Is your character vibrating slightly or feeling shuddering feverishly, as if from fear or excitement? Is he or she a warm-blooded animal experiencing the early onset hypothermia? Is your protagonist experiencing a pleasurable sensation of anticipation or maybe he/she has a fragment or splinter of glass or stone in the tip of his/her finger. Any which way, Comicraft now has the font for you to effectively convey the way your characters are feeling to comic book readers everywhere... It'll be just like they're listening to a track by Coldplay while trying to shake off the flu in a haunted house. See the families related to Shiver: Shake.

There's a little restaurant in an old house on a sidestreet in town (Rockland, Maine, USA) called Cafe Miranda. The staff is friendly, the setting intimate, and the appetizer a basket of hot bread fresh from a brick oven. Its ample menu features such entries as "Quasi-Cassoulet" and "Gentle Sole." It's among my favorite local places to dine out. But the menu got photocopied once too often, and Cindy's personable handlettering got faded and broken. So I took matters into my own hands. And here's what I delivered to the newly computerized folks at the little restaurant on Oak Street. You, too, can travel in rather heavy felt-tip style.

This expressive face was drawn with a dry chisel felt-tip marker, resulting in two​ ​striking, detail-rich fonts. Beyond its remarkable face, Marker Aid is a generous ​one​​, packed with 4 alternates for each letter, 2 for each number and yet some handy ornaments for creating a convincing - and rather cool - organic look. It is ​also ​equipped with OpenType features to instantly cycle the ​alternate ​glyphs and access stylistic alternates and ornaments. Marker Aid is available in two cuts, upright and oblique​, for added flexibility. ​​Make your mark! * Please note that these fonts have complex outlines and quite a load of glyphs, which may slow down some applications.​

Cliffhanger's top-selling DANGER GIRL creator and artist, Jeff Campbell, also topped our first MASTERS OF COMIC BOOK ART poll. Originally Jeff wanted his font to be wholly exclusive to the DANGER GIRL book, but we begged him, we pleaded with him and, eventually, we took photographs of him (in compromising positions with his "models") and he relented. Now, at long last we are making this slick and stylish font available as a part of our catalog, and you no longer need be a stranger to danger. See these families related to J Scott Campbell: J Scott Campbell Lower & J Scott Campbell Sketchbook .

Thanks for checking out LineArt ECLECTRICE (pronounced EHCK-LEHCK-TREES) Light Aligned font by Rene Toussaint (otherwise known as DJ THINK) of LineArt Foundry and Brand. This font is designed in the vein of graffiti art with stylings of hip-hop and hieroglyphic appearance. Try it in a preview window and check out if it will meet your needs for something cool and hip for your next flyer design or other type of graphic art image. Keep in mind that this is a light design and may require extra thickening in your vector program of choice with outline thickness options.

Introducing of our new product the name is Square Spray Graffiti Font, Square Spray inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Introducing of our new product the name is Bomber Throw Graffiti Font, Bomber Throw inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Introducing of our new product the name is Street Lord Graffiti Font, Street Lord inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Bubble Boom is inspired by graffiti, and fits well for themes such as graffiti posters, Hip Hop music, kids posters, flyers, children books, cartoons, comics, and more. Features included: Uppercase Lowercase Number Punctuation Multilingual PUA Encode OpenType

A lot of interesting variations in lettering style can be found in sets of antique tin or brass marking stencils. One such set was the model for Metalmark Stencil JNL, a bold sans with a chamfered look.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito , Gans Fulgor , Gans Radio Lumina , Gans Carmem Adornada , and Gans Italiana .

Here's a trip back to the Disco Age, based on a font called Gemini Biform from Fotostar. Big, bold, brassy and sassy. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

AZ Imperial font was inspired from miscellaneous vintage tin packaging. Complete with an "old look" to the line work with barely a serif still visible. Ideal for use as headline or sub-head text in you design.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito , Gans Fulgor , Gans Radio Lumina , Gans Carmem Adornada , and Gans Italiana .

The Bruce Foundry in New York gave this Italian Clarendon the catchy name of Ornamented No. 1529. The original had a top right white shadow which we eliminated. Additionally we improved the color of several of the characters.

Starbell is a fun-font, a serif typeface with all letters and numbers interspersed with stars for a fun and festive feel. The zip files contain both OTF and TTF versions of the font -install one version only.

It's tall, legible and handmade - and on top of that, charming as heck! Each letter has rounded corners, which leaves a pleasant and smooth look. Juicebash is legible, even at very small sizes and it has multilingual support

Komet is a sturdy typeface with a calm and upright feel. Although it derives inspiration from classical English sans-serifs, it’s not too closely related to that model. Komet, instead, feels rather more lively and contemporary. Its compact spacing, low stroke contrast and heavy dots and accents give it an almost monolinear quality. The diagonals are slightly curved and the counters of the round letters such as b, o and q are generously wide. The muted, understated middle weights are built for extended body copy, while Komet’s thin and dark weights look brisk and assertive and make for subtly expressive headlines. Komet is an ideal choice for editorial design, branding and corporate design. The Komet Pro family comes in eight weights with matching italics, from Thin to Black. Each font contains around 850 glyphs, including a rich repertoire of OpenType features. Small caps, ligatures, ten different figure sets with matching currency symbols, stylistic alternates and arrows make Komet Pro a comprehensive toolkit for ambitious typography.

