Captain Kangaroo is a cute and sweet handwritten font with an incredibly friendly feel. This font will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of special features including ligatures.

Bakiya is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. This font is PUA encoded which means you can access all of the beautiful glyphs and beginning & ending swashes. with ease!

Relista is a beautiful handwritten font carefully created with a touch of elegance. This font is suitable for any projects such wedding cards, watermarks, quotes, social media, posters, invitations, and more. This font is PUA encoded so it will be accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.

AMAZE font is inspired by the maze. Maze always appears as a problem. I feel that in our life, we are facing a lot of problems every day. And for designers, I hope this font can help to solve your design problem. This font is also given an optical illusion. Enjoy and have fun.

White Glory is a beautiful brush font. The texture from this natural brush font will make your design more beautiful and powerful. This font is suitable for any design like branding, quotes, t-shirt printing and more. Features: Accents (Multilingual Characters) 104 beautiful stylistic alternates PUA encoded Numerals and punctuations (OpenType standard) Design by yumnatype

Brolink is a wide bold sans based font with unique lowercase that will make your design looks sci-fi and modern. You can use this font for any purpose, especially to make logotype. You can mix and match the uppercase and lowercase to make your logo more readable. This font also comes with outline style!

introducing Krusty Craft - condensed handwritten font - What's included? - Uppercase - Lowercase - Numeral and Punctuations - Ligatures - Multilingual Support - PUA Encoded This font is great for branding, packaging, quotes, logo, and anything your craft project the combination of uppercase and lowercase is great, unique, and very fun. let's play with this awesome font! thank you Abo Daniel Studio

Mechaniclove is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a retro touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

A poster for the 1932 film “Shanghai Express” starring Marlene Dietrich has the films name is a semi-Asian lettering style. This bold poster font is now available as Asian Railway JNL in both regular and oblique versions.

Dirndle is a unique and modern family of sans-serif fonts. Feragie has 9 families, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites,

Metalworker JNL is Jeff Levine's take on a perennial favorite originally known as Eagle, but available under different names over the years. This bold, clean Art Deco font was the basis for Jeff's star-studded National Spirit JNL.

Digital Stitch is the embroidery of digital era. This font is a blend of pixel stylization of traditional cross-stitch embroidery and stylization of printed circuit boards. There is a big collection of ornaments in the symbols set.

Respektable is random and funky ant the same time, and even though all letters are super legible, the font has this unpredictable feeling to it. Each letter has 5 different versions that vary in width and stroke weight.

Feragie is a unique and modern family of sans-serif fonts. Feragie has 9 families, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites,

This revival of the typeface Baldur, published by Julius Klinkhardt in 1901, is a fine, harmonious and legible Art Nouveau font named after Ferdinand von Reznicek (1868-1909), one of the leading artists and illustrators of those times.

Unadorned JNL is the stripped down version of 2011's Troubador JNL; an ornate wood type font. With the inner ornamentation removed, this Western-influenced type design takes on a bolder look, yet retains its Victorian decorative charm.

In the 1946 French lettering book “100 Alphabets Publicitaires” (“100 Advertising Alphabets”) is a hand-lettered “Western” font called “Italian". This served as the basis for Cattle Town JNL, which is available in both regular and oblique versions.

Legan, created by PeGGO Fonts, is a typeface with a large number of glyphs. The uppercase letters follow the classical Trajan pattern. It is designed with several geometrical proportions such as root five, divine proportion (Golden Ratio), regular square, and others, just like the Greek Trajan letters used on Trajan’s Column. The major innovation is a lowercase that is designed in accordance with the same Trajan rules. My concern for the global community is reflected by the large number of diacritics I have provided, first on the basic alphabet, then on extended latin languages, as well as ones for Cyrillic and Greek. Because it is OpenType, there are various setup possibilities including traditional ligatures, as well as various alternates. Altogether you will find this a very playful, fashionable, and elegant typeface.

