Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Boldy offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Fragor, Serif Display Typeface. Fragor Inspired by Renaissance Era, Fragor Display Typeface offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Old Russian is a fake Cyrillic alphabet, based on old Slavic characters universally adopted in the old days of the Russian empire. Offering an opportunity to create a unique historical look.

This script has almost no historic roots. It is named after hajdamakas, Ukrainian guerilla fighters from past times. It is lively and somehow saucily forms the vibrant lines of a text.

DB Bridal Doodles is a mixture of lovely phrases and cute doodles themed after that special day. Very useful in making a wedding book for you or your friends and family.

Textur Gotisch is a real historic blackletter that contains a wide variety of ligatures and offers, with the Lombardic letters, a sacral style. Ideal for documents like certificates for mediaeval games.

Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Urban offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Metro Photograph, Serif Display Typeface Inspired by Renaissance Design Era. Metro Photograph offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Silver Thread is a hairline thin geometric sans serif font with both art deco and 1970s elements to it. Perfect for any project that needs a typeface which evokes elegance and sophistication. Digitally revived from an older photo-typositing face, Silver Thread is named after a waterfall in eastern Pennsylvania. The font contains alternate versions of B, Q, W, &, a, e, k, n, s, t, u, w, y and 4 for added variety. They can be found under the Stylistic Alternates OT feature. Jukebox fonts are provided in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

It's a fun monoline script font! With it’s clean, handwritten style Hey Hogmanay is perfect for flyers, posters, invitations, greeting cards, gift ideas and much more! It also plays really well with sans serif fonts making it a creative choice for logos and branding! Hey Hogmanay includes a set of ligatures, including ‘double letter’ ones, to add extra variety to your words! Hey Hogmanay Caps includes a completely separate set of letters for those moments when you just want to type in all caps! Each letter has been specifically designed to work together where the script font may be a bit tricky. Both fonts offer multilingual support.

We use an old hand juicer at home: a cheap plastic one that we bought a long time ago at a Swedish home appliances and furniture giant. We haven never considered upgrading to an electronic one, as it still works, it doesn’t use electricity and we don’t really use it that often. This font is called Juicer. It was not named after our manual juicer, or any juicer in particular. It was just a word that seemed to fit the font nicely. Juicer font is a handwritten, script-ish kinda font that comes in two great styles and contains a set of double letter ligatures.

Based on the Hiragino Sans (Kaku Gothic) design, this is the first Chinese-language font from a Japanese font manufacturer to be certified compliant with China’s GB 18030-2000 standard. Unique features are a contemporary typeface design that sets it apart from existing Chinese typefaces and a dedication to high quality down to the slightest detail. Multi-language composition using both Japanese and Chinese Hiragino fonts offer a sense of unity With demand growing rapidly in China, Hiragino Sans Simplified Chinese is the optimal font for uses in those fields that need both readability and contemporary vibe such as product packaging, catalogues, books, magazines, websites, and sign and displays.

Mesa is a revival of an old pointed Tuscan font from the MacKellar Smiths and Jordan type foundry called Broad Gauge circa 1874. This new version offers a few alternates including half slab and full slab uppercase A's. Opentype case sensitive forms are also included in the Mesa font family. We started production on this font in 2009 but set it aside to work on other projects, we're pleased to have finally finished it. If you're a Grillmaster or Pitmaster you're going to love this font for your new business logo t-shirts and other merch. To all you Grillmaster's and Pitmaster's out there, Keep On Smokin'

Introduction to Benida Serif Font Benida, an elegant serif font, offers a high-contrast serif design. Its unique style is perfect for various applications. The font’s design is both bold and refined, making it versatile. Ideal for those seeking a mix of elegance and assertiveness, Benida is a great choice. Design Features Benida features high-contrast serifs, adding sophistication to its look. The wedges in the serif are carefully crafted. These elements combine to create a distinct, impactful appearance. The font’s structure balances strength with grace, making it stand out. This balance ensures that Benida is suitable for both formal and creative uses. Usability and Applications Benida’s design makes it highly readable. It’s perfect for headings, logos, and editorial work. The font’s elegant nature suits wedding invitations and upscale branding. Its assertive qualities make it ideal for professional presentations. Benida truly shines in both digital and print formats, demonstrating versatility.

