Since 2017, I have been improving my font creating skills. In the same year, I went through my father's notes and decided to make a font with his handwriting style. I completed the initial version with a lower number of glyphs in 2018. It supported only basic Latin, Turkish, and Azerbaijani alphabets. On the 15th of January 2021, my dad will turn 60. I am planning to finalize the updated version of the Father font by then. 584 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Romanian, Euro, West European diacritics

Wright is a sans-serif geometric typeface inspired by the lettering found on modernist building plans. An elegant small x-height, tall ascenders and wide capital letters make the font look great in titles and short paragraphs. Wright consists of 4 subfamilies, each in 6 weights plus italics—48 fonts in all. Its wide range of alternates and ligatures make it an ideal workhorse suitable for a variety of projects and give your designs a stylish appearance and unique look. As you would expect from Latinotype, this font comes with a standard set of 800 characters and supports over 200 Latin-based languages.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Expanded, Wide, Normal, Narrow and Condensed The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

The first development of Karsten typeface was inspired by signs on some old Dutch-buildings in Java. Then in the making, it blends with modern style. It's a synthesis between two cultures, the East & the West. The typeface was named after the Dutch architect who gave major contributions to architecture and town planning in Indonesia, Herman Thomas Karsten. It comes in nine weights from thin to black with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. See the full presentation on Behance

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

It's time to celebrate when the air turns crisply chilly and we start planning festive projects for Christmas. Holly, a modern and fun Christmas typeface perfect for sleigh rides and carol singing. All of the necessary elements, such as numbers, punctuation, and multilingual letters, are included. Whatever your imagination conjures up, these ligatures will come in handy. 5 Styles (Dancer, Comet, Cupid, Donner, Rudolph) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Drummer is a large futuristic font family inspired by the Expansion TV series, old science fiction book covers and Honda Prelude and Porsche logos. The family contains a large number of styles and a lot of language support. 54 styles, 6 in width (Ultra Condensed, Condensed, Normal, Expanded, Extra Expanded, Ultra Expanded) and 9 in weight (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, ExtraBold, Black). The font also has a variable version. 573 glyphs, including 40 alternate characters. A lot of work has been done on the font. The fillets on the symbols have been well worked out and tested for a better visual and practical experience. The font combines the monospacing of many characters combined with kerning, which makes it very convenient for many purposes, such as vertical typography. The font is good in all sizes, both small and large, which makes it possible to use it anywhere. Branding, logos, titles, posters, texts, covers, merch, prints, web, titles, banners, games and design in games and much more. In the near future, it is planned to add another axis of variability - the slant. Consequently, the family itself will increase. It is also planned to add a small case (capital). If you want to say something about the font or get a font in other formats, then write to the mail: bunineugene@gmail.com .

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Paneuropean covers Eastern and Western Latin, Greek and Cyrillic Extended.

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Signskript is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

A Nostalgic Signature Font for Christmas Sentimental Feeling is a script font that aims to capture the festive magic of Christmas with a retro design inspired by 1950s magazine editorials, classic movies and real hand-written signatures. It's a warm design that evokes Christmases of old, with a smooth brush-like flow and subtle human imperfections. It's equally at home singing carols, sharing Xmas Eve stories or serving cocktails at your New Years party. This happy holiday font comes with a complete set of uppercase and lowercase characters, plus numerals, punctuation, language support, symbols, alternatives, custom ligatures, underlines and a selection of festive clipart (including everything you might need to re-create the examples seen in my visuals). Add it to your toolbox and create the perfect Christmas designs, such as gifts and stationery products, ads, titles and much more!

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Greek Ltn covers Greek and Latin.

The official terseness and grey of Neo-Classical type faces will stand out when we narrow them. The consistently vertical shading of the letters suppresses one's desire for eccentricity, just like tea with bromine. It would, however, be wrong to consider Bodoni as the originator of this - vertically shaded - trend in type face production. In his Manual we can also find type faces with a slanted axis of shade, picturesque italics and a number of normal, more human type faces. It remains a mystery why his name is connected only with one of his many works. Genre's basic design is fairly light in colour, which is why it looks good in illustrated magazines and short texts and directly calls for graphically striking, contrasting headings. It shows off beautifully next to photographs, on diplomas and on printed materials connected with a person's death.

