Zedou was inspired by old Art Deco flavoured signage from the former French colony of Madagascar. It has a mechanical yet organic feel to it, and consists of four display weights covering Latin Pro.

Latinaires Pro is a new version of one of the first published Sudtipos typefaces. Now covering more latin languages and extended to 9 fonts, Latinaires is specially designed for modern brand communication and editorial use.

The Vale Press was a contemporary of Willam Morris's Kelmscott Press. The types used by the Vale Press were designed by artist Charles Ricketts, who also supervised the design and printing of Vale Press books. The main type used, Vale, was based on the Jenson 15th century roman type style. The King's Fount was an experimental semi-uncial font based on the Vale type. The King's Fount was designed in 1903 for the Vale edition of the 15h century poem "The Kingis Quair". This semi-uncial font evokes old English and Anglo-Saxon lettering. P22 Vale Pro combines the two fonts P22 Vale Roman and P22 Vale King's Fount into one "Pro" font. This pro font also includes a Central European character set, old style figures, fractions, ornaments and a special faux "Middle English" feature to make "anee text appeer Olde." This feature is not known to exist in any other font.

P22 Casual Script Pro is a flexible OpenType font based on mid-20th Century hand drawn advertising lettering scripts. As an alternate to thicker casual script styles, this free-flowing thin brush style is evocative of vintage product advertisements and packaging lettering and is highly suitable for a retro flavor. The Pro font includes over 500 glyphs with at least 2 of all upper and lower case characters with OpenType scripting and ligatures for a more natural and random effect. There is also a unique feature not found in other script fonts: Small Caps! While it may seem unnatural for a script font to have small caps, these work well as an authentic variation of brush script lettering for advertising. Also included in the Pro version is a full Central European character set, swash characters and more. OpenType features include: Small Caps, ligatures, discretionary ligatures, swashes, contextual alternates, stylistic alternates, Old Style/Lining Figures

The Droid Serif Pro Family (4 fonts) is a contemporary serif typeface family designed for comfortable reading on screen. The font is slightly condensed to maximize the amount of text displayed on small screens. Vertical stress, sturdy serifs and open forms contribute to the readability of Droid Serif while its proportion and overall design complement its companion Droid Sans. The fonts were designed by Steve Matteson, the Type Director at Ascender Corporation. The Droid Serif Pro Family (4 fonts) includes Latin 1 and WGL character sets, along with Old Style Figures (requires an application that support advanced OpenType typographic features).

Friar Pro is a revival of Frederic W. Goudy's "Friar" typeface. Goudy described this typeface design as a 'typographic solecism' as it combines a lowercase of half-uncial forms from the 4th through 7th centuries with an uppercase of square capitals from the 4th century. Steve Matteson developed the font as a tribute to Goudy and his joy of typographic exploration. Steve created a complete character set with OpenType typographic enhancements to give the font an authentic appearance to the original. Friar Pro is a beautiful design which imparts a scribal appearance to any document including greeting cards, certificates and official papers.

The source of inspiration for Haute Monde Monogram is the 1934 "Book of American Types" by American Type Founders. Found in that specimen book was a wonderfully elegant traditional smallcap-Capital-smallcap monogram alphabet known as “Elite Monogram Initials”. This elegant typeface is now digitally remastered and updated for modern use with functionality beyond its original intentions. Download and view the MFC Haute Monde Guidebook if you would like to learn a little more. MFC Haute Monde Monogram comes complete with Pro format fonts. You will require with programs that can take advantage of OpenType features contained within the Pro fonts.

Noir is a sans serif font family of 12 fonts with contemporary aesthetics heavily influenced by early 20th century geometric typefaces. While having its geometric structure it carries organic personality with touch of warmth injected to each form. Noir font family ranges from light and elegant weights perfect for small text, to extremely heavy and masculine weights suited for large display sizes. Noir has a rich arsenal of Open Type features for highly professional use and extended Latin, Cyrillic and Greek language support. Noir is delivered as Std and Pro version. Cyrillic and Greek are available in Pro package only.

