Lucidity is a condensed, handwritten font with emphasis on texture and default wide spacing. This makes it a versatile font for display, medium amounts of text, and T-Shirts.

Jeff Levine's Newshawk JNL emulates the tall, condensed headline fonts often used years ago when an urgent story broke and a newspaper rushed an "Extra" edition to the streets.

Introducing Going Clap, the font that's all about bold and nostalgic vibes! This chunky slab serif typeface is your secret weapon for making text pop with artistic and vintage flair. With 8 unique font families, including Condensed, Normal, Semi Expanded, Expanded, and their cool shadow versions, you'll find the perfect style for any project. But that's not all! When you choose Going Clap, you'll also get a fantastic bonus—56 retro mascot illustrations for that extra touch of character and nostalgia. What's included? Going Clap Main File Has 8 fonts: Condensed, Normal, Semi Expanded, Expanded, Condensed Shadow, Normal Shadow, Semi Expanded Shadow, Expanded Shadow Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Thank you, Dharmas Studio

Dionisio, a CastleType original, takes its inspiration from one of the overlooked treasures of the CastleType library: Ransahoff. The latter is extremely condensed and very elegant. I particularly like its hairline slab serifs and cross-bars. I decided to use it as a starting point for a new design, but to make the proportions more classic and to make it more sensuous with gentler curves and bracketed cross-bar serifs. The result is very Bodoni-like, but less extreme and more contemporary looking. Meanwhile, Dionisio maintains a hint of Ransahoff with condensed letterforms and very fine serifs. Dionisio brings together the best of both, making it the perfect choice where a slender, sophisticated typeface is needed. Dionisio is available in two widths: normal and condensed, five fonts each. Includes an extensive character set and OpenType features.

Burpee is a basic condensed sans typeface, designed for headlines that needs be powerful and punchy, Burpee is inspired in sports, looking for a visual impact that get the attention.

A condensed tall upright font with lowercase small-caps. Basically designed for movie posters. May also be used for a variety of tight-fitting type designs, from packaging to captions.

Alleyway JNL is an original typeface by Jeff Levine drawing heavily on Art Deco influences. It's elegant, condensed design is perfect for anything from invitations to letterheads to ad copy.

There's nothing too fancy about Pool Deck JNL, which is based on an older typeface design. It's your basic sans serif condensed type style with a few unconventional letter shapes.

Cadenza is a bold condensed display font that combines flair with functionality, elegance with utility. Its weight and readability make it ideal for newspaper and magazine headlines, titling and signage.

Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.

Cheyenne JNL is a classic slab serif wood type with chamfered corners. Its tall, condensed design is perfect for short headlines that emulate the Old West and similar nostalgic themes.

Gwyner, a strengthened didone with sharp and clean characteristics, comes with thin to bold weights and is suitable in italic for various uses. A condensed family for space-saving design.

Minty March is an adorable handwritten font that is perfect for cards, invites, birthday invitations and more. This condensed, serif also works well when combining it with a script font.

Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.

Moftein Sough Is a condensed serif font pairing with playful dingbat to make it satisfying, also suitable for minimalist, chic, branding, packaging and merch design to boost your design exploration.

Skillet is a bold vintage style serif font full of hedonism and joie de vivre. Skillet has strong character and extremely smooth features and self-confidence that springs from within. Skillet comes in two weights: Regular and Condensed. Even though the difference is small, Regular takes over the space while Condensed gives a more intimate impression. Skillet comes with a wide range of OpenType -features. Keep Standard Ligatures on in normal use. Try Discretionary Ligatures, Swash, Stylistic or Titling Alternates for custom headlines or logos.

Densa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a condensed sans serif typeface with some unconventional display endings. Its condensed design makes it very effective for space economizing and its display features make it a very interesting option for display usages such as logos, packaging and posters. It has been conceived to be most suitable for headlines and short length text blocks. Densa consists of 8 styles. Each containing small caps and glyph coverage for several languages.

Option is a modern condensed sans serif. Inspired by geometric architectural fonts. But despite the geometric construction every single letter was build based on optical evaluation. This approach makes Option more organic and lively in a text line. Option was created for wide spaces. Condensed and thin, but extremely sweeping vertically font makes your massage elegance and strong. The font functions great in many sizes and surroundings. The family comes in one weights plus italics. Creating of bold weight is underway. Options supports Cyrillic as well.

