Introducing STORM BREAK! A graffiti handwritten font with a unique style. This font has a very strong character, bold, and natural and has a youth energetic street style! STORM BREAK will be the perfect font for your logo, branding projects, social media posts, product packaging, product designs, label, photography, watermark, invitation, advertisements, stationery, the headline of the magazine, website, t-shirts, hoodies, and any projects that need a strong font and raw, street style characteristic of the design. This font comes with upper and lowercase characters, Numerals, Marks, Punctuation, alternates, swashes, ligatures and multi-language support. Hope you enjoy our font and we believe this font will give you the best for your design!

Introducing Melody Party – a brand new serif with all the nostalgic vibes! I've started seeing classic, tightly-spaced serifs of the 80s & 90s making a comeback, and wanted to create the perfect one for you too! Melody Party is a beautifully nostalgic upper and lowercase typeface and has 191 Special Alternates that looks incredible in both large and small settings as a display and body text. I've been loving combining the Regular and Outline, whether all in word or in body text! What's Included? Melody Party Main File 191 Special Alternates Regular and Outline version Instructions (Access special characters in all apps, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Thank you Dharmas Studio

Sans-serif typefaces compensate for their basic handicap – an absence of serifs – with a softening modulation typical of roman typefaces. Grotesques often inherit a hypertrophy of the x-height, which is very efficient, but not very beautiful. They are like dogs with fat bodies and short legs. Why do we love old Garamonds? Beside beautifully modeled details, they possess aspect-ratios of parts within characters that timelessly and beauteously parallel the anatomy of the human body. Proportions of thighs, arms or legs have their universal rules, but cannot be measured by pixels and millimeters. These sometimes produce almost unnoticeable inner tensions, perceptible only very slowly, after a period of living with the type. Serifed typefaces are open to many possibilities in this regard; when a character is mounted on its edges with serifs, what is happening in between is more freely up to the designer. In the case of grotesques, everything is visible; the shape of the letter must exist in absolute nakedness and total simplicity, and must somehow also be spirited and original.

The thing is that many sans-serif typefaces are usually intended for universal usage. But sometimes faces that work fine in body text look not so good in large point sizes for display purposes when all the contrast in non-contrast sans-serif, or ink traps, become visible to the naked eye. Every designer solves this problem in his own way. We offer a drastic solution in our Stem: a sans-serif with optical sizing. The first part of the type family, Stem Display, is for use in largest point sizes, from 36 pt indefinitely. Stem Display consists of 12 faces of widths from Hairline to Bold, and it has true italics. The development of Stem type family will include Stem Text for body text and “traditional”, universal use, and Stem Caption for small point sizes. Stem is a geometric sans-serif with semi-closed aperture, large x-height and modern proportions of uppercase letters, like in famous Avenir and Gotham. Its important feature is a professionally designed and carefully tested Cyrillic glyph set.

Alpha Midnight, reconstructed from an unnamed source by Dick Pape for Solotype, provided the pattern for this big, bold, unconventional stencil face, sure to grab your readers' attention. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Elkdale is an Antique Tuscan typeface based on a series of wood types designed in the 19th century. Elkdale exudes the impactful ornamental designs found in posters, newspapers and signage of the day. With its wide complement of weights and widths, Elkdale should fill any space with attention-grabbing delight.

Dive into the mesmerizing strokes of Khatt Algharraf, an Arabic typeface that seamlessly blends the age-old beauty of Middle Eastern calligraphy with the dynamism of modern design. With every curve and contour, it tells tales of ancient deserts and bustling souks, yet its sharp, crisp features make it strikingly contemporary.

Bosque is a typeface designed by Paula Nazal and Daniel Hernandez. It belongs to handmade style, it's rough and raw with soft edges. It has 6 variants: Normal, Wood, Shadow, Wood Shadow, Dingbats y Shadow One, this gives great versatility. It possess a wide set of characters, ligatures and some alternates.

Institut is an industrial-strength display face, with a no-nonsense feel of a research lab and audacity of a space mission control. Based on assertive geometric forms, it is suitable for a variety of on-screen and print uses. Designed by Vyacheslav Kirilenko with participation of Gayaneh Bagdasaryan in 2013.