An offbeat alternate caps typestyle inspired by the title screen of a 1968 Walt Disney film titled, The Horse in the Gray Flannel Suit. This playful and childish font comes with an extensive language set, a stylistic alternates feature that auto-alternates between capitals & lowercase (alt caps), as well as a contextual alternates feature that auto-alternates between sets only where double characters are typed like SS, TT, etc. The contextual alternate feature also enables a few titling word options like " the " " in " and " in the ". As noted in the quotes, when these word sets are typed with a space before and after them, it will trigger the swap when contextual alternates is on. Switching on Contextual Alternates enables automatic alternations between caps and alt caps like AlTeRnAtIoNs to create a more randomized look.

»Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the more contrast becomes visible. That makes this font very useful, almost linear in the lighter weights and very distinct rhythm in the heavier ones. »Penta« is extremly versatile, it can be used for bodycopy in the lighter weights and for heavy headlines.

Artistic, bold and creatively designed - Kigo Font is the perfect choice for graphic designers who want to add an element of fun to their designs. Inspired by retro sans serif and the beloved shape of a cat, Kigo Font combines classic design with whimsy. With 4 styles including Regular, Round, Regular Italic and Round Italic, this font family offers versatility in every project you undertake. The multilingual support of Kigo allows you to seamlessly incorporate your message in any language without compromising on style or clarity. Perfectly suited for professional use, Kigo Font adds that touch of personality without sacrificing professionalism. Whether it's for branding projects or marketing collateral, let Kigo Font be your go-to choice when looking to create something truly unique. Upgrade your designs today with this playful yet sophisticated font!

QUIEL is a font inspired by modern and retro styles blended with elegance. With its dynamic shape, this font is suitable for any design to showcase a stylish, retro, or classic ambience. With nine available weights, QUIEL can easily be adjusted to suit various design preferences. The advantages of QUIEL are not only in its appealing appearance but also in its flexibility in terms of language. This font supports multiple languages, making it easy to use in different countries and languages. Furthermore, QUIEL comes with ligatures and alternate styles, which can enhance the visual appeal of your designs. The inclusion of alternative fonts also provides a range of options for combination. QUIEL is highly suitable for branding projects and various design needs, such as business cards, name tags, advertisements, posters, invitations, branding, logos, magazines, merchandise, and presentations. The unique modern letterforms of QUIEL allow for interesting combinations with various other font types. With its diversity and flexibility, QUIEL is the perfect choice to elevate the visual aspect of your designs, providing an elegant and captivating touch.

Your corporate design project is one of the factor of the business where you can attract the customers and get their first impression. Make the moment count by making it as stand out as your business. With Clearstone, you can showcase a delightful yet fancy viewing experience that may powerfully highlight your values and communicate well with your customers. Clearstone is a script font that resembles the actual handwriting style. This font is elegant, readable, and has a timeless quality that never goes out of style. Furthermore, this awesome font has fascinating features that allows you maximize your design. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuations PUA Encoded It is perfect to be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Night Visions: An Unsettling Hand-Drawn Brush Script Font Night Visions is a hand-drawn script font with a loose style typical of late night horror and thriller movie posters. It’s designed to look as though ink has been laid with the nervous flick of the artists brush, giving a random, imperfect, but elegant result. This font comes with the flowing script of the regular version or a complete set of non-script alternatives. Added to which there are additional character alternatives and special ligatures to experiment with for a truly hand-made look. Each version comes with a full set of uppercase and lowercase characters along with numerals, punctuation and language support. I recommend this font for anyone about to design a header or title that needs an authentically hand-made look. It’s the perfect choice for movie titles or posters, album covers, comic books, t-shirts or editorials. It’s a font that rewards experimentation and offers many options for your designs. Check out the visuals for usage ideas.