Our condensed to extended font is perfect for multiple uses, from branding to packaging designs. Its extendable and variable design makes it great for all kinds of projects. Its tubular shapes, ink traps and juicy curves make it both aesthetic and functional. Its condensation also allows a great flexibility, allowing you to adapt it to any project's need. Its versatility also makes it great for both print and digital projects. With this font's easy to use features, your designs will look good on any project or medium.

Fairweather is a fresh air. Clear, transparent, and lucid as if it is the spring and autumn sky. By designed condensed, legible and perspicuous, Fairweather is perfect for titles and captions. But "Title and Captions" are the just examples. Very neutral and plain letter forms make the font versatile. The condensed forms can be very effective for body text in narrow space and the clean and clear letterform doesn't intrude your art works. Consists of nine weights and their matching italics. Supporting almost all latin languages.

A New Condensed Sans Serif font are prepared special for heading, title, and typography needs. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Darien Modern Condensed Sans Serif Font ready with: Any options to get creative variations Preview as a inspirations that you can do with Darien font Ready with All characters Wish you enjoy our font. :)

Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family. Years later, Plantago was expanded, developed and completed by Schriftlabor’s type directors Franziska Hubmann and Lisa Schultz. Plantago shows delicate leaf-like stroke endings and subtle curvings and offers condensed and wide variants. Typeset in 6 weights from Light to Black, 3 widths from Condensed to Extended, both upright and italic, totaling in no less than 36 styles.

A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century. Use it in large sizes for advertising, posters, greeting cards, etc.

Nought is another slab serif typeface, It is a display font with vintage and condensed look that perfect for branding projects, advertisements, product packaging, product designs, label, header, and any projects.

Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.

Svelte is condensed serif family. Its consist of upright styles from Regular to ExtraBold. Fit for display, short text, and stacked typesetting. Its contain 394 glyphs with broad latin language coverage.

Hyperbole is a condensed futuristic display typeface, suitable for writing headlines and drawing posters. This font is strict, cosmic, bewitching. It contains alternative styles for latin letters and extended latin letters.

A smooth contemplative Antiqua with aspiring to the sky ascenders, inspired by the Quietism philosophy. Clarity of the mind is achieved by bringing the body into a state of calm and contemplation, and this is reflected in the design – the quiet horizontal serifs (body) are opposed to the peaky soaring ascenders (mind). The design also features four optical size subfamilies with different x-height and contrast, oldstyle diagonal stress, oldstyle figures by default, smooth details and slightly dark texture. Variable axes: Weight, Contrast, X-Height. Scripts: Latin, Greek, Cyrillic. Languages: 480+. The complete list of supported languages: michaelrafailyk.com/quietism Kerning: 4553 class-to-class pairs. Hinting: Not applied. Format: TTF – OpenType with TrueType outlines. Variable Font: Quietism Variable provides more options than static versions, and has three axes: Weight (Thin–Black), Contrast (Low-High), and X-Height (Low-High). Variable fonts includes thousands of styles that you can access using a sliders on graphic editor or via CSS on web browser. Mixing different axes gives you extra styles not represented by static fonts. Optical Size: The typeface is represented by four subfamilies: Text (low contrast, high x-height – for paragraph 10-20 pt), Deck (medium contrast, medium x-height – for subheading 20+ pt), Display (high contrast, medium x-height – for heading 72+ pt), Poster (high contrast, low x-height – for big size 120+ pt). Small Caps: Lowercase letters and Oldstyle Figures are replaced with Small Capitals forms. Capitals to Small Caps: Uppercase letters, all figures, and some punctuation are replaced with Small Capitals forms. Case Sensitive Forms: ()[]{}‹›«»-–—•·#%‰@ and Arrows are centered on capitals. Oldstyle figures are replaced with Lining figures. Oldstyle Figures: 0123456789 #%‰. Designed to work with lowercase letters. Used by default. Lining Figures: 0123456789 #%‰. Figures are the same height as uppercase letters (cap height). Proportional Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Tabular Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures. Contextual Alternates: Number sign character (#) before uppercase letters is replaced by its version centered on capitals. Hyphen character (-) between two uppercase letters is replaced by its version centered on capitals. First of two TT letters is replaced by its alternate form. Letters vwy before the letters fijmnprtuvwxy are replaced with an alternate shorter versions that fits better in the context. Contextual Alternates (Greek): ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps and Small Caps modes. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Stylistic Alternates: FTГТИЦЩцщ and their versions with diacritical marks. Stylistic Set 01 “Arrows”: Left <- Right -> Up Left Right <-> Up Down North West South East \> South West Stylistic Set 02 “Round-Square Cyrillic”: ДИЙЍЛФвгджзийѝклнптцчшщьъю characters are replaced with its Bulgarian or Russian forms. Stylistic Set 03 “Cyrillic Tse Shcha short tails”: ЦЩцщ characters are replaced with its alternate form with short tail. Stylistic Set 04 “Cyrillic I full serifs”: ИЙЍӢ characters are replaced with its alternate form with inner serifs. Stylistic Set 05 “FT bent inward serif”: FTГ characters and their versions with diacritical marks are replaced with its alternate form with right head serif that bent inside. Stylistic Set 06 “Small Caps centered on Capitals”: Small Caps are vertically centered on uppercase letters. Standard Ligatures: fi fl fb ff fh fj fk ffb ffh ffi ffj ffk ffl. Discretionary Ligatures: Th ct st. Localized Forms: 52 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Macedonian, Moldavian, Polish, Romanian, Serbian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (571 characters). Precomposed.

