Hi All Effortlessly take your branding to the next level with ADEXLINE LETTERING Adexline Lettering is a new classy script with a dancing baseline stylish handwritten , classic script style make this font looks natural, classy and perfect for any awesome project that need hand writing taste. This is suitable for logos, watermarks on photography, signatures, branding, advertisement, quotes, invitations, stationery, wedding design,album covers, business cards, clothing, magazines, posters, and more! As usual ,the font comes with many opentype features such as Alternates,Ligature,Title and Ending Swash, and also support multilingual. You can access all those alternate characters by using Opentype or Glyph program such as Adobe Illustrator cs,Adobe Photosop cc, Adobe InDesign, etc. Happy creating! AminMario

A sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was hand lettered in a free-form Art Nouveau style that combined varying line widths and character shapes. This unrestricted style of lettering was popularly embraced and revived by the hippie counterculture of the mid-1960s through the mid-1970s through their rock concert posters, record album covers and tee shirt graphics. It is now available digitally as Nouveau Artiste JNL. As a side note, a 1940s reprint of the sheet music was done in a popular metal typeface, which was also redrawn digitally and available as Elite Resort JNL [in both regular and oblique versions].

I present the new handwritten font "Ariel" - a fashionable and super-cooled new font for handwriting with some stylish watercolor additions :) The font of the signature collection was created in such a way as to look as close as possible to a natural handwritten font, which includes a full set of characters in lowercase. Font Features • A-Z; a-z character set; • 1 language (English); • numbers and punctuation marks, symbols Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡

Stayblue Script is lovely and sweet calligraphy typeface with characters that dance along the baseline. It has a casual and yet elegant touch. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, lables, news, posters, badges etc. The fonts include OpenType features with stylistic alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Monster Chicken is a soft typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc. Monster Chicken features 329 glyphs and 141 alternate characters, ligatures, swash and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Need help? If you need help or advice, please contact me by e-mail. :) Thank you!

We think of Cherritt as a 'bullnosed' serif face, because of its rounded off serifs. What that phrase may not convey is the friendly, approachable nature of this large family of faces. The design was originally inspired by traditional draftsmens' hand-drawn serif lettering, but has been given a precise geometric flavor that suits it for work owing its inspiration to any era, from Victorian times through to the purely modern. They are ideal for headings and poster work, but also for setting small volumes of text. Four weights are included in the family, as well as wide, expanded and condensed forms, true small capitals and openface forms. All family members embody extensive OpenType features.

Introducing New Roshelyn Font Family, a new carefully crafted and nicely balanced curve on script typefaces with personality. Also with Extrude Version and Swash Tail make it look Retro. You can use it as a logo, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, wedding invitation, etc. The flowing characters are ideal to make an attractive message. Mix and match New Roshelyn Script with a bunch of weights and alternative characters to fit your project. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Stylistic Sets, and Ligature. The OpenType features can be accessed by using the OpenType program such as Adobe Illustrator, Adobe Photoshop, and Adobe InDesign.

A companion to Springsteel (sans), this serif typeface is intended for longer text blocks and smaller sizes. Like the sans-serif, it has unusual construction using curves on the outside and straight lines inside characters, giving it quite an expressive and warm feel. It contains small caps and old-style figures, as well as superior/inferior figures and common fractions and mathematical symbols. It supports Western plus Nordic, Eastern European and Turkish languages. Excellent spacing and extensive kerning (over 2800 pairs) provided by Igino Marini/iKern. The free fonts in the Springsteel Serif Extreme family (thin and heavy weights) should only be used as display typefaces, at large size and short text blocks.

Bolívar is a contemporary display typeface inspired in the handwriting of one of the most prominent personalities of the Latin American 19th century: Simón Bolívar, “the liberator". The typeface intends to capture the passion of handwritten letterforms and to translate it into type. Among the characteristics that best contribute to its strong personality, are the impressive length of ascenders and descenders as well as the more than 45 degrees of slant. Bolívar mimics certain aspects of handwriting such as the slightly different baseline for each letter and ink clogs in the counters of some letters. Use Bolívar whenever you need to add passion to a piece of text, from logos or single words to sentences and captions.

