Klick is a Slab Serif Font family. The style are light, outline and Blurred. This font is elegant and it based on the combining a variety of styles. Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography Features : Uppercase and lowercase Numeral and Punctuation Please contact us if you have any questions. Enjoy the font and thanks for supporting us. Regards, Grontype.

introducing MALIHAH - Lettering Font Pack- MALIHAH is great for lettering, quotes, wedding card, logo, t-shirt designs, mugs, interior ornaments, tote bag designs, cards, banners, social media, and anything about craft projects. It came with 4 different fonts with extra doodle font. Features: - Uppercase - Lowercase - Numeral - Multilingual - doodles - PUA encoded Let's create your own quote to be beauty lettering art. I hope you love it. regards, Abo Daniel Studio

Tempting Script is one of the Elegant script fonts that comes with a very beautiful character change, a kind of classic copper decorative script with a modern touch, designed with high detail to present an elegant style. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multilanguage Support Tempting Script is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections. I also offer a number of decent stylistic alternatives for some of the letters. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Tempting has 349+ , including multiple language support. With OpenType features with alternative styles and elegant. The OpenType features don't work automatically, but you can access them manually and for best results your creativity will be required in combining variations of these Glyphs. I highly recommend using a program that supports OpenType features and the Glyphs panel such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so that you can view and access all variations of Glyphs. Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Tin Stencil JNL was modeled from examples of an antique metal stencil letter and number set.

A simplistic but usable sans-serif from DooleyType. Qurillian includes a number of advanced OpenType features.

A collection of 197 graphic, pointer, numbering, leaf sun and arrow illustrative and printer cut designs.

Born on May 8, 1892 in Reno Nevada, Lewis Franklin (“Lew” ) Hymers left an indelible mark as a caricaturist, cartoonist and graphic artist. At the age of twenty [in 1912] he worked for the San Francisco Chronicle. During World War I he worked for the Washington Post. He even was employed for a time by Walt Disney as an animator - but most of his life was spent in either Tujunga, California or his birthplace of Reno, Nevada as a self-employed illustrator. Hymers inked a feature for the Nevada State Journal called “Seen About Town”, which was published during the 1930s and 1940s. In this panel, he caricaturized many of the familiar faces around Reno. He also designed signs, logos, post cards and numerous other commercial illustrations for clients, but what has endeared him to a number of fans was his vast library of stock cuts (the predecessor to paper and electronic clip art) which feature his humorous characters in various professions and life situations. So popular is his work amongst those “in the know” that a clip art book collection of over seven hundred of his drawings that was issued by Dover Publications [but long out of print] commands asking prices ranging from just under $15 to well over $100 for a single copy. Lew Hymers passed away on February 5, 1953 just a few months shy of his 61st birthday. Although his artwork depicts the 1930s and 1940s lifestyles, equipment and conveniences, more than sixty years after his death they stand up amazingly well as cheerful pieces of nostalgia. The twenty-seven images (and some variants) in Hymers JNL were painstakingly re-drawn from scans of one of his catalogs and is but just a tiny fraction of the hundreds upon hundreds of illustrations from the pen of this prolific artist.

Samo Sans Pro is a contemporary sans-serif typeface with a slight contrast of strokes, balancing between technical design and dynamic feeling. The Pro Version is based on the Samo Sans basic typeface, and it is extended by more styles, more glyphs, and other features required for professional typesetting. Beside the complete set of Latin, Samo Sans Pro includes Cyrillic and Greek glyphs as well. Each font includes alternate glyphs, small capitals, standard and discretionary ligatures, oldstyle/lining and tabular numerals, fractions, superiors/inferiors figures, set of arrows, dingbats and a wide range of typographic options applied by the Opentype features. The complete typeface family consists of 16 styles in 8 weights and their Italics. The type has a reduced height of caps and numerals and it has an optimal x-height, which makes it suitable for the typesetting of more extensive texts. It can be effectively applied in corporate identities or in a display typesetting.

Lefferts JNL is a wide, light type face type with a square shape. Perfect for formal text.

Xenotype is an examination of heavy horizontal weighting and develops ideas underlying 60s and 70s headline faces.

Hermainita is a calligraphic typeface that is very legible. Yngreena is a serifed version of this face.

Typetonic is great display face for anything related to design, art or technology. Available in Crossplatform Opentype.

