Skaremoosh is display typeface that is wild and weird. It plays by its own rules, and so will you when you use this font. Included in Skaremoosh are standard ligatures, currencies, ampersands and footnotes consistent with the design. Skaremoosh is complete with alternates for each letter, and alternate ligatures for variation and stylistic choices. Skaremoosh is well suited for an informal look and feel for apps, games, fashion, posters, menus, graphic novels, and anything eye catching. This font was created after months of working on some very rule driven font projects. The need to just let loose was intoxicating - and the exact opposite of what I was doing. I really hope this font inspires some spirited designs!

Cupcake Cuties is a delightful and whimsical handwritten font that brings a touch of sweetness and playfulness to all things related to cooking and kids. Its charming letterforms, adorned with playful swirls and endearing curves, evoke the joy and magic of baking and childhood. With each character carefully crafted as if with a sprinkle of fairy dust, Cupcake Cuties adds a whimsical and inviting flair to cookbooks, recipe cards, children’s menus, and party invitations. From delectable cupcake illustrations to delightful kitchen-themed designs, this font captures the essence of culinary creativity and the enchantment of childhood, making it a perfect choice to create a truly delightful and memorable experience for little chefs and their families.

This font is my first attempt at typeface design. It is based on my own handwriting and I tried to maintain the natural quality, where the letters are quite loose, some going in different directions, thickness and position. It has Open Type features including contextual alternatives, stylistic sets and ligatures. Trying to maintain natural quality of handwriting each glyph has four styles which randomly appear when you type. For example, when there are double letters, the two letters are slightly different. You may also switch off the random feature and use the four styles on their own. The many alternates are best activated in OpenType-aware programs, such as Word 2010, Illustrator CS4+, InDesign CS4+ and QuarkXpress 7+.

Pontina is the name of a multilingual didone typeface. Its elegant character is built up of playful and lively strokes combined with high ascenders and high capital letters, that gives the classical forms a modern individual touch. It combines both: legibility and an ornamental curvy look for display purposes. The typeface provides true italic fonts for each weight, which fit harmoniously to the regular fonts. Pontina can be used for headlines and also works well in smaller text sizes. The text styles have slightly lower capitals and ascenders for better legibility. Also the font comes along with a set of different ligatures as well as swash letters and all necessary open-type features.

Wouldn’t it be nice to have a pack of Instant Harmony in your cupboard? Just add water and *poof* - all strive and struggle have gone, having been replaced by peace and quiet. The grass seems greener, the sky bluer and the air smells like a fresh mowed lawn. Ahhhh! Zap! Back to reality. There is no instant harmony, don’t go looking for it in your local supermarket! If you want a taste of something resembling instant harmony, then add this super-duper font family to your collection and use it for your designs. You may find that your creativity levels are up, your morning coffee tastes better and your designs look exactly like you had in mind. Pinky promise!

Inspired by the vintage label and packaging design, we do a very fun research about the typeworks in the old era. We drown too deep in every single reference that we found. Super mesmerized with how each letters flow so uniquely in every brand's packaging display. We sum up every idea, build the characters one by one, carefully crafting in every single click, till the day that we've been waiting for finally come. Proudly present, CONSERTA. A beautiful vintage display serif typeface. Packed up with a bunch of features like Stylistic Alternates, Ligatures, and Oldstyle Numbering, To expand the flow and characteristic in every single letters. Perfectly fit for any of your vintage touch of branding and visual content.

Menor is a graffiti font with a distinctive and appealing abstract shape that has a unique shape in each character, making this font appropriate for your outstanding project. This font also contains an alternation of enormous letters to beautify your project, so don’t wait. Use this typeface once more to create a lovely and stylish project. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

It's that time of year again, isn't it? And yes, we're speaking rhetorically, because our true intent is to rouse voters into action, claim a significant gain in support over our nearest rivals and lead the nation, perhaps The World, into a new era of prosperity, one in which our once proud nation can become great yet again! An era of Hope, a time of peace and an end to war! Because never, in the field of human conflict, have so many, given so much and gained so little so that the have nots can reward themselves and those that have and-and... Victory, and Hope, and Greatnessness! Related font: Victory Speech Lower

