Flyoika is a slab serif family with a fairly low x-height, long ascenders, and considerable contrast. The family has five weights, each with an italics and it can be used for either display or text. Flyoika was not designed to meet a particular need but rather out of curiosity. Years ago I had designed two slab serif families, FlyHigh and Euroika, that I recently noticed had a lot of similarities and I wondered what a blend of the two would look like. Several corresponding characters in the two families are considerably different and in cleaning up the results, I usually opted for simplicity. The name "Flyoika" reflects these origins.

Lunga is a wonderful condensed font. It was designed to be a legible type. It has lots of decorative glyphs and ligatures which were possible thanks to the open-type format! Lunga Real Ligada is the most complete style. The Open Type format contains all the ligatures and alternates. It also contains the SMALLCAPS function. Lunga Exacta has the right quantity of glyphs. The necessary ones if you are not a ligature lover. Lunga Versalita is a SMALLCAPS font. These glyphs are also contained in Lunga Real Ligada. Lunga Extras shows some ligatures and alternates which are actually contained in Lunga Real Ligada thanks to the Open Type format.

Future Concept is Sans Serif fonts inspired by future design concept great for product logo, technology, game, design, space concept, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Future Concept has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Future Concept can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

The life of Molière is a story of struggle, hard work, domestic unhappiness, death and burial in obscurity and almost in shame. Molière left behind a body of work that not only changed the face of French classical comedy, but has also come to influence the work of other dramatists from around the world. Despite his own preference for tragedy, which he had tried to further with the Illustre Théâtre, Molière became famous for his farces, which were generally in one act and performed after the tragedy. Both the comic and the serious drama were powerfully affected by the work of Molière, not only in his own age and country but everywhere and up to the present time. Didot is a name given to a group of typefaces named after the famous French printing and type producing family. The classification is known as modern, or Didone. The typeface we know today was based on a collection of related types developed in the period 1784–1811. Firmin Didot cut the letters, and cast them as type in Paris. Along with Giambattista Bodoni of Italy, Firmin Didot is credited with establishing the use of the "Modern" classification of typefaces. The types that Didot used are characterized by extreme contrast in thick strokes and thin strokes, by the use of hairline serifs and by the vertical stress of the letters. As in the extreme contrasts of the literature of Molière, in Didione's typefaces, thick and thin strokes, straight and curved, are the most relevant characteristic for an era marked by the changes.

ITC Christoph's Quill is just about everything you could want in a typeface: it's distinctive, beautiful, and exceptionally versatile. According to designer Russell Bean, ITC Christoph's Quill is the culmination of experimentation with a graphics tablet that spanned several years. Then one day, as if by magic, it all just fell into place. The design seemed to flow from my pen." Bean was born in Australia and, except for a brief stint with a photo-lettering firm in Southern California, has spent most of his career working down under. "I can recall a deep fascination for the written word," he says. "Even before learning to spell, read or write, I think I recognized that this was a means of visual communication." Bean's first job was in a small ad agency as a trainee in the production department, where he learned art techniques and how to handle print, as well as "the value of visual impressions," he says. His career path meandered from one design job to another, but always in the general direction of fonts and typefaces. Today, his workload consists of logo design commissions, font editing, typography and print production consultation to a select group of loyal clients - still leaving time, notes Bean, "to pursue my type design ambitions." ITC Christoph's Quill began life as a simple, visually striking font of caps, lowercase, punctuation and numerals. To this Bean added a bold weight, for when a little more strength is desirable. Next came a flock of alternate characters. Finally, Bean drew a set of decorative caps, a suite of logos, and a sprinkling of beginning and ending swashes. The net result is a type family that can add a signature flourish to a vast range of projects: from invitations and menus to logos, signage, packaging and more."