Splendor was originally produced and released in 1930 by Schriftgu� AG, Dresden. The typeface was designed by Berlin designer Wilhelm Berg. Ralph M. Unger, who in the last few years has created a whole series of revivals and redesigns from the hot metal era, ?retrieved? this jewel of a typeface design, redesigning, complementing and digitally remastering it for profonts. Splendor is a broad nip, non-connecting handwriting script of timeless elegance, charm and beauty. It needs tight setting with plenty of space around it. The font contains a number of alternate characters: Two uppercase As, Ss (with descender); in addition, two uppercase Ms, Ns and Zs as well as two lowercase zs.

The Halis Rounded Font Family from Ahmet Altun comes in eight weights. In addition, all weights have small caps for romans. Halis Rounded is the smoother version of the Halis Grotesque family. With rounded corners, this new font seems much softer and eye-pleasing even though it still has geometric and straight borders. Halis Rounded is legible from very small size to very large ones and also suitable for letterpress. Thanks to small caps accommodation, this font family makes their use in web typography even easier. As with the small caps, all fonts can be used to create great works on the web as logos, texts, presentations etc. and in prints as posters, t-shirts, magazines, and notices.

A Roman typeface with emphasized triangular serifs. A font like this one could have been designed in 18th century France. To some extent, Auxerre is a precursor of “Etienne,” which later became popular as an advertising typeface of the 19th century. Auxerre is available in five font weights: light, regular, semibold, bold and black. Auxerre supports Western and Central European languages including Scandinavian languages. Plus, the font includes lots of ligatures, tabular figures as well as a “Capital German Double S.” Auxerre fits perfectly with any topic related to the past two centuries. It also works amazingly well on technical issues. And of course it fits very well with topics of fine art and art history.

The Good Panther - Bold Quirky Display Font. The Good Panther a bold, quirky display font with a fun and trendy cute characters. With a childish style, it will be very suitable for your project, which is related to children. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Scoot Charrita script Fresh & modern new Scoot Charrita script with handcrafted calligraphy style, decorative characters and dancing baseline! Very pretty on invitations such as greeting cards, branding materials, business cards, quotes, posters and more!! Scoot Charrita Script comes with 353+ glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Thank You

This handy font allows designers of commercial products to add basic circled letters that are uniform in appearance. For example, on music CDs, the Copyright and Publish (AKA Phonogram) symbols often do not match. While most fonts include a circled 'c' for Copyright, they seldom contain a circle 'p' for Publish (note that all P22 fonts include the circle 'p' and 'c'). The circle 'U' and 'K' for Kosher foods are rarely included in fonts and have to be made as needed. This single font contains both a serif and sans serif style caps A-Z as well as figures assigned to regular keys and also mapped to standard Unicode for "Enclosed Alphanumerics".

Michigan Script is a calligraphy script font that comes with beautiful alternative characters. a mixture of copper calligraphy with handleting style. Designed to bring style elegance. Michigan Script attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Michigan Script has 600 glyphs. including multiple language support. With OpenType features with stylish alternatives, ligatures and characters, allowing you to mix and match pairs of letters to fit your design, as well as a touch of ornament to make this font look elegant.

The source of inspiration for Carson Monogram is a letter set from the book, Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition published in 1912. This elegant historical style was simply labeled, "New Antique 53". Carson Monogram can create one, two, or three letter monograms as well as basic headline and titling settings. By default, Carson Monogram types in a horizontal format, but by utilizing OpenType Contextual Alternates, you can typeset in a three smallcap diagonal format as well! It is a refined look that is perfect for a wide array of classic personalization settings. Download and view the MFC Carson Monogram Guidebook if you would like to learn a little more.

