The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! The three fonts in the F2F Czykago family, F2F Czykago Light, F2F Czykago Semi Serif, and F2F Czykago Trans, were all inspired by the Apple system font Chicago. The F2F Czykago family, along with 38 other Face2Face fonts, is included in the TakeType 5 collection from Linotype. Branczyk designed 16 of these himself."

Bio Sans Soft is a super neutral sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is the same as Bebas Neue which is the our most popular free font and used all over the world, that is to say, Neutral, Natural, Minimal, Harmless, Super-flat, Transparent and Legible. The basic skeleton of their letterform was designed geometrically and the sophisticated design gives them universality, neutrality and sense of unity for the use in all media, all purposes and their large x-heights makes this family legible and readable even on small size screen. Bio Sans supports almost all European languages: Western, Central, South Eastern Europeans and Afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.

The new typeface family Vida was specifically designed for Czech Television in the framework of a competition for a new logo in summer 2006. The drawing of each letter form differs finely in its logic, which is a feature invisible at first. It is constructed on a puristic base, but it doesn't reject the natural anomalies already known from ages of experience with latin alphabet. That's why e. g. upper left section of 'n' is constructed differently from that of 'r', similarly as 'd' doesn't repeat right-bottom ending after 'u', '9' is not inverted '6'. Such details improve reading in continuous text. The behavior of all weights is consistent on CRT, plasma or LCD screens due to monolinear design; the lightest weight doesn't fade, the darkest isn't blurred, all is legible and clear in smallest sizes. Stem connections and endings were adjusted to avoid undesirable optical darkening. The goal we desired was to achieve balance appearance in both electronic and printed form.

French Typewriter is a slab serif typeface created in 2019 by Jean-Renaud Cuaz. It takes roots in the typewriting font styles with a French flair. In the history of this font style, early typewriters were initially thought to be replacements for printing and so featured proportional fonts, before being replaced by monospaced typefaces. French Typewriter was created with proportional design, departing from the constraint of identical width and space. Designed for vintage and modern use with a script influenced italic, French Typewriter provides a large range of weights from Extra Light to Black with matching italics offering a large palette of styles for both vintage and modern design. A series of swash capitales has been created for all 6 italic weights along with ligatures and alternative a, g, y signs to provide opportunities for attractive text design. Fine tuned kerning has been implemented to make this slab serif font family greatly legible in small size. Condensed styles will be available in 2019.

Peoni is sweet and quirky… and distinctly different. Her hand-lettered glyphs have retained their original textured appearance for an even more authentic custom-lettering feel. With over 1200 glyphs, Peoni is robust and full of open-type features. She’s designed to select the most ideal characters as you type. But feel free to make changes via your open-type panel, glyphs panel or character map. Have fun with it! There are plenty of options to allow you to create something truly unique and special. Peoni’s Open-Type features include: Stylistic Sets*, including 6 different Caps Styles Contextual Alternates Standard Ligatures Discretionary Ligatures Swashes Contextual Swashes Tabular Numbers Proportional Old Style Numbers Extras- Stylized words (i.e. and, the, from, etc), Roman Numerals (I, V and X), Ordinals (1st, 2nd, 3rd) *Stylistic Sets (ss01-ss18) & alternate glyphs aren't accessible with all programs. If your design software doesn't support open-type, you may need to use your computer’s character map to access other characters.

Create a great combination design with this font family! Leophard font family is a modern slab serif that is inspired by sporty design and vintage style. There are 6 different styles that you can apply in your design projects. This font is made with tenacious basic shapes, the visuality of strength, old school movement, and modern minimalist style. - Regular style - good for your titles, sub-headlines or body text for readability. - Bold style - recommended for your titles, naming, labels or logos. - Bold inline style - is cool for your big typographic designs that are showing the precision of the shapes. - Outline style - good for your additional text, or minimalism design purposes. - Shadow style - suitable for vintage logos, minimalist effects, and titles. - Stencil style - inspired by street art and letterpress design. Recommended for design project which visualizes strength and movement. Make a great combination on your label designs, brand, poster headlines, movie titles, storefront, monograms, sport designs and merchandise design.