Geogrotesque Slab is the ideal companion of the popular Geogrotesque. The challenge was to achieve a fully recognizable font that works as part of the existing family, for that reason the Slab version conveys the same message in a different way. The new font remains clean and tech with a human touch yet provides a new security, confidence and firmness thanks to the serifs. This new addition, combined with Geogrotesque, Geogrotesque Stencil and Geogrotesque Condensed Series provides even more design options and now there’s a Geogrotesque for every need. The type family consist of 14 styles 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics. It is available for desktop and WebFont and includes ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.

Kaneda Gothic is a whole new basic gothic. Philosophically, Kaneda Gothic is the one of the niche answers in the interspace between these antinomies. Image of near-future and giant metropolis in 80s, 90s vs our real life in the 2010s,20s. What we acquired by Industrial, scientific developments vs our emotional demands, imagination in our brain. Design transition in short period of time vs the consistency of real function which laid along the human history. Technically, Kaneda Gothic has a geometric letterform which called “gaspipe” or “Gothic” in woodtype era. But Kaneda has very sharp curves and lines for contemporary demands, that is to say, impact and clearness. Geometric and clear letterform is perfect for eye-catching part such like company logo, movie title and picture’s captions. Consists of seven weights and their matching italics. Supporting almost all latin languages.

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Rafskript is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

Six Hands is a set of handwritten fonts based on various writing tools, such as pencil, felt-tip pen, ball-point pen, and brush. The character set of each of these fonts supports the Cyrillic alphabet, as well as the extended Latin script for all European languages. Most of the styles also contain additional alternatives that have the capability of automatically interchanging in the setting, which significantly variegates and humanizes the text. Six Hands is quite a rare combination of diverse display fonts that work well together. It is made for talented designers who can use it creatively in packaging, advertising, displays, posters, menus, invitations and so on. The design of Six Hands was a result of collaboration between Alexandra Korolkova, Alexander Lubovenko and all those who assist them in this work. This set of fonts was released by Paratype in 2018.

According to designer David Farey, Cachet is a monospaced, monostroke typeface -- that isn't."" Why the sleight of hand? Typefaces that are limited to a single character and stroke width suffer in terms of legibility. Farey's goal in drawing Cachet was to create a typeface that gives the illusion of monospacing, while delivering a subliminal dose of reader-friendliness. At first glance, Cachet appears to be constructed of straight and nearly-straight strokes. A closer look, however, reveals several subtleties. Curved strokes have an almost calligraphic spontaneity. Places where character strokes meet are tapered slightly, while stroke ends have been flared. These quiet deviations from geometric uniformity give the design a human, organic, and decidedly non-digital look. An added benefit is that the subtle design modulation benefits readability. Farey's subtle design modulation results in a legible and highly usable new typeface.

MotionBats are a sort of movable type otherwise. It is a symbol font type family integrated by 9 styles. The idea behind designs is to give to typographic pictograms –static for definition– the dimension of motion. In pursue of this spirit, each font shows a complete motion sequence. MotionBats are inspired on the photographic work of Eadweard J. Muybridge [1830-1904] –a talented multi-faceted Englishman– who worked in USA by the second half of the 19th century. In those early times of photography, he started –almost by chance– taking a comprehensive and impressive photographic sequential series of human and animal locomotion. This way, he placed himself more than a decade ahead from the beginning of cinematography. This type design family points to pay a humble and certainly incomplete homage to such a pioneering and amazing Muybridge's work.

Publishing script pack combines the sensuality and elegance of Tango Argentino, evocative of special moments, of the new avant-garde font "Publishing Script" with the wildness and daring of "Publishing Draft Script". Two handmade new script fonts with 105 variations, between alternatives and swashes, plus 32 exclusive stylistic Ligatures that convey unequivocally fluidity and audacity. The distinction and vintage-contemporary approach of "Publishing Script", from the handmade character of the universe of the Fonts Café creations, which conserves the depth of the vintage/retro style mixed with an avant-garde stylish look. The authenticity and the self-confident approach of the "Publishing Draft Script", as a tool to rediscover the most intimate human being feelings, which introduces the new Fonts Café concept of Bio-write script! A perfect combination of style, readability and flexibility, a "must have" for your next Publishing projects!

