Presenting 🕌Buballen Arabic Typeface🕌 by alitdesign. Buballen Arabic Typeface is an elegant and sophisticated font product that is designed to add a religious and Islamic touch to your designs, making it an excellent choice for Ramadan promotions and other Islamic design projects. The font's carefully crafted design is sure to impress your audience and enhance the visual appeal of your designs. One of the standout features of Buballen Arabic Typeface is its support for PUA Unicode, which ensures that users can easily access all of the font's characters without any issues. The font also supports multilingual characters, making it perfect for use in various languages other than Arabic. With 739 glyphs characters, Buballen Arabic Typeface offers a vast range of options, allowing users to create unique and eye-catching designs. The font's characters are well-crafted and easily readable, making it an excellent choice for any design that requires an Arabic font. As a bonus, Buballen Arabic Typeface comes with a Buballen Dingbats font that includes a collection of 304 Islamic symbols and ornaments. These extra glyphs can be used to add a Islamic touch to your designs and enhance their visual appeal, especially during the holy month of Ramadan. In summary, Buballen Arabic Typeface is a versatile and elegant font product that is perfect for Ramadan promotions and other Islamic design projects. With PUA Unicode support, multilingual characters, 739 glyphs characters, and a bonus Buballen Dingbats font with 304 characters, this product offers everything you need to create stunning designs that resonate with your audience.

Mushym Arabic Typeface is an elegant and sophisticated font product that is designed to add a religious and Islamic touch to your designs, making it an excellent choice for Ramadan promotions and other Islamic design projects. The font's carefully crafted design is sure to impress your audience and enhance the visual appeal of your designs. One of the standout features of Mushym Arabic Typeface is its support for PUA Unicode, which ensures that users can easily access all of the font's characters without any issues. The font also supports multilingual characters, making it perfect for use in various languages other than Arabic. With 845 glyphs characters, Mushym Arabic Typeface offers a vast range of options, allowing users to create unique and eye-catching designs. The font's characters are well-crafted and easily readable, making it an excellent choice for any design that requires an Arabic font. As a bonus, Mushym Arabic Typeface comes with a Mushym Dingbats font that includes a collection of 304 Islamic symbols and ornaments. These extra glyphs can be used to add a Islamic touch to your designs and enhance their visual appeal, especially during the holy month of Ramadan. In summary, Mushym Arabic Typeface is a versatile and elegant font product that is perfect for Ramadan promotions and other Islamic design projects. With PUA Unicode support, multilingual characters, 845 glyphs characters, and a bonus Mushym Dingbats font with 304 characters, this product offers everything you need to create stunning designs that resonate with your audience.

Based on the lettering and graphic design of the Beat Generation era, Daddy-O was produced in conjunction with the Whitney Museum of American Art to coincide with the exhibition Beat Culture and the New America: 1950-1965. These way gone fonts and extras both capture and affectionately satirize the graphic design of the era. Package now features poet Rod McKuen in an updated version of the Beatsville album cover from 1959.

Nettally is a lovely signature font with a delicate and feminine vibe about it. This typeface gives off a sense of elegance, simplicity, and charm. Please feel free to use this typeface in your own project. This typeface was created with a refined natural touch of handwriting to produce parts and compositions that meet your demands. As a result, this typeface is ideal for crafts, children’s writing, adventure posters, and other similar applications.

Kwaliteit is the result of a love story. The love story between a font designer and an old embossing label machine. The big bold letters produced by such machines are wonderful to convey a big bold message (big bold messages are fun!), but sometimes you just can't walk around with one of those antique label machines… That's why this font can come in handy! Its uses are numerous… be the boss of emboss!

Javar is an all-caps display font. This font is designed in a colossal Middle Eastern style, with dynamic strokes using a flat pen which produces a magnificent and authoritative letterform. This font has a high historical taste, so it is perfect to be applied to specific themes such as culture, history, religion, kingdom, and battles. Equipped with accented characters, and special characters to boost your design. Thank you for your support!

Faubourg marks the first professional typeface release by Marie Boulanger. As much traditional as it is unconventional in its celebration of letterforms, this typeface dances on the page and screen as it moves from a more conventional appearance to monoline and back again. The flowing silk-like undulation only accentuates this distinguishing feature and produces one opportunity after the next for headline settings where the word is as important as the content supporting it.

Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.

