Sarastrada is a four weights typeface inspired in the Wild West posters. Published by Letter INC.

Patricia Pothin-Roesch's Saussa typeface began life as brush-lettered artwork for fruit salad packaging in France. After the key letters had been painted, Patricia Pothin-Roesch switched to digital tools to create the final font. True to its roots, Saussa is a real advertising face, perfect for point-of-purchase displays. Even its name is consistent with its intended area of application: Saussa sounds a lot like the word “sauce.” Saussa is an informal script; its outstrokes function almost like serifs, and the capitals have a lowercase structure. The feelings this typeface conveys are due to the hand of its creator, Patricia Pothin-Roesch, an experienced brush-letterer.

Font Lupo is the younger brother of Kapra. However, unlike Kapra it is characterized by the sharpness of the finish. It is inspired by a You And Me Monthly published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland. Font Lupo is designed in one version – lower and uppercase characters.

Font Cervo is the younger sister of Kapra. It is characterized by eight different varieties – lower and uppercase characters and in contrast to Kapra is “slimmed” version (from Medium to Thin). It is inspired by a You And Me Monthly published by National Magazines Publisher RSW „Prasa” that appeared from May 1960 till December 1973 in Poland.

Inspired by traditional old Biblical type, this font has a rich and unique style, with modern touch.

Dynasty is an extensive and versatile family that exploration and modernisation of the typographic quirks associated with the 'American Gothic' type school (in much the same way as English Grotesque was an exploration of Gill/Johnston idea-space) and adds chamfered elements to dots and tails to emphasise and extend the early machine-made aesthetic. Elegantly clean and readable at headline and small text settings, where (as with all fonts in small sizes) the introduction of tracking will improve legibility.

Rokha is a wedge-serif typeface with 5 weights plus obliques. Its sharp serifs were inspired by Goudy's classic Copperplate Gothic, Rokha feels land looks like carved stone, edgy and sharp. Serifs are exaggerated, pointy, and strong, this font demands attention from the viewer at all costs. Lower and uppercase letters make it more amicable in different contexts and give it extra versatility. Its striking presence makes it ideal for display, headlines, posters, big branding, and catching any viewer's eye.

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. And for the calligrapher H.P. Behrensmeyer & Charles Paxton Zaner. Use at size 20 pixels or multiples of 20 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Magdelin is a minimal yet warm gothic sans with normal and alternate families. At its core, the design has simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern.

Elegant and prickly; smooth and sharp; beautiful, but evil - Stervella - display typeface. Its serifs resemble the twisting branches and thorny thorns of a blackthorn, trying to prick neighboring letters. This font is inspired by the forms of ancient Uncial, combining antique with pointed gothic writing. Изящная и колючая; плавная и острая; красивая, но злая - акцидентная Стервелла. Ее засечки напоминают извилистые ветви и колючие шипы терновника, стремящиеся уколоть соседние буквы. Этот шрифт вдохновлен формами старинного Унциала, совмещая в себе антикву с остроконечным готическим письмом.

The Civilite is a historic script in the sixteenth century. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 20 pixels or multiplies of 20 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Basecoat is a handcrafted, geometric sans serif inspired by sign painting and influenced by modern gothics. It has a subtle organic feel without sacrificing legibility. The design of the uppercase began with chalk marker lettering for a side project and eventually grew into a small type family. Basecoat comes in three weights and includes more than 500 glyphs with European language support. It has popular OpenType features plus catchwords in multiple languages and arrows for all your sign making needs.

Magnitude is a font inspired by classics like Eurostyle and Bank Gothic, with geometric characteristics and dynamics style. Designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is well-suited for headings, display use and short text. The Magnitudes family is available in 36 weights, ranging from light to heavy, to condensed and expanded with matching italics. The font contains a character set of 401 characters supporting 206 different languages.

Herkaloya are Blackletter font with a full set of capital and lowercase letters, alternate, ligature, multilingual support, currency figures, numerals and punctuation. Herkaloya is perfect for Tattoo Logo, Barbershop Logo, Clothing, Music Events, Branding, and many more projects with Gothic theme. Herkaloya also provided Herkaloya Ornament to make your projects more sweet and stunning. If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy using it!

Stencil pixel font which has rough, tough and masculine impressions. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Gothic fraktur inspired design, I wanted to resemble old german calligraphy but making it very geometric, so I used an isometric reticle during sketching. This is a display font, created for BIG sizes, non textual. I recommend it for branding, poster, logos or titles. Its very experimental -- it exists within the limits of legible and illegible reading. I choose the name “Garbancera” because gothic calligraphy has issues that are linked with dark, gloomy, lugubrious things or fear feelings, culturally in Mexico. I related this with death and for mexicans, death is something we celebrate and give us joy and happiness, annoying, the most representative Mexican characters, one of those is “La Calavera Garbancera” or better known as “La Catrina”, a clothes skeleton with only a hat. It was drawn this way to make a critic to all Mexicans at that time, that were poor but they wanted to represent a high lifestyle, “those that where to the bones, but with a French hat with ostrich feathers”. La Catrina was created by José Guadalupe Posada, a Mexican lithographer but also a newspaper illustrator. I think this is a beautiful font that can lead to great results, just use it wisely.

