Slurpy is a casual wavy handwritten display font. With bold stroke, fun character. To give you an extra creative work. Slurpy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Slurpy font. Cheers, Maulana Creative

Gersy is a fancy sans serif display font. With bold stroke, fun character. To give you an extra creative work. Gersy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Gersy font. Cheers, Maulana Creative

Lituora is a condensed classic sans serif font. With bold contrast stroke, fun character. To give you an extra creative work. Lituora font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Lituora font. Cheers, Maulana Creative

This set is inspired by the work of Vincent van Gogh. The alphabet captures the essence of van Gogh's handwriting style, using his extensive correspondence with his brother Theo as the primary reference. This lettering style presents a bold brush-stroke appearance which bears striking similarities to the painting style of Van Gogh. A full international charcter set is featured. The extras feature selected imagery from van Gogh's drawing and paintings.

Slayray is a decorative bouncy handwritten font. With block bold stroke, fun character. To give you an extra creative work. Slayray font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Slayray font. Cheers, Maulana Creative

Ifetur display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Ifetur font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Ifetur font. Cheers, Maulana Creative

Jogler is a modern sans serif font. With bold sharp stroke, fun character. To give you an extra creative work. Jogler font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script typeface. Make a stunning work with Jogler font. Cheers, Maulana Creative

Voltura is a handwritten display font. With sharp bold stroke, fun character. To give you an extra creative work. Voltura font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Voltura font. Cheers, Maulana Creative

Gumpops is a cute handwritten display font. With bold sharp stroke, fun character. To give you an extra creative work. Gumpops font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Gumpops font. Cheers, Maulana Creative

Broukha is a decorative display font. With bold contrast stroke and fun character. To give you an extra creative work. Broukha font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Broukha font. Cheers, Maulana Creative

Norsics is a casual modern handwritten display font. With wavy bold stroke, fun character. To give you an extra creative work. Norsics font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Norsics font. Cheers, Maulana Creative

This font is an adaptation of the typeface I designed for TJX Europe, which was used in their branding campaigns for the TK MAXX stores all over Europe. Most characters were given a major facelift and also a few extra ligatures were added in the process. Quintus comes with a regular and a bold version so it offers more variety in use. It also works well in all caps.

Debright is a fat handwritten display font. With low bold contrast stroke, fun character. To give you an extra creative work. Debright font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Debright font. Cheers, Maulana Creative

Art Party is a hand-drawn font suitable for headlines of all kinds when you want a handmade look. Prissy Pots owner Erin Solomon drew the playful letters, which include regular and bold versions. Each face also offers an entirely separate set of upper and lowercase letters accessible in your applications' glyphs palettes. With contextual alternates turned on, these extra letters show up automatically, yielding a more natural, random look.

Debaya is an Old Retro Vintage Font An Old Retro Vintage font that special created with Display style for Headline Vintage Retro Project, Unique branding needs, with extra alternates in unique style that ready to add value of your brand. Debay Old Retro Vintage Font ready with: Lowercase and Uppercase characters Numbers and Punctuations Preview as a inspirations that you can do with Montainous font Available for PC and Mac Wish you enjoy our font.

CONCEPT/ CHARACTERISTICS The lava/soap/pudding character of the font reminds us of a modern bitmap pixel font. »Curly lava bubble« goes even further. The rectangular hard edges expands to soft and almost organic forms. APPLICATION AREA The fancy, modern & decorative font »curly lava bubble« would look good at dis­play size for party flyer & movie pos­ter, music covers or head­lines in maga­zi­nes or websites… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Decorative Font »curly lava bubble« with 3 stlyes (light, regu­lar, bold) & 305 gly­phs inkl. accents & € KONZEPT/BESONDERHEITEN Der Lava/Seifenblasen/Pudding Charakter der Schrift lässt an eine moderne Bitmap Pixel Schrift erinnern. Wobei »curly lava bubble« noch weiter geht und die harten rechteckigen Kanten zu weichen und fast schon organischen Formen ausbaut. EINSATZGEBIETE Der Font würde sich über fol­gende Gebiete sehr freuen und sich dort wohl füh­len: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten­Co­ver, CD-Cover, Pla­kat­De­sign, Game- und Video­spiel-Design aller Gen­res, als Head­line­schrift für print und digi­tale Maga­zine, Bücher, Web­sei­ten… TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Deko Font »curly lava bubble« Open­Type Font mit 3 Schrift­schnit­ten (light, regu­lar, bold) & 305 Gly­phen inkl. dia­kri­ti­sches Zei­chen & €

