Hearts & Swirls is a playful little font by Justine Childs & Rae Kaiser. 52 whimsical hearts and swirls, some solid, some line but lots of little graphics to finish off that wedding, birthday or baby announcement, invitation or flyer. Many ways to say I Love You. 41 hearts for all your Valentine and Wedding needs.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web. The original Malabar was designed by Dan Reynolds.

ITC Obelisk is the work of British designer Phill Grimshaw. He classified his typeface as glyphic" in style, meaning chiseled rather than calligraphic in form. ITC Obelisk is a legible, elegant text typeface."

Handlettering discovered on a 1937 brochure for the Dutch Mails Shipping Company provided guidance in developing this rather unusual but commanding typeface, marked by strong geometric shapes and a very large x-height.

Mirror Display is based on the condensed sans. Developed to 'double view' to give readers the same feeling they have when looking to a work of art they don't understand at first glance.

Fabelo Kids is a delightful and playful children's typeface that sparks imagination and brings joy to any design. With its whimsical letterforms and charming details, Fabelo Kids captures the essence of childhood wonder and innocence. Each letter has a friendly and inviting nature, inviting young readers on a journey of discovery. Whether used in children's books, educational materials, or playful designs, Fabelo Kids adds a touch of magic and excitement to the visual experience. Its vibrant colors and energetic shapes make it a perfect choice for capturing the attention and imagination of young minds, creating a world where learning becomes an adventure. Fabelo Kids is a font that celebrates the joy and creativity of childhood, inspiring young readers to embrace the beauty of words and storytelling.

In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve years of work on it have made it more fitting to the luxurious expression of our day and age, rather than nineteenth century Europe. Upscale and stylish, Didot Headline is an essential tool for any designer involved in magazines, books, tasteful music, or overall luxury packaging that requires clean and large classic typography with an unmistakable modern spin. We recommend the use of Didot Headline between 12 and 48 points. For larger display use, check out its sister family, Didot Display.

In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve years of work on it have made it more fitting to the luxurious expression of our day and age, rather than nineteenth century Europe. Upscale and stylish, Didot Display is an essential tool for any designer involved in magazines, books, tasteful music, or overall luxury packaging that requires clean and large classic typography with an unmistakable modern spin. We recommend the use of Didot Display at 48 points and over. For 12-48 pt. use, check out its sister family, Didot Headline.

This redesign is made from proofs, rather than the metal, and so is heavier, with particular attention to the Harris and the Monotype revision, which was made from proofs of Baskerville’s Great Primer (16pt).

An informal, rather bold typeface without serifs, Mushmellow looks like it might have been written with a marker pen. In addition to the plain and bold weights, it comes with outline and “cactus” variants.

From the great Schelter & Giesecke collection, Dante Alighieri is a splendid companion to Aldo Manuzio. With its rather condensed characters it makes an ideal body text font even for narrow columns. Dante Alighieri comes with the historical long s and swash letters of H and T. It can be used for all major West and Central European languages.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web. Matthew Carter designed the original ITC Galliard. Carl Crossgrove created this eText version.

Wanax is an original calligraphic font by Dave Nalle. It is a unique, freehand style, where each character is drawn in a single stroke without ever lifting the pen from the page. This gives it an unusual convoluted look rather reminiscent of an arcane or secret language. It also features a number of variant character forms.

Every possible character in the standard encoding set has been designed, using a block system which is based on varying shapes, rather than the more common grid or dot-based signage systems. Each font contains 188 glyphs. Next Stop was designed for contiguous flow, and can be made pseudo-monospaced by using spacers in the fi and fl ligatures.

Carinthia is derived from the style of Roman calligraphy known as Rustica, but with some features of Roman uncial added to form a complete upper and lower case character set, including variant upper case characters with decorative spurs. The result is a rather vertical, but quite stylish font which has an antique calligraphic look and good readability.

Folsom JNL is one of the many stencil fonts Jeff Levine has recreated from original sources. This particular design was modeled from a kit made by the Meyercord Company of Chicago. In the original, some of the letters were solid rather than stencil forms, but Jeff gave all of the letters the traditional treatment for continuity.

Surf's Up! Head on down to the Barrier Reef with your favorite board, your latest pair of Oakleys and join us where the waves break. Zip up your wetsuit and be prepared to Wipe Out! On the other hand, if you'd rather not get wet, simply install this font and experience similar results. Splashdown is totally tubular, dude!

Selfila is an incredibly stunning script font featuring beautiful and rich swashes. It will elevate any design idea! Containing 150+ OpenType feature.