Peachi is a serif typeface loosely based on Morris Fuller Benton’s Souvenir forms and some other serif fonts designed in the early 1900s. It has a soft look - round corners, slightly curved legs of capital K, R, V and W; and lowercase k, v, w and y. Rather heavy ball terminals and a very large x-heigh make Peachi a perfect choice for designing titles, book covers, for branding, quotes design - basically any design that needs to make an impact and to be remembered. Peachi is released in 6 weights from Thin to Black and has stylistic alternates that make it even more versatile. While the default style follows Souvenir’s trend, the alternative style looks more modern. It’s totally up to you which style to choose for your design. To access all alternates and ligatures you’ll an OpenType aware application such as Adobe Suite or MSWord. March 2021 Update: more alternates and ligatures have been added!

Why not treat yourself to some Little Delights? This super playful & versatile brush font includes 429 glyphs in total - and is designed to perfectly recreate natural, free-flowing brush script lettering while maintaining a relatable charm. Hand painted with a real paintbrush, and packed with 48 Ligatures, you're bound to enjoy this go-to brush font for years to come on a variety of projects. As well as a full alternate set of upper & lowercase characters in it's own separate font, Little Delights also includes a set of 6 Swashes, ideal for underlining your lettering and adding that extra 'custom' style. Swashes can be accessed via a glyphs panel. Accessing Ligatures; These 48 unique double letter combinations will help letters connect and flow more naturally. The ligatures will automatically generate when using the Little Delights fonts with most software. Language Support; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Hidrogent is a sans Serif font family, which has a condensed and explicit character with 6 variants, namely; Hidrogent Extra Light Ultra Condensed Hidrogent Regular Ultra Condensed Hidrogent Medium Ultra Condensed Hidrogent Extra Bold Ultra Condensed Hidrogent Black Ultra Condensed Hidrogent Extra Black Ultra Condensed Hidrogent gives a clear and elegant look to logos, quotes, headings, wedding invitation, t-shirt, letterhead, lable, news, posters, badges, magazines, films. etc. Hidrogent is a versatile typography filled with the character you want. with Marston you work. Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map.

Esm is a font that tries to convey the reinterpreted aesthetics of German and Swiss typography along with a new trend of unusual shapes. The font has a different approach to the internal elements of letters-ovals that have a straight line on one side, drawing the glyph "a" example. I wanted to diversify the font with different styles to avoid the effect of triviality of machine text. The font has a large language support and contains 626 characters. And a large number of special characters. The font family is universal. It is suitable for large text, magazines, posters, logos, and headlines. Thanks to 6 different font styles and customized kerning, the font will look just fine. The thin print is incredibly elegant. The regular is great for a large amount of text. And bold for posters and headlines. Named by the French feminine name Esm. The name itself has a meaning: dear and beloved. I hope my font will convey these feelings.

For decades, visitors to Times Square could look up and read the up-to-the-minute news flashes that moved across a giant electric sign on the face of the old New York Times Building (now known simply as One Times Square). According to Wikipedia's article on OneTimes Square: "On November 6, 1928, an electronic news ticker known as the Motograph News Bulletin (colloquially known as the "zipper") was introduced near the base of the building. The zipper originally consisted of 14,800 light bulbs and a chain conveyor system; individual letter elements (a form of movable type) were loaded into frames to spell out news headlines. As the frames moved along the conveyor, the letters themselves triggered electrical contacts which lit the external bulbs (the zipper has since been upgraded to use modern LED technology)." An example of this was seen in the 1933 Warner Bothers film "Picture Snatcher" starring James Cagney. This example inspired Moving Headlines JNL.

Publica Play is Publica Sans’ and Publica Slab’s playful sister. It comes with loads of subtle open type features, tabular options, rare currencies signs and symbols and arrows – ‘Publica Play’ has everything you need for playful design tasks. Take a close look at our gallery (especially ‘OpenType Features 1–7’) to discover the versatility of Publica Play. Alternates and Stylistic Sets Give your typography a certain spin with the variety of alternate letters provided. Explore the Stylistic Sets provided. Currency You need to set prices in exotic countries? No problem: Publica Play gives you loads of rare currency symbols. Case Sensitive Forms Sometimes you write in all caps and there are some symbols (e.g. brackets) that need some extra treatment to make it look perfect – that’s what case sensitive forms are for. Figures Publica Play provides 6 sets of figures, like lining, tabular, oldstyle, numerators ... Discretionary Ligatures Ligatures can make your logo or headline look spicy. So there are plenty of them.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alessio Leonardi and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Leonardi and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Mekanik Amente appears as if it had once been a normal font whose letters were horribly attacked by a pair of scissors. This font could be a very creative choice for headlines. F2F Mekanik Amente is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Leonardi designed 11 of these himself."

