Hiroshige was designed in 1986 by Cynthia Hollandsworth (now Batty) of AlphaOmega Typography, Inc. The typeface was originally commissioned for a book of woodblock prints by the great nineteenth-century Japanese artist Ando Hiroshige, whose work influenced many Impressionist artists. The typeface has a gentle calligraphic flair that creates an interesting page of text as well as elegant headlines.

LE MANS - CLASSIC is a font inspired by vintage motorsport racing. In particular, advertising posters from the 70's. This time period was important as it showcased not only the cars that changed but also the illustrative styles & typography. Features: Offered in 2 Styles - Regular & Compressed Extensive Language support Specialised Kerning on all character combinations Designed by KAZER STUDIO

One of the type examples found within the pages of “Lettering” by Harry B. Wright (1950) is a bold hand lettered serif typeface with a unique twist – the slab serifs had rounded corners, looking very much like show card lettering of the early 1900s. This design is now available digitally as Maybrook JNL, in both regular and oblique versions.

Wanax is an original calligraphic font by Dave Nalle. It is a unique, freehand style, where each character is drawn in a single stroke without ever lifting the pen from the page. This gives it an unusual convoluted look rather reminiscent of an arcane or secret language. It also features a number of variant character forms.

Childlike on the surface, Gongo hides the maturity and wisdom of age. Flowing freely across the page with a graceful ease, Gongo manages to make its mark with every letter, resonating deeper than first appearances. For authority backed up in a friendly tone or wisdom imparted in light hearted words, Gongo is the go to font.

A very rare metal face made a brief appearance in Lanston Specimen books and has all but vanished from use. In fact no examples of the font in use seem to exist. It shares some of the hand-rendered casual feel of Nicholas Cochin, but much heavier and well suited for bold headlines and package design.

Liberty is an active contemporary variable font, complete with a flexible range of cases tailored to responsive layouts. The font is clear and legible in small sizes, suitable for printing for large texts, web pages, and other visual uses. Language: Latin default Latin Azerbaijani Latin Catalan Latin Crimean Tatar Latin Kazakh Latin Marshallese Latin Dutch Latin Tatar Latin Turkish

Hello Alexandria is a modern handwritten font, the name of this font taken from a city in Egypt (Alexandria). USE Hello Alexandria works great in branding, logos, Quotes, headlines, high fashion, Landing Page and Magazine. FEATURES Ligatures, Stylistic Alternates, Numbers & Punctuation / Extensive Language Support Thanks for checking out Hello Alexandria. I really hope you enjoy using it!

Bitstream developed Ang Thong for the Microsoft Windows operating system. The font is encoded with a Microsoft defined Thai character set, Thai Code Page 874. The font includes Thai glyphs and Latin glyphs from Dutch 801. Ang Thong (basin of gold) is a province in central Thailand which consists mostly of flat agricultural land used for growing rice.

A small book entitled “Portfolio of Alphabet Designs for Artists, Architects, Designers & Craftsmen” [published in 1938 by Irene K. Ames] contained a number of pages displaying hand lettered alphabet examples. One sample in particular stood out for its bold Art Deco look and unusual design. This is now available as Dance Moderne JNL, in both regular and oblique versions.

Here’s another gem pulled from the pages of one of the many editions of Pen and Brush Lettering by the Blandford Press. Cascading bubbles add a somewhat 70s feel to a distinctly Deco font, and provide its name as well. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Hiroshige was designed in 1986 by Cynthia Hollandsworth (now Batty) of AlphaOmega Typography, Inc. The typeface was originally commissioned for a book of woodblock prints by the great nineteenth-century Japanese artist Ando Hiroshige, whose work influenced many Impressionist artists. The typeface has a gentle calligraphic flair that creates an interesting page of text as well as elegant headlines.

A decorative font with descending tails on the capital letters. The design is based on a popular typeface from the 1880s, mainly used for personal names on title-pages, advertisements and stationery. Today, you can use it e.g. on book and album covers, invitation cards, restaurant menus and concert programs to give a fin-de-siècle impression.

