter purposes. A mix of heavy and light with quickcut appearance makes this typestyle offbeat and even festive. Put some dignified childish offbeat flavor into your designs today with LordRat. If you've been looking for a playful yet bold typestyle with papercut looks, LordRat is what you've been looking for. Get it today!

RARE BIRD SPECIMEN II Specimen II is an elegant hand by Karla Lim of Written Word Calligraphy. It floats across the page on gossamer wings. Specimen II pairs well with classic typefaces like Baskerville, Garamond and Bodoni. OBSERVATIONS Specimen II is exquisitely delicate but not fragile. Best suited for unforgettable affairs. DEFINING CHARACTERISTICS Opentype programming, formal title & preposition wordart, 7 alternate ëandí options, Roman numerals, in and out-stroked letterforms at beginning and end of words, multiple alternate lowercase t cross-strokes, realistic double-letter ligatures, seamlessly connecting calligraphic letters, alternate capital letters, old style numerals, basic Latin encoding. POTENTIAL SIGHTINGS Wedding stationery suites, logo design, luxury product packaging, fragrance, wine labels.

Re-drawn from a screen capture of a vintage newspaper front page, Late Breaking News JNL is a traditional sans serif that's perfect for headlines, titling and other forms of announcements.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Kate Slab Pro Expanded is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro Expanded is its biggest asset in world of uniformity. Ranging from “100 Thin” all the way to “900 Black” makes Kate Slab Pro Expanded such an amazing and versatile font family that stands out. Kate Slab Pro Expanded doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer’s needs, Kate Slab Pro Expanded comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro Expanded manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro Expanded.

Specimen VI is a refined hand by artist Aileen Fretz of Plume Calligraphy: thoroughly modern yet absolutely timeless. We have our sights set on this one becoming an instant classic. OBSERVATIONS Specimen VI takes its inspiration from the old world, while remaining thoroughly contemporary. It is unique while maintaining legibility. DEFINING CHARACTERISTICS At 2,580 characters, we dare say it is one of the most robust script fonts on the market today. The font includes extensive Opentype programming that authentically replicates Aileen’s unique handwriting pattern. As you type, watch the letters automatically adjust between connected and disconnected forms. Specimen VI also features formal titles, prepositions, social media wordart, and web navigation wordart, serif and sans serif Roman numerals, in and out-stroked letterforms at beginning and end of words, multiple alternate lowercase t cross-strokes, realistic double-letter ligatures, seamlessly connecting calligraphic letters, multiple styles of alternate capital letters, including swashes, and basic Latin encoding. Specimen VI is a typesetters’ dream. POTENTIAL SIGHTINGS In the pages of your favorite wedding tome; the signage, robe embroidery, and dinner menus of that coveted boutique hotel on the Italian Riviera, the labels of an artisanal hand-poured candle line, your new favorite Rosé, hand-crafted Belgium chocolate truffles, the indie cosmetic line fit for royalty, in any instance that you may be in need of a refined modern script.

This unassuming sans serif, lettered by Toronto based artist Lisa Mavian of Post Calligraphy, is loaded with robust and charming features and illustrations. OBSERVATIONS Specimen IV is a clean, hand-lettered sans with a quirky personality that does not take itself too seriously. These humble and winsome characters are sure to be a winning addition to your flock of fonts! DEFINING CHARACTERISTICS OpenType programming, formal title & preposition word art, Roman numerals, old-style numerals, realistic double-letter ligatures, complete set of swashed uppercase alternates, select swashed lowercase alternates, complete set of swashed numerals, select swooping descender alternates, 7 complete sets of alternate uppercase letters, 52 graphic iconography alternates. POTENTIAL SIGHTINGS Wedding menus, signage, logo design, chocolate packaging, children's literature, mobile apps.

RARE BIRD SPECIMEN I From the the doyenne of modern calligraphy - Maybelle Imasa-Stukuls - we bring you Specimen I, a charming script lettered in Ms. Imasa-Stukuls' signature hand. OBSERVATIONS Specimen I stands on its own. Its subtle nuances make it stand out in a flock of fonts. It is easily recognizable, but it is never one to be too showy. Give it plenty of white space, so every quirk and curve can be noted. DEFINING CHARACTERISTICS Opentype programming, old style numerals, in and out-stroked letter forms at beginning and end of words, six alternate lowercase t cross-strokes, Roman numerals, seamlessly connecting script ligatures, alternate lowercase letters, realistic double-letter ligatures, basic Latin encoding. POTENTIAL SIGHTINGS Book covers, children's literature, broadcast titling, unique product designs, website titles, logo designs, restaurant menus, and gourmet food labels.