This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera has six weights with original italics. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it. It has Bandera Text and Bandera Display sister families as well. Please check also Pro version for pan-european support (full Latin-Greek-Cyrillic). Bandera is Spanish for ‘flag’. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Veltro was originally designed in 1931 for Nebiolo in Torino. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio. Both styles cover the complete character set for Western and Eastern Europe.

Based upon Riedingerschrift, cut by Franz Riedinger for Benj. Krebs Succ. in Frankfurt am Main in 1906, here come Ridinger Std and its extended version, Ridinger Pro. An elegant cursive font which also includes various adorning swash strokes.

Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org TT Rationalist useful links: Specimen | Graphic presentation | Customization options We thought, "What if we provide the user with a collection of matching fonts, each of which would still be unique?"—and so we started developing TT Rationalist. For those familiar with the bestsellers TT Norms® Pro and TT Commons Pro, the new font will be intuitive to use. It has similar proportions, characteristics and functionality, but yet it is an independent and original font family. Unlike the geometric sans serifs TT Norms® Pro and TT Commons Pro, TT Rationalist is a slab serif typeface. It is functional and original. Slabs are characterized by massive rectangular serifs, but in TT Rationalist they are trapezoidal and refined, which makes them look modern. Speaking of modernity, when creating the typeface, we wanted to avoid the excessive historicism that can be seen in many slab serif fonts. We have been particularly careful working on the Black style, which in the first sketches had something in common with the Wild West posters. When we balanced out the excessive contrast caused by visual compensation, the font stopped evoking retro associations. Now TT Rationalist Black is perfect for headlines, especially on posters and posters, and works great with Light styles in TT Norms® Pro and TT Commons Pro. The new typeface works well for both headings and text arrays. It looks especially aesthetically pleasing in printed production (books, magazines, brochures). The TT Rationalist typeface consists of 22 two styles: 10 upright, 10 real Italics and two variable fonts, each with over 950 glyphs. It supports over 200 languages and contains 27 OpenType features. In addition to the standard ones, there are Small Capitals for Latin and Cyrillic languages, alternative versions of the ampersand and the letter g. The italics have two stylistic sets allowing to switch the design of style-forming characters (k, v, w, y, z) between italic and classical forms. TT Rationalist font field guide including best practices, font pairings and alternatives. FOLLOW US: Instagram | Facebook | Website

LTC Italian Old Style is not to be confused with the English Monotype font also called Italian Old Style, which is an earlier design from 1911 based on William Morris’s Golden Type that is based on Nicholas Jenson’s Roman face. Goudy went back to Jenson’s original Roman and other Renaissance Roman faces for his inspiration and the result is what many consider to be the best Renaissance face adapted for modern use. Bruce Rogers was one of the biggest admirers of Italian Old Style and designed the original specimen book for Italian Old Style in 1924 using his trademark ornament arrangement. These ornaments are now contained in the pro versions of the Roman styles—Regular Pro and Light Pro. With most digitizations of old metal typefaces, one source size is often used as reference (as was Goudy’s method for his own cuttings of his Village foundry types) so that all sizes refer to one set of original artwork. The original hot metal fonts made by Lanston Monotype (from Goudy’s drawings) and other manufacturers used two or three masters for different size ranges to have optimal relative weights—smaller type sizes would need proportionally thicker lines to not appear thin and larger sizes would require thinner lines to not appear to bulky. The variations in size ranges can also be affected by the size of the cutter head in making the master patterns. The light weights of LTC Italian Old Style were digitized from larger display sizes (14, 18, 24, 30, 36 pt) and the regular weights were digitized from smaller composition sizes (8,10,12 pt). The fitting for the regular weights is noticeably looser to allow for better setting at small sizes. Very few font revivals take this approach. Italian Old Style, originally designed by Frederic Goudy in 1924, was digitized by Paul Hunt in 2007. In 2013, it has been updated by James Grieshaber and is now offered as a Pro font. The newly expanded Pro font includes all of the original ligatures, plus small caps and expanded language coverage in all 4 Pro styles.

Cubition font family was designed by Nikolay Savchuk. Cubition was created on base Everest Pro sans-serif typeface. It is brilliantly suited for graphic design and display use and perfect for brand identity, magazines, newspapers, books, websites, and advertising.