Initially inspired by an untitled typeface from an old hand-lettering book, Berber has been extensively developed over two incarnations to function as a very strong and confident sans. The 2011 Berber revisions have enabled Berber to be used across longer settings as well as its more conventional use on larger applications such as signage. Berber was used as the text face for issue 46 of Eye, the graphic design journal. The typeface now features both king caps and small caps. Extensive additions to the numerals sets and complete opentype sets of international diacritics also extend its usage.

Hansley Script Inspired by Retro style and combination with Hand Lettering style. Every single letter has been carefully crafted to make your text looks beautiful. I hope this can inspire your work. Font is PUA encoded so you can access extras from character map in most design software. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Happy Creating

กริลล์เด็ม เป็นแบบอักษรลายมือให้ความรู้สึกเป็นมิตร เหมาะสำหรับงานออกแบบเกี่ยวกับเมนูอาหารหรืองานใด ๆ ที่ต้องการแบบอักษรลายมือ ด้วยความที่ กริลล์เด็ม มีความผอมเพรียวจึงเหมาะสำหรับงานที่มีพื้นที่จำกัด อีกทั้งยังรองรับหลากหลายภาษา ทำให้คุณสามารถใช้งานได้ในหลากหลายโปรเจ็ค กริลล์เด็ม มีทั้งหมด 2 ลักษณะ Regular และ Italic อีกทั้งยังมีฟีเจอร์ Samll caps และ Tabular ทำให้เป็นฟอนต์ที่ครอบคลุมทุกความต้องการในงานออกแบบของคุณ Introducing Grilldem, a hand-written typeface that exudes friendliness. Perfect for designing food menus or any writing that requires a display font, Grilldem features a condensed design that makes it a great choice for limited space. With multi-language support, this font is versatile and can be used in a variety of projects. Grilldem comes in two styles - regular and italic - and includes small caps and a tabular feature, making it a comprehensive font for all your design needs.

Roadway is based on U.S. highway lettering observed on New York street signs. Two weights of capitals would often be used on the same sign, condensed for the main name, and a half-size regular superscript for ‘road’ or ’street’. Roadway is a Small Caps font. The upper case consists of condensed capitals, the lower case consists of regular width small caps, sized at 50% and superscript. A small superscript comma and period, aligned with the lowercase, are at keystrokes < and > respectively. A small hyphen lining with the superscript lowercase is at the en dash position (Mac: option hyphen, Windows: alt-0150).

Ruby Dance is inspired by a playful style and combination with hand lettering. Every single letter has been carefully crafted to make your text look beautiful. This font is PUA encoded so you can access extras from character map in most design software. Multi-lingual support is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Happy Creating

Introducing Romavich, a beautiful condensed serif font, inspired by the modern serif style features with thin lines and bold serifs. This casual and minimalist typeface is versatile and can be used for a wide range of designs, including magazines, editorials, posters, logos, branding, logotypes, wedding, fashion, cards, titles, and more. Romavich is an all-caps font with small caps, allowing you to create an elegant short texts and quotes. It comes equipped with numerous alternates and ligatures, adding a gorgeous touch to your designs. What you’ll get : Uppercase Smallcaps Numbers & symbols Punctuation Stylistic alternates Custom ligatures Multilingual support PUA Encoded Thank you!

Excentra Pro, being a sans serif inspired by the typefaces of 1920s, features the humanistic stroke variation with inclined axis. The peculiar elegant drawing makes Excentra Pro suitable for use in magazines as well as in all kinds of branding applications including body-copy typesetting. The typeface comes in 8 weights + real italics, each supporting numerous Latin-based and major Cyrillic languages. Its OpenType features include ligatures, small caps, 6 sets of digits, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates. It also features the newly adopted German capital Eszett.

It could be you’ve never heard of Bergie Seltzer - and neither had I. Basically, Bergie Seltzer is the fizzing sound an iceberg makes when it melts. We are having a bit of a heat wave right now, so I needed to give this font a ‘cool’ name! Bergie Seltzer font is a cool, all caps display font. It has a slightly eroded look (like a melting iceberg if you will) and a laid back attitude. Use it for your summer magazines, your ultra-cool websites and your bottles of fizzy drink! Just don’t melt the polar cap!