Komet is a sturdy typeface with a calm and upright feel. Although it derives inspiration from classical English sans-serifs, it’s not too closely related to that model. Komet, instead, feels rather more lively and contemporary. Its compact spacing, low stroke contrast and heavy dots and accents give it an almost monolinear quality. The diagonals are slightly curved and the counters of the round letters such as b, o and q are generously wide. The muted, understated middle weights are built for extended body copy, while Komet’s thin and dark weights look brisk and assertive and make for subtly expressive headlines. Komet is an ideal choice for editorial design, branding and corporate design. The Komet family comes in eight weights with matching italics, from Thin to Black. The glyph set of each font contains around 520 glyphs and provides good everyday support for most Latin-based languages. For a wider range of advanced OpenType features, Komet Pro is also available.

The objective of this font was to try and find out how far back in the designer's life this obsession with letters began. The challenge was to draw, from memory only, two sets of caps that recall older Looney Tunes and Merrie Melodies lettering. The experiment was a success, which means that the designer's got it bad since he was, like, four! The Marvin set includes three stylistic variations (Regular, Round and Shadow), with extensive multi-script language support covering Western, Central and Eastern European languages, as well as Cyrillic, Greek and Vietnamese. A few extra alternates and interlocking ligatures are also included, all adding up to over 650 characters in each font. And here we are. Marvin is a great cartoon font that can help you build your very own Illudium Q-36 Space Modulator, so you can trigger that earth-shattering kaboom. Then you're on your way to claim this planet in the name of Mars. Isn't it lovely, mm?

Pedantic it's a classic, delightful and charming, sounds like a perfect melody, flows like water,working with her is a pleasure. This font duo includes a monumental serif and a calligraphy script. The Serif font is contracting and elegant, will emphasize your taste and impress with its sophistication and simplicity. The calligraphic Script is elegant, beautiful and carefully assembled, he includes many alternates for uppercase and lowercase as well as swashes. Script and Serif looks great both separately and together and they will be a wonderful addition to your font library.This font is easy to use has OpenType features and all characters in this font have PUA encoding. Includes: Full alphabet with Uppercase and Lowercase A-z for Script Full Capital alphabet A-Z for Serif Numbers, fractions for Script and Serif Punctuation and symbols for Script and Serif Alternates for Serif "Q, K, R, ampersand" Alternates uppercase for Script Alternates lowercase for Script Ligatures for Script "ff, oh, ol, ok, or, os" Swashes for Script

When traveling in Paris, American designer Frederic W. Goudy did a rubbing of a second century marble inscription he found in the Louvre. After ruminating on these letterforms for several years, he drew a titling typeface in 1918, all around the letters P, R, and E. He called the new face Hadriano" as that name was in the original inscription. Robert Wiebking cut the matrices, and the Continental Typefounders Association released the font. Goudy designed a lowercase at the request of Monotype in 1930, though he didn't really like the idea of adding lowercase to an inscriptional letterform. The lowercase looks much like some of Goudy's other Roman faces. Compugraphic added more weights in the late 1970s, and made the shapes more cohesive. Hadriano has nicely cupped serifs and sturdy, generous body shapes. Distinctive individual letters include the cap A and Q, and the lowercase e, g, and z. Hadriano™ is an excellent choice for impressive headings and vigorous display lines."

Jim Parkinson's Diablo typeface is a single weight display design. The look comes from samples found in early 20th century books on hand-lettering books, as well as general poster lettering styles from that same of the period. Diablo has a touch of the Arts and Crafts" movement in its appearance, and it also looks rather heavy. It is a unicase design, in that there is no real "lowercase." Some glyphs on the uppercase keys are alternates to the capital-style forms found on the lowercase keyboard, like A, E, F, H, J, K, M, N, Q, R, V, W, and Z. In fact, the uppercase itself is a bit more decorated and round than the lowercase. Nevertheless, the upper and lowercase letters may be freely interchanged with each other to create the best possible image for the text. The name of the typeface, Diablo, is another term for the devil, or Satan."

Normatica is a neutral typeface inspired by advertising letters used as letterings on shop windows during period of Normalization (the 60s–90s) in former Czechoslovakia. The complete font family consist of 24 styles in 6 weights (Thin–Black) with matching Italics where every style is followed by his Display counterpart. The difference between default and display styles is tighter spacing in Display fonts and different design of punctuation and diacritics accents. Beside the complete set of Latin, Normatica includes Cyrillic characters as well. Each font contains of alternative variation of some characters (j, t, y, Q) and includes a wide range of the Opentype features (for more details see pdf Specimen in Gallery section). Mixture of Normatica and Normatica Display can be effectively used for both text and display usage. It can be used in advertising, signage, corporate identities and various situations of editorial design. You can try two Demo styles in Medium weight fully for free.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans OT Std The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Black Stanky a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. Black Stanky has Stylistic standard, Stylistic Initial, Stylistic Teminal and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks. Accessed by using : OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. A Total of 362 Glyphs: Multilingual Support : ŠŒŸÐÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝ àñáâåäãçæìíîïòóôõöøùúûüýÿèéê뢚ߞ Ligature accesed :St dd th gg pp ff wh mm of ck on we are all wr en ex ee ve oo ox ax ss so rr ot al tt ch ll rl ct ol rt at cl az 4 alternative setst accesed : a b c d e f g h i j k l m n o p q r s t u v w x y z special greetings for all, all of us all smoothly in running the routinen

