Bertina, simple and elegant typeface with feminine touch. It's simplicity makes it best for headlines, letterhead, quotes and even logo.

New Ways is a modern sans font family designed to ensure readability and clearness suiting branding, editorial and advertising projects.

Brilliant Starlight is a very elegant and simple handwritten font, suitable for business cards, signatures, brochures, logos, quotes and more.

Joshico - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

This clean and geometric font family will suit you as a great companion fo signage, headline, website and much more.

Give your designs an authentic handcrafted feel. Harollds Expressive Handwritten Font is perfectly suited to stationery, logos and much more.

Give your designs an authentic handcrafted feel. Chordette is perfectly suited to stationery, logos and much more. Many Thanks, MaulanaCreative

Give your designs an authentic handcrafted feel. "Ameriondela" is perfectly suited to stationery, logos and much more. Thanks for Watching!

Harajuku Script is an ‘easy-on-the-eye’ script font. I made it with a Japanese brush pen. The font is quite stylish, so I named it after Tokyo’s Harajuku area, which is known internationally as a center of Japanese youth culture and fashion. Harajuku Script would look good anywhere, but product packaging, websites and magazines could profit from this handwritten gem.

I was playing around with an old brush I found in our kitchen: it had fallen under the stove and it had probably been hiding there for quite some time! I dusted it off, got my Chinese ink and set to work. The result is a scary-ish font. Mortal Coil comes with discretionary ligatures for double lower case letter combinations.

Cursive Signa Script Variable, quite possibly the first true cursive and signature variable font. It has 90 styles that range between weight, slant and alternates. It can be use in a lot of projects, like logos, end of a statement, pairing with a beautiful sans serif like Aleante, in a title, invites and so on. Designed by Pedro Alexandre Teixeira

This upscale offering, with its understated elegance, is based on a release from the 1912 American Type Founders specimen catalog named, quite simply, "Freehand". Use it for any occasion which otherwise might require the services of a skilled Osmiroid wrangler. Guaranteed to please and to impress. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This all started as a bunch of letter written using a squared paper as a guide. It all turned out fine, but there was something that wasn't quite right...it was boring! I took all the letters and grunge it all up and did all the drips as well - and suddenly that boring look was gone! That was an unlikely development!

IngyStarTilings allows one to create a variety of patterns that have stars. Some of them are quite common and others less so. A sample file is available that shows possible patterns that can be constructed with this typeface, including some non-star repeating patterns. As the posters indicate, some of the patterns constructed with the regular version are intended to be multicolored.

Whenever I went to use Bodoni I could never quite find a version I was happy with, so I designed my own incorporating, hopefully, the best of all the others. I decided to make a slight curve on the uprights, rather like Optima, because I thought this added touch of elegance which many of the others lacked....hence the name.

Kaleidos is a lining and clean brush script with soft and round letterforms. It is sketched and drawn with a pointed brush pen. Kaleidos has plenty of alternates, ligatures and swashes so you can build interesting-looking words and headlines. Although Kaleidos is condensed and quite tightly spaced it is clear and legible. Check out also the Rough version: Kaleidos Rough

A heavy font made by Minor Praxis. Inspired by blocks toy design. Ideal use for headlines, medium and large prints format, displays, and posters. Built by a quite heavy structure and dense kern which can make a hefty and solid impression. It can be matched with basic sans serif fonts as a body copy. Available in 4 styles with multi languages support.

Nordika is an understated, elegant, sans serif face with that clean legible corporate look. Its simple, trendy design makes it distinctive enough for display work. It makes a bold statement and is highly readable. Nordika is both condensed and quite bold and is therefore suitable for body text where some emphasis is required. Great for text and headlines - for just about any application.

Soylent Blu is an original wedge serif, single font designed by Steve Zafarana. Its high contrast character style and bouncy baseline create a visual impact that makes it a good candidate for Signs, headlines, logos and advertisements. The full lowercase set with balanced white space also functions quite well in text. Soylent Blu, with OpenType features, is clearly an attention-getter!