Rahere Roman Display is an elegant design with flared stems and subtle old style features, influenced by Berthold Wolpe’s wonderful Albertus font and (to a lesser extent) fonts based on Roman square capitals. It’s a classic design for the modern age, appealing to serious typographers, graphic designers and anyone looking for a beautiful, multipurpose font that also offers value for money. Originally conceived as a display companion for the Rahere Sans typeface family, Rahere Roman harmonizes perfectly with its sans counterpart: use it for headings, sub-headings or pull-out quotes. Want an eye-catching introduction? The small caps have been sized to optically align with the x-height of Rahere Sans or start a paragraph with a swash drop cap. There are also ornaments and devices on hand to spice things up. Of course, Rahere Roman Display works beautifully as a standalone font too. Although predominantly a display font, with a quick flick of its lowercase switch, Rahere Roman transforms effortlessly into a readable text font. Like a Swiss Army Knife, this is a hugely versatile font, capable of conveying different messages from classic and romantic to historical and modern. It’s suitable for a wide range of applications including: branding, posters, advertising, packaging, labels, signage, wedding stationery, museums, art galleries and book covers. Weighing in at well over 2,000 glyphs, Rahere Roman contains a myriad of alternative characters (mostly capitals) including two sets of small caps that allow certain letter combinations - such as RO, LA, LI, TY, etc. - to mimic ligatures. The advantage of this is that if letter spacing is increased or decreased, the letter combinations aren’t fixed and can move too, which helps the space between letters to remain even. However, for lovers of ligatures there is still a bucketload of goodies to play with, including the obligatory ‘OO’ ligature. If that’s not enough, the font also contains start & end swashes, alternative numerals, seven ampersands, ornaments and devices. .ss01 - Initial swash capitals .ss06 - Superior small capitals (aligned to the cap height) .ss07 - Small capitals (sitting on the baseline)

"TheMix" is a semi-serif typeface with low-contrast – i.e., the differences between thin and thick strokes are not very pronounced. Yet the reference to writing with the broad-nibbed pen is still present, giving the letters a diagonal stress and a forward flow that facilitates reading.

Albertiny comes with an awesome look and has a variety of alternative characters. Albertiny is the perfect fit for all of your logos, branding, social media, and crafty DIY projects. It has OpenType features (alternates, swash, ligature) that can help you find different sensations with each use.

MommieBrush is a brush script headline typeface. It is based on the Spencerian Mommie that won the 2008 TDC award. But as a brush script it works in a different area. Like my other brush script typefaces it is made for food packaging and product branding.

Verbindig is a modern serif style typeface. With over 45 joining ligatures and 3 different Styles it's easy to make a unique logo, headline or poster in seconds. Regular, Bold & Extreme Multilingual support Numerals & Punctuation Fun fact: Verbindig means connection in swiss german - yes I'm from Switzerland

Fluence is a calligraphic typeface designed by dooType. With generous proportions, rounded forms and outstanding endings, Fluence is the right choice for those seeking personality and rhythm. Available in three different weights, contains 15 ligatures, 26 swashes and multilingual support to over 30 languages. Enjoy it.

Inspiring from space aircraft theme, Plutonian was made with simple geometric shapes and come with 3 different weights. With this typeface, you can use it for logo, title, magazine cover, headline, powerpoint templates design, signs, and many more. What's included? - Uppercase Characters - Lowercase Characters - Multilingual support.

It is monospaced and organic. Two words that often not goes hand in hand, but in this case it does. You have 6 different versions of each letter to choose from, or just let the Contextual Alternates do the job by automatically cycles as you type.

"TheMix" is a semi-serif typeface with low-contrast – i.e., the differences between thin and thick strokes are not very pronounced. Yet the reference to writing with the broad-nibbed pen is still present, giving the letters a diagonal stress and a forward flow that facilitates reading.