My Spellbound an authentic groovy typeface. So, The Stranger Things series is already watched and you'll waiting the last one season for another two years. Well, if you miss for late 70s or early 80s in your design – this one is for you. Smooth, groovy and playful – exactly for your vintage projects. This typeface will suit for the display block texts like package labels or will be perfect for an any display header. Create a vintage t-shirt print or make groovy stickers - Spellbound will suits perfectly. A lot of alternates will give you a really wide range of results. You may combine it with Italics and get a really playful pair. Two characters for any caps and up to 6 alternates for lowercases. Regular and true Italic Open Type Features Multilingual I would really love to see what you create with my products, so please feel free to tag me @vintagevoyagedesign on Instagram. Happy creating! Thank you.

​​​​​​​In the past, in Argentina, it was common to attend to calligraphy classes during the first years of high school. That experience left a mark on me that over the years mixed up with my practice as a type designer. “Caligrafía Inglesa” is, basically, the spanish translation for the copperplate calligraphic style. This was the initial idea that led the spirit of the project, but from the beginning it started to develop a typographic personality of its own. The new Inglesa font comes in 6 weights –from a skinny monolinear to an elegant black– with a companion set of roman caps. The harmony in both styles transmits as a result, a strong english spirit but with a fresh latin spice, assuring the perfect combination for any elegant design. Inglesa Script includes a vast amount of alternates, endings and swashes, allowing the designers to create infinite combinations making any design unique. The Inglesa family supports a wide range of Latin alphabet-based languages.

OmegaPixel Font Description I created this font for the game Hyper Ninja Blast (but made it useful to all kinds of games!). While creating the game, I searched for pixel fonts, but could not find a suitable one. The fonts were generally ugly and lacking the basic variations (italic and bold). So I decided to create my own pixel font. Just as pixel art can be better than a high-resolution painting, so pixel fonts don’t need to be always worse than traditional fonts. In OmegaPixel I tried to achieve elegance, readability and flexibility within the limitations of a 6 pixel x-height. With 4 versions (regular, italic, bold and bold italic), and a neutral feel, OmegaPixel can be used in any genre of games. Considering the general lack of money among indie game devs, I’m giving the regular version for free! For inspiration, I often remebered Minion’s lowercase ‘a’, Galliard italic lowercase ‘g’, and the calligraphy of Chinese emperor Huizong.

Nemocon is a display font family designed by Carlos Fabian Camargo G. Nemocon It is ideal for making attractive messages. Nemocon has over 2200 glyphs distributed in 6 files OT designed from handmade lettering and usability testing. • Nemocon Script (1382 glyphs): based on the rotation of a flat tip brush. Its letters correspond to the uninterrupted calligraphic logic, as well as similar ingredients as the ones used in font Brush Script by Robert E. Smith, created for the American Type Founders in 1942. • Nemocon Tuscan (375 glyphs): Inspired by representative types of wood from the 19th century, specifically speedball brawny Tuscan capitals with serifs fishtail shaped. • Nemocon Catchwords (115 glyphs) + Nemocon Catchwords Shadow (115 glyphs): categorically inflated words with and without shadows, to accompany, highlight and prioritize. • Nemocon Dingbats (114 glyphs) + Nemocon Containers(150 glyphs): unconventional pictograms consisting warm and comforting thoughts designed to highlight words or phrases which needed multicolored illustrations or drawings in black and white.

This font collection includes a contemporary casual Script typeface and a sophisticated all caps Sans that features high contrast between thick and thin strokes. When used together, these fonts offer high versatility—perfect for magazines, blogs, mockups, use with social networking sites, logos and headlines as well as greeting cards, invitations, book covers, posters, and web and on-screen use. Resort is a font collection consisting of 12 styles and 3 variants: Script, Sans and Ornaments. The font set is intended to provide users with a wide range of choices for any design project. The collection comes with a relaxing Script of 5 weights and a classic 6-weight Sans, and includes lively floral ornaments. Resort evokes the feeling of relaxing barefoot walks along the beach while enjoying the sunset and a refreshing cocktail. Resort was designed by Guisela "Coto" Mendoza and Luciano Vergara. Digital editing by Rodrigo Fuenzalida. Photos courtesy of Sarah Loven—a popular beauty, travel and lifestyle blogger.