Introducing Telidon—the typeface that brings the nostalgic charm of old dot matrix printers to life. It’s a typeface that’s full of character, inspired by the clunky, mechanical printers of the 1980s that used to hum, buzz and chug away, as they churned out reams of perforated pages. Telidon’s unique dot-matrix appearance isn’t just a throwback to a bygone era, it’s a design element that can help your words stand out from the crowd. With its quick and simple flavor, Telidon will add a jolt of energy to your text, making it perfect for headlines, titles, and logos. This versatile typeface comes in three widths, three weights, and italics, giving you the freedom to create dynamic layouts and add emphasis where needed. Whether you’re designing a retro-inspired poster, a tech-forward website, or anything in between, Telidon is the font that can take your project to the next level. But wait, there’s more! Telidon also has a grungy companion—Telidon Ink—that can give your design a rough-and-tumble edge. So why not add a little dot-matrix magic to your designs and give Telidon a try? You won’t be disappointed! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

When did it start. One day I was designing some stuff for a fast food café. By style the Café was made as an old Soviet canteen. So I had to do a special accent on this in menu, advertising posters and other print products. I decided to do this by interesting old school font. There are many cool retro fonts on the Internet, but not one of them satisfied me on 100%. The next step was to look at the old posters and find some inspiration. So I found some cool pictures with exact letters that I needed, but there were no typefaces to buy so that I can print some text with this exact letters. That's why I decided to do such typeface for my own. You can use this typeface in the field of nutrition, and it also will suit for cinema posters.

Henrician can claim two sources of inspiration. One of these was a set of beautiful capital letterforms seen on the cover of a 19th century album of engravings. The engravings contained therein depicted lovely examples of half-timbered Tudor architecture and there was a clear 'Tudor' intent behind the letterforms. The second source of inspiration is more conceptual-the title lettering of period films from the 30's to the 60's…think if the opening text when Errol Flynn plays Robin Hood, or think of Richard the Lionheart, or even that great comedy Classic 'Carry on Henry', and it's discussion of Sir Thomas de Cobbler….but we digress! Henrician is a set of eight display and text (but perhaps not Body Text) faces in a 'Tudor Revival' spirit. Like any good revival design they are somehow at home with a wide range period themed design work, covering the medieval until, perhaps, the 18th century, just so long as we're more concerned with fun and appearance than strict historical accuracy. The family will be at home in the realms of advertising, posters, cover design and web design. Try Henrician out today!

Introducing Galeiya – Cute Script Font Adorable Playfulness Step into the enchanting world of Galeiya – Cute Script Font, where adorable playfulness takes center stage. This font is the embodiment of girly charm and fun. Joyful Whimsy Galeiya’s joyful whimsy adds a delightful and whimsical touch to your projects, making it the perfect choice for a wide range of creative endeavors. Versatile Delight Beyond its cute appearance, this font is exceptionally versatile. It effortlessly adapts to various design contexts, from invitations to branding, infusing each project with a joyful spirit. Expressive Typography Galeiya is more than just cute; it’s incredibly expressive. Its lovely script style injects character and a sense of fun into your content, ensuring it leaves a memorable impression. In Conclusion In summary, Galeiya – Cute Script Font is the font that seamlessly combines girly charm with a sense of playfulness. Its versatility and expressive nature ensure your content is not only cute but also highly engaging. Whether it’s invitations, branding, or an array of creative projects, Galeiya brings a unique, expressive touch that appeals to a broad audience, leaving behind a lasting and delightful impression.

Casandra Lie – A Chic Monoline Script Font Casandra Lie, a name like a whispered secret, perfectly embodies the essence of this chic monoline script font. Imagine the delicate stroke of a fine penmanship teacher gliding across paper, leaving behind an effortless trail of ink that dances and twirls with understated elegance. Every letter whispers tales of romance and intrigue, their slender forms adorned with graceful swashes and subtle flourishes that hint at a hidden passion. Think vintage Parisian boudoirs illuminated by candlelight, secret love letters penned under twilight skies, and the airy charm of handwritten invitations to soirees under the stars. Casandra Lie is not merely a font; it’s an invitation to a world of whispered dreams and unspoken promises, etched in ink as delicate as a spider’s web, yet strong enough to capture the beating heart of a story waiting to be told. Casandra Lie is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Khatt tries to mimic the concept behind the meaning of the Arabic word Khatt: a straight horizontal line. The word Khatt is also the word for calligraphy in the Arabic language. Even though Khatt is a cursive style font it offers clearly distinguished and visually unified letter shapes in every position of a word. Khatt supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It comes with five weights, regular, medium, bold, light, and ultra-light. Each weight has normal and left-slanted “italic” styles. The script design of this font family follows the Arabetics Mutamathil Taqlidi style and utilizes varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter in an Arabic text. Khatt includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Katts’s soft-vowel diacritic marks (harakat) are positioned with most of them appearing on similar lower or upper positions to emphasize they are not part of letters.

EXPRESO was inspired by the extinct art and craft of urban Lettering applied to buses and other kind of cars for public service of transportation. Since the mid of last century, main cities of Colombia - as Bogotá, Medellín and others - were growing in population and brought urban area expansion with it and serious traffic problems due to the lack of political will and urban planning. The problem of urban transport in Colombia's largest cities has not yet been resolved, despite adopting some examples of mass transit system in other cities in the region. Before these actions, public transport in cities such as Bogotá was quite varied, leaving space for popular culture that survived for a couple of decades, until the massive dieback of these old buses early this decade, either by practices associated with Lettering it was displaced by some technological, some expressions of art street and city that evolved or disappeared. EXPRESO can be used mainly in titles and display texts. You have a multitude of options using combination of layers from the basics of the font family to the various textures and shades. Supports East Europe languages.

Gealman is a Grotesk font that stands out for its simplicity, cleanliness, and rigidity. It delivers a modern look and a touch of elegance to any design project, making it highly versatile. Gealman is great for posters, marketing materials, logotypes, headlines, and more. It pairs perfectly with script, blackletter, stylized, and other fonts. Gealman offers a range of functional aspects, including various styles and character sets. It features a robust character set that supports multiple languages, making it an excellent choice for global branding projects. The design concept behind Gealman was to create a timeless typeface that is both contemporary and classic. The font's sleek, clean lines and geometric shapes give it a modern feel, while its classic proportions provide a timeless elegance. Gealman is unique because it combines simplicity with elegance, making it perfect for a wide range of design applications. Whether you're creating a logotype or designing a poster, Gealman is a versatile and reliable choice. Gealman is not based on a historical design or a revival, but it draws inspiration from classic geometric sans-serif typefaces. Its design is rooted in the concept of precision and balance, which gives it a clean and timeless aesthetic.

Introducing Midelyne – Lovely Script Adorable Elegance Step into the enchanting world of Midelyne – Lovely Script, where adorable elegance reigns supreme. This font is the epitome of cute and girly, perfect for adding a touch of charm to your designs. Playful Charm Midelyne’s playful charm sets the stage for a delightful and whimsical journey. It’s an excellent choice for a myriad of creative endeavors, infusing each project with a joyful spirit. Versatile Usage Beyond its cute facade, this font is incredibly versatile. It effortlessly adapts to various design contexts, from invitations to branding, enhancing the visual appeal of every project. Expressive Typography Midelyne doesn’t just stop at being cute; it’s also wonderfully expressive. Its lovely script style adds character and warmth to your content, leaving an unforgettable impression. In Conclusion In a nutshell, Midelyne – Lovely Script is the font that seamlessly marries girly charm with understated elegance. Its playful yet versatile nature ensures your content is not only cute but also highly engaging. Whether it’s invitations, branding, or a diverse array of creative projects, Midelyne infuses them with a unique, expressive touch that appeals to a wide audience, leaving behind a lasting and lovely impression.