Escalope is a hand-drawn font with a quirky and unique personality: low midline, unicase, all-caps, matching icons, textures, and the playful Stylistic Sets. 'Escalope Soft' has smooth outlines and sharp terminals. 'Escalope Crust One' is relatively clean but rugged, with an ink stamp outcome. 'Escalope Crust Two' is harsh in texture, with large coarse grains in its jagged outlines. 'Escalope Crust Three' is rather heavy-built, stout, defined, and less grainy. This type family has three alternating alphabets that slightly differ from one another. Thanks to the Contextual Alternates, the alphabets are automatically replaced, in turn, repeatedly to avoid the same letterforms and textures appearing next to each other. Stylistic Sets are also available. SS01 has underlined characters, SS02 has double-underlined characters, and SS03 has a mixture of graphic ornaments. These Sets can be used separately or combined. If the Contextual Alternates are running, the Stylistic Sets will alternate automatically. Escalope includes a set of 150 icons consistent with the four styles of the typeface. They share weight, texture, and font characteristics for a perfect match.

Dogfight is a hand-crafted brush font which created from scratch by using a brush pen on a paper. It is not too sharp with sharp edges, but rather with a softer rounded shape. It is suitable as a display font for printed or digital products. Mainly as an advertisement or video production. It comes with Regular and Italic Multilingual characters AllCaps Ligatures Alternate characters

Eurostile Display Caps The Eurostile font family was designed (by Novarese and Butti in 1952) to complement the titling font, Microgramma, by offering a lowercase alphabet. Issued by the Nebiolo foundry, the rather square sans serif Eurostile became popular for display and advertising use. The linear nature of Eurostile suggests modern architecture, and its attraction is technical and functional. Eurostile is commonly misspelled Eurostyle.

Stompedwide is a modern/futuristic and minimal looking typeface that surely will give your designs unique look and catch the eye of the reader. It works very well in projects such as logos, banners, magazine headlines. Since It's a display font It works best at big scale and It's not suitable for longer texts. It pairs nicely with modern, geometric fonts such as Montserrat. 2 weights available

This font set was developed for the Albright-Knox Art Gallery and their 1999 Monet exhibition, Monet at Giverny: Masterpieces from the Musée Marmattan. Monet Regular is a fairly straightforward script font with an undulating thick and thin stroke. Monet Impressionist is a semi-legible script which can be used for decorative rather than communicative purposes. Monet Sketches features 26 icons related to Monet's imagery.

Fundevogel is a Brothers Grimm fairytale about a boy who was found in a tree. The story, of course, has all the obligatory characters in it: a fair maiden, a wicked cook, an old forester and lots and lots of shapeshifting. And, yes, a happy end! Fundevogel font is a handmade fairytale font. It comes with extensive language support and all the cuteness you could wish for.

Acarajé is a grotesque font that stands out thanks to its versatility. Its personality blossoms through its particular modulation, which grows with weights; making it a rather jovial typeface that does not abandon the characteristics of more classic grotesques. With two styles available: normal and italic, and a variety of 7 weights that range from "Black" to "Regular", this font offers incredible flexibility for your designs.

Introducing Billiona "Elegance Serif" - a modern, simple serif font that is perfectly suited for book flyers and corporate materials. This typeface strikes a harmonious balance between elegance and simplicity, making it an ideal choice for conveying professionalism and sophistication. Elegance Serif features clean, refined letterforms with subtle serifs that add a touch of classic charm. Its simplicity is its strength, as it effortlessly captures attention without overwhelming the reader. The minimalistic design of each character ensures excellent legibility, making it easy for readers to absorb the information presented. The timeless appeal of Elegance Serif makes it an excellent choice for a wide range of applications, particularly in the realm of book flyers and corporate materials. Whether you're designing a book cover, promotional flyer, or corporate brochure, this font will lend a sense of polished professionalism to your project.

This rather modern versions of a Gothic style blackletter were originally drawn by Georg Trump in 1936 and 1937 respectively. To access all ligatures, I recommend to activate both OT features, standard and discretionary ligatures.

ALS Direct is an open and dynamic typeface with clear-cut letterforms that make it instantly readable. It lends text a neutral, yet agreeable and modern feel. Direct has nine font styles convenient for the purposes of navigation signage. Regular-style letterforms are rather wide, because direction signs are likely to appear before readers at an angle, so the type needs to withstand perspective distortions. And as signs and boards may vary in size, Direct was developed to include several width variations. Condensed fonts can be used where horizontal space is limited, allowing you to keep proper height and readability of the characters. A signage typeface must be easily readable from some distance away and have simple letterfoms with clear-cut features to quickly identify characters. Designing a type for a potentially wide range of purposes calls for a universal approach. If not destined to be used for navigation in a particular building, it shouldn’t incorporate any peculiar elements to agree with certain design or architecture. All of the above determined our choice of a sans serif with large apertures and definite features allowing readers to instantly recognize letters. Descenders are made compact not to interfere with the line below. And the low contrast between thick and thin strokes renders all elements equally perceptible. The x-height is significant, close to the cap height, which inhances readability of the lowercase type. There are two reasons why directions must not be set in all caps. Firstly, lowercase letters are more diverse and include ascenders and descenders identifying some of the letters in the line. And secondly, having learned to read, people recognize word shapes rather than individual letters, which makes lowercase text more readable. With Direct being a signage typeface, first to be developed were its width variations, and different weight styles and italics were added later. Another thing to be kept in mind was that signs often use dark background colors, and black type on a white background appears smaller than white type on a black background. Direct is the first Cyrillic typeface created for navigation purposes. Before that, designers could use the Cyrillic version of Frutiger (Freeset) developed by Adrian Frutiger for the Paris Charles de Gaulle International Airport, and a number of other, mostly body copy, neutral sans serif types. However, signs and boards were dominated by Arial, which Direct would be glad to replace offering elegance and lucidity of form instead of type bluntess. Direct was designed as a signage typeface, but its neutral style and clear-cut letterforms suggest various other ways of application.