Infusion is a type family designed by CFCG & Fabio Godoy for andinistas.net. The creative process of Infusion evolved throughout a myriad of experiments supported by my font gluten This is why its expressivity comes from the addition and subtraction of its parts by mixing and combining, resulting in a great variety and new versatility of uppercase, lowercase, multiple and different numbers to be applied at the beginning, middle or end of the word. Infusion is used to write sentences in craft contexts that require organic graphic design, with meticulous imperfect look. Infusion offers typographic solutions out of the limits, or out of borders that divide the mechanics of the drawn by hand. Infusion has 6 decorative and legible fonts to write casual messages with organic, friendly and natural personality. Infusion “Script, Mix, Roman, Shadow, Extras, Dingbats” contain unconventional visually appealing ideas to work independently or in group in the design of logos, packaging, presentations, headlines or editorials.

Albireo is a typeface for those times when you have more to say than space to say it. It also looks fantastic spread out across the page as though space doesn’t matter. Expertly crafted with a high level of attention to detail, Albireo is an immensely practical and flexible typeface that’s neutral enough to be used almost anywhere a highly condensed, sans-serif face is needed. Despite its down-to-earth functionality, this is a typeface that definitely isn’t lacking in style. It really shines when used for headlines or subheadings in magazines, brochures, posters, newspapers, flyers or on the web. With 42 weights, widths and italics, there’s enough flexibility to make every word fit perfectly. You may buy one font at a time or save money by purchasing packages consisting of the 14 fonts in each width (Extra Condensed, Condensed or Semi Condensed). Save even more by purchasing the entire collection and, in addition to the 42 separate fonts, you'll receive two variable fonts (upright and italic) that cover all the weights, widths and everything in between. So where does the name come from? Well, look upwards at night. Albireo is a binary star in the constellation Cygnus. Through a backyard telescope, Albireo (the star) resolves into two brilliant component stars — one orange and one blue. The beginnings of the typeface were the result of me needing a newspaper feature headline about space exploration. I couldn’t find the right typeface, so I drew my own letters and eventually expanded it out into an entire mega-family. Given its origins, naming it after my favorite star seemed totally appropriate. Check it out. I think you’ll love it. Albireo deserves its place as a shining star in everyone’s font collection. It’s that good — really.

A Venetian serif in 6 styles The Apolline typeface family was created by Jean François Porchez as a means to study the transition from Renaissance writing into the first printing types. Rather than sticking to the method commonly used these days for the creation of revivals of Jenson or Bembo types, it seemed more interesting to try and get in the same mindset as those exceptional designers during this pivotal period in the history of typography. Thus Apolline is an exploration of the design methods used by people like Nicolas Jenson and his contemporaries for adapting handwriting with its multiple occurrences (a, a, a, b, b, b…) into single, unique signs (a, b…). Initially Jean François made drawings modelled after his own calligraphy. They were done at a very small size on tracing paper (2 cm high for the capitals) to preserve the irregularity of human handwriting. Besides emphasising the horizontal parts of the letter forms, the serifs were designed asymmetrically to reinforce the rhythm of the writing. The final drawings were produced at a large size (10 cm high for the capitals) to allow for subtle optimisation of specific details. The very narrow and fluid Apolline italic Influenced by various concepts for an ideal italic by Van Krimpen, Gill, etc. Apolline italic was designed at 8° degrees. Although the structure of the letterforms were informed by chancery scripts, the italic has full serifs like the roman. Very narrow and fluid, its unique design creates a good contrast when used in combination with its upright counterparts. Thanks to the presence of the serifs similar to roman typefaces it sets very neatly in large sizes. The next step was digitising the drawings with Ikarus (the pre-Bézier-curves era) to create the final roman and italic fonts. Two years later, when the family was expanded to six series the same method was used, this time with Fontographer. This was necessary for correcting a few problems caused by the conversion to Bézier outlines, and to add intermediate weights. Before the advent of feature-rich OpenType, quality type families consisted of several separate fonts for each weight to provide users with various sets of numerals, an extended ligature set and alternates, ornaments, and so on. Introducing Apolline Morisawa Awards 1993