I just loved the design idea behind this font, but the original font had a lot of ugly artifacts - so I have completely redrawn ALL the letters, before expanding the character set. The lowercase has been redrawn with a higher x-height, making the font even more usable (with more "normal" word shapes). ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Proudly Presenting, Moomeecoco A Script Dotted Line Font Moomeecoco is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Moomeecoco also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Based on lettering on a poster for an 1907 art exhibition by Joseph Maria Olbrich. Use uppercase characters for headlines, and lowercase letters for text use. For “dotted” spaces, use the underscore, and brackets or braces for framing characters. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Hoplight is a friendly, curvy, hybrid. A fusion of the cool character of a roman, with the flow and informality of an italic. Throughout Hoplight, many sharp serifs have been replaced by dot style serifs, to allow the contours of the letters to flow seamlessly into the terminations. Hoplight embodies a sense of playful ease.

Gikit is a very raw and quirky typeface structured according to a strict grid. The design is massive, with very little curve (just the dots and a few punctuation marks). A really stand out characteristic is Gikit’s accents that crush the forms. The type is drawn with 2 styles, for 2 uses: Tittle or Text.

Hey! I'm happy to introduce to you my new font in fast speed style. Dry brush stroke with grunge lines and dots. Perfect for Taxi logo, Race poster, Sport identity, etc. You’ll get: * Uppercase (lowercase glyphs are the same) * Numbers * Symbols Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

I have always liked handmade display fonts - maybe that’s why I have so many of them! Display Patrol is a rather fat, in your face font. It is completely handmade and comes in two distinct styles: regular and dots. Use it for your posters, books and product packaging. I am sure it will stand out!

Hi there! Let me introduce Symply – a handwritten signature-style font. Symply is perfect for logos, branding, quotes, blog headlines, magazine and book design, product packaging, web design – or for any text on postcards and your favorite photos. Symply contains: a standard set of characters with wide multilingual support: Western-, Central- and Eastern-European, Baltic, Turkish, Latin-type Africans, and Asian (94 languages in total) 2 additional sets of alternative characters for lowercase letters 8 alternative characters for some initial letters 28 ligatures for double letters and frequent combinations a bonus font with 62 swashes and doodles Symply has two types of embedded auto-replacements: lowercase letters without connecting strokes (for a case of the last character of the word), and ligatures (for a case of two letters that do not pair well together). These features work well in many apps (even simple ones like Notepad/TextEdit), and if you need to customize their application – you could use programs that support OpenType features (for example, Adobe apps or CorelDraw). All these additional glyphs are PUA-encoded, so if your software does not support OpenType — you could access them through Character Map (Windows) or Font Book (Mac) Swashes and doodles come in a bonus font, Symply Swashes. To type them, please press keys with letters A – X, a – x, and numbers 0 – 9 I hope you will like Symply and create great designs with it! And if you have any questions, feel free to contact me via e-mail: triple.hely@gmail.com

Zoran Kostik began designing the Just Square font family in 1999, based on a logo that his son, an art student, had designed. The design project grew until Kostic had designed eight weights, for both the Latin and the Cyrillic writing systems. Just Square is a very geometric and constricted face best used in experimental designs (i.e., logos, web sites, flyers, and expressive headlines).

Corona was designed by C.H. Griffith and appeared with Mergenthaler Linotype in 1941. It is a part of Griffith’s Legibility Group’, on which he began working in 1922 and which contains typefaces especially well-suited to newsprint. Corona is based on forms of the Ionic type, perhaps the first style designed specifically for newspapers. The font is relatively small but gives an impression of strength and modernity.

I began my work on Emona while still struggling with Birka. I took the superellyptic form as the basic shape, and that gives the typeface some of its characteristics. It is strictly vertical. It is easy to classify it in the same section as Bodoni & Company. Emona is what Ljubljana, the capital of Slovenia, was called in the Roman days. Emona was released in 1992.