My first font for the summer of 2009, Abrect is a new sans serif font where I try to maximize the x-height and keep the design fresh and personal. It fits in with my continuing objective of designing book fonts that I can really use. Abrect is a tangent for me just taking an idea out to its end. In particular, it is a radical modification of my first font in 1993, Nuevo Litho. The hand-drawn shapes vary a lot, many pushing the boundaries of the normal character. With many of the new releases I see, the digital perfection is getting pretty extreme. It’s looking like a Rococo stage of development for many with decoration taking over from function. I'm consciously trying to head a different direction. This is not a normal font for me in that it has caps, lowercase, with the appropriate figures for each case, no small caps. This is the first time I have skipped small caps in over a decade. This font has all the OpenType features in the display set for 2009 except for the small caps. There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more and many of them are experimental in form. Enjoy!

The original Gelato Script has been updated and improved, not once, but twice. This version is kept here for legacy and compatibility issues, but I would encourage new users to check out Gelato Luxe or Gelato Fresco instead. Gelato Script is a smooth-flowing typeface with an air of familiarity. Influenced by both formal scripts and mid-Twentieth Century hand lettering. The power of OpenType is used with precision in the Contextual Alternate feature to make sure letters connect seamlessly, t’s cross where they can and swashes don't crash into neighboring glyphs. 781 glyphs make up this font, which is capable of speaking in many different languages. Alternate forms are grouped into stylistic sets to make it easy to change the mood of the text. For example, ss01 makes droopable letters drop below the baseline to break it up a little if required. I recommend using it sparingly, one glyph at a time, but if you do enable it for a whole chunk of text, the clever OpenType programming ensures that it doesn't go overboard. Sets 2, 3 and 4 bring about alternate forms of S, s, B and Q. Set 5 changes AE and OE to some perhaps controversial Upper/lowercase ligatures. Engage ss06 for the underline feature. After a word, simply type two or more underscores and a line extends backwards under the word you just typed. Don't worry if you have to break for a descender, the OpenType programming will take care of making sure it connects properly to the preceding character. Sets 7 and 8 are for alternate ampersands, and ss09 swaps the script r for a regular shaped r. There are swash capitals available for most uppercase letters, and the OpenType programming makes sure there is room for them under or over the following letters. There’s also a good amount of ligatures thrown in. The localised forms feature can be set for Polish, where acutes get steeper and lslash takes on its script form; Dutch, where IJ and ij digraphs become cool ligatured combinations; and Romanian and Moldovan, where cedillas are subsituted for comma accents. The stylistic alternates feature groups together a few of the stylistic sets for users that can't get to them directly. Gelato Script is a highly usable, powerful typeface. Perfect for everything from food packaging to wedding invitations, sports team logos to magazine headings. Use it however you see fit. Just one thing - it’s not designed for all-caps settings, so avoid that at all costs!

Martian Grotesk is a large typeface family originally designed for the screen which consists of a variable font with 2 axes of variation and 63 styles: Condensed to Ultra Wide, Thin to Ultra Black. Aesthetics The font style is characterized by some brutality and assertiveness. Overhanging terminals, a closed aperture, and an almost complete lack of contrast lead to this effect. Additionally, some elements of the letters are especially enlarged. This font gives any text the impression of being a “signature” style. Nevertheless, we still maintain the golden mean between its rebellious nature and readability. Perfect for web development We created Martian Grotesk for the web and digital project world. When laying out web pages, frontend developers are constantly faced with the fact that uneven metrics do not allow text to be evenly placed on some design element, for example, on a button. Instead, they have to compensate in some way, like making the top padding smaller and the bottom padding larger in CSS. This little deal really hurts. Also, if your project adheres to design system principles, you might be unable to stand a lack of systematic approach when working with fonts. We researched and calculated vertical metrics and set them up in a way that guarantees equal space above the cap height and under the baseline. This enables the text labels to be evenly placed on buttons, inputs, lists, and forms. In addition, we found a proper ratio of the letter heights, so, with commonly used font sizes—10, 15, and 20 pixels—the glyph heights stick to the pixel grid. As a result, the letter shapes become sharper, which reduces the load on the reader's eyes and simply looks much better. The typeface also comes equipped with OpenType and TrueType hinting, and Martian Grotesk appears legible on most platforms, even when being rendered in small sizes. When coupled together, all the above features make Martian Grotesk a reasonable choice for any user interface design. Roadmap Martian Grotesk right now is a work-in-progress product. The font is completely ready for professional use, however, many great features are still ahead! For example, support for Extended Cyrillic characters, and italics. Pricing Purchasing an early version of the font presents the opportunity to get it at a very attractive price! That’s because with every new version, costs will go up to reflect the additional value that comes with every release. But after purchasing Martian Grotesk, all its future updates are included for free!