If you are looking for a font with very good readability, even with its square appearance and condensed design, Grandheron is for you. You should find attractive the design of some glyphs like those one: a,f,k,l,v,y and also AJKMNVXY to name a few. Grandheron could be use as well in small size as in huge size. You will certainly like its Thin or Light font which give an awsome effect for titles, subtitles, caption for magazines related to fashion, architecture or even cultural in general. You could easily mix Grandheron with serif typeface as Harfang Pro. There is no limit to create great designs with this large typeface family, so enjoy!

Burlesk is a modern font family that originated from a Bollywood Hindi movie poster from the 1950's. Using 9 letters, a complete alphabet was made comprising of 360 characters. Everything is hand drawn and digitized afterwards. The Burlesk font family meets all the modern requirements that apply in the graphics sector. Don't take it too seriously with the designs and go for something else. You will probably enjoy it as much as those who see it. The Burlesk Font family is available in 2 styles - making it very popular as a great design on posters, flyers, magazines, packaging and all your other imaginative designs! You want the best deal for the best price? Grab the whole package!

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

Font designed from work by an anonymous printer in Lyon (France) to print the French popular novel Les Grandes et inestimables Chroniques du grand et enorme geant Gargantua [...] in 1532. The original font has a relatively small number of characters. This font include a “long s”, as typicaly medieval, but also a few ligatures . A render sheet, enclosed with files help to identify them and accented or special others characters on keyboard. It can be used as web-site titles, posters and fliers, editing ancient texts, menus or greeting cards as a very decorative font... Although this font remains clear and easy to read from 8 or 9 points on screen, it is clearly designed for print works.

In designing an advertising poster to show off the unconventional Safefont typeface, Steve drew what appeared as relatively traditional letterforms for the expository text. When these characters were as well received as the typeface which was the subject of the poster, Steve decided to expand them into a full-fledged graffiti style typeface of their own. While exploring where this new design might lead, Steve worked to elaborate the poster segment which had inspired it. He soon found himself staring at a drawing of a weapons-wielding Bonnie and Clyde. The desperate duo resonated with the graphic elements of the drawn letters; thus leading to the effortless fleshing out of the design, and to its name, Big Clyde.

Patron is a modern, mono-linear, sans-serif font family with large x-height and softened edges containing 12 fonts. This typeface was born as a corporate font design for non-profit sector and today it is available for public. At the moment Patron is offered as a PostScript-flavored OTF, but its construction is tuned to display well on screen as well. Works on a TrueType version with individual glyph hinting are being carried out. In addition, Patron has alternative family (Patron Alt) with enhanced personality, suitable mainly for headlines. Patron is graduation work of Matěj Hlaváček at AAAD in Prague, Studio Of Typography. Supervised by František Štorm, Tomáš Brousil and Karel Haloun.

Introducing Bahella Script, a bold and vintage-inspired script font that evokes a sense of nostalgia. This typeface is well-suited for a wide range of design projects, such as creating logos and logotypes, designing t-shirts, vintage badges, and retro quotes, as well as branding, packaging, and poster design. Additionally, Bahella Script is PUA encoded, providing easy access to all of its glyphs and ligatures, making it a convenient choice for designers looking to add a touch of vintage elegance to their work. FEATURES Alternate Characters Uppercase and Lowercase letters Numbering and Punctuations Multilingual Support Works on PC or Mac Simple Installation Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word

Patriotica JNL was inspired by some hand lettering designed by the late Alf Becker for Signs of the Times® magazine. The alphabet was modified and the character set extended in this digital version. Special thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum in Cincinnati for providing a copy of the original lettering for use as a work model. Patriotica JNL is available as a complete font or in a set of two layers (stars layer and stripes layer) for creating two-color graphics. As always, keep in mind that there are some slight variations between drawing programs, so some adjustments may need to be made in the alignment of the layers.

