School Backyard playful display font. Regular stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. School Backyard font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with School Backyard font. Cheers, Maulana Creative

Karnet is a unique sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Karnet font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Karnet font. Cheers, Maulana Creative

Hopipolla is a high contrast handwritten script font. upright and fun character with a bit of ligatures. To give you an extra creative work. Hopipolla font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Hopipolla font. Cheers, Maulana Creative

Fiorent is a modern Decorative Display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Fiorent font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Fiorent font. Cheers, Maulana Creative

Coding Cincoy display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Coding Cincoy display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Coding Cincoy display font.

Bastler is a Condensed Display Sans font. Regular stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Bastler font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Bastler font. Cheers, Maulana Creative

Koolkids is casual script font, with bold stroke, slanted and fun character. It has Opentype features ligatures of character, To give you an extra creative work. Koolkids font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Koolkids font. Cheers, MaulanaCreative

Bollity is a modern sans Display font. Heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Bollity font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Bollity font. Cheers, Maulana Creative

Steglstan is a luxurious serif with an elegant style. It seduces your eyes with its curves yet manages to maintain its classy serenity, perfect for your branding, logos, invitations, long texts and more. FEATURES: OpenType support Playful to use (with ligatures options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me: alphardtype@gmail.com Thank you so much...I really hope you enjoy when using it!

Thesh is a modern Decorative Display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Thesh font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Thesh font. Cheers, Maulana Creative

Bigteeth is a horror vibes handwritten font. With slanted medium rough brush stroke, fun character. To give you an extra creative work. Bigteeth font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Bigteeth font. Cheers, Maulana Creative

Quintaras is a complete script and sans font duo. With expressive signature mono-line stroke and condensed sans solid and outline stroke, fun character with some of ligatures. To give you an extra creative work. Quintaras font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter. Make a stunning work with Quintaras font. Cheers, MaulanaCreative

Alvesto is a minimalist sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Alvesto font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Alvesto font. Cheers, Maulana Creative

Sinyor Yebri is a modern signature script font. With consist regular mono-line stroke, fun character. To give you an extra creative work. Sinyor Yebri font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sinyor Yebri font. Cheers, Maulana Creative

Jeggerz summer display typeface. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Jeggerz summer display typeface support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Jeggerz summer display typeface. Cheers, Maulana Creative

Creammie Groovy Decorative Display Font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Creammie font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Creammie font. Cheers, Maulana Creative

Marshim is a Condensed Display font. Regular stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Marshim font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Marshim font. Cheers, Maulana Creative

Menoka is an elegant and modern serif typeface inspired by the late renaissance period. Menoka was designed with a very thin hairline and long serifs, this reflects the elegance and sophistication that was evident during the 17th century. With over 90 stylistic ligatures, Menoka is great for headlines and short to medium texts. Menoka is compatible with 93 languages and contains 433 glyphs, including several alternatives. I hope you enjoy using the Menoka typeface.

Nighty Night horror display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nighty Night font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nighty Night font. Cheers, Maulana Creative

Sarscy is a decorative serif font. Regular stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Sarscy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Sarscy font. Cheers, Maulana Creative

Cogney is an all caps modern sans serif font. With sharp bold stroke, fun character. To give you an extra creative work. Cogney font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Cogney font. Cheers, Maulana Creative

Race Timo Sport Display Font. Regular stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Race Timo font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Race Timo font. Cheers, Maulana Creative

Acholic horror display typeface, bold stroke, fun character with a bit of ligatures. To give you an extra creative work. Acholic horror display typeface support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Acholic horror display typeface. Cheers, Maulana Creative

Rothers is a slab serif display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Rothers font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Rothers font. Cheers, Maulana Creative

Alvani psichedelic display typeface. Bold stroke, fun character with a bit of ligatures. To give you an extra creative work. Alvani psichedelic display typeface support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Alvani psichedelic display typeface. Cheers, Maulana Creative

Noobys is a fun decorative display font with natural hand drawn, clean stroke, uprights and fun character. To give you an extra creative work. Noobys font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Noobys font. Cheers, MaulanaCreative

Polyfonics is a natural hand drawn decorative display font, with fill and hollow stroke, uprights and fun character. To give you an extra creative work. Polyfonics font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Polyfonics font. Cheers, MaulanaCreative

Recht is a geometric sans with much attention to curvature compensations, classifying between classic geometric sans-serif typefaces and neo-grotesques. The family contains 10 weights with corresponding italics, Cyrillic script with inclusion of Ukrainian Cyrillic, and a bunch of OpenType features. Recht has a closed aperture and is extremely versatile, working exceptionally well in both headlines and long text paragraphs. You can use stylistic sets for added geometric or humanist flavour.

Muizhell horror display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Muizhell horror display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Muizhell horror display font. Cheers, Maulana Creative

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino, Fino, and Fino Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino perform a range of roles far broader than your typical Bodoni or Didot.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Sans is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Sans, Fino Sans, and Fino Sans Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Sans to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Sans family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino Sans perform a range of roles far broader than your typical Bodoni or Didot.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Stencil is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Stencil, Fino Stencil, and Fino Stencil Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Stencil to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Stencil family, along with our entire catalogue, has been optimized for today’s varied screen uses. All these talents let Fino Stencil perform a range of roles far broader than your typical Bodoni or Didot.