A Bold Powerful Condensed serif face; great for book jackets, magazines, ads and just about any application.

Kelasik a new handmade script with a style natural, sweet and simple. Made with great care to provide the natural and modern elements. This font will look beautiful if used single even with other pairing fonts. The great thing about this font is you can find some style when you use it, examples such as natural handwriting style, unique, simple, elegant, and bold. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Hi...Thank for your visit :) Jacky Brushes all caps textured brush typeface. It features ligatures characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs that are full of brush! It also features many special features including glyphs. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look brush and attractive, and also Multilingual support!!! Happy design ...

Island Life is a font inspired by the loose, wavy style of the type associated with 1970s surf culture. Often found on lo-fi surf movie posters, t-shirts, and decals, it’s an aesthetic that promotes a laid-back, summer-loving style. With a zen “be like water” approach, this font has no straight edges. Behaving like letters inside a Lava Lamp, each individual character blends into a harmonious whole; perfect for groovy titles, logos and headers. The Island Life font features unique uppercase and lowercase characters, along with numerals, punctuation and language support, symbols and lots of custom ligatures for a truly hand-made look. All ligatures function automatically and can be turned on/off using the opentype features built into your software of choice. It’s the perfect font for the summer season and works great across posters, logos, t-shirts, menus and more. I recommend first laying out your text and then experimenting with warp, wave and bulge effects for some excellent results. Check out the visuals to see it in action. Enjoy!

Originator is a display modular monospace font. The typeface has a distinct technical geometry using sharp angled corners. "Originator" name is derived from Latin and means 'one who first creates or initiates something into existence.' Originator is recommended for display work, branding, logos, technical writing, team sports, aerospace, aviation, automotive, racing, fashion, cinema, architecture, invitations, posters and headings.

Raker is a science fiction-inspired geometric sans serif text typeface family with a humanist influence and solid spacing/kerning. Regular, Display, stencil, and display stencils versions are included. Think NASA. Think the Space Race. Think Geometric. Think “works with text, too.” Detailed spacing, Western and Eastern European language support, and automated ligatures. Think hidden glyphs.

In spite of its angular appearance, Origami is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the capitals are especially suitable for titles.

Glastone is a modern serif typeface that seamlessly blends beauty and a feminine touch, infusing a sense of class and contemporary sophistication. Its graceful lines and modern aesthetic make it the perfect choice for projects seeking a balance of elegance and modernity. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in a pretty box". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in full-flowing draperies". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Boleo is a typeface designed to work in short texts such as headlines, banners, logos, signs, packaging and posters. It is a display font but has a good legibility thanks to well-proportioned shapes which let it works fine both on paper and screen. Boleo’s shapes remind to ribbons in motion, so that its lines, all curved, can be traced all at once. Boleo displays in three weights: regular, bold and black.

Have A Nice Day is a handwritten font created by Cindy Kinash. This font features three font styles (Basic/Tall/Wide) and comes in three weights (Light/Regular/Bold). All three font styles can be used together as one unique and fun font! This font also includes a set of fun hand drawn ornaments like smiley faces, flowers, leaves, insects, frames, captions, desserts, food, clouds, and catchwords that will surely brighten your day! Enjoy!

The distinguishing characteristics of this typeface were suggested by cover artwork for the May 1930 issue of Inland Printer: a combination of caps based on Breda Gotisch, released by H. Berthold AG in 1928, and a lowercase based on Goudy Text. The result is a remarkably elegant and retro-stylish blackletter face. Both versions of the font contain the complete Latin 1252 character set plus support for Central European (Unicode 1250) languages as well.

Amstir is a timeless classic among serif typefaces, perfectly tailored for editorial use. With its elegant lines and refined presence, Amstir brings an air of sophistication to your content. Elevate your editorial projects with the grace and tradition of Amstir's distinguished design. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Errorism - Original Handmade Brush Font is an Authentic brush Font that is written casually and quickly. Letters are made with Procreate. Then trace down into vector format, and carefully crafted into a typeface. That is why Errorism has a rough, authentic, and strong characteristic more natural look. You can activate Ligature OpenType panel. Errorism Perfect for designs, branding projects, Logo design,Quotes product packaging and another Project that require cool strong brush font.