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Mediterra is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

Geronimo is a rough poster script done in the spirit of brush calligraphy experiments conducted by American calligrapher and historian, Professor Alexander Nesbitt. This particular approach to brush script uses a pointed brush. Although Nesbitt considered the pointed brush corruptive and not at all suited to present day western letter forms, he put forth that with enough control of the brush (keeping it upright, maintaining stroke evenness, etc) even an unexperienced letterer can easily draw current day letters, though the result will always show characteristics of the letterer's own handwriting. Geronimo is a great choice for entertainment design, like book covers, film poster and packaging, and CD inserts. It also is a great overall display design for anything that seeks to depict adventure or an environment with a rough human element. Many alternates are sprinkled throughout the font.

If you are into the vintage feel, you will love this one. This is as vintage as it probably gets. There are probably only a handful of places in the world where schools still use blackboards and chalk – they’ve given way to their white board and marker counterparts for decades now. White boards are definitely more practical and less messy when compared to chalk, but then if you are creatively inclined you will agree that a little bit of mess is worth it if you are going to get the effects that you desired! Well, we can give you the effects minus the mess with our chalk hand lettering fonts! As the name suggests, this font gives you that distinctly unique chalk on slate feel, and if you are wondering what’s distinct about it; writing on slate or blackboard was a slow process which required deliberated and concentrated efforts resulting in a handwriting which was usually quite different to a person’s handwriting on paper. Typography of chalk on slate was an everyday event in the classrooms of yesterday, and today we hardly ever get to see one of these if it all. Writing on a black board with chalk was quite an interesting achievement in its own right, if you ended up with anything legible and if your writing remained focused and ‘in-line’! But of course like everything else, his took time to master and when you did get it right, chalk hand lettering was quite an enjoyable experience! For semi-permanent designs, say for example an eventful day at school; students of the day would create beautiful typography on the boards, and add a solidarity to it sometimes by shading one side of the lettering – usual y the right side towards which the lettering leaned. This is the effect our chalk hands lettering shaded variation gives you. You could get this font individually, but we strongly advise you check out the “chalk hand lettering pack” font. It includes the simple “chalk hand lettering” (minus the shading effect) and also a “chalk hand elements” bag of tricks. The elements is a collection of graphic art which resemble shapes and designs that used to be added to chalk art, to beautify the typography. If you enjoyed seeing the effects of our Chalk Hands font, and the shaded variant – you are simply going to go gaga over Chalk Hand Elements! The chalk hand font of course enables you to make typographic art similar to the effect of chalks on slates and black boards. This was quite the art form in the days gone by! The shaded variation added a bit of solidarity and the technique was commonly used to make semi-permanent designs say for example a welcome note when somebody important was to visit. Classic chalk hand designs, especially the semi permanent ones often had little pieces of art to help beautify the creation as a whole. It could simply be symmetrical graphics appearing before and after the title and headings, maybe just an interesting shape to fill in an empty area on the board, and such…our Chalk Hand Elements offers you a ton of such graphics. The two chalk hand variations and the elements are all included in the Chalk Hand Family, and this is strongly recommended if you want to make designs that are truly reminiscent of the days of chalk on slate.