Thunderbold is inspired by "Fast & Bold character" so,this is a powerful font suitable for poster, banner, flyer, race number, logo, logotype and more.This font have an extrude style to save your time to make extruded fonts just switch to extrude style!.Not just that, Thunderbold have a lot of Alternate too. Be bold like Thunder !

Introducing our latest product, we call this product the Lonear serif font Lonear is a modern type font With a unique and firm touch Lonear hight font is great to use on: fashion magazines, logos, photography, landing pages, flyers, social media and so on What's included - Lonear font - multilingual support - alternatives - ligatures Thank you, best regards Liarttyype

Chartreux is a geometric monospaced display sans typeface which has a distinct uppercase style and is inspired by the early Twentieth-Century era. The Chartreux name is derived from a rare breed of domestic cats, descending from the Chartreuse Mountains in France. Chartreux is recommended for luxury brands, logos, fashion, cinema, architecture, invitations, display work, posters and headings.

A quirky and unusual Art Deco monoline typeface can be found within the pages of the Esterbrook Drawlet Pen instruction book [circa the 1940s]. Drawlet was the direct competitor to Speedball Lettering pen nibs. This unusual type design of varying width and character shapes is now available digitally as Oddly Deco JNL, in both regular and oblique versions.

Raker is a science fiction-inspired geometric sans serif text typeface family with a humanist influence and solid spacing/kerning. Regular, Display, stencil, and display stencils versions are included. Think NASA. Think the Space Race. Think Geometric. Think “works with text, too.” Detailed spacing, Western and Eastern European language support, and automated ligatures. Think hidden glyphs.

French Clarendon was an extremely popular wood type font. Characters are heavy and condensed with bracketed serifs, which measure approximately 1/4 to 1/3 the height of the letter. Dozens of decorative wood type designs have been created based on French Clarendon. It was marketed as a wood letter by William H. Page & Company in 1865.

Eckhardt Poster Deco JNL is a continuation of a series of sign painter's fonts, and was modeled from a lettering example found within the pages of an old sign design manual. It is named, as always, in honor of the late Albert Eckhardt, Jr., the owner of Allied signs in Miami, Florida and Jeff Levine's good friend.

Hiroshige was designed in 1986 by Cynthia Hollandsworth (now Batty) of AlphaOmega Typography, Inc. The typeface was originally commissioned for a book of woodblock prints by the great nineteenth-century Japanese artist Ando Hiroshige, whose work influenced many Impressionist artists. The typeface has a gentle calligraphic flair that creates an interesting page of text as well as elegant headlines.

A very condensed 19th century Tuscan style wood type design with a full character set with ligatures. This design was first shown by Wm H Page Co in 1859 and this is the first digital version of this font to include a lowercase and extended European character set. This is a font best used at large sizes.

Master of the World was included on the front page of a novel in several parts, The Count of Monte Christo (mid 20th century). Typeface characters show design guidelines of the pre-war era (2nd world war). The idea of development origins from a wish to evolve traditional forms of typefaces which were used in Slovenia.

Do the Monster Mash with DB Frank's Friends! Makes great Halloween party invitations, spooky adornments or fun additions to any scrapbook project. LD Frank's Friends Distressed is just in time for Halloween! This spookified font and it's distressed style makes it perfect for your Halloween party invitations, journaling, or adding a nice touch to your scrapbook pages.

Zushboy is a ragged verion of my own tagging style (even though it has been years and years since I did a thing like that!). The font is spaced tight in order to copycat a real homeboy's handwriting! Yo!