Framer Sans is sans-serif condensed type-family, created by June 23 Foundry. It is a geometric, lightly robust, simple and clean font, with a low contrast width. Framer Sans perfectly conforms to the ever-increasing demand for a diverse set of weights and additional support for non-Latin languages. The type system consists of 7 weights that for the clarity and users convenience is labelled with numbers from 100 to 700 (100 for “Thin”, 200 - “Ultra-Light”, and so on till 700 for “Bold”). It supports full Latin (European) character set, as well as Turkish, Vietnamese, Greek (basic) and Cyrillic languages. Framer Sans includes alternate characters, ligatures, symbols and 253 country codes that perfectly expand the design’s capabilities. Numerals contain six figure sets and Roman numbers. The variety of choices is expanded with additional stylistic sets for lowercases "a" and "g", as well as 3 stylistic sets for Latin uppercases with crossbars and letter “Q”.

Houschka Alt Pro is a carbon copy of the Houschka Pro family with one key difference: the rounded signature glyphs A & W on the default positions swap places with their straight alternates. Houschka was named after Georg Houschka, a sadly defunct confectioner’s shop in Salzburg, Austria, which had a wonderful 1930s frontage and distinctively rounded letterforms in the sign above the door. Houschka Pro is the follow up to the original Houschka type family which first appeared back in 1999. Character shapes have been improved, kerning and spacing refined, and OpenType features include CE, Baltic, Turkish & Cyrillic language support plus small caps, 3 stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka is a clean and legible modern sans serif typeface which shares the humanist qualities of Gill Sans and Johnston but retains a uniquely charming character of its own (particularly in signature glyphs A, G, Q, W, u & w). The monolinear structure, rounded corners and rolling curves give Houschka a soft and friendly appearance.

Drystick is a Sans Serif typographic family of Geo-Grotesque style with 8 pesos plus the italic versions all include small capital letters the symbol of Bitcoin (b #) and other cryptocurrency symbols. It is a geometric typography, minimalist, with neo-grotesque modulations. The typeface has alternative letters and numbers, small caps and advanced OpenType functions. The Italic versions have some of their own characters (&, @, Q, a, g, y), these versions have many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of This typography is 9 °. The drawn of the vectors is careful to obtain smooth curves and elegant appearance, the thicker versions have ink traps in the joints of the joints to use in small sizes. The Metric and the Kerning of all the versions I have reviewed individually to obtain maximum readability in any type of text and size.

Monocle is a clean and contemporary monospaced geometric sans that excels in titling, data and numerical settings due to its clear and systematic design. The capitals-only format increases the harmony between letter pairings, opposing the irregularity of mixed case fixed-width typefaces. Stylistically, Monocle has the feel of a neutral sans, yet its underlying structural finish exudes a strong sense of order and authority. Its geometric foundation is especially pronounced in the constructed round forms. With multiple stylistic sets, individual letters can be exchanged to fine-tune text settings for a unique custom type solution. Features include: -Basic Ligature set including ‘f’ ligatures (ae, oe, fi, fl, ff, fh, fj, ft, tt, th, ct, st) -Alternate characters (O, I, S, G, R, Q, _, $, ©, #, •, %) -Slashed zero -Full set of numerators/denominators -Automatic fraction feature (supports any fraction combination) -Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates. It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface. The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E. Includes old-style numerals.

We would like to introduce our new Thin Line Geometric Font Runista. Runista is a linear font in folk style, lowercase is decorated with geometric elements. The typeface includes a Decorative and a Symbol version. Letters and symbols are perfectly combined with each other. The font is easy to use in various design programs or without any program. Runista Typeface is suitable for lettering posters, music albums, tattoos and photo overlays in hipster style. The font works great for both printing clothes and craft products branding and packaging. Also use individual letters and symbols to create logos and monograms. Runista Decorative contains stylistic alternates for letters O, Q, C, D, G and the most popular ligatures: bb, cc, dd, ee, ff, gg, ll, mm, nn, oo, pp, rr, ss, tt, zz, ty, ly, ct, sp, st, in, ch, ck, sh, ou, qu, th, ph, ge, ng, gn, gh, au QU. The font has extensive language support.

Ageitha is a modern and luxurious handwritten font. Elegant and stylish, this font will become your top choice in no time. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

Tilp Barde is a striking, moderately dynamic design suitable for many different typographic tasks. Its individual ductus is inspired by handwriting, however without calligraphic embellishment. There are no serifs but tiny endings which lead to think of wood-carving.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William H. Page & Company in 1890.