Because you demanded it, the Aviano series is back with a variable version of the futuristic sans serif Aviano Future. Aviano Future’s strong letterforms will make you look like a rock star. Aviano Future Variable is a medium-contrast sans serif titling face that has a bold and futuristic look. It has a bowed square shape which gives it an interesting appearance that is both unique and eye-catching. Given that it has a variable axis any weight can be selected with no loss of clarity or legibility. Aviano Future's expanded forms give the letterforms heft and intensity. Aviano Future is a powerful yet adaptable title face that builds on the award-winning traits of Aviano and elevates them. Aviano Future Variable contains a ton of OpenType capabilities and comes in ten different defined weight instances with "fast" italic forms for emphasis. Want to use more traditional rounded forms? Need swash forms? Art Deco alternates? Aviano Future includes 400 alternate characters. Twelve style sets are available, two sets of art deco inspired alternates, small forms, tough swash, constructivist titling and traditional stylistic alternates. Aviano Future also includes 40 discretionary ligatures for artistic typographic compositions. Additionally, there are glyphs in this family to accommodate a variety of languages, and Cyrillic support was added in 2022. An extensive selection of sans serif typographic systems can be found in the Aviano family. The typefaces can be used alone or in combination to suit the needs of any project. The family's fonts have all been meticulously designed to assist ensure maximum impact and usability at any size. Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Copper, and Aviano Slab are presently part of the Aviano collection. A skilled designer who wishes to create a technological, futuristic, or epic design should consider Aviano Future. Aviano Future Variable will make your design stand out from the competition, regardless of whether you are designing a logo, poster, flyer, website header, or banner ad. Why wait? With the exciting and versatile Aviano Future Variable at your disposal, reach new heights and create a brand that stands out from the rest.

Lens Grotesk is a Neo-grotesque type family of 16 fonts born as a result of a very conscious research in the field of the neutral Swiss aesthetic. There's a reason for all the prominent examples of this design like Helvetica and Univers to be used on a daily basis for more than 70 years and it's a simple one - they just work. The closed terminals, the low contrast, uniform widths and proportions makes the Neo-grotesques feel just right. Although very often branded as stiff, the neutral Neo grotesques are here to stay and Lens Grotesk is our own reading of the popular style. Lens Grotesk takes the Neo-grotesk model one step further adding a pinch of Geometric sans-serif to the mix thus creating a way more modern and contemporary looking design. Characterized with more generous oval proportions and slightly more open terminals, Lens Grotesk keeps the modulation and rhythm needed for a slightly longer texts while visibly keeping everything in order. Zooming in you'll find traces of the Geometric aesthetic - the robust almost right angled approach of the arches and tails (look t, f, j, y) and the way more circular rounded shapes. Like all our fonts, Lens Grotesk is equipped with a range of OpenType features, stylistic alternatives and of course Cyrillic support. It comes in a pack of 16 fonts with 8 styles and their matching italics or one variable font file available with all full family purchases. Live Tester | Download Demo Fonts | Subscribe

Want to add an urban touch to your designs? Try using the Shock Graffiti font! This font offers a distinctive writing style and is very suitable for urban and street-themed designs. With Shock Graffiti, you can bring a strong and bold impression to every design you create. Shock Graffiti comes with a complete set of letters and fine details, so you can customize your design better. This font is also very easy to use and compatible with various design applications. Suitable for use in posters, merchandise, or even in t-shirt and hoodie designs. Get Shock Graffiti now and become a daring design creator! Available at an affordable price and with flexible licensing, so you can use it without limits on your future projects. What’s Included : - More than 200 of glyphs ( include Uppercase, Lowercase, Numerals & Punctuations ) - multilingual support - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters (fully accessible without additional design software) Support For Language : Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Faroese, Finnish, French, Frisian, Galician, Italian, Malagasy, Norwegian, Portuguese, Spanish, Alsatian, Aragonese, Arapaho, Arrernte, Asturian, Aymara, Bislama, Cebuano, Corsican, Fijian, French_creole, Genoese, Gilbertese, Greenlandic, Haitian_creole, Hiligaynon, Hmong, Hopi, Ibanag, Iloko_ilokano, Indonesian, Interglossa_glosa, Interlingua, Irish_gaelic, Jerriais, Lojban, Lombard, Luxembourgeois, Manx, Mohawk, Norfolk_pitcairnese, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Potawatomi, Rhaeto-romance, Romansh, Rotokas, Sami_lule, Samoan, Sardinian, Scots_gaelic, Seychelles_creole, Shona, Sicilian, Somali, Southern_ndebele, Swahili, Swati_swazi, Tagalog_filipino_pilipino, Tetum, Tok_pisin, Uyghur_latinized, Volapuk, Walloon, Warlpiri, Xhosa, Yapese, Zulu, Latinbasic, Ubasic, Demo