Ekaliptus, Display Condensed and Humane Typeface, Containing 4 Weights + 4 Matched Italics, Can be used for Headlines and Logos. Two Styles that work well together to form a better tool for you.

Arpa is a display sans and condensed font family. The source of inspiration of this typeface is “wheat-barley”. This typeface has three styles. Extensive Latin language support and features multiple weights.

Whitehall JNL is the serif counterpart to Jeff Levine's Wingate JNL - both are strongly influenced by the Art Deco stylings of such condensed typefaces as Huxley Vertical and other narrow titling fonts.

Lamoreli is a strong rounded face that provides high impact in a non-aggressive way. It is suitable for display, titling and headlines. It retains integrity even when considerably expanded or condensed.

The typeface was designed at ParaType (ParaGraph) in 1993 (by Tatiana Lyskova). Based on Bernhard Condensed typeface of the Bauer company, 1912 by Lucian Bernhard). For use in advertising and display typography.

Deckhouse is a tall and condensed typeface with small serifs. It has an authentic hand crafted feeling and works wonder for packaging, lettering, invitations, cover and other types of display design projects.

Outrage is highly disfigured to the verge of illegibility. The base font is Fiendstar Bold Condensed and the distress pattern is derived from a series of semi-abstract paintings. The result screams.

Cattle Drive JNL is based on some examples of a classic condensed wood type. Lettering of this period lends itself well to themes of Western life, carnivals, circuses or classic broadside posters.

NarrowPath is a family of 18 condensed and ultra-condensed sans-serif typefaces. The family was derived from the font family NarrowWay by adding true lower-case letters. Some alternative letters forms can be reached with the OpenType feature of stylistic sets. The character spacing in most of the styles is quite loose and it can be tightened with an application's character spacing if needed. These typefaces are display faces that can be useful for squeezing tall lettering into tight spaces. Uses may include packaging, signage, and titles.

Rika is a combination of supposedly male and female characteristics, combining together to create a beautifully realised, high impact, condensed typeface. The tall but well-built characters are softened with smooth curves and a mixing in of thin lines, so that the sharpness of many condensed fonts is brought under control. Suave in its application, Rika is all professionalism and elegant showmanship, great for both headlines and text. Rika comes with support for a number of languages, as well as specifically designed glyphs, and its uses might be considered limitless.

Inspired by retro movies and theatre display design. A very condensed font made by Minor Praxis. Perfect for headlines, tall-format prints, posters, and displays which can utilize space of a medium. Neugen is a condensed type of font with a very dense kern. Give a strong impression which can be matched with basic sans serif fonts as a body copy that can make it more casual and modern looks. Available in medium and medium-rounded style with multi languages support. Ligatures, alternates, and stuff like icons and symbols.

A few scant examples of some condensed Roman style water-applied decals inspired Sign Letters JNL. The decals were once part of the gold and black "Signmaker" letters and numbers once manufactured by the Duro Decal Company of Chicago and were sold through hardware and variety stores across the country. The condensed letters (which were eight inches in height) did not sell as well as Duro's mainstay sizes of 1/2 inch to 3-1/2 inches and were discontinued long before the rest of the line was supplanted by self-adhesive lettering.