Hand drawn, sketchy antiqua that come in two font variants: Regular, Small caps with old style figures. Æterna was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics!

St Atmos was the first commercial typeface of Stereotypes, the first of what’s likely to become a significant collection of headline fonts. The massive ink traps at Atmos give this typeface something of a three-dimensional feeling.

Cotoris is beautiful glyphic sans serif. This font includes ligatures and small caps for advanced typography which are accessible by OpenType features. Highly effective where a graceful and feminine design is desired. Rising Star on June 2007.

HU Blackout is a typeface for titles that feels like letters are trapped in a square and has a constant and very narrow inner space. It is composed of three types of family typeface to increase usability.

Let the angels adorn your documents. This series features a string of celtic style letters surrounded by angels - whether you need chapter headings or drop caps, these angels are sure to give your documents a celestial flair.

The Barnhart Bros. & Spindler foundry put out a caps-only face called Dante. We liked it, but felt it needed a lowercase. The result here is a rather nice square design, which has become a personal favorite.

Garden Grown is a lovely typeface duo by Cindy Kinash. This new font family includes a caps and script. The script comes with alternates and ligatures. Try Garden Grown for book covers, stationery, marketing, magazines and film.

The Venus type family is a historic hot metal face with left slanted weights that is used for the german cartographic map production. There are also special typefaces required like the Roemisch and Topografische Zahlentafel type family."

This font is, like, totally inspired by the handwriting of, like, teenage girls. You’ll note that the [ ] keys are actually adorable little hearts! Totally rad! This font includes enough European characters to fill a loose leaf binder.

Carambola is a beautiful art deco typeface based on several posters from the 1920's. It is an elegant and stylish font with generous curves and sharp ends. Carambola is multilingual and comes in all caps only.

The Venus type family is a historic hot metal face with left slanted weights that is used for the german cartographic map production. There are also special typefaces required like the Roemisch and Topografische Zahlentafel type family."

Scenders was inked first then digitized for the masses to use. Strong ascenders and descenders embellish the font, so the lowercase characters are quite compelling. Scenders is versatile, but it works very well in all caps headlines.

Today We Escape has got rugged edges and a slightly worn surface without overdoing it. The letters are ALL CAPS, but upper and lower case are different. Today we escape comes with substitution characters for double letters!

An alphabet of initials and ornaments in the William Morris style. Perfect drop caps to evoke historical tales and medieval manuscripts. Please note: This font is only 30 characters A-Z plus 4 empty decorative initials borders.

Outlaw marauders! Stand in awe of the magnificent Captain Shipwreck! Works excellent in all caps, and has a great set of lowercase to match. Capture this treasure of the high seas for a steal of only $20

Aaarp's an arty farty cut paper display font - inspired by Jean Arp & Henri Matisse’s amazing work. Get creative with extra glyphs and shapes... Aaarp also has alternative letters so you can make all your designs look unique.

A typeface that shows its root in stencil lettering. Dario Muhafara created a modern sans serif type family which is ideally suited for cool, technical themes. A small caps font offer a widely usage in book production.