Migae is a versatile and elegant display font designed to captivate and engage audiences across a wide range of design applications. With 14 distinct weight variants spanning from delicate Light to commanding Black, and complemented by a refined set of italics, Migae offers a harmonious balance of strength and elegance to fulfill your typographic needs. Key Features: 1. 14 Weight Variants: Migae's extensive weight range, including Light, Regular, Medium, Semi-Bold, Bold, Extra Bold, and Black variants, allows you to choose the perfect weight for your design, whether it's a subtle headline or a bold statement. 2. Italics: In addition to its standard upright styles, Migae boasts a comprehensive set of italics that adds versatility to your typography, conveying an air of sophistication and style. 3. Strong to Elegant Styles: Migae's design philosophy seamlessly combines strength and elegance. Its strong weights provide a bold and impactful presence, while the lighter weights exude an effortless elegance, making it suitable for a wide array of creative projects. 4. Modern Aesthetic: Migae's clean, contemporary lines and carefully crafted details make it an ideal choice for modern graphic and web design, editorial layouts, branding, and advertising. 5. Legibility: Migae prioritizes legibility across all weights and styles, ensuring that your messages are communicated effectively, regardless of the chosen variant. 6. Versatile Applications: From branding and packaging to posters, editorial design, and web headings, Migae adapts to various design contexts, making it a versatile choice for graphic designers, typographers, and creative professionals. Design Inspiration: Migae draws inspiration from the harmony of nature, where strength and elegance coexist. Its name, derived from the Korean word "미래" (miraee), meaning "future," reflects its forward-thinking design approach that is equally rooted in tradition and innovation. Ideal Usage: Migae is an ideal choice for those seeking a display font that can effortlessly transition between bold and delicate, exuding confidence and refinement in every style. It's perfect for branding, packaging, advertising, editorial layouts, and any design project where typography plays a pivotal role. Migae is more than just a font; it's a design companion that empowers creatives to achieve a perfect balance between strength and elegance in their visual communications. Explore the world of Migae and let your design projects shine with its captivating charm and versatility.

Noad Sans is an experimental sans serif typeface with a strong character and some very unique visual features. At the core of Noad Sans is a sturdy sans serif with closed apertures and fairly simple letterforms. The defining feature of Noad Sans, however, is its visualised nodes: all control points of Bézier curves in each of the fonts in the family are intentionally visualised. The effect of this feature is largely defined by the usage: in titles and larger bodies of text, the visualised nodes stand out and create a rhythmic pattern of their own. In smaller sizes, the sans serif base of the font becomes more prominent and the nodes create a visual fuzz. Noad Sans comes in 6 styles and as a Variable Font with two axes–Optical Size and Slant. The size of each node can be changed from the smallest (Mini and Mini Italic) to the largest (Extra and Extra Italic). Variable Font technology allows you to fine tune the size of the nodes and the slant angle, so that your version of Noad Sans can be truly unique. Noad Sans has a large character set of 570+ glyphs, covering the vast majority of Latin based languages. In addition to that there are dozens of special characters, punctuation, numbers, and symbols. Noad Sans is equipped with a number of useful OpenType features, such as Case-Sensitive Punctuation, Stylistic Alternates, Ligatures, Fractions and many more. Noad Sans began as an experimental project, and during its development the spirit of experimentation was at the heart of the project. Thanks to the unique nature of the typeface, it can feel at home in a variety of settings: from web development, graphic and product design to more novel uses like 3D and NFTs. Noad Sans type family includes 6 static fonts (Mini, Mini Italic, Regular, Regular Italic, Extra and Extra Italic) and one variable font. Each style can be purchased separately. There is a free trial version of Noad Sans that can be downloaded free of charge on MyFonts. For more information on the typeface, feel free to download Noad Sans PDF Specimen.

Gevher is a grotesque based font family that the product of a meticulous work that spread over 2 years. It differs from other grotesque fonts with its very soft angular turns to the rounded forms and its daring ink traps. The rigid and stable structure is balanced by deep ink traps and unusual opposite angle at the joints. Thus it has a more humanistic expression. It has 3 widths: Condensed, Narrow and Normal. It consists of 8 main weights and their compatible italics, totally has 48 styles. Therefore, it provides a wide range of usage practices. It offers creative "contextual alternates" for the best reading experience. Ideal for every editorial design, packaging, corporate identity, brand, application, web and desktop usages.

