10,000 search results (0.029 seconds)
  1. Hadley Alts - Unknown license
  2. Narrow Stencil JNL by Jeff Levine, $29.00
    Narrow Stencil JNL is based on a set of 12 inch tall letter and number stencils, generally used for marking and identification.
  3. Fauntleroy by Burghal Design, $29.00
    Based on Burghal Design's popular typeface BabyDoll, Fauntleroy is a graceful, childish figure of a font, full of innocence and good-fellowship.
  4. Angular by BA Graphics, $45.00
    A very contemporary design can be used in any application from headlines to text. Angular serifs give this design a strong base.
  5. Boonville JNL by Jeff Levine, $29.00
    Boonville JNL is a slightly condensed version of Cloverdale JNL - a "Western" style typeface based on classic wood type from the 1800s.
  6. Scoreboard JNL by Jeff Levine, $29.00
    Scoreboard JNL emulates illuminated scoreboards and is based on an alphabet found in an old clip art book of sports-themed alphabets.
  7. Mimi's Hand Connected by Corradine Fonts, $19.95
    Based in Maria Consuelo Roman's handwriting, Mimi's Hand Connected is a very spontaneous font. It could be used in any informal project.
  8. Medallion Ornaments by Gerald Gallo, $20.00
    Medallion Ornaments is a collection of 185 circular ornaments based on plants, creatures, flourishes, geometric shapes, and ornate designs from historical sources.
  9. Wind by ParaType, $25.00
    Developed at ParaType in 1995 by Alexander Tarbeev, based on TextBook, 1987, by Emma Zakharova. For use in advertising and display typography.
  10. Investigator JNL by Jeff Levine, $29.00
    Investigator JNL gives a serif treatment to Cold Case JNL, which was modeled from some old lettering stencils manufactured in the 1950s.
  11. Romb by Letterhead Studio-VG, $35.00
    Romb is the display font based on feeling of the retro typefaces of the early 20th century. Good for posters, magazines, packaging.
  12. JH Amira by JH Fonts, $50.00
    JH Amira is a display modern typeface; it is designed based on Art Deco style, typical for fashion magazines headlines, logos & titles.
  13. Oldhand by Authentic, $39.50
    Oldhand is based on an original handwriting of an elderly gentleman. I worked it over carefully to keep the handmade, authentic touch.
  14. Plasterboard by K-Type, $20.00
    Based on the blobby lettering printed on the sheets of plasterboard (drywall) used in a garage conversion during the summer of 2004.
  15. Veronese by Red Rooster Collection, $45.00
    Based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris’ Golden Type.
  16. Gans Italiana by Intellecta Design, $9.95
    Gans Italiana is a comprehensive family of wood type inspired typeface based on the same font by the extinct spanish Gans Fundicion.
  17. Rubens Expanded Regular by Wooden Type Fonts, $15.00
    A sans serif with splayed ends, descenders of the lower case dropping below the baseline, very tall x-height. The expanded version.
  18. Cherry Hill by Robert Petrick, $19.95
    Cherry Hill Regular is based on a late 20’s font modernized for the digital age- but still retaining it’s nostalgic glory!
  19. Bohemian Border by 2D Typo, $28.00
    Ornamental font based on examples from the book Miller & Richard "Specimens of Printing type". Collected ornaments belong to the Art Nouveau style.
  20. CircusKS by Baseline Fonts, $24.00
    CircusKS is a new, original typeface based on carnival and circus posters from the late 1800s. Extended Character set for multilanguage support.
  21. Lineatura by ABSTRKT, $20.00
    Lineatura is a simplistic sans serif caps only typeface with dynamic character width. All its styles are based around the same skeleton.
  22. White Magick Symbols by Deniart Systems, $15.00
    Contains 36 magical seals based on the Lemegeton of King Solomon NOTE: this font comes with an interpretation guide in pdf format.
  23. Pentangle by K-Type, $20.00
    Pentangle is a complete font freely based on the eight characters used for the title of the 1967 folk/jazz/rock album.
  24. Diamondwood JNL by Jeff Levine, $29.00
    Diamondwood JNL is based on examples of vintage wood type with condensed, elongated diamond shapes containing the various letters of the alphabet.
  25. The Stroke Sans by ABSTRKT, $35.00
    The Stroke typeface is based on a broad nib pen theory taken to its extreme, using idealization of computer-generated pen stroke.
  26. JH Farid by JH Fonts, $100.00
    JH Farid font is designed based on Naskh calligraphy; it is typical for book covers including spine, headlines, short text paragraphs, poetry…..
  27. Ivan Zemtsov by K-Type, $20.00
    The Ivan Zemtsov font is based on the lettering of Russian mailartist Ivan Zemtsov, and features both the Latin and Cyrillic alphabets.
  28. Heck Italic by E-phemera, $20.00
    Heck Italic is based on captions, labels and legends appearing on 19th-century maps and natural history engravings by J. G. Heck.
  29. Long And Thin Initials JNL by Jeff Levine, $29.00
    Based on some vintage metal type initial monograms, Long and Thin Initials JNL reproduces this condensed spur serif design in digital form.
  30. Berstrom DT by DTP Types, $49.00
    This design is based on custom design work by DTP Types Limited in 1990 with associated Small Capitals and Old Style Figures.
  31. Crash by ParaType, $25.00
    Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.
