Available in 3 ​fresh ​cuts plus a sweet picture font, Strange Times is a serifed hand-drawn family. Or is it handwritten? Either way, it’s quite a handy family​​ with a generous touch of quirkiness and packed with lowercase alternates for a nice organic feel. Powered by Contextual Alternates programming, these alternates will cleverly cycle at the ​simple ​click of a button. Strange Times are here. Let’s have a good time​. Cheers!​

This font is based on the handwriting of Norwegian painter Edvard Munch. Using his many letters, drafts, notes- and sketchbooks as reference, this font characterizes the elegant yet sometimes quite irregular writing style Munch had. To resemble naturalistic writing and remain as authentic as possible, a combination of extended ligatures and alternates has been included, as well as Swash characters (accessible via open-type). Additionally, several of Munch's paintings and woodcuts are embedded as extras.

Logo Sans is a clean, geometric sans-serif created with an obvious use in mind - logos (although quite suitable for longer texts as well). It is a clear, easy to read font that comes in a variety of weights & italics ...allowing for pleasing logo design combination and marketing pieces. Its wide characters and linear lines have a very modern, luxurious appeal. The family includes 5 weights...plus italics - for a total of 10 fonts.

Brouillard means ‘fog’ in French. I like the ‘oui’ letter combination and I was looking for a name for this font that contained those letters. I found Brouillard and presto: a new font was born! Brouillard font was handmade with a Japanese pen. It is an elegant, curvy and quite stylish font with a bit of a roughness to it - just enough to catch your attention. All three styles come with a load of diacritics.

Serifs gone crazy! They are legible and recognisable and at the same time jumpy, skewed and random! What makes it really cool is that every letter has 5 different versions - and they automatically cycle as you type. That will make your text look quite random and more authentic (rather than obviously repeating letters!) Bonus Jerk also comes with a complimenting Box version - a handdrawn background layer, made to make the letters stand more out!

Hand Draft is hand crafted to emulate both the early printer’s serif font and/or a hand-drawn version of an early Serif font, using either a felt or round nibbed pen. Carefully designed to recreate a sturdy Sans Serif font with just the right amount of artistic imperfection, in three styles: outlined, hatched, and solid. A little funky and slightly grungy, this hand-drawn font is intentionally not quite perfectly rendered.

Snemand, in Danish, means Snowman. Quite appropriate for the last month of the year! The font is all caps, but upper and lower case letters can be interchanged and it includes alternates for all lower case letters. Snemand is a very legible font and has that great 'unevenish' look - making it a great typeface for packaging and books. Enjoy the snow - while it lasts and go out. You might even build a Snemand!

Whale Show is a fun display font with a youthful, whimsical, and bubbly feel, great if you need to create a friendly, playful mood in your design. This font is also quite versatile and easy to work with. You can use it for logos, posters, headlines, etc. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Res Publica is a workhorse. It is quite anonymous as typeface, without any distinctive marks. But it gives a harmonious text body, well suited for large amounts of text, such as official public reports, magazines based mainly on text, school books, and so on. The public" concept is part of the name. Res Publica is Latin for "public matters". The word republic has the same origin. Res Publica was released in 1992.

Yes, you're right. Blauhaus should have been 'Blaues Haus', as that is the proper way of saying Blue House in German. But hey, Blauhaus sounds much better and in writing, it is quite similar to Bauhaus. Blauhaus is a stylish, rounded sans serif font, modeled after some early 20th century German typefaces. It is easy on the eye and it will certainly give your work a sophisticated punch. Comes with a classy collection of diacritics.

Loophole is a visually striking display typeface in 3 weights (Light, Regular & Bold), its DNA firmly rooted in the Cyclic Sans family which makes the perfect foil to this somewhat decorative font styling. The Loophole name is quite simply based on the ubiquitous hole motif, which is strategically deployed on each character across the 3 font styles. Each font contains an extended Latin character set covering Western & Central Europe, the Baltic States & Turkey.

The Galgo is a Spanish Greyhound, an ancient hybrid breed of dog. Just like the Galgo, the letters of this font are a mix of elegant brush calligraphy and the rough, weathered strokes of speedy scrawl. Galgo Script is quite suitable for logomarks, titles, single sentences or paragraph-length artistic writing passages. Drawn by Angel Koziupa and digitized by Alejandro Paul, Galgo Script was made because of popular demand for this kind of "rush brush".

Festiva is based on lettering found on a 1960s kitchen appliance catalog. It evokes ’60s TV and pop culture while still having a contemporary feel. The fun exuberant flavor of this face is perfect for parties and celebrations. The letters dance across the baseline and the lower case wants to be an upper case but just can’t quite make it. P22 Festiva Regular includes a full unicode European Character set (Western, CE, Turkish, Romanian, etc).