Casablanca is a decorative sans serif font family. It was designed and produced in 1997 by Steve Jackaman (International TypeFounders). Jackaman loosely based the designs on the Carlos Winkow typeface ‘Electra’ from the Spanish foundry, Nacional, circa early 1940’s. Casablanca has a clean, Art Deco, jazz, and/or noir film feel. It sets nicely at any size, and brings an air of bold mystery to the projects it is applied in.

Diamond Jim JNL was inspired [in part] by an image of a 1970s Letraset® dry transfer typeface made entirely of small stars. By creating his own layout using tiny diamond shapes, Jeff Levine has produced a font that takes on multiple appearances. At 24 point it resembles dot matrix printing; at 48 point the diamonds are clearly visible; and overall, the design has a distinctive 70s retro feel. Limited character set.

Antique Vintage - Script font is a type of font that features thick and prominent strokes, giving it a bold and impactful appearance. The letters are usually interconnected, creating a flowing and handwritten look. The boldness of the font makes it stand out and grabs attention, making it a popular choice for headlines, titles, and logo designs. It exudes confidence, strength, and creativity, making it suitable for various design projects that require a strong visual impact.

The Tempo font family was designed by R. Hunter Middleton and released between 1930 and 1931. The instant success of Futura in 1927 led to many similar designs, and Tempo is the version produced by the Ludlow foundry for large headlines in newpapers. Like Futura, Tempo font is basically geometric, but shows some humanistic influence. Tempo is popular for newspaper and commercial printing, and the heavy condensed font is excellent for headlines.

The name Old Style No. 7 comes from a time when foundries released a variety of typefaces under one name. Linotype produced Old Style No. 7, which was based on an early 1870s typeface from the Bruce Typefoundry, which had based its design on a type from the Scottish foundry Miller and Richards. Old Style No. 7 is a reliable text type that is serviceable for both books and shorter copy demands, such as magazines.

A set of vintage lettering templates manufactured by Albert Nestler in Germany yielded this Art-Deco flavored typeface with many unusual letter forms. Lettering templates were used for decades by architects and draftsmen prior to other advanced lettering methods to label renderings, blueprints and layouts. Although they are similar to stencils in the fact that the lettering is traced, templates are designed to produce solid lettering with the use of a technical pen.

Rohyt Geometric is an altered modified from the form of the original Rohyt typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Rohyt Geometric” is a prominent, eye-catching and unique typeface. It comes with 8 weights with slim option in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

Introducing the Rosbellé Elegant Script Typeface. This elongated signature script made with consistent strokes so as to produce works that will perfect your design. Rosbellé is very suitable for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation and any projects that need handwriting taste or even feminine tattoo designs! Feature and what inside: Uppercase and Lowercase Alternates Number and Punctuation Ligatures Multi Languages

Skyfire is a Sans Serif font inspired by digital interfaces, spaceships, and galaxies, embodying cosmic adventure and progress. Its sleek design is perfect for branding and tech projects, promising a future full of possibilities. Ideal for space-related work, it immerses viewers in a universe of wonders. With Skyfire, each stroke is a cosmic journey, merging imagination with design. A guiding light for bold projects, it leads to new horizons and innovates in typography.

Goudy Stout was designed by Frederic W. Goudy in 1930. This version was created by Vincent Connare while at Microsoft. Goudy Stout is a decorative typeface that is quite unusual, a novelty of sorts among Goudy's many typographic achievements. The Goudy Stout font is considered a frivolous typeface. Goudy wrote In a moment of typographic weakness I attempted to produce a 'black' letter that would interest those advertisers who like the bizarre in their print."

Now that there are more Studio K fonts than there are characters in the alphabet it occured to me that I should produce a sampler font that showcased them all: hence Variety. The 'What the font' experts amongst you should enjoy identifying individual characters, but to start you off, the featured fonts in the font title are, in order of appearance: Alma Mater Outline Shadow, Aspidistra, Signpost, Cafe de Paris, Showbiz, Barrowboy and Soft Rock.

HiFi is a geometric script whose genesis lies in drive-in movie theaters, vintage auto emblems and radio dials. It embraces the stylistic tenets of retro futurism and proposes that the evolution of design styles, rather than being linear, is a circular process, continually revisiting and reshaping itself. It evokes the 40s & 50s and pre-transistor electronics when you turned your radio on and waited patiently for the tubes to warm up.

This font was inspired by the old form of the so called "Kurrentschrift" German handwriting, based on late medieval cursive. It is also known as "Alte Deutsche schrift" ("Old German script"). It was taught in German schools until 1941, when Adolf Hitler decided to forbid it. As it is a little hard to read, we are proposing here two versions: the "pure" Kurrentschrift, and an adapted "Easy" one, with simplified difficult characters.