Unique family of color realistic fonts Frudis. Trick is to have two fonts - bold and thin. Each one can serve individually, but the real magic begins when you stack them in different colors, creating unique play of textures and colors. Features: - Duo Font - Ability to adapt letters to other languages - Kerning IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters. - Check it www.colorfonts.wtf - Try a FREE DEMO version before buying. ld.luxfont@gmail.com

Goudy Trajan Pro is based on the drawings by F.W. Goudy of his rendition of the capital letters inscribed on the Trajan column in Rome, rather than on his subsequent metal type, Trajan (Title), released in 1930. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small(er) caps, dozens of fleurons, and much more. Supports Latin, Cyrillic and modern Greek scripts. Many thanks to Krassen Krestev, Sergiy Tkachenko, and Adam Twardoch for their suggestions for improving the Cyrillic glyphs; and to Alex Sheldon for his suggestions for swash caps and improved OpenType features.

The Barito Serif 9 font is full of cursive typefaces with sharp, bold lines that create an optical illusion that appears to intimidate the reader. Barito serif font comes with many languages ​​like Cyrillic • Greek • Latin and is perfect for designing books, magazines, titles for online advertising media websites and much more. The barito serif font not only comes with 9 weights, but is also accompanied by an italic for complement and confirmation.

Cursive Script is a digital handwriting font. It is slightly different from many other handwriting fonts as it is designed to be regular and highly legible. As such it is clearly a digital font, inspired and informed by natural handwriting rather than attempting to emulate it. It contains 697 glyphs, mostly lower case alternates to ensure natural, flowing script. It also has stylistic alternates for many lower case letters, particularly those with ascenders and descenders.

This unusual font was designed by Alessio Leonardi, who plays with the difference between content and impression. At first glance the font looks almost like a row of pictograms or Asiatic characters. The forms become Arabic letters when the characters are set together to form words. HaManga Irregular is a good font to use when the reader is supposed to contemplate not only the text but the form of what he or she sees.

Lowndes is designed as a Blackletter display face with a spirit of fun rather than historical accuracy, and with an emphasis on legibility and clarity. It's ideal for festive design such as cards, posters etc... Have fun!

The Barnhart Bros. & Spindler foundry put out a caps-only face called Dante. We liked it, but felt it needed a lowercase. The result here is a rather nice square design, which has become a personal favorite.

Hello! Meet Dinomik, one of our best seller fonts! With a cute, playful and modern looks, Dinomik can bring happiness for both of writers and readers. If you want to write something fun, happy and cheerful, we suggest you to use Dinomik. We have four styles that can boost the appearance your text. Enjoy this font in your children book, birthday card, fun poster, comic book, and any other arts. :)

Pusekatt means Pussycat in Norwegian. It was finished on a rather gloomy monday, which reminded me of Norway and I just like cats. There you have it: the naming of fonts explained. It ain't rocket science for sure! There is nothing gloomy about Pusekatt font: it is a very lively, happy and useful poster face. It comes with extensive language support, one alternative (yes, one) and a lot of feline grace.

A Qilin is a mythical hooved creature, looking a bit like a cow with a lion's head, reptilian scales and deer antlers. The Qilin features in Chinese lore, where it is often associated with good luck and prosperity. Qilin font is a rather messy typeface, created with a steel pen and Chinese ink. It might not be a classy font, but it will bring the buyer good luck! ;-)

There were several motivations for this font. It was a font in my style, a left-handed designer. But also, I wanted a script designed to work with ePUBs. This means fancy bullets in place of some of the ASCII characters—since ePUB readers do not support OpenType at all. Basically, I just had fun with it. The heifer for the mu figure cracks me up. What can I say?

The Tough Dude font is a confident, devil-may-care, tough-guy font with attitude that screams "I don't need no stinkin' penmanship." It conveys a self-assuredness that does not preoccupy itself with trying to be necessarily legible or easy on the eyes but rather pragmatic, fast-flowing, and interested in scribbling the message out fast and moving on to the next task. We're confident you will enjoy it.