This is Floral Decay, your seasonal autumn font with jaded, weathered, and earthy contours of rustic lettering. As they blend into words, the characters evoke floral arrangements of a decaying beauty. It is versatile, playful, and perfect for Graphic Design decorations! This font is unique because, in order to create it, I had to answer some tricky questions: What makes autumn… autumn? Capturing the essence of the other seasons into your letters comes easier. For instance, in order to suggest summer, you only need to draw a few flowers. How about autumn? You could garnish your letters with a few grapes, you might think, but it would only result in a grape-themed font. The notion that is more directly associated with autumn is the image of falling and withering leaves, which brought me to the second question. How exactly are you going to create something beautiful out of a somewhat morbid premise, like wilted leaves? Well, I soon realized that by creating a handwritten font and preserving the right imperfections, you can actually portray collateral beauty. In this context, asymmetry is important because it suggests decay. Further on, the design concept required the letters to come very close together, so that every typed word can be regarded as a floral arrangement. How close together, though? As much as possible without confusing one with the other, risking a lack of legibility. Therefore, in contrast with the demo version of this font, this actual version provides the ideal kerning.

Geometrical drawing of Fenomen Sans typeface goes back to the roots of the Bauhaus aesthetics and the entire architectural and design avant-garde of the 20th century. It is still a symbol of functional rationality, clean aesthetics in relation to shape, and of progressive thinking. Its popularity is timeless and permanent. The set contains eight basic alphabets of a square pattern, eight semicondensed, eight condensed and eight extremely condensed alphabets, all in Latin and Cyrillic alphabets. Every font of the family has four types of numerals, small caps and variant letters. The typesetting can fluently use all fonts simultaneously. The typeface originated between the years 2011–2014 and was subjected to a series of tests for the fluent legibility of narrow fonts even in extreme conditions. Narrow fonts provide this set with the maximum use also for newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

fj Platz Groteske™ is the new font from frncojonastype project that culminates after almost 5 years of learning and development. fj Platz Groteske™ is a Neo-grotesk font with slight geometrical proportions with humanistic terminations. For this occasion, this font will show the normal version, however, the entire project contemplate condensed family, extended and the development of alphabets as Cyrrilic and Greek. This proposal is to improve the legibility in the Neo-grotesk fonts with generous gaps, vertical and square counter form and ascendents that exceed slightly the capitals. Counts with old numbers, small caps, modern numbers, tabular, numerators and denominators to fraccions, reference numbers to notes and formulas to face confidant and complex different stages. Ideal to editorial projects of informative content - scientific and titular of a huge impact because of the various alternative characters, stylistic options and a optometrical version to risky designers. To exclusive licenses and to follow the develop of this project, please visit frncojonas.com (WIP) Learn about upcoming releases, work in progress and get to know us better! Instagram: @frnco.jonas

"Seen" is the name of the gods in Kingdom of Hadhramaut 3,000 years ago Kingdom of Hadhramaut - Wikipedia "Seen" Font Family Will Add a Splash Of Historical Musnad writing To Your Designs Coming in 4 Styles: Regular,Medium,Bold and Black, "Seen" Font Family is a serif typeface designed by Sultan Maqtari. Each style of the font is incredible in its own way, with attractive curves, spacing, and ligatures. Ideal for bold headlines, short sentences, unique logos, and general graphics, this typeface will effortlessly add a hint of Musnad writing and a splash of Amazing past to any design. "سين" اسم آلهة في مملكة حضرموت قبل ٣٠٠٠ عام ستضيف مجموعة خطوط "سين" لمسة من كتابات المسند التاريخية إلى تصاميمك. تأتي عائلة الخطوط "سين" بأربعة أنماط: عادي،متوسط،عريض واسود ، وهي عبارة عن خط مزخرف صممه سلطان المقطري. كل نمط من الخط لا يصدق بطريقته الخاصة ، مع منحنيات جذابة ، ومسافات ، ووصلة ربط. مثالي للعناوين العريضة والجمل القصيرة والشعارات الفريدة والرسومات العامة ، سيضيف هذا الخط دون عناء لمسة من كتابة المسند ونفحة من الماضي المذهل إلى أي تصميم.