Nokio Sans is a clean, minimalist sans serif typeface designed by TypeUnion. The font incorporates clean lines and curves to produce a structured typeface with a subtle playfulness. Nokio Sans is made up of 5 weights + italics and also features an alternate font that uses more traditional character structures to offset the playful original. Nokio Sans is built for multiple uses, from digital applications such as Apps and Websites to logotypes and print applications.

ITC Bette is a particularly elegant calligraphic design from the hand of Patty King. Refined and friendly, this vertical script appears to be drawn with a brush held delicately at a right angle to the page. The unconnected letters and flared ascenders create a feeling of spontaneity, while the design's vertical stress produces a calming counterpoint. Many capital letters drop comfortably below the baseline, and terminals echo a flick of the wrist.

The long and frustrating search for a dynamic, monoline script drew our attention to the lack of such a typeface. This prompted us to create our very own, Terital, named after the 1960s Italian overcoat advertisement that was the original reference point for its 2003 creation. Fearing the odd all-caps script setting, we cheekily designed Terital as a lowercase set. This limitation was revised in the 2011 version. Beautiful swash capitals were also added.

A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine's design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour. This version cleverly combines stark geometry with Art Nouveau sensibilities to produce a kind of Digital DNA feel. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Two handlettered typefaces from J. M. Bergling’s 1914 classic, Art Alphabets and Lettering collided to produce this lively and unusual combination. The caps were originally called "Morocco", and the lowercase are taken from his Keramic Text. The result suggested more of an Egyptian flair, in an offbeat kind of way, and so it got its name. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Sgraffito Display is a geometric sans-serif typeface. It is perfect for headings, logos, posters, packaging and so much more! The font comes with full upper & lower case characters, numbers, symbols and includes the most common stylistic ligatures. Sgraffito is a technique either of wall decor, produced by applying layers of plaster tinted in contrasting colours to a moistened surface and then scratching so as to reveal parts of the underlying layer.

The hand-lettered signage of 1920s and 1930s America produced many typographic jewels that digital type has yet to manifest. This face is but one of them. Unearthed by Alfredo Graziani and Alejandro Paul from a 1923 Speedball lettering manual, Milk Script is a distinctive upright script that offers well-nourished majuscules and sweet-flowing minuscules. A non-connecting variation of this versatile display script is also offered for additional aesthetic control.

The Boston Type Foundry called the pattern for this elegant typeface "Moslem," suggesting the exotic appeal of faraway lands. The face succeeds in fulfilling its promise, with remarkably little extraneous fussiness. The font's name suggests that it's a wise choice for headlines which tout the lure of distant charms. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Bertham Pro Family (4 fonts) is a revival of Frederic W. Goudy’s Bertham typeface. Steve Matteson produced this unique typeface and added bold, italic and openface styles. The fonts include a variety of OpenType features including swash capitals, small capitals and old style figures. It is unmistakably American in appearance recalling a day of quality craftsmanship and hard work. Publishing, branding and packaging materials will draw inspired attention due to its grace and distinctive appearance.

Sundry is J Foundry’s take on the early 20th century grotesque. The design draws influence from various designs of the period. Drawn and cut by hand, these sans have idiosyncrasies and quirks, producing a warm friendly look. The design objective was to even out the quirks and add consistency, without losing the warmth. Sundry looks to balance character and structure for a clear but personable read. Variable Fonts included in the Complete Package.

Stickley Decorations contains 26 classic images from the pages of "The Craftsman," the foremost journal of the American Arts & Crafts Movement of the early 20th Century. These are graphic elements that can be used in many ways and for all occasions, whether creating a custom greeting card or designing and producing unique personal stationery. They can be used exactly as intended, as "decorations" on a printed page, or they can be combined into unusual borders.

Raleigh was produced in 1977 by Robert Norton based on Carl Dair’s Cartier typeface which was designed for the 1967 Montreal World's Fair. It was renamed after Dair’s death. Adrian Williams added three weights for a display series, and Robert Norton developed the text versions. A contemporary old style serif with calligraphic features. For use both in text and display typography. Cyrillic version was developed at ParaType in 2001 by Vladimir Yefimov.

Levino is an italic font family which comes in 9 weights (and/or Variable). The light weights have an elegant look, the middle weights are perfect for texts like menus, copywriting & product descriptions, where the bolder weights create an inviting, prominent statement. Regardless of its classic characteristics, we believe Levino can be a great addition to modern design as well! Try out the several OpenType features and don't forget to download your free demo copy!