Construction period of Anafor deeply inspired by the pioneer of geometric abstract art and the creator of the avant-garde suprematist movement Kazimir Severinovic, Malevich’s suprematist compositions. Anafor typeface is separated from the basic Latin letters in terms of character and letter structure. Furthermore, The forms and main structure are designed together with alternatives by taking into account the relationships between the defined angles.Anafor contains certain aspects of a display typeface, due to the structure of the letter forms that are open to abstract connotations. Typeface family includes 2 styles; Anafor Basic and Anafor Crash. Each individual style has 235 glyphs and it has OpenType encoding. Due to the diversity of three styles, Anafor is providing a wide range of possibilities for the user.

The same procedure as every year? Again Christmas cards and greetings need to be designed... Sick of the usual Christmas imagery? Finally here is the ultimate typographical solution: 4 Christmas Pattern Fonts for display use. Playfull yet straight, Christmassy yet aesthetically pleasing. Pattern is the new sexy! Practical details: - Use in great display sizes only. The bigger – the better! - Fonts gain kind of "transparency" through the patterns – handy for use on top of images. - Characterset is caps only and supports Central, Eastern and Western European languages. - Entertaining 2 min movie explaining the basic concept and making of the Pattern Fonts. - Combine with "non-Christmassy" Pattern Fonts from the Pattern family. - Also available: a blank version in light, regular and bold.

Decora Pro font family is designed by Naghi Naghashian. A modern interpretation of classic Roman characters in 1 weigh and 2 styles: Regular and Regular Italic. It is a Liaison between the classic Roman typeface and script style. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it’s a new day it’s a new font. So without any further ado, please welcome Hwaiting Sans. 2/3 series of Korean vibes typefaces. It’s a sans-serif font with bold and strong vibes to catch up with today’s graphic design trends. Crafted with deep research about Korean traditional letters, shaped up with the approach of universal Latin letters. This is the second drop of 3 series from the Hwaiting family. So stay tuned for the upcoming release.

Cherly Hills typeface is a beautiful and inspiring mix of classic calligraphy and modern serif with 56 unique ligatures. come in 2 versions regular & italic. Beverly Hills is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, and modern and vintage design. Accessible in Adobe Illustrator, Adobe Photoshop, Coreldraw, and even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support. Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Feel free to follow, like, and share. Thanks so much for checking out my shop!

Chablis is a serif font with two different design colors including a cyliric typeface. Chablis comes in 2 styles, and each style has 5 weights, Chablis Basic shape with a harmonious and classic look that makes you feel nostalgic for precious memories from the golden years that have passed, Chablis Slow shape with a sharp look at the bottom corner of small letters but very elegant and classy, ​​very suitable for presenting a new atmosphere of corporate identity design, websites, publications, titles, books, magazines, business cards, logos, product labels, packaging or any kind of purpose advertising. Includes: Numbers & punctuation Classic Numbers Ligature Foreign language support I hope you have fun using zt Chablis Thanks for using this font ~ Khaiuns X zelowtype

Droid Sans Pro Font Family (2 fonts) are a humanist sans serif typeface designed by Steve Matteson, Type Director of Ascender Corp. The Font Family is an approachable, friendly set of typefaces optimized for display on screen. It was designed to provide optimal quality and legibility. It features upright stress, open forms and a neutral appearance. The font was optimized for user interfaces and to be comfortable for reading on a mobile handset in menus, web browser and other screen text. The font family contains Old Style Figures (requires an application that support advanced OpenType typographic features) and extensive character set coverage including Western Europe, Eastern/Central Europe, Baltic, Cyrillic, Greek and Turkish support. Contains: Droid Sans Pro Regular & Droid Sans Pro Bold

RaseDowne is unique amoung all of our other Graffiti Fonts. This font is intended to be rotated 90 degrees clockwise so the text reads downward. This single font includes 2 alphabets with capitals that extend downwards. The RaseDowne font was created from hundreds of handwritten samples. This style was created by RaseOne & is often used to create tattoo designs, fashion designs and mountable artwork. There are actually nearly 3 full alphabets plus numbers, symbols and a variety of embellishments all included in this one font. The rough, natural style and imperfect lines help maintain a handmade look. Using the optional glyphs you can try multiple letter combinations until you get just the right configuration for whatever word or phrase you are trying to make.