Lionheart is the digitization and expansion of Saladin, a neo-gothic typeface designed by Friedrich Poppl, long after he established himself as one of the greatest German designers of all time with some of the most “ausgezeichnet” scripts and text faces to ever come out of Europe. This typeface, though lesser-known among Poppl’s other masterpieces, was one of the first in its genre to abandon blackletter influence and attempt letter variations based strictly on Roman alphabet shapes. Poppl’s idea spawned a whole generation of neo-gothics that can now be found on many a movie poster or book cover where the design must hint at secrets and dark sides. Lionheart succeeds with the idea of gradual curves leading to sharp concave or plano-concave terminals, to effectively build serious letter forms that speak of historical mystique and mystery. This font was was named after Richard I, King of England for a decade in the late 11th century. He reportedly exchanged many gifts of respect with Saladin, even though the two kings were on different sides of the Crusades. Lionheart comes in all popular font formats, with some alternates placed in accessible cells of the character set.

Introducing Midnight Flame, a powerful Blackletter/Gothic font with an array of amazing features. This font showcases the essence of medieval calligraphy with its bold and dramatic letterforms, evoking a sense of mystique and elegance. With Midnight Flame, you’ll have access to 7 stylistic alternates, allowing you to experiment and create unique and captivating designs. The ligature feature further enhances the flow and continuity of the text, adding an extra level of sophistication. Additionally, Midnight Flame is designed to support multiple languages, making it versatile and inclusive for various projects. Whether you’re working on branding, logo design, apparel, or editorial pieces, this font will make a striking impact. But that’s not all! As a bonus, you’ll also receive a complementary font brush, adding a touch of organic and handcrafted feel to your designs. Unleash the power of Midnight Flame and ignite your creativity with this captivating Blackletter/Gothic font. Let its medieval charm and modern versatility elevate your projects to new heights. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features, such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyph : http://adobe.ly/1m1fn4Y Cheers!

This modern slab serif typeface expands on the phola type family and complements it's siblings with style. Phola is a geometric san-serif display type family. It consists of 64 fonts and includes an extensive character set and multilingual support. Crafted with love this font family offers a numerous styles (Regular, Solid, Square, Diablo, Oblique, Outline, Clean) the family allows for extensive use cases. This OpenType font offer a fantastic options for users to create some unique artwork. Perfect for branding, Logos, displays, posters and other related projects.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Albers draws on early grid-based attempts by Josef Albers, in 1926, to design an alphabet by reducing the forms to purely geometric elements – the square, triangle and parts of a circle – and in the process creating an unusual stencil effect typeface.

The Bitstream version of Melior, a twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952. It is based on Zapf’s thoughts about the squared-off circle known as a super-ellipse. The type was originally intended as a newspaper text face by Linotype. Hermann Zapf’s Melior exhibits a robust character through classic and objective forms. Versatile and extremely legible, it can be used for a variety of texts and point sizes. Cyrillic version was developed by Natalya Vasilyeva and licensed by ParaType in 2002.

Hasan Ghada is an Arabic display typeface. It is useful for titles and graphic projects. The font is based on the simple lines of Modern Kufi calligraphy with new ideas for square shapes and geometric feel. It supports Arabic, Persian and Urdu. This font was designed in 2002 and the first version was released under name KactTitle in the typefaces group of King Abdulaziz City for Science and Technology (KACST), which supported the Linux operation system. In 2007, I developed this font and created five weights of it.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

Sébastien Truchet designed a modular typographic system during his last year in the School of Fine Arts of Besançon. The system is made of a unique grid and 6 modules which are the components to build several typefaces. The most radical is the "2-2". The last one is the "10-12". This is the 4-4. It is built into a square grid. Four modules in width and in height. This font proposes to you two appearances : the caps are blackest and the small letters are more open.

Newgrange is a distinctive Celtic-style font designed as a companion to our Stonecross font. It has the same size and weight as Stonecross and the same carved/chipped style, but rather than being based on traditional insular minuscule letter forms, it's based on a squared uncial style similar to our Lindisfarne font. The result is unusual and rather more modern looking than we expected, but it's great for stylized titles. The name comes from the giant prehistoric stone tomb at Newgrange which some have called Ireland's answer to Stonehenge.