Brioso Pro is a new typeface family designed in the calligraphic tradition of the Latin alphabet. Brioso displays the look of a finely-penned roman and italic script, retaining the immediacy of hand lettering while having the scope and functionality of a contemporary composition family. Brioso blends the humanity of written forms with the clarity of digital design, allowing designers to set pages of refined elegance. Designed by Robert Slimbach, this energetic type family is modeled on his formal roman and italic script. In the modern calligrapher?s repertoire of lettering styles, roman script is the hand that most closely mirrors the oldstyle types that we commonly use today; it is also among the most challenging styles to master. Named after the Italian word for ?lively,? Brioso moves rhythmically across the page with an energy that is tempered by an ordered structure and lucidity of form.

This family was inspired by the pure Garamond pattern set of fonts used by Egenolff and Berner, German printers in Frankfurt, at the end of the sixteenth century. All the experts said it was the best and most complete set of the time. The italic style used with it was Granjon’s, as in 1543 Humane Jenson. A few fleurons from the same printers have been added. It can be used variously for web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, various sorts of presentations, as a very elegant and legible font... This font supports very large sizes as easily as small sizes, remaining very smart, elegant and fine. Its original cap height is about five millimeters. Decorated letters like 1512 Initials, 1550 Arabesques, 1565 Venetian, 1584 Rinceau from GLC Foundry, can be used with this family without anachronism.

CFF Corporaet is a corporate brand typeface that comes in 5 sans serif weights; Light, Regular, SemiBold, Bold & Black. Its character is warm, friendly, humane, clear and soft. The humanistic design style is rooted in the cursive style of handwriting, clearly visible in letters such as the e, f, g and y. The spurless letters round it off. Striking characters, such as the z, and small quirky details make it both a corporate and a friendly typeface. The proportions of each character are carefully constructed in such a way that they're balanced and create an even colour in text. That’s why it works extremely well with long body copy. Making it a hero for magazines and editorial design challenges. The Corporaet fonts can be applied in large sizes for print or web, bringing out the refined details that give the fonts its distinctive personality.

The world has changed; we want it to change. But it has a history too. Rustica draws back to the sans typeface tradition and updates it for the 21st century; we aim to go back to the humanist values without dismissing the role played by technology.It’s a GeoHumanist sans serif. Type design looks back at its past to return with renovated strength to its march to the future. Rustica is based on a humanist architecture with the addition of the determination and precision of the geometry of the classic sans of the early 20th century. Thus, a typographic conception typical of 21st century communications: returning to the human values of closeness and proximity, adding the certainty of knowledge and science. Rustica is born out of the DNA of our awarded font Rotunda, contributing to this typographic ecosystem humanist notes enhanced by the precision and discipline of geometry.

Ballpoint Catalog is a handwriting typeface, based on my dad's real handwriting, he was a teacher. I'm amaze by its smoothness and elegant, not fully follow the rules of penmanship handwriting but he has his own style of script which make it more human, natural handwriting rather that 'generic' handwriting typeface style. This typeface contain several ligatures to make it more natural in the writing. Suitable for any uses from branding, book cover, menu, quotes, invitation, wedding cards, advertising, blog, etc. Features Latin A-Z and a-z Numbers Symbols Ligature To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

21st century innovation demands a 21st century style. It’s the age of virtual assistants. It’s machine learning and AI. It’s blockchain and cryptocurrencies. Shape the feel of these modern concepts with the mechanically-inspired forms of Chypre. Chypre’s subtle technological feel is perfect for our culture’s evolving electronic media applications. At its source, the carefully adjusted character designs and the balanced weight contrast convey to the modern reader an understanding of cutting edge concepts through a pleasing human feel. Unlike many other tech-driven fonts out there, this next-gen cyborg is a great option for text settings as well as headlines. The new face is composed of six styles, including numerous alternates which dramatically alter the appearance. There are also extra letter shapes, numerous figure options, and extensive language support. Designed to fit where you need a high-tech feel, Chypre is a modern font for a modern age.