Naname Kun is a geometric typeface created with oblique lines as a main texture. Its unique particularity is to be filled with diagonal hatching that varies in thickness to create different styles and weights. Applicable for any type of graphic design, especially for posters and logotypes.

Grut Stuph is a weird breed between serif and graffiti, and on top of that a good portion of comic! Comes in Open Type with different alternate letters and is full of fun! Note: you will need to use OpenType supporting applications to use the autoligatures.

This is a playful collection of 135 diagrams based on letterforms from different styles. You can use this symbols as bullets, ornaments, but also to make your own mandala-like exercises and release some stress out! Nimbo, by the way, is the word for "halo" in spanish.

Fruitella is a geometric sans serif look. Designed with powerful opentype features in mind. equipped with ligature standards that are different from ligatures in general. Perfect for graphic design and any display use. It can easily work for web, signage, corporate, and also for editorial design.

Type family of two weights was designed in 2000-2001 by Oleg Karpinsky and licensed by ParaType. Similar to Ariergard face in letterforms but differs from it by slab serifs, which always project to the center of an em square. For use in advertising and display typography.

Moneta is an elegant transitional serif with high contrast. Its morphology is based on the study of traditional broad-edge pen script. It comes in 4 different weights (Light, Regular, Bold and Black) and has variable features. Designed by Santi Rey and launched on January 2020.

Geotype is typeface inspired by circle shapes simple but significant, and defined by its crisp edges and modern touches. It is designed for optimal legibility. An lowercase is unique with some alternates, Geotyface makes a statement without making a scene. Three weights, four very different personalities.

Yet another typeface with simplicity as its core element. Concord is derived from a successful type family ‘Accord Alternate’ with an added geometric touch. Concord is a geometric sans serif. It has large counters which enhance readability. It is available in seven different weights for emphasis.

Mariné Rounded is a geometric sans, but with the softness of humanistic strokes. Its mild contrast and multiple different styles allow Mariné to work well both as a text and display typeface. It also includes an Up version and calligraphic features adding a touch of informality.

Meaning of Tinkuy. Tinkuy is a Quechua word that means a meeting of opposing forces that complement each other. A meeting of opposites and differences. A meeting point where different thoughts, interests, feelings and aspirations confront and converge, providing the resurgence of new ways of thinking and that are embodied in confrontational actions, in mobilizations that seek change. Tinkuy patterns is born from the analysis of different archaeological pieces of native cultures of the Andes, where the visual signs that are recorded on them are related to the concept of encounter. It is part of the research project Crónicas Visuales del Abya Yala by designer Vanessa A. Zúñiga Tinizaray. — The Tinkuy Patterns. The Tinkuy Patterns system is divided into six files containing a total of more than 2650 modules that can be combined together creating an infinite range of possibilities. The digitization of the typeface family has been carried out by Ale Paul, through the Sudtipos foundry. An infinite number of possible combinations can be accessed by using the letters on the keyboard. Although a certain shape predominates in each set, they can be combined with each other.​​​​​​​

LunchBox is a uniquely hand-drawn typeface that gives infinite customizable options and a fully authentic look. Using Lunchbox’s OpenType features gives access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well. Stylistic alternatives give an extra hand-drawn flourish, loop and slight variation, also with 4 different styles per letter. Discretionary ligatures pertain to both regular all caps Lunchbox as well as stylistic alternatives. It takes special letters and gives a unique interaction with the characters around them, giving your design a unique and personalized look. Swashes also have four style variations to both the regular and stylistic alternatives, as well as lowercase letters with ascenders and descenders. All of these options are available in Light, Regular and Bold and can be purchased with Lunchbox Ornaments for an extra element. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want. Enjoy!