Type Ultimate is an exquisite serif font that combines elegance and sophistication. It comes in regular and italic versions, each containing a stunning collection of 383 ligature glyphs and alternate glyphs, as well as 26 swashes for both regular and italic versions. With its extensive character set, Type Ultimate supports a wide range of languages, making it a versatile choice for various projects. This font is perfect for creating a memorable logo, establishing a strong brand identity, and making headlines that stand out. Its timeless and refined design also makes it an excellent choice for elegant wedding invitations and other formal occasions. Overall, Type Ultimate is a font that exudes beauty and refinement, adding a touch of sophistication to any project it's used in. Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu Ligatures Uppercase - AB,AC,AD,AG,AK,AL,AM,AN,AP,AR,AS,AT,AV,AY,BE,BL,BO,BU,CE,CH,CK,CO,CT,DE,DI,DO,EA,ED, EE,EF,EI,EL,EM,EN,EP,ER,ES,ET,EV,EX,EY,FA,FE,FF,FI,FO,FR,FT,FU,GA,GE,GH,GO,GR,HA,HE,HI, HO,HT,KE,KI,KN,LA,LD,LE,LF,LI,LL,LO,MA,ME,MI,MM,MO,MP,MU,NA,NC,ND,NE,NG,NK,NO,NS,NT, NY,OA,OD,OK,OL,OM,ON,OO,OP,OR,OS,OT,OU,OW,PA,PE,PL,PO,PP,PR,RA,RD,RE,RI,RO,RR,RS,RT, RY,SA,SE,SH,SO,ST,SU,TA,TE,TH,TI,TL,TO,TR,TS,TT,TU,UG,UL,UN,UR,US,UT,VE,VI,WE,WH,WI,WO,YO, YS,MEN,WER,FRO,RON,ROM,THE,AND,ING,HER,HAT,HIS,THA,ERE,FOR,ENT,ION,TER,WAS,YOU,ITH, VER,ALL,THI,TIO,OUL,ULD,IGH,GHT,AVE,HAV,ICH,HIC,HIN,HEY,ATI,EVE,HING,WERE,FROM,THAT,THER, TION,OULD,IGHT,HAVE,THIS,THIN,THEY, ATIO,EVER,MENT Lowercase - ab,ad,ag,ai,ak,al,am,an,ap,as,at,av,ay,ba,be,bl,bo,bu,ca,ce,ch,ck,co,ct,de,di,do,ea,ec,ed,ee,ef,eg,ei,ej,el,en,ep,es,et,ev,ew,ey,fa,fe,fi,fo,fr,fu,ga,ge,gh,gi,gr,ha,he,hi,ho,ht,ic,id,ie,ik,il,im,in,io,ir,is,it,iv,ke,ki,kn,la,ld,le,lf,li,lo,ly,ma,me,mi,na,nc,nd,ne,ng,ni,nk,nl,no,nt,ny,oa,oc,od,of,oi,ok,ol,om,on,oo,op,ot,ou,ov, ow,pa,pe,pi,pl,po,pp,qu,ra,rd,re,ri,rm,rn,ro,rr,rs,rt,ru,ry,sa,se,sh,si,so,sp,ss,st,su,ta,te,th,ti,tl,to,ts,tt, tu,uc,ug,um,un,up,ur,us,ut,va,ve,wa,we,wo,xp,ye,yo,ys,men,wer,fro,rom,ron,the,and,ing,her,hat,tha, ere,for,ent,ion,ter,you,ver,thi,ght,ave,hey How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Mock ups and backgrounds used are not included. Thank you! Enjoy!

Aramus is a new serif font in my continuing objective of designing book fonts that I can really use. In many ways, Aramus is a very different direction for me. It comes from a scan of an old display face that has been radically modified to a much smaller x-height than I have been using lately, plus taller ascenders. Many of the characters needed a lot of correction to bring them into my taste. In general, I have decided that many of my fonts create a type color that is too dense. Aramus is an attempt to get away from that look. Although Amitale has been a very successful book family and excellent to work with, I find I still need something more open with a lighter color. Aramus is the first look at the new direction. The original hand-cut serifs vary a lot, different for almost every character. This gives a little looseness and helps the lightness I am looking for. It will be interesting to see where this all goes. This is a normal serif for me in that it has caps, lowercase, small caps with the appropriate figures for each case. This font has all the OpenType features in the set for 2009. I didn't bother with the CE accents (though I can add them upon request. They will be in the final new book family). There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

Moklan is an all caps bold display font that has a funky and playful style. suitable for logotype, branding, social media, posters, advertisements, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Highman is a modern condensed bold font. Its contain all caps letter yet its have a different height between the uppercase and lowercase. Its fit for brand, titling, stacking or grid layout and all kind of display usage.

Munc is the uncial version of Magma. It has been designed with the same stroke weights and cap heights. Characters from the two families can be mixed. Uncial letterforms are ancient, but familiar. Their history remains somewhat mysterious.

Graigway is an art deco styled display font face in sans and serif. It has small caps and ‘halfcap’ alternatives included. There is an outline version with separate fillings for multilayering and color fonts with the layer-combination.

I was working on illustrations for children when the general shapes of GRUMPFH came to life. GRUMPFH is a cool, all-caps family which is really funny to play with. Suitable for children's cartoons, posters and so on.

Rasoav is a Display “ALL CAPs” font, derivative from Glyphic Serif consisting of a single weight. It supports English, Spanish, German, French, Extended Latin and more … Main Features: • Perfect for headlines • 265 glyphs • 78 ligatures • Support many languages

Anchorage is a maritime linear Font with Anchor Graphics in the Caps. This Font is for all Sailors and Captains all over the world. It comes in many styles and with a graphic Font full of maritime graphics.

Spotted amongst the online page scans from a vintage lettering book, the typeface originally called “Didot Moderne” served as the basis for Dual Line Roman JNL, which is available in both regular and oblique versions. Caps Only Fonts.