The freeflowing and quite feminine style of this script appealed to me, but it needed a bit of taming. Quite a few of the letterforms have been normalized - to better accommodate the diacritics. :) All fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Who doesn't love Fridays? For many people it is the end of the working week and the start of the weekend. What's not to like? I tried to put all that great vibe into this font - it is charming and clumsy and ready for a party...just like my Fridays...ehh...my Fridays are actually quite simple - no parties or staying out till early morning...been there, did that...now I love my Fridays, just the way they are! :)

This South American grotesk font blends the functionality of an American grotesk typeface with that unique Latino rhythm and flair. Sure it can be quite serious, but more importantly, its two alternate sets allow you to bring flavor to your logos, brands and advertising designs. We would like to especially thank Alfonso García for his help with digital editing, the development of a fresh italic version, as well as the addition of Cyrillic and currency symbols.

Lunatique is a highly decorative font, available in three widths, with extended language coverage as well as alternates for some glyphs. This font is inspired by Lucky typeface, designed in 1972 by André Pless for the Mecanorma permanent type contest. The style was later released as Letter-Press transfer sheets. Transfer sheets... Sounds quite nice, definitely. But hey, these digital ones will be way smoother to use, you bet. Give them a go and make your text shine!

Buttered Toast is something a lot of people enjoy every day; when I was working on this font I was hoping to create something similar: an uncomplicated font enjoyed by many. The resulting typeface is exactly what is promised on the package: Buttered Toast is unobtrusive, yet quite refined. It may even be taken for granted, but I sure hope it will be used and enjoyed by many. Buttered Toast comes with a generous helping of diacritics.

Cowboy Burt was once a cowboy, but now he's a carnie at who runs the tilt-a -whirl. This hand drawn font was designed for use in a skate-punk layout, but will be quite at home in the old west, the circus, or underground cartoons. There are two versions Regular, and Extrude which work together or apart. There are even some goofy dingbats scatter throughout. You'll have hours of fun with Cowboy Burt...Where's my waitress?

Prushkov is the first typeface that I made. Its name comes from the town I lived in at the time. The design was inspired by both geometric typefaces like Futura, and didone fonts like Bodoni. Its aim (perhaps quite bold) is to blend high contrast with mathematical excellence. Prushkov will work well as a display font, both in uppercase and lowercase. It has a wide array of stylistic alternates for all of the capitals and some lowercase glyphs too.

Milk & Clay | handwritten sans serif font Meet Milk & Clay, the font that started it all. This font was inspired by a friend who is a ceramists. The smooth and soft bumpy edges of this font is influenced by the texture and shape of clay as you’re working with it - almost perfect letter or shapes but not quite there. The letters are unique and feel soft and handmade. Perfect for; handmade products, ceramics, branding, logos, instagram quote text.

Chift is a quite narrow serif font for both body text and headlines in periodicals, where economy of space is needed. The type family consists of ten faces: five styles of low contrast for body text sizes and five styles of high contrast, including Hairline and Black, for display purposes. One of the main features of the typeface is its professionally-designed Cyrillic, which won one of the special prizes at Modern Cyrillic 2009 competition in Text category.

Nouveau Crayon is based on Crayon Crumble, a font I made a long time ago. I changed a lot of glyphs and added a whole bunch of new ones. It has become quite a good looking font to be honest: oodles of crayon goodness, heaps of crumbling bits and a lot of expression. Use it for cafe websites, restaurant menus, children’s books, art fair posters and whatever else you fancy. Nouveau Crayon comes with abundant language support.

Riky is a heavy sans typeface carefully hand-drawn made, with different letter shapes, full of ligatures, and stylistic alternates that will provide great flexibility for your designs. Ricky's typeface is lively, dynamic and energetic. This font has an informal and decorative style. Riky fonts come in 2 versions: Shadow and solid. These fonts are quite perfect for packaging design, posters, children books and many other purposes. Play with them, be creative with them and enjoy them.

A set-aside work file featuring a bold sans serif typeface that may or may not have had a vintage source history was given a new treatment. Initially, the solid design was converted to a stencil format and an experiment was undertaken to see what the alphabet would look like with a dual line treatment. Surprisingly, it turned out quite well and the end result is Dual Line Stencil JNL; available in both regular and oblique versions.

I have been making some clean, connected fonts lately and when I was working on another one of these, I felt the need for something chaotic. So, Scapegoat was born. I used a round nibbed steel pen and Chinese ink and the result is quite a messy font. It may look chaotic, but as Nietzsche once said: ‘from chaos comes order’. Amen to that! Comes with double letter ligatures for the lower case and a whole lot of diacritics.

Kufica is a geometric sans serif display family based on the kufic style, a 7th century calligraphic form of the Arabic script originates from Kufa, Iraq. It’s quite amazing that a historic Arabic calligraphic style can be implemented into a modern (even futuristic!) typeface that serves so well in modern advertising, branding, packaging, posters and so on. Kufica family comes in 2 weights with italics, each of the fonts has solid language support with over 430 glyphs.