Please note: Sindelar webfonts are exclusively available at willerstorfer.com Sindelar is a capable, contemporary text face addressing today’s news design requirements. Its large x-height, low contrast and robust serifs grant a high legibility in small sizes. The balanced, well chosen proportions make the typeface economic (i.e. space saving) without giving it a too narrow appearance. These characteristics make it the ideal choice for extensive text setting in newspapers and magazines – on paper and on screen. Named after famous Austrian football (soccer) player Matthias Sindelar (1903–1939), one of the best players of his time, the typeface shares two major qualities with its namesake: their technical brilliance and their way of performing aesthetically to the last detail. The football player’s nickname »Der Papierene« (the Paper-man) elegantly refers to the media too. Although optimised for small sizes, Sindelar’s low contrast and robust serifs give the typeface a strong impact and an unmistakable personality in larger sizes. Sindelar’s calligraphic influences can be noticed in the Italics best. The italic letters are inclined by slightly different angles, respecting the letters’ shapes and proportions and resulting in a balanced, yet vivid appearance. Sindelar comes in 18 styles – nine weights in Roman and Italic each. Each font is equipped with a huge character set of about 980 glyphs and various OpenType features.

Volta is a robust typeface from the 1950s. A revisit to styles that were en vogue at the turn of the century, Bauer type foundry designers Walter Baum and Konrad Bauer designed this type family in1955. The form of Volta's letters are similar to those in New Transitional Serif typefaces, like Cheltenham and Century. Developed after the Didone (i.e., Bodoni) style types, New Transitional Serifs speak more to the zeitgeist of the late 19th Cntury, and were typographic adaptations to it's newer technologies. Already in the period of mass production, typographers and printers at the dawn of the 20th Century had to cope with larger print runs on cheaper materials. The robust letterforms of New Transitional Serifs were designed to compensate for this, but they were also ingenious little inventions in their own right. Form the beginning, the new, peculiar forms of New Transitional Serif letters were adopted for use by advertisers. Their robustness also allowed them to be used in virtually all sizes. Volta was designed especially with advertising display usage in mind. The x-height of Volta's letters is higher than average for serif faces. It is recommended that Volta be used exclusively for shorter tracks of text, above 12 point. Headlines look dashing set in Volta. Four different font styles are available for the Volta typeface: Regular, Medium, Medium Italic, and Bold."

The word Text" in Goudy Text™ is short for Textura, and textura is the style of blackletter or gothic writing developed in Northern Europe in the middle ages. The use of space in blackletter is quite different from what we know about Roman letterforms. Lowercase forms in blackletter writing and typefaces must be evenly textured with black and white elements, like the texture of weaving or fabric. Capital letters can provide either an integration of the even texture (by the use of decoration in their construction) or, if they are wide and open and filled with white, they provide bright spots of visual emphasis. Goudy, despite being an American in the twentieth century, understood well the fundamental texture of medieval blackletter and the importance of both density and light. He designed Goudy Text in 1928 for Lanston Monotype after studying the type in Gutenberg's 42-line bible; still one of the best models for designers of blackletter typefaces. The lowercase of Goudy Text has impact and medieval authenticity. The standard caps have some Victorian eccentricities but are mostly well drawn. The alternate, or "Lombardic" caps are spectacular - they set beautifully with the lowercase letters, providing the proverbial shafts of light through the Gothic cathedral's stained glass windows. Use this potent font in sizes 14 point or larger, for Christmas greetings, certificates, wedding invitations, advertising, or music collateral pieces."

Salt&Spices Mono is the mono lined version of Salt & Spices Pro. Where Salt & Spices Pro has the rough contours and high contrast that is typical for dip pen calligraphy, Salt & Spices Mono has clean crisp smooth letterforms that result in a totally different look and feel. Great for creating neon effects. Fun features like connecting spaces and long swashes for customization of words and phrases are preserved in Salt & Spices Mono. This versatile 10 font family, consisting of 4 casual script styles: Regular, Bold, Shadow and Bold Shadow offers great flexibility. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 4 script styles 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added, all mono lined. They add great variation to your designs and supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project. You'll need an Open Type savvy application to get the most out of Salt & Spices Mono.

Martend elegant classic sans serif typeface with many style alternatives to choose from. This typeface is perfect for elegant logos, interior magazines, beauty products, packaging products, quotes, and more. What's Included? Uppercase, Lowercase, Numbers, Punctuation Ligatures & Alternates Multilingual support PUA encoded