Kwalett is a sans serif typeface family with low contrast and a high x-height. Kwalett has two widths, each with five weights and each weight has an italics. The family is derived from the thinnest member of the Qualettee family. As members of that family get bolder, their contrast increases. As members of the Kwalett family get bolder, their contrast remains very low. Kwalett is designed to work better as text than the Qualettee family. The family has two ways to get fractions. A few fractions are preformed and are accessed with the OpenType discretionary ligatures feature. The OpenType fraction feature uses the superscript and subscript numbers to create any fraction.

LTC Kaatskill was made specifically for use in an edition of Rip Van Winkle for the Limited Editions Club. "I feel that Kaatskill owes nothing in its design to any existing face, and the type therefore is as truly an American type as anything so hidebound by tradition as type can be."- F. Goudy This face was one of the first digital typefaces released by the Lanston Type Co. Ltd. Jim Rimmer took painstaking measures in his faithful revival. Goudy had never designed a specific Italic to accompany this face. The Italic completed by Rimmer is a variation on Deepdene Italic. The font set was re-mastered in 2006 by Colin Kahn.

Splendor was originally produced and released in 1930 by Schriftgu� AG, Dresden. The typeface was designed by Berlin designer Wilhelm Berg. Ralph M. Unger, who in the last few years has created a whole series of revivals and redesigns from the hot metal era, ?retrieved? this jewel of a typeface design, redesigning, complementing and digitally remastering it for profonts. Splendor is a broad nip, non-connecting handwriting script of timeless elegance, charm and beauty. It needs tight setting with plenty of space around it. The font contains a number of alternate characters: Two uppercase As, Ss (with descender); in addition, two uppercase Ms, Ns and Zs as well as two lowercase zs.

SPIDER-MAN! THE HULK! THE FANTASTIC FOUR! BATMAN! SUPERMAN! Superstar artist Mike Wieringo has worked with the most well-known characters in comic books, and just a few short years ago Comicraft teamed up with Mike and writer Todd DeZago in the pages of their creator-owned comic book fantasy adventure series, TELLOS! At Mike's request, we created a special Wieringo font which incorporated Mike's distinctive, slick-and-easy, backward-sloping letters, as well as a slightly heavier font -- carrying just a little more ink -- for the Shadow Jumper characters featured in the first TELLOS story arc. Now the Mike Wieringo font can be yours as it joins our ever growing library of Masters of Comic Book Art fonts.

As long as there’s been movie theaters, those establishments became the perfect hideaway for couples who wanted to kiss, hug and snuggle without the watchful eyes of disapproving parents or the pesky attention of younger siblings. Such was evident in the [13 word] title of the 1919 composition “Take Your Girlie to the Movies (If You Can’t Make Love at Home)”. On the sheet music for this song, it is hand lettered in the Art Nouveau fashion of the time by a round nib pen, and made a perfect candidate to be redrawn as a digital typeface. The end result is Nouveau Theme JNL, which is available in both regular and oblique versions.

This font was inspired by the “Cancellaresca moderna ” type, which was calligraphed by Francesco Periccioli (published in 1610 in Siena, Italy). It was entirely handwritten by the designer for each circumstance, using quill pen and medieval ink on a rough paper, with added characters as accented ones and a lot of ligatures with respect for the original design. This font includes “long s” and also a lot of ligatures as “ff”, “ffi” “fij” “pp”... It can be used for web-site titles, posters and flier designs, editing ancient texts or greeting cards, or as a very decorative and elegant font. This font retains its qualities and beauty over a wide range of sizes.

Blingtastic Script is a modern & clean calligraphy script. Its characters dance along the baseline while it still has an elegant touch. It can be used for various purposes such as logos, wedding invitations, headings, t-shirt, letterheads, signage, labels, news, posters, badges etc. OpenType features include stylistic alternates, ligatures and extensive language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Egon is a contemporary Slab-Serif typeface family built in ten styles—extra-light, light, regular, bold and black weights in roman and italic respectably. This is a refreshed (second) edition of Egon Serif, originally designed in 2008. The typeface has been updated—four new styles in ExtraLight and Black weights were added to the family and minor adjustments to glyph shapes (mostly italics) have been made.The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon is ideal as text and display font for publication use. Egon is released as OpenType single master with a Western CP1252 character set.