This set of typefaces was produced in conjunction with the Guggenheim Museum and the Josef Albers Foundation. Josef Albers was one of the most important artists and educators of the twentieth century. He was a member of the Bauhaus first as a student and then as a teacher from 1920 until its closing in 1933. He then moved to America, where he continued making art and teaching at numerous institutions until his death. Known principally as an abstract painter, he was also an accomplished designer, draftsman, typographer, and photographer. His works explore permutations of form, color, and perception using a restricted visual vocabulary. Created when he was at the Bauhaus, his Kombinationschrift alphabets exemplify the school's ethos. Using 10 basic shapes based on the circle and the rectangle, he created a system of lettering that was meant to be efficient, easy to learn, and inexpensive to produce. These 10 shapes in combination could form any letter or number. The letterforms of this computer version were taken directly from Albers' drawings and notes.

The design of the first "Fat Face" is credited to Robert Thorne just after 1800 in England. It is considered to be the first type style designed specifically for display or jobbing, rather than for book work. The first instance of Fat Face in wood type is found in the first wood type specimen book ever produced: Darius Wells, Letter Cutter 1828. This style was produced by all early wood type manufacturers. The style is derived from the high contrast, thick and thin Modern style of Bodoni and Didot developed only decades previously. The extended variation makes the face even more of a display type and not at all suitable for text. This type of display type was used to compete with the new Lithographic process which allowed for the development of the poster as an artform unto itself. This new digitization by Jim Lyles most closely follows the Wm Page cut. The crisp outlines hold up at the largest point sizes you can imagine. This font contains a full CE character set.

Sign Helpers JNL is a collection of silhouette images carefully redrawn from two distinct sources. Prior to their bankruptcy in 1984, the Holes-Webway Company of St. Cloud, MN produced thousands of their "Webway" sign kits that were utilized by merchants, libraries and schools throughout the country. At one point they included in their sales catalog a selection of die-cut images for embellishing sign work. In the late 50s and throughout the 60s, the Joseph Struhl Company (now known as Magic Master Industries) produced cling vinyl sign kits for business, and a home movie titling set for do-it-yourself film makers. This set also featured die-cut embellishments. A generous selection of designs from both kits have been faithfully re-drawn in digital form to pay tribute to two innovative companies. Other fonts based on products from these companies are Sign Kit JNL (Webway® Sign Kit), Cling Vinyl JNL, and Sign Maker JNL (Magic Master® Sign Kits). Trademarked names are used purely for reference purposes.

*Mont Specimen: http://bit.ly/montsp *Scroll down for the FREE DEMO fonts Features: • 744 glyphs in 20 styles; • Extended Latin, Cyrillic and Greek; • Perfect for headlines and logos; • Prominent x-height; • Distinctive pointed triangular bracketed “t”; • Coverage of multiple OpenType features; • Suitable for web, print, motion graphics etc. Mont is a geometric sans serif consisting of 10 weights ranging from Hairline to Black with matching italics. It supports Extended Latin, Cyrillic and Greek — more than 130 languages all together. The balanced characteristic of Mont with unique details, such as the pointed “t” and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Mont comes with a range of OpenType features — including tabular figures, advanced typographic features such as ligatures, fractions, case-sensitive forms, superscripts, subscripts etc. The typefaceʼs versatility and merits make it easy to confront any graphic design challenge — web, print, motion graphics etc. Up with Mont to the top and beyond!Mont™ Font Field Guide including best practices, font pairings and alternatives.

It can be a real challenge to deliver messages through designs due to the very ordinary display fonts lacking prominent characters. Let us present you the Happy Land, a prominent display font to add firm touches to any of your designs. The letters made all in capital can enhance certain effects on your designs. The font’s simple shapes with strong contrasts affect the legibility. As a result, it is suitable to apply for big text sizes. In addition, this font provides a clipart bonus for you. Enjoy the available features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Happy Land fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

This typeface is based on ISO 3098, a technical documentation issued in 1974 by ISO (International Organization for Standardization), which proposed a set of characters for use on technical drawings and associated documents. Isotext is based on the original standards but is completely redesigned to fit typographic requirements. This new ‘Pro’ version is further improved and now comes with a complete set of redesigned true-italics. Furthermore, the width of the glyphs has increased in order to establish a more balanced and readable text. The result is a contemporary font which works well in small sentences as well as long texts. Isotext Pro is loaded with all the good stuff a designer needs to create documents with attitude. It supports 19 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.