Linotype Punkt, from US designer Mischa Leiner, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This font, from US designer Mischa Leiner is available in three weights, light, regular and bold. The basic forms are those of a robust sans serif, however the figures are composed of evenly placed dots, hence the name Punkt, the German word for dot. This distinguishing characteristic lets this font look as though it appears on a background of light. One other unique trait of this font is the nature of the three weights. The figures of each weight have exactly the same measurements, the same width, breadth, etc. The only variable measurements are those of the individual dots making up the forms, making the bold weight much darker than the light while retaining the same outer contours. Linotype Punkt should be used in larger point sizes, as when it is too small the dots blur together and rob the font of its 'light'. The font is therefore best for headlines in large and very large point sizes.

Bartleby is a hand-drawn all caps display font. It has over 300 glyphs and several variations on the standard alphabet with all those €xtra pesk¥ foreign characters too. It is available in 3 weights regular, bold, black and as a family of all three.

Monday is a bold and strong script family of two weights and a matching ornament set. Monday has a polished 1950s hand lettering feeling to it and it is ideal for logo, packaging and brand design purposes. Monday is equipped with plenty of alternates and features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Lining Figures in any OpenType Savvy program or manually choose from even more alternate characters from Glyph Palette. If you need to write in caps Monday pairs up nicely with Peaches and Cream Caps. Monday is loosely based on Fenotypes earlier release No. Seven. For the best price purchase the complete Monday Family.

No. Seven is a bold brush style script family of three weights, ornament set and a block capital "small caps" font. No. Seven is equipped with plenty of OpenType features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Discretionary Ligatures, Tabular or OldStyle Lining in any OpenType savvy program or manually select the characters from Glyph Palette. Always keep on Standard Ligatures for the best outcome. Combine No. Seven with No. Seven Ornaments and No. Seven Small Caps to complete your designs. No. Seven is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling. For the best price purchase the complete No. Seven Family.

In the tradition of Goudy Old Style and Goudy Modern, Chong Wah drew Chong Old Style™ and Chong Modern™ as visually different – but complementary – designs. According to Chong Wah, “The extended family of typefaces started as a concept rather than a preconceived design. The concept is different sans serif type styles with a common underlying structure and a clear lineage to traditional serif designs. While there are similarities between the designs, each typeface was drawn as a separate entity.” Chong Old Style has the flavor of traditional old style designs without slavishly replicating the earlier design traits. It has the heft and color of an old style design but lacks the serifs and inclined stroke axis customarily seen in these typefaces. The result is a versatile suite of typefaces that deliver a straightforward message in large or small sizes. Chong Modern is a sans serif interpretation of the classic modern, or neoclassical, designs of Bodoni and Didot. More than a Bodoni without serifs, Chong Modern also has an elegant, Art Deco demeanor. This is a design that walks the line between traditional and contemporary with grace and aplomb. Chong Wah drew his Old Style and Modern designs in Light, Regular and Bold weights, adding an Extra Bold to the Old Style. All designs benefit from harmonizing italic counterparts. Both branches of the Chong family are also available as OpenType Pro fonts, allowing graphic communicators to take advantage of OpenType’s diverse capabilities. These fonts, in addition to providing for the automatic insertion of old style figures, ligatures and small caps, also offer an extended character set supporting most Central European and many Eastern European languages

Linotype Afrika, from German type designer Jörg Herz, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Dancing, jumping, and playing, the lively beings of this symbol font exude joy. Ornaments and a few frolicking animals complete the font. Combining the single figures, whether as decoration or border, creates a pattern which will surprise you with its lightness and dynamism.

Fusaka was created by graphic designer Michael Want, a highly original and specialized display typeface which bridges Kanji and Roman letterform styles. As in Kanji, each character fits into a square. The shape and the placement of letter and decorative strokes can make Fusaka look like Asian writing at first glance and allow it to be set either horizontally or vertically. Use Fusaka for a unique look on CD covers, magazine headlines, book titles and Web sites.

Buzz is a loose and informal grungy font with a modern, electric, zappy quality: The font is particularly useful for the promotion of products aimed at young and trendy consumers. It can be used for the design of: CD and DVD covers; clothing advertising and swing tags; magazines and advertising; and cosmetic packaging. It has been carefully letterspaced and kerned. It contains a full character set: all upper and lower case characters, punctuation, numerals and accented characters are present.