This display font has an oriental character reminiscent of brush stroke calligraphy and all things Japanese. My original working title for this font was ‘Spanner’, because the lower case ‘c’, with which the design began, looked rather like the head of a spanner. I originally had in mind something more mechanical, but as it evolved and developed the font itself obviously had other ideas!

Goudy’s Newstyle typeface was desiged in 1921 began as an experiment in creating a phoentic alphabet with different shapes for letters depending on their unique sound. The design is strongly influenced by the Venetian Romans of Aldus which Goudy believed to be the most readable letterforms. Steve Matteson digitized the roman faithfully to Goudy’s original and designed the companion italic in the spirit of Goudy’s style.

Sheldrake JNL is the second in a series of display fonts modeled from actual water-applied decals that were manufactured by the Duro Decal Company of Chicago (now Duro Art Industries). The font's name derives from the actual phone exchange for Duro, back in the days when a telephone listing had a name-number assignment for recognition. In this case, their number began as "SH(eldrake)-3".

Cinta Adhesiva began as a typeface designed for the masthead of a graffiti fanzine called Free Copy. The monumental letters painted by L.A.-based graffiti writers Crae and Hael greatly influenced the feel of the typeface. The availability and ease-of-use of tape as a medium to write with is apparent on a multitude of surfaces, and this approach led to the creation of Cinta Adhesiva.

The Legal typeface family grew out a sans serif project that Hellmut G. Bomm began in the 1970s (his HGB Grotesk). This refined, industrial type family is well suited for short amounts of text, headlines, corporate identity and logo design. In small sizes, the typeface works like many other sans serifs, but with better differentiation between characters. The Legal family includes oldstyle figures and true italics.

Occulista began as a modern take on a vintage tri-line style of typeface, but quickly evolved into something quite different. This heavyweight optically-stimulating family features nine weights, with alternate uppercase letters in place of lowercase. This typeface works best in eye-catching headlines or short bursts of text, and the variant styles can applied to accent key wordings in many interesting combinations.

In 1994 I took a picture of an old movie marquee in Times Square, New York City. 7 years later, I decided to design a typeface based on the big plastic letters found in those old marquees. I scanned in the picture I took and began to draw the letterforms. Like most of my font designs, the initial inspiration came from an urban environment.

Sometimes, especially after a long night of drinking in a bar or bodega, you do not want fancy, sophisticated food. You want to bite into a big, juicy burger. TpBarPaco is exactly that. A straight-forward, big and bold typeface. Like if Paco has done it himself. VLNL TpBarPaco, designed by Martin Lorenz of TwoPoints, was inspired by the vernacular type found at traditional spanish bars in Barcelona. It’s simple and friendly shapes make it the perfect typeface for HUGE typographic solutions.

Advertising Gothic is based on a style of fonts from the 1920s which was commonly used in advertising and poster design. The style is clearly influenced by the Art Deco movement. It combines deco style decorated initials with dramatic capital letters. The font comes in two different versions. Advertising Gothic Plain features initials which do not have the deco decorations and less fancy letter forms. Advertising Gothic Deo features deco embellishments on the initials and more elaborate versions of the main letter forms.

Winner of the "no prizes for guessing" category, Overlapper's main feature is that the letters overlap slightly. I thought it best to just come straight out with it. In case there's someone just recovering from a lobotomy. There's an extended character set with accented letters and extensive punctuation, in case you need to do anything more than basic displays and titles. The package contains both OTF and TTF versions - install either OTF or TTF, not both versions on the same machine.

Rayid (رائد): Pioneer. “What if we remove the curves?” This was the whole idea. Rayid could be used at its best for names, titles, headings and other large size contexts. It has the ability to catch the eyes of the target. It is a modern font which respects the traditions by futurism. *Arabic marks (Tashkeel) are included but if your design needs them, first check if they work properly for you.* Please DO NOT HESTITATE to tell me if you saw any bugs.