In 1955 the Czech State Department of Culture, which was then in charge of all the publishing houses, organised a competition amongst printing houses and generally all book businesses for the design of a newspaper typeface. The motivation for this contest was obvious: the situation in the printing presses was appalling, with very little quality fonts existing and financial resources being too scarce to permit the purchase of type abroad. The conditions to be met by the typeface were strictly defined, and far more constrained than the ones applied to regular typefaces designed for books. A number of parameters needed to be considered, including the pressure of the printing presses and the quality of the thin newspaper ink that would have smothered any delicate strokes. Rough drafts of type designs for the competition were submitted by Vratislav Hejzl, Stanislav Marso, Frantisek Novak, Frantisek Panek, Jiri Petr, Jindrich Posekany, and the team of Stanislav Duda, Karel Misek and Josef Tyfa. The committee published its comments and corrections of the designs, and asked the designers to draw the final drafts. The winner was unambiguous — the members of the committee unanimously agreed to award Stanislav Marso’s design the first prize. His typeface was cast by Grafotechna (a state-owned enterprise) for setting with line-composing machines and also in larger sizes for hand-setting. Regular, bold, and bold condensed cuts were produced, and the face was named Public. In 2003 we decided to digitise the typeface. Drawings of the regular and italic cuts at the size of approximatively 3,5 cicero (43 pt) were used as templates for scanning. Those originals covered the complete set of caps except for the U, the lowercase, numerals, and sloped ampersand. The bold and condensed bold cuts were found in an original specimen book of the Rude Pravo newspaper printing press. These specimens included a dot, acute, colon, semicolon, hyphens, exclamation and question marks, asterisk, parentheses, square brackets, cross, section sign, and ampersand. After the regular cut was drafted, we began to modify it. All the uppercase letters were fine-tuned, the crossbar of the A was raised, E, F, and H were narrowed, L and R were significantly broadened, and the angle of the leg and arm of the K were adjusted. The vertex of the M now rests on the baseline, making the glyph broader. The apex of the N is narrower, resulting in a more regular glyph. The tail of Q was made more decorative; the uppercase S lost its implied serifs. The lowercase ascenders and descenders were slightly extended. Corrections on the lower case a were more significant, its waist being lowered in order to improve its colour and light. The top of the f was redrawn, the loop of lowercase g now has a squarer character. The diagonals of the lowercase k were harmonised with the uppercase K. The t has a more open and longer terminal, and the tail of the y matches its overall construction. Numerals are generally better proportioned. Italics have been thoroughly redrawn, and in general their slope is lessened by approximatively 2–3 degrees. The italic upper case is more consistent with the regular cut. Unlike the original, the tail of the K is not curved, and the Z is not calligraphic. The italic lower case is even further removed from the original. This concerns specifically the bottom finials of the c and e, the top of the f, the descender of the j, the serif of the k, a heavier ear on the r, a more open t, a broader v and w, a different x, and, again, a non-calligraphic z. Originally the bold cut conformed even more to the superellipse shape than the regular one, since all the glyphs had to be fitted to the same width. We have redrawn the bold cut to provide a better match with the regular. This means its shapes have become generally broader, also noticeably darker. Medium and Semibold weights were also interpolated, with a colour similar to the original bold cut. The condensed variants’ width is 85 percent of the original. The design of the Bold Condensed weights was optimised for the setting of headlines, while the lighter ones are suited for normal condensed settings. All the OpenType fonts include small caps, numerals, fractions, ligatures, and expert glyphs, conforming to the Suitcase Standard set. Over half a century of consistent quality ensures perfect legibility even in adverse printing conditions and on poor quality paper. RePublic is an exquisite newspaper and magazine type, which is equally well suited as a contemporary book face.

Within the pages of an early-1900s instructional book on show card lettering was found a marvelous example of an alphabet that typifies the Art Nouveau movement of the era and served as the inspiration for Nouveau Riche JNL. Angular, artistic and reminiscent (in some ways) of ancient Greek lettering, this design has many unusual letterforms. Check out the interpretive K and R for the best examples of this art style.

Personlighed was originally a handdrawn font, but I decided to trace each glyph and make this super clean font instead. The idea of the font is about making a hybrid between the handdrawn lines and the “computerized” vector. If you look closely, I have some uneven lines here and there (not many, but are here and there!) I’ve also added some alternative versions of j, k, q, r and the ampersand

My friend in the Czech Republic sent me a card with some hand lettering that was similar to this tall headline font. It has a funky yet elegant appearance. Works nice for Art Deco too.

Lake Vacation Doodles for your camping, sailing, picnicking Summertime vacation needs. With these little graphics your party invitations just design themselves. Add an Outside the Line hand lettered font and you are good to go.

Belighta is an elegant handwritten script font with a clean and modern touch. This font was inspired by a handwriting with a feminine style in ballpoint ink but with clean line and the same wights. This font come with many alternate tails in lowercase that gives a unique look for your logos, business card, wedding invitations, quotes, advertisements, and more. Highly recommended to use it in OpenType capable software such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, Afinity and more. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

A companion piece to Mulgrave, this font is the intermediary design between the chunky Victorian style that Mulgrave reproduces and the Ministry of Transport sans introduced in 1933 and digitised as Ministry. Although they date from between 1910 and 1933, these signs show the beginnings of several features Ministry later incorporated, notably the thinner strokes and the more modern forms of the G, M, R and S. The letter widths are approaching a monospace - the L, F and E are relatively wide compared to the W and M, a feature that may have something to do to the casting process. These idiosyncracies were all ironed out when the first version of the MOT alphabet was produced. The Device digitization, as with Mulgrave, stays true to the worn and repainted original metal source material and preserves the unusual widths.

Rima is a stencil display face with imposing slab serifs, designed to suggest strength, confidence, expertise and efficiency. Regular and Bold weights are included along with two handy italics (optically corrected obliques).