The Fast Hand set was inspired by casual, neat hand lettering. They are casual and informal and ideal for use in conveying these qualities. They are excellent for casual text and at large sizes an effective casual display font. Both fonts have the same uppercase alphabet, numbers, punctuation, accented characters, symbols, and miscellaneous characters. As their names imply Fast Hand Lower Case has a lowercase alphabet while Fast Hand Small Caps has small caps in place of the lowercase alphabet. Fast Hand Lower Case and Fast Hand Small Caps are sold as a set priced at $20.

On February 15, 1926, the Display Material Company of St. Paul Minnesota patented a sign making outfit consisting of a series of stencils in various sizes and styles, paints, brushes, instructions for use and all stored inside a convenient wooden case. Sold to any business in need of making many signs at low cost, this versatile stencil set enabled many a merchant to produce posters, show cards and price tags for pennies over what a commercial sign shop would charge. Floorwalker JNL is the digital version of one of these stencil fonts, solidified into a pre-Art Deco-era typeface.

If you like old style type, ephemera or victorian era, you must be collect this font , its combination of old and modern touch ,it so adaptable and thats make an eye catching design. This unique and classic font for signage, label, poster, gold leaf, sign painting, branding and the other graphic design made. Gold shine inspired of vintage advertising and sign shop around the world. Goldshine comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. To make everyone enjoyed Goldshine give you one extras font including ornament and traditional badge. If you use Goldshine with you imagination, you just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

Humanist 521 is a Bitstream digitized version of Gill Sans typeface. The font was designed by Eric Gill and released by Monotype circa 1928-1930. Gill’s design is based on the typeface of Edward Johnston, the innovative British letterer and teacher, designed in 1916 for the signage of the London Underground. However, it has more classical proportions close to those of old style serifs, and thus is more suitable for text setting. With distinct roots in handwritten scripts, Gill’s typeface is classified as a humanist sans serif and is very legible and readable in text and display work. Having been released more than 80 years ago, it’s still very popular and in fact is an icon of British typographic style. The Cyrillic version of Ultra Bold weight was designed by Tagir Safaev in 1997. Six text styles and Extra Bold style in Cyrillic were designed later by Vladimir Yefimov and Isabella Chaeva. The Cyrillic version, in addition to the original Bitstream implementation of Humanist 521, has an alternative numeral 1 with the traditional shape and a set of old-style figures. Rereleased by ParaType in 2013.

Based on a popular design of the 50s-60s, Sandcastle JNL has the retro-casual charm of many prints ads of that era. It lends itself well to headlines, price tags, announcements, name plates and just about anything that recreates the mid-century panache.

An old narrow Grotesque from Stempel’s early days (possibly Information Bold Condensed) revived and revised for photocomposition.

Let’s not be frightened of the asymmetrical Kayino font. The character of this Groovy Retro font is intriguing and enjoyable. If your project calls for enjoyment, proceed with care. The foundation of Kayino was classical but modern music. A psychedelic-inspired look called Kayino was created using vintage objects and brash pop art typography from the 1960s. The fun and captivating character of the Groovy Retro font makes it the ideal option for designs like posters, banners, music, branding, logos, and more.

Hello, here is it the new Rounded fonts Dopeness. It comes with extra Extrude and Shadows. Easy to read, easy to access the extrude and shadows. What's Included Inside The Fonts ? Uppercase Lowercase Numerals Symbols PUA Encoded European Multilingual Extrude ( Extra Style ) Shadows ( Extra Style ) Thank you, Regards!

ZT Bros Oskon 90s is a captivating typographic creation that seamlessly blends the aesthetic charm of the 1990s retro era with a modern touch. With unmatched serif elegance and a unique 90s style, this font offers 72 variations, including sharp Condensed forms, graceful Expanded, and captivating italic styles. Every character in ZT Bros Oskon 90s is meticulously crafted, creating a vintage ambiance that is truly enchanting. Featuring 6 font weights ranging from Extra Light to Bold, this font provides you with the flexibility to create a wide range of striking and memorable designs. Features of ZT Bros Oskon 90s: 72 Unique Variations Aesthetic Retro Vibes from the 1990s Elegant Serif Style Condensed, Expanded, and Italic Forms 6 Font Weights: Extra Light, Light, Regular, Medium, Semi-Bold, Bold Exceptional Creative Versatility ZT Bros Oskon 90s is the perfect choice for graphic design projects, branding, posters, and other promotional materials that require a captivating retro touch. Unleash limitless creativity with this font and infuse a nostalgic 1990s vibe into every one of your creations. ZT Bros Oskon 90s has 6 free styles, you can get them on my GUMROAD I hope you have fun using ZT Bros Oskon 90s. Thanks for using this font ~ Zelowtype