THE NORWEGIAN RUNES The oldest runes discovered in Norway date from 400 AD. They were based upon the 24 - rune Elder Futhark of Germanic origin. Two of the runes in the Elder Futhark, Pertra and Eoh, have never been found in any Norwegian rune text. From 550 AD to 700 AD there was a transition period between the older 24-rune Futhark and the newer 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. Then, about 900 AD, the Shorttwiggs-runes were introduced from Sweden. Shortly thereafter, from 1000 AD, Futharks with more than 16 runes became more prevalent, as these were more consistent with the Latin alphabet. These types of runes were used in Norway up to 1800 AD.

It’s true -- having your own font IS The Secret Of Happiness! At times suave and sophisticated, at other times rough and ready for anything, superstar comics artist Dan Panosian has worked on the likes of CAPTAIN AMERICA, SPAWN, THE FLASH,, SPIDER-MAN, X-THE X-MEN and GREEN LANTERN, as well as the movie, HARRY POTTER AND THE SORCERER'S STONE and games like DUKE NUKEM. He hasn't been seen in comics for some time, but he’s back, baby, working on a series of JOHN TIFFANY bandes desinée, and he’s brought his own font with him, courtesy of that awfully nice John JG Roshell at Comicraft. John Tiffany is one of the best bounty hunters in the world and he has no illusions about the world that employs him. Tiffany relies exclusively on four people: the Reverend Lovejoy, who taught him to love his money; Wan Chao, of the geek underworld who serves as an interface with the outside world; Dorothy, his partner, and Magdalena, the ‘call girl in his life.’ But in Mexico, the hunter has become prey, his head has a price. And if his rivals know his location, it means that John Tiffany was betrayed by one of four people he thought he could trust...and now he can rely on only ONE thing, his secret weapon. His FONT. See the families related to Dan Panosian: Urban Barbarian.

Thanks for checking out Winter Glows! A fabulously fun yet elegant script font with tons of energy, allowing you to create beautiful hand-made typography in an instant. With extra bouncy curves & loops, Winter Glows is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers and whatever your imagination holds. What's really awesome is that Winter Glows comes with a complete set of lowercase alternates, which allows you to create even more authentic custom-feel text. Another great feature is the bonus ornaments font, which allows you to add some really unique and elegant finishing touches to your script text. Winter Glows Family includes 5 font files; Winter Glows • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. Winter Glows Alt 1 • This is a second version Winter Glows, with a completely new set of both lower and uppercase characters. this versions do not contain as many glyphs as the Regular style. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Winter Glows Alt 2 • This is a second version Winter Glows, with a completely new set of both lower and uppercase characters. this versions do not contain as many glyphs as the Regular style. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Winter Glows Alt 3 • This is a second version Winter Glows, with a completely new set of both lower and uppercase characters. this versions do not contain as many glyphs as the Regular style. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Winter Glows Extras • A set of hand-drawn swashes & doodles, the perfect finishing touch to underline your Winter Glows text & doodles for perfect lettering logos. Simply install this as a separate font, select it from your font menu and type any A-Z, a-z & 0-9 character to create a swash & Doodles. Standard Ligatures • Are also available for several lowercase characters (double-letters which flow more naturally). Ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.

Today's digital font technology has allowed renowned font designer and calligrapher Hermann Zapf to realize a dream he first had more than fifty years ago: to create a typeface that would come very close to the freedom and liveliness of beautiful handwriting. The basic Zapfino font family, released in 1998, consists of four alphabets with many additional stylistic alternates that can be freely mixed together to emulate the variations in handwritten text. In 2003, Zapf completed Zapfino Extra, a large expansion of the Zapfino family. Designed in collaboration with Akira Kobayashi, Zapfino Extra has a cornucopia of new characters. It includes exuberant hyper-flourishes, elegant small caps, dozens of ornaments, more alternates and ligatures, index characters, and a very useful "forte" (bold) version. Use Zapfino to produce unusual and graceful advertisements, packaging, and invitations. Featured in: Best Fonts for Logos, Best Fonts for Tattoos