Yellow Cute is a lovely and modern script font that exudes elegance and sophistication. Each letter is delicately crafted with fluid and graceful strokes, creating a timeless look that’s perfect for everything from wedding invitations to branding projects. Its sleek and chic style will add a touch of class to any design. Keep in mind that the font is PUA encoded, meaning that you can access all delightful glyphs and swashes effortlessly.

It’s the end, but the moment has been prepared for... the Time War is over and things are wearing a bit thin, time for a new face, a new body, a new companion for our Timelord font... a REGENERATION! Features: 138 automatic connecting ligatures Language support for Western & Central Europe and Vietnamese Solid Variable Font for complete control of weight and italic Levels Variable font can access any point between Inline, Midline & Outline

Here’s a revised and updated version of one of my oldies, based on the typeface Chic, designed by Morris Fuller Benton. The addition of small caps, improved kerning, and an expanded character set make this one an excellent choice for projects that demand grace, elegance and a bit of mischievous fun. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Eh, what's up, Doc? This cuddly little oddball of a typeface was originally released under the rather unlikely name of Hercules by the Amsterdam Typefoundry in 1926. This face includes OpenType Stylistic Alternates for b, h, h, k and l, which feature very tall ascenders with a "bunny ear" vibe. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Modula was the first high resolution headline face that Zuzana Licko designed with the Macintosh computer. In 1985, the computer was very crude as far as being able to produce subtle curves, but it was outstanding at producing perfect geometric elements. As a guide, she used the proportions of her earlier Emperor Fifteen bitmap design and applied the precision of the computer's geometric elements. See also Modula Round and Ribbed. Greek version by Dimitris Arvanitis.

In the Dynamic Seventies, "prismatic" typefaces were all the rage, and few were more popular than variants of Paul Renner's Futura and the Herbert Bayer-inspired Bauhaus. This family of fonts features Futura-like forms in the uppercase and Bauhaus-like forms in the lowercase, so you can mix or match to create just the perfect headline. As always, all versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Taking inspiration from 18th century handwritten letters, journals and documents, Memoir is a romantic yet robust design. Its textured profile speaks of surface and age, but this face will look very much at home in contemporary design. Useful for menus, cards, packaging, and logos, its versatility will prove its worth. Unlike signature fonts from that era, Memoir is designed to set in a manner that connects fluidly as if it were actually written.

Magrit is a bold serif display font, It has many alternates character with nice curve that you can arrange to create a nice logo lettering, or use it as a display face on a poster and add a few alterations to it to make a beautiful eye catching words. Magrit font is best for branding, logo lettering, headlines, product packaging, tshirt design, wedding theme, poster, book cover, wedding invitation, Christmas and many more

Eckhardt Signwriter JNL is based on a casual display lettering face popular with many sign painters and show card writers of yesteryear, best suited for large print projects. Jeff Levine has named this font (along with others in a series) after the late Albert Eckhardt, Jr. (1929-2005) who had owned Allied Signs in Miami, Florida from 1959 until his passing. Al was a talented lettering artist and a good friend to Jeff.

Introducing Taylor Demian Signature Font This new script font embodies the essence of a natural signature style. Designed to convey elegance and organic handwriting, it effortlessly exudes a sense of graceful flow. Meticulously crafted, this font can be seamlessly incorporated into various contexts. With its elegant signature style, natural impression, and clever ligature usage, this script font closely resembles authentic handwriting. It brings a personalized and aesthetically pleasing quality to your design projects.

Hardly is a delicate and elegant script font with a modern and sophisticated appearance. Its thin letterforms feature fluid strokes and subtle curves, creating a graceful and refined feel. The font is perfect for designs that require a sense of elegance and sophistication, such as wedding invitations, branding, or editorial design. Hardly is a versatile script font that can be used for both body text and headlines, and its delicate yet readable style makes it perfect for a variety of design projects. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Tabulamore is a monospaced script typeface with two goals: to make a script face that looks as natural as possible within the limitation of monospace, and to offer better all-cap solution where many script typefaces fail to address. The typeface style is generally a loosely spaced casual script, whose spacing allows big letters like M W m to fit comfortably. The automatic small cap part is based on so-called Architect�s Casual style, and shows up automatically depending on the context. As the name suggests, it is perfect for someone who likes to express their love in monospace format.

Rottweiler is a handwritten font with a classic and retro style. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, logotypes, letters, posters, apparel designs, labels, and etc. Rottweiler comes with uppercase, lowercase, numerals, punctuations, ligatures & multilingual support characters.