Frederick Cody, as known as Buffalo Bill, and his renowned travelling Western Circus are now celebrated through the creation of the Buffalo Circus and the Buffalo Western type fonts, both developed quite in the spirit of the stirring wood type fonts from the 19th century. All characters are fully hand traced and vectorized and provided with appealing glyphs and cool catchwords.

Moonlight Serenade is a 1939 song composed by Glenn Miller, with lyrics by Mitchell Parish. Moonlight Serenade font is an all caps affair - very legible, very recognizable and very useful. Upper and lower case differ slightly and are quite happy to mingle. In the words of Mitchell Parish: I bring you and sing you a Moonlight Serenade! Comes with a universe of diacritics.

Aladin is a calligraphic art deco face with an eastern touch, designed by Angel Koziupa and produced by Alejandro Paul. Casual, airy counters and friendly terminals give it an advantage as a packaging font for exotic coffees and teas. It also serves quite well on posters and book jackets where relaying the famous sense of Eastern hospitality and playfulness is a must.

Burobu, in case you’d like to know, means ‘blob’ in Japanese. I thought it was quite an appropriate name for this blob-like font! Burobu is a messy font and comes with a generous helping of jittery, jumping glyphs, exaggerated strokes and over-the-top arms, ties, bars and counters. Comes with an ultra-cute blob dingbat font and copious amounts of diacritics.

Pardon me boy, is that the Chattanooga Choo-choo? Well, not quite, but "Pardon Me Boy!" is a set of silhouette based ornaments capturing railway locomotives and rolling stock from around the world. Use it to form up trains to make suitable themed rules and borders, or just for fun anywhere a bit of locomotive power will add life and movement!

Frederick Cody, as known as Buffalo Bill, and his renowned travelling Western Circus are now celebrated through the creation of the Buffalo Circus and the Buffalo Western type fonts, both developed quite in the spirit of the stirring wood type fonts from the 19th century. All characters are fully hand traced and vectorized and provided with appealing glyphs and cool catchwords.

This is a second edition of Deedee type family, originally designed in 2011. Deedee is a geometric sans serif typeface family of ten styles with extended support for most Latin languages plus Cyrillic. Revisions in this edition included minor adjustments to glyph shapes and improved kerning tables. The typeface is ideal for use in display sizes and is quite legible in the text.

The Parity concept takes the minimalist unicase alphabet and expands it in another dimension, that of the megafamily encompassing a variety of weights, optical sizes and styles (roman/italic, serif/sans, proportional/monowidth)—of benefit whether fine tuning a single, quite specific font for the task at hand, or harmoniously combining several in the hierarchy of a multi-formatted page layout.

Finally it’s done! The DearJoe 3 ‘Ultimate handwriting’ font, composed of scanned handwriting which makes it look quite convincingly real. It contains over 500 characters, 200 of them ligatures. Typing your text with this font feels like old-school writing with a pen, especially since every word will be constructed of different letter combinations. Give it a try and you’ll probably be surprised…

Mary Read is a modern handwritten Display Font, showing its fancy curves best in headlines as well as short texts. For typographic variety the typeface offers a range of features and extras. Give your texts a quite playful and handwritten note. Being chi chi is not a crime, don’t hesitate to pepper some sweetness in the midst of people’s attention.

Hjem, in Danish, means ‘at home’ or ‘home’. I made this font ‘hjem’, so I thought the name was quite appropriate! Hjem is a rounded, handmade display font that comes with extensive language support and cute swashes. Use this versatile font for your packaging designs, book covers, party posters or whatever you want. I am sure this font will feel right hjem!

There’s just nothing quite like a heavyweight geometric typestyle with tiny counters, you just love it like the Bee Gees. Sackem started as a digitization of a singular film typeface called Benman Jumbo by Lettergraphics. From there, this mechanical typeface was expanded into a giant family of playful widths and obliques: from the condensed “Slim” style to the original “Jumbo” style.

Carol Gothic is a traditional blackletter face closest to Linotype’s Old English. Typefaces of that style were used quite frequently in the 19th century English typography, so Carol Gothic fits perfectly for Victorian--looking designs but it is also suitable for any layouts which need blackletter. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.