Hi, Everyone! If you’re looking for a cute but elegant font to captivate your audiences or customers then we’ve got the font for you! Introducing Vintage Rovery - A Serif Font This typeface with elegant style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! Includes: Vintage Rovery (OTF) Features: Standart Ligatures Alternates Stylistic Set Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Hi, Everyone! If you’re looking for a modern and futuristic font to captivate your audiences or customers then we’ve got the font for you! Introducing Universe - A Futuristic Display Font This typeface with futuristic style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! Includes: Universe (OTF) Features: Alternates Standart Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

Introducing SMILING ANIMAL Font by Tlatoustype Smiling Animal is a Fun Modern Handdrawn Font. Smiling Animal is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. This font includes multilingual support.

Moules is a mono spaced font family coming in three weights and three different forms, normal, italic and twisted. This font has more details than my first mono spaced font – Memory Square – and gives the possibility for more subtile typography.

Historical Background Old South Arabian Script (OSA) was used before the Islamic era not only in the southwest corner of the Arabian Peninsula, but actually in the entire Peninsula. In addition, samples of OSA have been found as far as Uruk in Mesopotamia, Delos in Greece, and Giza in Egypt. Archaeological finds show that as far back as the 8th century BCE, OSA was used in trade, religious writing, and in civil records. Following the spread of Islam in Yemen, the decline of OSA began in the 7th century CE as it was gradually supplanted by Arabic script. OSA was typically known by the name of the then-dominant peoples in the Southern Peninsula. At various times, it was known as Sabaean, Qatabani, or Hadramite, among others. Although it was used for a variety of languages, OSA is most strongly associated with Sabaean. Many Peninsular languages borrowed OSA before introducing further changes of their own. Prime examples are the Thamudic, Safaitic, and Lihyanite scripts which eventually developed into independent scripts. The westward migration of the Sabaean people into the Horn of Africa introduced the South Arabian consonantal alphabet into the region. The transplanted script formed the roots of the Geez script of Ethiopia, which, in time and under presumably external influences, developed into a rich syllabary unlike any other Semitic script in history. Even a cursory examination of the letter forms of Modern Ethiopic writing reveal a striking similarity to South Arabian Script. OSA inscriptions typically reveal a dominant right-to-left directionality, although there are also many cases of alternating directions, known as boustrophedon writing. Figure 1 is a fine example of this style of writing. OSA inscriptions were discovered early in the 19th century. Soon thereafter, two orientalists, Gesenius and Rödiger, made great strides towards deciphering the script. Styles of Writing Old South Arabian inscriptions have survived primarily on stone, ceramic, and metallic surfaces. Hundreds of artifacts have been found and, to this day, continue to be discovered. Some of the best examples number of inscriptions on softer materials, such as wood and leather, have also been discovered. Although there is a significant difference between the styles of letters on the hard surfaces and those on the soft. Old South Arabian (Musnad) is composed of 29 letters , that is one letter more than the Arabic alphabet, which is between “S” and “Sh”, and names “Samekh”. Aspects of difference between Musnad and the present Arabic writing is that Musnad is written in separate letters, and the shape of the letters do not change according to its place in the word. However, some letters change according to the beginning of the writing. Musnad is either prominent, or deep. Prominent writings are for important writings and deep writings are for ordinary. The material on which the Musnad was written were stones, rocks, wood, and metal. In the course of its development the Musnad use appeared in the “Lehyanite’, “Thamudic”, “Safaitic”, pen to which many changes and amendments were made. And from it “Habashi’ writing was born. As regards his place among the Arabs of the Peninsula , when we look at the internet and its role in cultural dialogue , the Arabs of the Peninsula considered Musnad inscription which was indisputably their national writing until the dawn of Islam. It was used by people in all parts of Arabia in their homeland and abroad . It was their means of chronology and record of their glories and history.2- Features of Musnad Script: 1. It is written from right to left and vice versa. 2. Its letters are not joined. 3. Shape of letters are uniform despite their positions in the word. 4. Words are separated by vertical lines. 5. A letter is doubled in case of assertion. 6. No points and punctuations. 7. Easy to be learned by beginners. My OSA Musnad Font My design and technical work is only a treatment of the OSA Musnad as a symbol of writing. And it is possible to use in computer.. My design is not aimed at demonstrating the linguistic and intellectual structure of the Old South Arabian (Musnad). It is so simple that it could be easy to learn by learners and those who are interested in the OSA Musnad letters in computer. The basis of such importance is that it spares a lot of time and effort for researchers and students in this field. Formerly they used to write the Musnad texts either by handwriting or scan them , But now they can easily write its texts in OSA Musnad by using keyboard directly, so that they can change , amend and fulfill easily and accurately . So, we made use of speed, easiness and accuracy. And anyone interested in the South Arabian history in any part of the world can due to this design read and write OSA Musnad letters most easily. This design will also be used by historians and archeologists. , as well as specialist linguistics . The design also demonstrates the aesthetics of the Himyarit writing. About this font family Old South Arabian is An Arabic, Old South Arabian and Latin typeface for desktop applications ,for websites, and for digital ads. Old South Arabian font family contains two types: Old South Arabian and Old South Arabian serif. The font includes a design that supports Arabic, Old South Arabian and Latin languages. Old South Arabian typeface comes with many opentype features.