Kontora is elegant, universal and laconic geometric sans. Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics. This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages. It has basic ligatures and two sets of stylistic alternates. Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout. Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font.

HWT Brylski is a typeface by Nick Sherman, named for retired wood type cutter Norb Brylski and designed to be cut as wood type at the Hamilton Wood Type & Printing Museum. This font is the digital counterpart to the wood type made as part of the Hamilton Legacy Project . It incorporates several themes that were common in 19th-century type design, including split tuscan serifs with angled mansard-style sides, heavy weight placement at the top and bottom of letters (traditionally referred to as French or Italian/Italienne, regardless of any actual relation to those countries), and an extended overall width. This digital version contains over 400 glyphs for full European language coverage.

Maleo is a contemporary display sans with grotesque roots, taking cues from typefaces such as Benton’s Franklin Gothic & Alternate Gothic and contemporaries such as Obviously & Mars Condensed. Designed by Aditya Wiraatmaja as his debut retail typeface, Maleo is primarily designed with large-size usage in mind. Its tiny flare and angled cut terminal lends itself a friendly and approachable presence. With a family of 14 styles that range from thin to black with matching italics, it is a versatile display type that stands out in headlines, yet one that emits a charming personality. Maleo support various languages and is equipped with many Opentype features including; Old Style Figures, Ligature, Fractions, Numerators and Denominators, and Stylistic Alternates.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

The English stone carver, artist, and typographer Eric Gill conceived the Joanna typeface as a personal design for use in books printed at his Joanna Press."" Gill saw his press work there as a continuation of the British Arts and Crafts Movement, pioneered in the 19th Century by William Morris. Joanna is notable for its almost vertical ""upright"" italics, and the unusally small size of its italic characters. Joanna is versatile and extremely legible. The letterforms are a bit narrow, so the face is very economic as well. A lot of text may be packed densely together onto a page with Joanna. Joanna mixes very well with other typefaces designed by Eric Gill; especially Gill Sans.

Kondes is our "101 Dalmatians" – it's 101th release in our catalog! And it is the 1st one that belongs to variable typefaces. Kondes (which is made up word as mixture of "condensed" and "kondezovan" on Serbian) is simple, compact, straight-in-your-face sans serif family with 9 weights and 9 Italics. It was designed with purpose to serve and to be use in any project, from editorial to website. For example, Black weight could be used effectively as poster type, in big sizes while Regular fits perfectly as main webfont. Stem joining is done with generous ink trap that divides and opens letter contours, so letter breaths in smaller sizes. Contains extended Latin character set. Enjoy!

ITC Astro is the typeface that proves you can get your work done while watching cartoons. “It all started as a series of doodles while I was watching The Jetsons,” recalls Sasa Petricic. “The show's impossibly simplistic vision of the twenty-first century cried out for a font that fit into that world -- a world where everyday objects can carry far more fun and personality than they should.” ITC Astro is the first commercial typeface design from Petricic, whose “day job” is working as a reporter for the Canadian Broadcasting Corporation. Petricic has filed stories from across Canada and around the world for CBC's flagship evening newscast, The National. His reports have also appeared on CNN and BBC Television. Petricic's work as a correspondent and video journalist have taken him to six continents, covering everything from famine and genocide in Africa to the war in Iraq. With such serious matters filling the hours of Petricic's day as a journalist, it's not hard to see why he conceived Astro as a welcome blast of whimsy. “As I began to draw the design,” he says, “I decided that every part of Astro should be a cartoon character unto itself.” Each character has its own baseline shadow (or coaster, or circular antigravity generator, depending on how you look at things). The angular caps dance jauntily, rocking from left to right, while a suite of companion small caps provide backup. The end result is a design quite unlike any other, with surprising charm and versatility. ITC Astro comes in a two-weight family of White and Black.