TF Voide Murdered - Death Metal Font. Our Death Metal Font is the perfect tool to amplify the raw energy and intensity of your designs. Crafted with meticulous attention to detail, this font embodies the essence of heaviness, chaos, and rebellion. Featuring jagged edges, sharp contours, and intricate letterforms, our Death Metal Font exudes a ferocious brutality that will leave a lasting impact on your audience. Each character is meticulously designed to evoke a sense of darkness and aggression, making it an ideal choice for album covers, band logos, merchandise, and more. Features: Uppercase, Lowercase, Numeral, Opentype Features, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

Introducing Rahma, display font in Arabic style. Designed with a digital flat-pen and gothic typography technique which gives the elegant looks of the letters. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Almirab Script is a classic Script font inspired by Arabic classic handwriting that uses a flat pen (or signature pen) and is written in the low height of letterforms. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Sukaria Organic is a lively and fun handwritten font that embodies a sense of organic whimsy. With its carefree and slightly irregular strokes, Sukaria Organic captures the authenticity of hand-drawn lettering. Each character dances with a joyful bounce, invoking an aura of spontaneity and creativity. The font’s organic texture and playful curves make it a perfect choice for projects that seek a touch of natural charm and carefree spirit, such as eco-friendly branding, handmade product labels, and cheerful invitations. Sukaria Organic brings an infectious sense of joy to any design, ensuring that its delightful personality shines through, celebrating the beauty of imperfection and the allure of the handwritten touch.

Sultan Plain is an active contemporary variable font, complete with a flexible range of cases tailored to responsive layouts The font places itself at the boundary between two eras of contemporary typographic design, Between stillness and movement, between past exclusivity and present diversity, between the finite and the infinite. Although it is like many of the modern Naskh fonts, Sultan Plain has amazing unique energy Which is missing by many of the fonts that we designed since the beginning of the second millennium. The font is clear and legible in small sizes, suitable for printing for large texts, web pages, and other visual uses. The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.

Xylotype guru Rob Roy Kelly identified this specimen from his personal collection as "Phanitalian". This addition to the Whiz-Bang Woodtype series takes its name from a small Texas town in the middle of nowhere which has risen to international prominence—at least for folks interested in such things—as the site of the World Championship Chili Cook-off. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Zuume Rough is a textured, bold, condensed sans display family. A sister to Zuume, this version features a rough printed texture for a more natural and raw look. The fonts can be tightly spaced and stacked for a visual punch or loosened for a little more breath. A distinct characteristic is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, sports, logos, and more.

Rayid (رائد): Pioneer. “What if we remove the curves?” This was the whole idea. Rayid could be used at its best for names, titles, headings and other large size contexts. It has the ability to catch the eyes of the target. It is a modern font which respects the traditions by futurism. *Arabic marks (Tashkeel) are included but if your design needs them, first check if they work properly for you.* Please DO NOT HESTITATE to tell me if you saw any bugs.

Zanzabar is an exotic display font with a distinctive Middle Eastern flair. Its characters loosely mimic the Arabic script with lowercase letters being much smaller than uppercase. Special emphasis was given to the wispy, brush-like appearance of its characters for a suggestion of authenticity. This works best from far away or at small sizes. Although decorative by nature, the entire character set is relatively easy to read. Use Zanzabar for a restaurant logo, children’s book, or a movie poster.

GAME OVER, MAN, GAME OVER! Time to grab your joystick, turn to channel 3 and level up, Player One, or you'll never beat the high score on your new game cartridge. Or bring a stack of quarters and a couple of friends to the mall, and we'll play some Rick Astley and Kajagoogoo over the PA while you scope out hotties near the food court. Either way, eight bit lettering has never looked more eighties than it does in our new PIXELARCADE font!

Friar Pro is a revival of Frederic W. Goudy's "Friar" typeface. Goudy described this typeface design as a 'typographic solecism' as it combines a lowercase of half-uncial forms from the 4th through 7th centuries with an uppercase of square capitals from the 4th century. Steve Matteson developed the font as a tribute to Goudy and his joy of typographic exploration. Steve created a complete character set with OpenType typographic enhancements to give the font an authentic appearance to the original. Friar Pro is a beautiful design which imparts a scribal appearance to any document including greeting cards, certificates and official papers.

Let’s have some fun! Govia Sans adds plenty of joy to any logo, layout or UI. Geometric shapes and a funny look come together in this font family – thus, Govia Sans might be the perfect choice for toys, books, packaging designs, movieposters and many more. Although the fonts’ comic character shines through in every glyph, it keeps a surprising degree of legibility even in small sizes. Choose between a Medium and a Bold weight. Designed by Marc Lohner, Govia Sans speaks more than 200 languages. Funny ligatures, arrows, oldstyle figures and many more features will fulfill all your typographic needs.

Cocana - The Bubble Font is a playful and bubbly typeface that brings a cheerful and light-hearted vibe to your designs. With its rounded and bulbous letterforms, Cocana exudes a sense of fun and whimsy. This font is perfect for projects that aim to convey a sense of joy and youthful energy. Whether you're working on invitations, posters, or any creative endeavor, Cocana adds a touch of playfulness and charm. Cocana is like a burst of happiness in the world of typography, making it an excellent choice for projects that want to radiate positivity and a carefree spirit.

Unleash Your Joy with Rastely Dive into the fun with Rastely – Funky Typeface. It’s a joyful escape, perfect for creative minds. Inspired by psychedelic vibes, this font keeps it chill. Its playful curves promise a good time. Every letter brings a smile, designed for fun at first sight. Playful to the Core Rastely isn’t just a font; it’s a party invitation. Crafted with a relaxed approach, it’s easy-going yet bold. Let each character tell a story of cheer. Imagine your projects with a touch of whimsy. Moreover, its easy legibility makes it perfect for all ages.

Introducing "Cherile" - a lively and playful handwritten font that injects a sense of fun and joy into your designs. With its whimsical letterforms and energetic strokes, Cherile adds a delightful and carefree vibe to any project. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Agile Jewelry a stylish, modern display serif font to give you informal, modern impressions. The characteristics of this font are the extra hooks on the letters’ edges and some of the letters have curvy ending wipes. The thick and thin lines on every letter are clearly visible. For a legibility reason, apply this font for big-sized texts instead of the body texts. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Agile Jewelry fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.

In 1980, Peter Malutzki, Heidi Hübner-Prochotta and Manfred Prochotta founded the FlugBlatt-Presse and began producing broadsheets, which they called FlugBlätter and which also gave their press its name. They were mostly woodcuts or linocuts, combined with hand-set typography. When they finished the series in 1984 there were 67 FlugBlätter. During a Frankfurt Book Fair in the 1980s the collector Rob Saunders acquired FlugBlatt No. 37 along with other prints. Later they became part Letterform Archive, a non-profit museum and special collection library in San Francisco, which Rob Saunders founded in 2014. In 2021, Letterform Archive posted the FlugBlatt No. 37 on social media, where type designer Lena Schmidt saw it, immediately fell in love with it, and developed the plan to bring it into the digital world. After contacting Peter Malutzki – who is still working as a book artist today – and in close consultation with him, Schmidt translated the letterforms into a font series, Malutzki Initials. The three fonts can be used for black (single-color) text using the Regular style, or for multicolor text by applying different colors to the Letter Layer and Figure Layer styles.

Harpagan is an experimental type family characterized by scalable construction from mono linear grotesk to display bold. I’ve designed this typeface after my trip to Kyrgyzstan, Uzbekistan and Kazachstan, where i’ve been impressed by the impact of arabic script in Asian style Cyrillics. The Harpagan type Family consist of 5 futuristic styles.

Fictionalism is carefully handcrafted slab serif, slightly condensed to fit lots of beautiful text wherever you need. It's handwritten, but neat as a pin; it's tidy, but has a lively character that grabs attention in a friendly way. Use it for branding, posters, text, or a million and one other design applications.

The Commodore 64 (C64) is a home computer with 64 kilobytes of RAM that was popular in the 1980s. Released by Commodore Business Machines (CBM) to the public in August 1982 at a price of US$595, it offered sound and graphics performance that was good compared to the standard at that time.

A supplement to Major Production NF, which includes an assortment of symbols and logos for video, web and mobile applications, including the Blu-ray logo with its region designators. Please remember that logotypes are the property of their respective copyright holders, and should be used solely in accordance with the copyright holder’s guidelines.

Delphine is a modern and elegant font that exudes sophistication and timeless charm. With its sleek and refined letterforms, this typeface effortlessly combines classic elements with a contemporary twist. Its clean lines and graceful curves lend a sense of luxury and refinement to any design. Delphine is perfect for adding a touch of elegance to wedding invitations, high-end branding, fashion editorials, and other upscale projects. Its versatility allows it to shine in both display and body text, while its attention to detail ensures legibility and readability at any size. Elevate your designs with Delphine and let its understated beauty and refined aesthetics captivate your audience.

A contemporary serif font family. The design takes influence from traditional serif forms to develop a precise, highly functional text face with a low contrast. Smooth radius details are blended with carefully drawn angles that give a crisp, distinctive aesthetic when used across body copy. Modum is a stylish modern day serif with great charm, harmony and practicality that is best suited for complex hierarchical projects, such as editorials, newspapers and text based books. Details include 8 weights and true italics, over 800 characters with alternative lowercase a, e, g and y. 7 variations of numerals, true small caps with accents, ligatures, manually edited kerning and Opentype features.

Pilfnof contains: - 394 glyphs which include: Basic Latin, Latin Extended - A, Latin 1 - Supplement and General Punctuation. - 4 weights: Light, Regular, Bold and Black Pilfnof is a reverse contrast serif font family. Purpose of the project was to design a standing out modern serif which revolves around reverse contrast. Width of strokes is fully reversed. Weight, width and contrast are regular while x-height is high. It contains uppercase and lowercase letters and lining figures. Pilfnof is perfect for use in Branding and Publications. It can be used both for text as well as headings and titles. Heavy weights are ideal for headlines while light weights are suitable for body text.

The aim of the project was to create a new type family for corporate and editorial design. The resulting humanist sans serif Weitalic has strict and angular strokes, but at the same time possesses a calligraphic look – an interplay of contrasts. Thanks to the very eye-catching features the result is a distinctive typeface that looks good in both the headline and the area of body text. With its 8 weights with matching italics and numerous OpenType features Weitalic is prepared for professional and complex typographic work. The fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Ribbon Cursive was developed largely from Mercator's Italic Hand, which originated from Italy, during the Renaissance. Ribbon Cursive is fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text. It should be noted that, due to the heavy embellishment of all the capital letters, this font will not work well if your text is set in all capitals! Ribbon Cursive is contains the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.

This font is versatile and expressive, it can create appealing atmosphere and attract attention, conveying a gamut of message and emotions. It is well suited in the jobbing areas like packaging, logotypes, magazines, web pages and advertising, etc. Berta has all the advantages of OpenType features that allow a variety of combinations: You may choose to set types in connected or unconnected ways, being used as body text or headlines for its good legibility, visual impact and accurate kerning. It has swashes, standard and discretional ligatures, contextual alternates, word ending and tails. It has also an extended character set to support Central and Eastern European as well as Western European languages.

Mazaeni is a bold serif font family that includes 5 Weight regular to Extra Black which is inspired by something simple, elegant, usable, and versatile. Mazaeni is a daring and playful display typeface perfect for logotypes, posters, and editorial use. Includes wide language support, optional ligatures, OpenType alternates, and more. One thing to note about Mazaeni is the letter spacing. It was intentionally for clean reading if you wanted to use it for the body type, so I recommended setting the spacing a little tighter for display use (around -5 to -25 should do!). All typefaces from Kereatype include free updates, new features, and free technical support.

Carefree makes it so simple to elevate a logo or headline text, whether you're wanting something bold or delicate. Introducing the Carefree Serif family – a gorgeous condensed serif typeface that includes 16 fonts, regular and italic, from Hairline weight to Bold. This typeface looks best in larger settings as a display text (think big headers, pretty quotes, calls to action, etc.), but can also be really stunning for longer text like quotes. I would probably avoid using this as a body text because of the high contrast. I've also been loving combining the regular and italic and mixing up the weights, especially for beautiful logos.

Mediator Serif is a balanced contemporary serif typeface that performs well both in display sizes (like in packaging or branding) and body text (books or periodicals where narrow styles will be extremely useful). Mediator Serif is a complementary serif face for Mediator Sans. The family contains 32 fonts in 2 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; and 8 narrow styles with matching italics too. The character set in all faces was expanded to include small caps and old style figures. The typeface was designed by Manvel Shmavonyan with the participation of Alexander Lubovenko and released by ParaType in 2017.