  32. Smart Casual by Scholtz Fonts, $21.00
    The name "Smart Casual" says it all. This is the font to use when you want to create that smart impression without being too formal. It is based on the font "Black Tie" but it is less formal than "Black Tie". It conveys an impression of relaxed elegance without being either sloppy or too intimate. Smart Casual is ideal for invitations to stylish but relaxed events, for advertisements that are intended to create that special ambience, for posters and for announcements. Smart Casual has a full character set and has been carefully letter-spaced and kerned. It comes in two styles: Baseline and Staggered. In "Baseline" all characters refer to the same baseline (the lower part of the characters are in line), while in "Staggered" the capitals are placed lower than the lower case characters, creating a slightly more dramatic, yet formal and retro look.
  33. Vtg Stencil US No. 4 by astype, $18.00
    The Vtg Stencil fonts from astype are based on real world stencils from several countries. The US No. 4 design was derived from a typical antique US-American stencil-plate. This revolving stencil-plate was invented by Eugene L. Tarbox and patented in 1868. It was a mass factored product and a very common tool in the United States until the success of the interlocking stencils. In case of US No. 4 an original early stencil plate from New York Stencil Works was used. The Regular font style is a clean font design featuring an extended Latin glyph set including some typical stencil ornaments and tabular figures. The Paint font style is made from true stenciled letters and features all the letters of the stencil-plate only. If you like the later interlocking design have a look to my Vtg Stencil US No.2 font. More info: pdf specimen
  34. Shoika by Tropical Type Foundry, $29.99
    Shoika is a celebration of geometry. It’s a typographic quest for purity with a touch of hidden gems in the form of unique details and characters. Shoika is perfect for the modern designer who needs a solid, refined and versatile font family for branding, UX, web, packaging and editorial jobs. Shoika presents a wide range of weights (18 fonts), supports an extensive variety of Latin alphabet-based languages (over 200), and it has been manually kerned and auto-hinted for enhanced performance on screen. It includes several OpenType features like case diacritics, tabular figures, arrows, ordinals, inferior and superior figures, numerator and denominator figures, fractions, circled figures, black circled figures, outline dingbats and solid dingbats. All typefaces from Tropical Type Foundry include free updates and free technical support. For custom enquiries don’t hesitate to get in touch: tropicaltypefoundry@gmail.com Imagery credits: Unsplash (Photo), DrawKit and RawPixel (Illustrations).
  35. Dignus by Eurotypo, $28.00
    Dignus was inspired in two clever and famous typefaces: Bank Gothic and Microgramma. Bank Gothic designed by Morris Fuller Benton for ATF in 1930. Microgramma typeface designed by Alessandro Butti and Aldo Novarese for Nebiolo in 1952. Those typefaces were based on a stable rectangular shape with rounded corners, denoting the constructivist heritage and technological spirit of '50. We'd intended to review that typographic scenery with our contemporary point of view, aiming to obtain the formal synthesis of the signs and increase its legibility. Dignus fonts support Central, Eastern and Western European languages. Each font comes with full OpenType features like: standard and discretional ligatures, swashes, stylistic alternates, old style numerals, Tabular figures, numerators, denominators, scientific superior - inferiors, Case sensitive forms and vectors. The Dignus fonts include 7 weights, from Thin to ExtraBlack. The family is completed with condensed and expanded version all with their corresponding italics.
  36. Adoquin by Huy!Fonts, $20.00
    Adoquin is a clean and friendly semi serif family. It comes in seven weights with small caps, wich makes it a versatile typeface. The design is based on geometric sans serif typefaces and the calligraphic features of old school models, making Adoquin a functional and warm font family. Its informal but elegant look makes it the perfect display type fitted for logotypes, book design, packaging or magazines. Its wide range of weights and discreet alternates makes it very enjoyable to read, so its also perfectly fitted for longer texts. Adoquin has an extended character set for Central and Eastern European languages, and shows all its potential wit OpenType-savvy applications. Every font includes small caps, ligatures, old style figures, fractions, numerators and denominators and alternative characters without some calligraphic features suited for smaller or longer texts (in this case, the alternative charecters are less ornamented).
  37. Mabotim Brush by Creative Lafont, $10.00
    Mabotim Brush Font painted, Fun, modern, multi-purpose and operated bold letters combine letters brushing operates with a natural style. Suitable for review, packaging, titles, posters, t-shirts, logos, quotes, invitation, apparel, wedding, advertising, image overlays, greeting cards and web banners, etc.Get substitute alternate glyphs and characters beginning and end of interest to the composition of your design. Comes with Uppercase and lowercase characters, large set of punctuation glyphs, numerals, supports international languages, stylistic alternates for several key lower case characters And this Font has given PUA unicode (specially coded fonts). Letters replacement can be accessed using a program like Adobe Illustrator and Adobe InDesign OpenType Smart. Adobe Photoshop Corel draw X version, and Microsoft Word. I had a lot of fun designing this font. I hope you have even more fun using it. If you have any questions, please don't hesitate to ask. Thank You for Purchase!
  38. Interleave OCR SB by Scangraphic Digital Type Collection, $26.00
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines. Please note that Interleave SB and Interleave OCR SB are versions which are for decorative purposes only.
  39. News Gothic SB Vietnam by Scangraphic Digital Type Collection, $26.00
    This version of News Gothic contains the Vietnamese character set. Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Body Types). The most obvious differentiation can be found in the spacing. That of the Body Types is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Body Types, fine spaces were created which prevented the smear effect on acute angles in small type sizes. For a number of Body Types, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.
  40. Delirium Duo by Ana's Fonts, $15.00
    Delirium Duo is a handwritten font duo, consisting of: - A textured brush font with ligatures; - A casual all-caps font with different upper case and lower case characters for a more natural handwritten feel. - Plus two sets of swashes and ornaments that complement each font nicely. This font duo makes it so easy to create beautiful designs, and is perfect for logos, quotes, cards, social media posts, websites, magazines, and packaging.
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing