According to Wikipedia, Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. The name originally referred to a specific place: West 28th Street, between Fifth and Sixth Avenues in Manhattan. With this in mind, Tin Pan Alley JNL, a typeface based on the bold hand lettering from a vintage piece of sheet music is aptly named.

Rasteroids Monospace is a typographic flashback to computing of the mid 1980s, when 9-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Because of its fixed character width, Rasteroids Monospace is intended for use in accents or small areas of copy rather than long documents.

The Bunker Typeface is inspired by the glamorous and cool nightlife in big cities. Designed with a retro sign concept, this font looks different and cool to use for making neon retro lettering designs. classic slab serif like “Bunker Typeface” are very easy to apply to any design, especially those with an retro and sign concept, apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Hello, friend! 'Coaction' font is coming; a playful retro font with a stylish script typeface. Inspired by the 70's roller skates era, Coaction is ready to rollin' on your artwork. Coaction is perfect for branding, logo, invitation, funky vibes, fashion, headlines, event, title, and more.

Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar in style to Staunton’s Latimer font. Ridley and Latimer were protestants burned together at the stake in 1555 during the reign of Queen “Bloody” Mary.

This slinky number will seduce you with its linking letters and special ligatures. Brimley's strokes are tight and sharp, and its characters are tied together with slender, whispy hooks. Although its elegance is timeless, this is a style that typifies lettering of last century's late '50s and early '60s. Chank Co. intern Tim Drabandt created Brimley with inspiration from antique type books. He named the font after Wilford Brimley. You know... the chubby old guy who tells you to check your blood sugar and eat your Grape Nuts and Quaker Oats. Haven't you ever seen Cocoon?

Inspired and derived from the serial numbers printed on United States paper currency, the tongue-in-cheek infringe typeface has grown from the alphanumeric set of characters that sit reservedly aside the faces of dead presidents. Taken out of their bright-green element, the characters have been given a life of their own, and have been joined by a one-hundred percent unique set of lowercase characters. The font stands out in both formal and informal uses and can be used for both headlines and supporting text.

Around 2018 or 2019, the State of Florida introduced new letter and number characters on its auto plates. Inspired by this change, Jeff Levine Fonts offers up a digital version of this lettering named New Car Tag JNL, which is available in both regular and oblique versions (for those who want a more sporty look). Some people prefer a rounded 'zero' to differentiate between the regular zero and the letter 'O'. You can find this alternate character located on both the solid bar and broken bar glyphs.

There's a cemetery in Castine, Maine, a lovely coastal town perhaps best known for Maine Maritime Academy and a surviving crop of stately old American elms, with headstones dating back into the 18th century -- the standard old headstone shape, often topped by winged skulls. Thanks to a local historical society volunteer, I got my hands on a couple rubbings; these show a particular style of stonecarving that proved captivating to the point of typeface design. Castine has a full character set in both roman and italic styles.

Caria (/ˈkɛəriə/; from Greek: Καρία, Karia, Turkish: Karya) was a region of western Anatolia extending along the coast from mid-Ionia (Mycale) south to Lycia and east to Phrygia. The Ionian and Dorian Greeks colonized the west of it and joined the Carian population in forming Greek-dominated states there. Carians were described by Herodotus as being of Minoan descent, while he reports that the Carians themselves maintained that they were Anatolian mainlanders intensely engaged in seafaring and were akin to the Mysians and the Lydians

Vintage Stencil Art JNL collects another twenty-six charming designs, all re-drawn from antique and vintage stencil sources. These images make for the perfect embellishment to typographic projects which utilize stencil type, or the designs can be applied as decorative thematic backgrounds (such as a flower show, nature walks and so forth). For reproduction as saleable commercial products such as stencils, decals, stickers, transfers, etc. please refer to the terms and conditions which are clearly stated in the font's End User License Agreement regarding specialized licensing.

Palisade Pro is a new, very elegant script family developed and manufactured in OpenType Pro format by profonts studio. Each of the eight weights contains approximately 1250 characters! The character range includes the complete Latin layout for Western and Eastern Europe, including the Baltic states, Romania and Turkey. Moreover, the character set contains a large selection of handcrafted ligatures (about 450 per font!), character combinations and alternative characters, which make this attractive script perfect for OTF-enabled applications such as InDesign and Quark Xpress version 7and later.

Sheet music from the 1911 stage production of the comic opera “The Enchantress” featured the hand lettered names of both the star and composer in a monoline Art Nouveau style. This sans serif type design is now available as Theater Nouveau JNL in both regular and oblique versions.

Khalitta is a modern calligraphy font. This font is very elegant and beautiful and is perfect for all types of your work. This font is perfect for weddings, branding and logos, for marketing your business, status updates on social media, and for capturing beautiful and romantic moments, and more.

Shred is the result of staring at so-called three-dimensional shapes for days on end, then capping the meditation by eating the white light at the end of the tunnel and sweating it out a blade a second. Bliss is overrated. Sharpness is where it's at. Get slicin'.

I'm always experimenting with new ideas for display fonts. I took the inside counter of a capital 'O', divided it into quarters, and applied an outline stroke to all the elements. By removing two quarters of the inside counter I had the beginnings for an interesting new design. Of course, the hard part was getting all the other letters in the alphabet to work well together using this approach. It's often a labor of love trying to shape an idea into a new typeface. I find the entire process stimulating and rewarding.

This font was adapted from an old lettering book, circa 1900. The book got away from us many years ago, but we had made stats of all the potentially useful fonts. Original had no lowercase or numerals, so we designed them.

The famous favorite of the sign makers. Great for display type as well as headlines for fashion, theater TV etc.

Rasteroids is a typographic flashback to computing of the mid 1980s, when 9-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Unlike that dot matrix type of yore, Rasteroids does have some variation in character width, and is legible in small blocks of copy. Still, it is best used sparingly, or as a special effect.

Sanitation JNL is a bold Art Deco sans design inspired by some stylized hand lettering on a 1930s-era WPA (Works Progress Administration) poster and is available in both regular and oblique versions. The topic of the poster was "Your home is not complete without a sanitary unit" and that was recommended by the State Department of Public Health. A "sanitary unit" is the formal name for what rural folks called an "outhouse", and it's presumed the target group were homeowners not hooked up to major sewer lines such as in those rural areas.

I used to be a frequent flyer; as a tour guide I often had 6 to 10 international flights per year. At the time I didn’t even think about the consequences of flying, as I loved my job and the job was all about travel. Now, with the planet in deplorable state, I try to keep flying to an utter minimum. I guess you call it ’shame of flying’… Frequent Flyer font is a nice, eroded, all caps font. It comes with multilingual support, so you may come across it during your travels.

astroluxtype’s Spacepod is a headline display font set. The font contains uppercase and lowercase letterforms with a minimum glyph set. The style suggests weird sci fi from the 1970’s or the far future... you decide? Is this the font for your sci fi western book cover title with a nod to The Matrix in the story or a poster for the movie remake of Westworld? Wherever your ship takes you in the universe Spacepod should be the letterforms on the side of your craft that states, “No rides for damn dirty apes!”

Hello, friends! Just this year I went to the United States for the first time. To my surprise, the neighborhoods, streets, and parks that I had only seen in the movies turned out to be true. There is a soul in them. I really enjoyed wandering these endless streets, soaking up this spirit. They feel childishly carefree, as if you were in a movie.Just try this font and understand my feelings. The font will work for almost anything: social media, cards, invitations, announcements. Good luck and love to you!

In 2012 the city of Schwäbisch Gmünd will celebrated its 850th anniversary, and in 2014 it was host town to the State Garden Show of Baden-Württemberg. These both celebrations were the background to create a special font for my home town and give it the town’s ancient name. Inspired by Excoffon’s Diane, I drew and digitized a new, multilingual script font which covers the main European languages written in Latin or Cyrillic letters. For users typing in the Serbian language, I recommend to activate the OT feature Stylistic Alternatives.

Vegetability: “The quality or state of being vegetable”. Yes, I know: it’s kinda weird, but I quite like the name of this font! I am trying to become a vegetarian (I am a ‘flexitarian’ right now) and I was trying to find a good veggie recipe for dinner, when this name crossed my mind. Vegetability is a handwritten font with a dash of roughness, a splash of attitude and a pinch of class. Comes with a whole bunch of diacritics and double letter ligatures for the lower case letters.

This font set was created in collaboration with the Philadelphia Museum of Art to coincide with the Benjamin Franklin Tercentenary. This font set includes faithfully reproduced letterforms digitized directly from images of impressions made by Benjamin Franklin and his printing office circa 1750. The printing conditions of the time involved handmade paper with textured surfaces and handmade inks which were hand-applied for each impression. By digitizing the printed type in its real-life state, an authentic look of Franklin's actual work is achieved and, ultimately, has a timeless appeal.

The new Bunday™ Slab Font Family consist of three main states with different moods: the crisp and distinctive slab serif, the cute script styled italic and the matching upright italic. All states of Bunday™ Slab share the same contemporary, clear and open base forms and create a space-saving and pretty homogeneous text colour with good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media. Bunday™ Slab ships with 9 standard, 9 upright italic and 8 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more. Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Slab Specimen PDF Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 3 Moods: Sans, Upright and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Only available applications with advanced OpenType® support

Joy is sure to spice up your text life! She overflows with style and personality. She loves to be center stage on headlines, flirting with her readers eyes. There are over 100 ligatures, creating words with some letters connecting and others standing on their own. This creates a modern, fresh, handwritten look.

Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.

"Hello Miami" is a unique display font. This font is complemented by palm tree and beach decorations. It is perfect for your summer season. In addition, this font can also be used for a variety of your needs (product promotion, holiday promotion, congratulations, invitations, quotes, social media status, logos, branding, banners, posters, prints, etc.)

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino, Fino, and Fino Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino perform a range of roles far broader than your typical Bodoni or Didot.