Scotland Stories | Modern Script Scotland Stories is a Modern Script with fast brushstrokes that make it look elegant and unique. It has a signature style that makes it perfect for logos, branding, print, apparel, and much more. There are also 2 different types: regular, which has no variations, and stamp, which includes a pattern as shown above. Scotland Stories is the perfect font to give your projects a very special look. Scotland Stories features: A full set of upper & lowercase characters Numbers & punctuation Ligatures Stylistic alternate Swashes PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Dienilla is a luxury handwritten font that comes in 3 weights: Thin, Regular and Bold. Dienilla is great for branding, logos, wedding invitations, cards, quotes, T-shirt design, and many other projects that need a simple but elegant feel. Dienilla has multi-lingual support and is PUA encoded. I created 2 styles of ending swashes to make this product so perfect and very easy to use. To access the first style you can add underscore twice after the lowercase character: for example : a _ _ and to access another one you can add underscore twice and put a 1 after the lowercase character: for example : a _ _1 Dienilla is really beauty, and very very user friendly. Hope you love it, and let's grab it...

Mixcross is a display font in the capital letters particularly created in a racing theme to express courage and power, which relates to the theme of racing. It is frequently applicable in 1) titles either to highlight the emphasizing phrases or to attract readers’ attention, and 2) large-sized texts owing to the unique sizes and shapes. Additionally, Mixcross provides interesting features to help designers improve their design products. Features: Multilingual Supports PUA Encoded Numerals and Punctuations This font type works best for any design projects, for instance, posters, banners, logos, book covers, headings, printed products, merchandise, social media, and so on. Find out more ways to use this font by taking a look at the font preview. Thanks a lot for purchasing our font. Happy designing.

Construction period of Anafor deeply inspired by the pioneer of geometric abstract art and the creator of the avant-garde suprematist movement Kazimir Severinovic, Malevich’s suprematist compositions. Anafor typeface is separated from the basic Latin letters in terms of character and letter structure. Furthermore, The forms and main structure are designed together with alternatives by taking into account the relationships between the defined angles.Anafor contains certain aspects of a display typeface, due to the structure of the letter forms that are open to abstract connotations. Typeface family includes 2 styles; Anafor Basic and Anafor Crash. Each individual style has 235 glyphs and it has OpenType encoding. Due to the diversity of three styles, Anafor is providing a wide range of possibilities for the user.

Metaverse Display Font Family The basic skeleton structure of this font family is based on block-shaped rectangles and arcs. Therefore, it contains the possibility of being simple, but free of transformation. Alternates are designed to give individual glyphs a special transforming effect, and can be used as a means to emphasize contextual characteristics. 94 Alternates are included, and it is designed to maximize the characteristics of glyphs through defiant and irregular free deformation, not just width deformation. These Alternates can be used in most apps that support Opentype. It is included in Stylistic Set 1 and 2 for uppercase and Stylistic Set 3 and 4 for lowercase. The function of the App to switch on Alternates, refer to the Opentype provided by each App.

Introducing Olivette Sans. Olivette is a Clean and elegant typeface, best suitable for display headings, logos, branding, magazines, product packaging and invitations. Olivette is created in 02 styles and 09 weights. It has 18 fonts including true italics. Olivette is perfectly crafted for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more. 18 fonts total 2 font styles Upper / lowercase glyphs Multilanguage Support Webfonts included Free updates and feature additions We really hope you enjoy it – please do let us know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries.

Introducing “Bandeira” , A modern vintage serif font. Bandeira is a display font. You will get 3 different styles in this font (modern, vintage & luxury) - To get Vintage style you can use Alternates / Stylistics Set. Swash / Flourish on the lowercase will add a vintage feel to your design. - To get a Modern classic style, just type regular regular. - To get Luxury style, just type Uppercase & play with letter spacing. Bandeira has Stylistic sets / Alternates. And also has 2 ligature features (Standard Ligatures & Dictionary Ligatures) - Standard Ligatures : activated automatically. - Dictionary Ligatures : you have to activate it manually. Because Dictionary Ligatures are required for optional. Bandeira is very versatile for cosmetic brand, logo, magazines, fashion, social media, poster designs, wedding invitations, branding and many more. Enjoy! Nugi Letterium Studio

Hello Introducing, Kavaloora - Stylish Ligatures Serif is an elegant, unique font that uses ligatures to smoothly link letters. inspired by the famous minimalist logo, perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more. Perfect for adding a unique twist to word-mark logos, monograms or pull quotes. Kavaloora has 2 style Regular and Line, 22 ligatures and 8 Alternate Glyphs as well as numbers and punctuation making it super fantastic. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support. Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You