INTRODUCING MONOLOGUE ROUNDED! A softer, more humane, and funnier version of MONOLGUE. MONOLOGUE itself is a simple, condensed sans serif font with bold and complex personality. It was purposely crafted to be used in large point sizes, although it doesn't lose it's magic in small point sizes. With this rounded version, you can be even more expressive in your design projects. FEATURES: Basic latin characters, numerals, punctuations and symbols. Extensive language support, including slavic languages with cyrillic alphabet. Stylistic Alternates Stylistic Sets (ss01–ss06) 100+ Discretionary Ligatures Ordinals Preconstructed fractions Fractions Superscript and Superscript Numerals Kerned, spaced, and hinted If you have any questions, please don't hesitate to contact me via email at muhtadi.yusril@gmail.com. Check out my other works, such as font design, lettering, and type exploration on Instagram @yusril.muhtadi (https://www.instagram.com/yusril.muhtadi) Thank you for visiting and have a great, great day! Yusril Muhtadi

Before the Great War, there were great posters. Posters of elegance and grandeur. Posters calling people to the pleasures of sunny southern France and to the perfections of northern Italy’s dolce vita. Le Havre, based on a poster by AM Cassandre, was one of my first typefaces that took inspiration from this genre. Now, the golden memories of years past are the inspiration for insigne design’s new Gineso Titling as well. Gineso revives the retro forms of past poster design with its newly crafted sense of humanity, which is amplified by a great variety of texture options. While the new forms are perfect for posters, this titling font is also ideal for bringing the charm of pre-war Southern Europe to a new bottle of wine, to fine foods and beverages, and to high-end logotypes. For the grandeur and elegance you need in your titling, look to Gineso Titling.

Frasa is a contemporary serif family with characteristics that arise from the charms of Caslon and a touch of transitional style; the design offers distinctive proportions to serve long-running small text and the sturdiness of its own form to help as a headline font. Frasa shows that the family is shaped by the traditions of its ancestors through small details that show the personality of the typeface, such as pointed ball terminals and strong shoulders. The italic weights have their own beauty, which is created to humanize the form based on a stylized and natural cursive style with the aim of emphasizing the text's essential elements. The addition of small caps, old-style figures, ligatures, etc. to this type family satisfies conventional typographic requirements. Frasa typefaces can eventually lead to the use of powerful design tools to create editorial and casual design styles.

Between twilight and daybreak it is said that the dark side of the human psyche eclipses the sun that shines from the depths of our souls. Certainty turns to doubt, clarity becomes confusion, man turns into wolf, the dead wake, vampires seduce the young are restless and milk boils over on the stove. Those that seek only to bathe in the light of a romantic new moon often end their tragic lives soaked in nothing other than their own blood, and the milk spilt on the stovetop has no one left to cry over it. There are fifty shades of grey during those hours after sunset and I think just as many in my porridge this morning. Yes, okay, I admit it, I spoiled the milk! This porridge tastes like it was left in a graveyard overnight. Death warmed over. Gothic and lumpy. Just like the Buried weights of this font.

Nearly a hundred human heads, in three dingbat files. The whole series comes from the sketchbook: the original ink drawings were then digitized and refined to create vector outlines. Rather than perfectly smooth, geometrical shapes, the Entestats, like their close relatives in the Capsbats series, the Entestats retain a handmade look and feel. The Entestats are ready-made illustrations, though of course they will appreciate being enriched with colours, textures, an imaginative layout... and use them for a variety of projects. Use them small, as spot illustrations or as big as a whole page or page spread. The Entestats and their kin, the Capsbats, are a terrific resource for presentations, packaging, logos, brochures and advertisements, to name a few applications. The book 1000 Heads is a compendium of the drawings featured in the Capsbats and Entestats and it gives a glimpse of the limitless applications of this collection.