Barbou was originally cut in 1925 by Monotype as a counterpart to Fournier, siblings that were different in design but both based on the work of Pierre-Simon Fournier. Whether by choice, accident or oversight, Fournier was preserved digitally, and Barbou was lost to history. Barbou was notably used by Stanley Morrison, in particular as the face of The Fleuron. I fell in love with Barbou when I saw it, and knew that I wanted to bring it to a new generation of designers and readers. This is a revival of Barbou, a faithful recutting with new weights, characters and many of the best features that modern font technology brings. Particular attention was paid to the original Monotype Barbou 178 specimen sheet. Originally only available in a single weight, Barbou has been recut with a variable weight, providing a large degree of flexibility between Regular and Bold. Barbou excels as a comfortable reading face for books, and the variable weight allows you to fine tune the darkness and texture of the page in a way never before possible. Barbou has a distinctive softness, and this revival of Barbou preserves much of the effect the medium of metal type had on the letterforms. This results in a subtly rounded yet defined type, elegant not worn, with the utmost attention and respect to the smallest of details. Barbou was originally cut with disparate x-heights for roman and italic, and this revival of Barbou features both the original italic, as well as a new italic redesigned at the same height as the roman. In Fournier’s time, roman and italic would not be mixed on the same line, but the type must change to meet the needs of a new generation. Barbou also features unique ligatures and alternates, old style numbers, small caps and a full Greek alphabet. Barbou is perfect for books and anywhere a comfortable reading face is required, and excels in flexibility.

Introducing Borex, the ultimate font for all your sport racing needs. With its bold and dynamic letterforms, it captures the excitement and energy of the race track. And with four unique variations, including regular, slant, and taper styles, you can customize your designs to fit the tone and theme of your project. Not to mention, the font also comes equipped with alternate characters and unique ligatures to add an extra touch of creativity. So rev up your designs with Borex and get ready for the finish line! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Sutixo is the font for speed enthusiasts. Designed with the sports racing theme in mind, this font is perfect for creating bold and attention-grabbing designs. It comes with four variations, each with its own distinct style, and various alternate characters and ligatures to take your plans to the next level. Whether you’re creating graphics for a motorsport event or simply want to add a touch of excitement to your branding, Sutixo is the font you need. So gear up and get ready to race with Sutixo! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

This typeface is inspired on Bodoni, but this is like his gross sister, because it has angles instead of curves. Is a typeface with personality, strong and robust but at the same time sweet with his italics. This typeface has 5 weights, regular, italic, bold, poster and poster italic.

NorB Felt Marker is a variation of my NorB Marker font, It's handwritten text font witch you can use with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 8 weights: Regular Italic Medium Medium Italic Bold Bold Italic Heavy Heavy Italic

Baradig is a versatile grotesque sans serif font family. Baradig provides a unique collection of glyphs with wide spacing and strong yet subtle geometric outlines. Baradig will give you an extraordinary modern visual experience. These fonts also have alternate and ligature features which are perfect for completing various projects such as logos, brands, products, labels, websites, posters, and many more. Baradig fonts feature Open Type Format, kerning, ligature and alternate packed in 10 styles: Light, Light Italic, Regular, Italic, Medium, Medium Italic, SemiBold, Semibold Italic, Bold and Bold Italic. Baradig fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Created with the needs of branding design in mind, Jan Hendrik Weber's Unitext is a crisp, clean typeface that functions well across print and online use. It blends humanist and grotesque qualities, adopting a style that the designer describes as “neo grotesque”. Narrow spacing is what sets this typeface apart, however it also uses open counters and angled details to boost readability. “The ideal font should work at every touchpoint,” says Weber. “And designers shouldn’t need an introduction or a set of rules on how to handle this typeface. Unitext allows designers to work without explanation.” The Unitext family includes 7 weights, spread across 14 fonts with extensive Western, Central and Eastern European language support. Unitext Variables are font files which are featuring one axis and have 14 names instances: Hairline, Hairline Italic, Extralight, Extralight Italic, Light, Light Italic, Regular, Italic, Semibold, Semibold Italic, Bold, Bold Italic, Black, Black Italic

This new font family full fit all your comic balloons, onomatopoeia and... SCREAMS! Comes with Regular, Italic and Bold Italic with a great organic look.