I am reading a great book by David Mitchell, called Number 9 Dream. One of the characters is called Buntaro, so I decided to call my new inky font after him. Like the book, Buntaro is quite unusual: it has no real baseline, comes with some strange characters, feels familiar, but surprises you nonetheless. It was made with a broken bamboo satay-skewer, Chinese ink and a lot of patience. Buntaro comes with a wealth of diacritics.

The Regular typeface was researched with children and developed specially for use in children’s reading books - bridging the gap between reading and handwriting. Short ascenders and descenders may not trouble literate adults but it is quite a different matter for children struggling to read. These fonts include extended ascenders and descenders and slight slant makes blocks of text easier to read. Free to download resources How to access Stylistic Sets of alternative letters in these fonts

With it's distressed markings and rough edges, Docket mimics the appearance of a vintage typewriter from the 1940s. With Docket, you can quickly create graphics with an instant classic feel, and it's application is quite versatile. Create logos, stamps, sublimation designs, social media quotes, monogram products, and even websites with this bohemian typewriter font! Docket's characters are proudly hand-crafted, meticulously kerned, and come in two variations to capture the unique look of an old grunge typewriter.

Southside Fizz is a cocktail (made with gin, lime, mint and soda). Southside Fizz font was based on a single word in a 1930’s advertisement and my Palembang font. I did not have that many glyphs to work with, so I made most of them up. Southside Fizz became a very elegant all caps Art Deco font, quite useful for wedding invitations, books and posters. It comes with a roaring amount of diacritics as well.

CTM Sans is a typeface of the grotesk category, it is designed based on a previous Herokid typeface, but with greater freedom to creative tastes and at the same time with more rebellion and errors (quite a few, but well-intentioned) than its predecessor. This makes Bellavista a somewhat messy clone, for the grotesk style. This font does not seek to be a correct typography, but rather fun and useful for the designer. I hope you like it

I really enjoy making brush fonts. I usually just get my Chinese ink and a bunch of brushes and start drawing glyphs. It took some time to get Studio Brush right, but I think spending that extra time paid off. Studio Brush is quite a neat brush font: the glyphs of this all caps font are of equal height (more or less) and complement each other perfectly. Studio Brush comes with double letter ligatures and some alternate glyphs.

Pind-O-Rama is quite an unconventional font, with strange counters and shapes and choices and interlocks that just stand out. For sometimes fitting in is absolutely not wanted. Pindorama is how the native Tupi people originally called Brazil before colonization by the Portuguese. This font draws inspiration from a book on Brazil colonial background, precisely from a 1961 edition - the book was first published in 1943. Unfortunately the cover design is uncredited. Why fit in? Let's stand out!

Himmelblau is a Jugendstil font based on a poster from 1902 made by the 'Künstlerbund Hagen'. This group of Austrian artists was formed in the late 19th century and was named after the owner of Vienna inn, which the artists frequented. The group's most prominent members were Heinrich Lefler and Joseph Urban. Himmelblau is quite an elegant font - legible, organic and flowing, so it would be perfect for posters and display uses. Himmelblau comes with extensive language support.

De Bambeet is a serif font that has a little style compared to other serifs, with multiple languages, alternate and also ligature is quite cool and suitable to be paired in various media like a posters, wedding invitations, craft products, book covers, photography, t-shirts , product packaging and other media. By using De Bambeet, I am sure that your products will look elegant, classic and luxurious. Font Featured : Uppercase Lowercase Numbers Symbols Punctuations Sylistic alternates Discretionary Ligatures

Yeti is tall and hand-drawn with a hint of calligraphy. It is quite possibly influenced by a yeti’s penmanship, but even that cannot be proven. Whether you enjoy writing or designing in all-caps or not, this font has something for you. Something furry. Yeti supports multiple languages and includes graphics and web icons to help get those creative juices flowing. Naturally, yetis love Easter egg hunts and being superstitious. This font is no exception.

A Donkeyman is a person who is in charge of a ship’s engine room. I didn’t know this, but when I was looking for a nice name for this font, I sort of stumbled upon it. Donkeyman font is quite a useful font: it is a handmade, all-caps font that comes with two sets of alternate glyphs. The alternates cycle as you type, creating a ‘random’ effect. Comes with extensive language support, including Sami and Vietnamese.

Ringlings stems from Yanky Goldman’s quest for a fresh and innovative display font that subtly attracts. Thus, this lively, dancing-in-the-sun typeface was created. Ringlings is ideal for logo design, package design, headlines and more. This single-stroke, semi-serif font family includes over 1,100 glyphs including uppercase, lowercase, stylistic sets, titling, petite caps, deco caps, ligatures, borders & ornaments and more. It supports most Latin and European languages. Ringlings is airy, light and quite versatile.

The name of the font is from the hilarious movie "21 Jump Street" - and that is where the similarity ends. While the movie is quite funny, it is also super goofy! I can't say the same about the font, because terms like organic and organic comes to my mind. Strange, yes! And I have really no good reason for this naming, other that its an odd way to tribute this one of my all time favourite comic movies! :)