Quidic is an unusual display typeface. The upper-case letters are strongly vertical, condensed, and bold. Used by themselves, they make headlines and titles that stand out. The lower case letters do not have serifs similar to those on the upper-case letters, but rather have the serif shapes one expects from an italic style. The lower-case is also quite short compared to the upper-case letters. The italic styles of the family are unusual because the lower-case letters keep their shapes and the upper-case letters and numbers change. The family has three styles that differ more by width rather than by weight. Although some Bauhaus fonts have several letter shapes that are similar, there is no other typeface quite like Quidic. The family can be used for many things, but not for text. For a "normalized" version of this typeface, see Qwatick.

Patent Reclame manages to be light-hearted, while clearly showing its blackletter roots both in the shape of the individual letters and the rhythm of text on a page. The designer is unknown. Schriftgeisserei Flinsch of Frankfurt a.M. cast the face around 1895. Nicolete Gray shows a quite similar face called “Graphic,” from Stephenson Blake in 1896. Personally, I don't think that Patent Reclame looks like an English design, but I do not have any proof one way or the other. The numbers are proportional, intended for posters, not spreadsheets. Two ornaments are included, an art nouveau rose at #172 and a lilypad with long tendril at #177. Great for invitations, posters and flyers announcing fun events. Do not use for obituaries. Quite readable in smaller sizes for short blocks of text. I really like the buoyant quality -- a nice combination of discipline and enthusiasm.

Groovy started out as a prospective variant in the ‘Flashback’ series but very quickly established its own distinct appearance, especially with the lower case letters blending into the format so well. There wasn't any preconceived idea to design a retro looking font in principle, it simply evolved that way, but I do think it has several characteristics reminiscent of style genres from the '70s. It’s probably quite subliminal and like me, you may find yourself thinking, what does that remind me of? The double-entendre'd title is quite apt too, not merely for reasons of its outwardly retro appearance but also because of the considered, rounded elements forming the negative spaces throughout. The font also has something of a chameleon-like personality, being both adaptable and capable of having a trendy / fun appearance, or alternatively something solid and stylish, depending on the use, as demonstrated in the banner examples here.

Hello Everyone, introduce our new product font Haberdiness, inspired from Punk Music and street culture, recreated for modern branding. You can use and enjoy this Font for anything from promotional material and poster quotes, to product packaging, merchandise and branding projects And this font perfect for logo, packaging, magazine, sport, poster, apparel, title, social media post, ad banner, book cover, poster quotes, greeting cards and advertising.

Relaxme can be used for personal or commercial projects, in logos, on items for purchase with unlimited sales. Font that is perfect for quotes, cool logos and social media images and quotes. Featured fonts: Uppercase, Lowercase, Numbers, Symbols, Accents, Alternative, Ligatures and also supports multilingual Enjoy the font, feel free to leave a comment or feedback, send me a PM or email bonjourtype@gmail.com. Thank you!

Bleu Fumèe is handwritten like a note, is perfect for quotes, notes, has 2 variants of each letter, and there are ligatures for a natural look. It's perfect and perfect for social media quotes, handwriting, or campaigns. Features : Uppercase and Lowercase Stylistic Alternates & Ligatures Numerals & Punctuation Multilanguange PUA Encoded Web Font Included Contact me with an inbox message If you have any question. Thank you! Happy Creating.

Introducing a new elegant retro display typeface called The Beardy Inspired from serif didone combine with flourish typography and 60s-70s pop culture. The Beardy came with open type features such stylistic alternates, stylistic set 01-18, & ligatures. The Beardy typeface mainly intent for logo, headings, branding, magazine, cover album, book cover, movie, apparel design, quotes, invitations, flyer, poster, greeting cards, product packaging, printed quotes, etc

Unpredictable is a display sans font with variations of different heights and baseline position. In this font there are several heights and baselines that you can combine. For height (normal, low, and high), for the baseline (normal, above and below). This tyepeface is unique and very suitable for logos, Tshirt, apparel, quote, handwritten quotes, product packaging, tittle header, poster, merchandise, social media, labels, branding & greeting cards.