The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs. Rockwell is a prime example of this twentieth-century approach. It seems to be a simple Constructivist geometric sans with strong square slab serifs added to. Angular terminals make its sturdy design particular sparkling. It is a strong face for headlines and posters, and is legible in very short text blocks. Cyrillic version was developed at ParaType in 2000 by Isay Slutsker and Manvel Shmavonyan.

Phoenica Std Mono expands the already large family of my very successful Phoenica. The motivation to develop a new mono-Phoenica family was that I was not satisfied with monospaced fonts in programming code, or simply in e-mail correspondence. The Mono Phoenica solves the problem of a typical monospaced font, a rigid, fixed width. The design gradations from Condensed monospaced to monospaced from 390em to 600em-square incurred a total of 21 fonts. Packages contain the fonts in CFF-OpenType and TrueType format, so you can use these beautiful fonts on all operating systems.

This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible, pan-european multilingual (Latin, Greek and Cyrillic), well shaped. Bandera Pro has six weights with original italics, alternatives, small capitals and three sets of digits. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera Pro shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it. Bandera is Spanish for ‘flag’. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

The title on the cover of Street & Smith’s “Wild West Weekly” for Jan. 27, 1934 made for an interesting contrast in terms. Here was a pulp magazine dedicated to stories of the Old West, but its title was hand lettered in an extra bold, squared shape style using a round pen nib – not exactly an alphabet that represented cowboys and desperados… This aside, this type style made for a good digital font revival, and it is now available as Bold Pen Lettering JNL in both regular and oblique versions.

Linotype Fresh Ewka is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by Polish artist Dariusz Nowak-Nova and each letter seems to be a work in itself. The fine hair lines are decorated with tiny squares and look like wires with nodes while the thicker strokes have indefinite contours and seem to have been made with a thick brush. Linotype Fresh Ewka is suitable for headlines in large point sizes.

ฟอนต์sหน้าหนึ่ง เป็นอักษรแบบแซนเซอริฟที่แบบอักษรโดยรวมมีความเป็นสีเหลี่ยม ซึ่งแบบอักษรจากหนังสือพิมพ์เป็นแรงบันดาลใจ ดูแข็งแกร่ง มีความเป็นเครื่องกล เครื่องจัก ทันสมัย เหมาะสำหรับการใช้พาดหัว รองพาดหัว มีทั้งหมด 9 น้ำหนักและตัวเอียงของแต่ละน้ำหนักรวมทั้งหมดมี 18 สไตล์ และมีฟีเจอร์อื่น ๆ เช่น Small Caps หรือ Stylistic Set 01 และฟีเจอร์อื่น ๆ พร้อมให้คุณได้เลือกใช้งาน รองรับหลากหลายภาษา Nanueng is a sans serif display typeface with square shape base. Inspiration from typeface on the Thai newspapers. Look strong, machine and modern feel. Suitable for headline, sub-headline Comes with 9 weights and italics of each weight total 18 styles, and there are features such as Small Caps or Stylistic Set 01 and many features available for you. Support multi-languages.

The 1930 Geneva Motor Show (Salon International De l'Automobile Et Du Cycle) showcased a lot of new cars, but one item in particular took my interest: the amazing art deco poster announcing the show. Lokomotiv font was based on this poster. It is a very deco-ish font, futuristic, angular, with bold squares, rounds and triangles. As I had to work with just a handful of glyphs, and needed to fill an entire font, I made up the missing ones myself. Lokomotiv, by the way, is German for Locomotive.

This variation of Tangential (see also the Standard & Semi Serif variants) continues with the angles that give the typeface its name; however, the square terminals are half-rounded to create a softer and slightly more fluid styling. The Tangential style I envisaged for the family is complemented by the prominent use of negative space throughout, most apparent on the drop-shaped ‘o,’ which is a key feature of the typeface and a letterform I'm particularly pleased with. Available in 2 weights, Regular & Bold, in both OpenType OTF & TrueType TTF formats.

Spekulatus is a made up name, and that was what I needed for a font like this. I am not sure which category it fits in: grunge, square, handmade, rough or maybe even graffiti? Well, let's just say that it fits in all 5 - or perhaps even more? All letters are handdrawn, and messed up a bit with a thin fine white liner, leaving a gentle grungy and worn effect. I've added 5 different versions of each letter, which is quite nice - not having the same letters repeating all the time!

Phola is a brand new geometric san-serif display type family. It consists of 64 fonts and includes an extensive character set and multilingual support. Crafted with love this font family offers a numerous styles (Regular, Solid, Square, Diablo, Oblique, Outline, Clean) the family allows for extensive use cases. This OpenType font offer a fantastic options for users to create some unique artwork. Perfect for branding, Logos, web design, headers, titles, displays, posters and other related projects. Family is mostly rectangular in shaped with either sharp or diagonal corners.