Evanston Alehouse is the first font in a larger collection of typefaces inspired by years leading up to the American prohibition. For the past two years I was living in Evanston, IL, a suburb of Chicago. After learning it was one of the birthplaces of the prohibition movement, I set out to learn more about it, and decided to develop a type collection that captures the dynamic era in our nation’s history. In the century that prefaced the ratification of the 18th amendment, saloons, taverns and alehouses boomed as the American working class enjoyed beer and discovered whiskey and gin. At the same time, the Temperance League was forming and gaining strength. By the turn of the century, these temperance societies were common in the culture of the country, with individual towns and states already on the move to abolish alcohol consumption. However, it was undeniable that by this time in history, America loved to drink. This font is inspired by the signage seen outside such drinking establishments. Back to the modern era, Evanston Alehouse is a 25 font family that includes 3 weights, 4 widths and 3 heights. It has special features that add depth to the font, with discretionary ligatures and stylistic alternatives. It also includes a complementary set of ornaments, including line breaks, frames, borders, and laurels. Here’s a snapshot of what you get with Evanston Alehouse: 2 Styles/Postions: Sharp (regular) and Round 3 Weights: Light, Medium and Black 4 Widths: 1826 (condensed), 1858 (narrow), 1893 (wide) and 1919 (expanded) 3 Heights: Capitals, lowercase and small caps 2 Alternatives: Discretionary Ligatures and Stylistic Alternatives 1 Ornament font with over 100 graphic extras

Ghimli Antique was created using the ping-pong method, based on the graphic idea of Artem Rulev and the participation of Vladimir Anosov in the future. Then we sent the font file to each other, adding something of our own and making corrections, and so on many times. Ghimli Antique has already managed to get 2nd place in the Granshan competition in the Cyrillic section. The name was obtained by combining the name of the dwarf Gimli and Studio Ghibli. The font is quite evil, incredibly dense, bold. It looks like when the dwarves closed ranks and go to defend their lands from the invasion of the orcs. Suitable for short word design, logo creation, menu layout and use in movies about gnomes and anything fantastic.

Another grungy masterpiece from Guillaume - this one with a woodprint touch. I have made the lowercase letters different from the uppercase by removing the cross-shaped counters and flipping where possible. Even the numbers have solid variants - available as OpenType "Stylistic Alts". Enjoy the new flexible possibilities! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.