First of all, let me get one thing straight: With Janky Action, I didn’t make any attempt on making a beautiful or good looking font! Janky Action is my humble attempt to recreate a sign I saw at a flea market. The sign was obviously made by someone who didn’t give a darn about the width of strokes, height of letters, and other “rules” when making a sign. I fell in love with the naive approach on how to make a sign. In order to create some randomness, I have added 4 different versions of each lowercase letter. I hope you find this font as enjoyable as I did while making it! :)

Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky and released by ParaType in 2006. The type family contains 9 styles with a number of alternate characters in each ones. For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. Giant ink traps (or something like that) produce an original image of the family. Five condensed styles were added in 2007 by the same designer. Mellnik Text in 12 styles (added in 2008) has more narrow proportions and it is rather appropriate for text setting.

Ferryman is a Blackletter typeface for the contemporary reader. Unfamiliar Blackletter characters have been replaced with adapted common Latin characters (Antiqua) or with letters from other historical scripts that are more legible to a modern audience. Ferryman is the antidote to the overused geometric and neogrotesk styles. An expressive display typeface with a strong character, it is perfectly suited for counterculture projects and progressive concepts e.g. in visual art, indie music, and alternative lifestyles. With nine weights and corresponding italics Ferryman offers a wide range of creative possibilities. Each style offers 590 glyphs supporting all Western-, Eastern- and Central-European languages and comes with four sets of numbers and various currency symbols.

Inspired by the 18th - 19th century of Penmanship specimens archive from Europe and America, carefully crafted with precise mood, technique, and visual touch to bring back your design works into that specific era. It comes with a collection of 3 fonts that match well with each other. Also a set of wide features such as Ligatures and alternative swashes. Lasttown will be a great choice for your classy and formal visual looks such as certificate design, vintage label, commercial lettering works, sign painting, glass gilding, logo type projects, liquor store branding, wine packaging, anytime you need a classic visual touch, please, be our guest. What you get : Standard & Discretionary Ligatures Stylistic set Numerals & Punctuation

Mithic, a captivating handwritten script font, effortlessly combines fluidity and grace, breathing life into every stroke. Its meticulous cursive detailing reflects a perfect balance between elegance and informality, making it an ideal choice for projects seeking a touch of personalized charm. The individuality of each character in Mithic resonates with authenticity, conveying a sense of warmth and human touch. Whether used in invitations, branding, or creative displays, Mithic captures the essence of handwritten beauty, bringing a timeless and personal element to the world of typography. With its versatile nature and organic flow, Mithic stands as a testament to the artistry of hand-scripted fonts, offering a unique and enchanting presence to any design endeavor.

Lewis Hamilton is a stylish signature font that embodies elegance and sophistication. Inspired by the signature of the renowned Formula One driver, Lewis Hamilton, this typeface exudes a sense of confidence and refinement. Each letter carries a graceful flow, reminiscent of a personalized signature, adding a touch of exclusivity to any design. With its sleek lines and carefully crafted curves, Lewis Hamilton captures the essence of a stylish and modern aesthetic. Whether used for branding, luxury products, or high-end invitations, this font brings a sense of prestige and class. Lewis Hamilton is the perfect choice for those seeking a signature font that exudes timeless style and a touch of celebrity allure.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

The "Zornale", is an original manuscript that contains a large amount of data, providing a daily record of the books acquired by the Venetian bookseller Francesco de Madiis, between 1481 and 1488. Zornale is a family of text fonts in five weights that can be combined with the variant Caption with short ascenders and descendants. The family is completed with true italics in two weights (light italics and italics) specially designed for use in reading texts. These fonts have been designed with precise kerning and full OpenType features: Small caps, old-style numbers, Swashes, stylistic and contextual alternates, ligatures and case-sensitive forms. Each font contains 549 glyphs for complete control and enhance typographic refinement.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Villa is the abbreviation for Carrer Villarroel (Villarroel Street), where the Villarroel Pharmacy has been displaying this sign since the first quarter of the twentieth century. The Eixample Villa typeface system consists of sturdy letters free of ornaments with an industrial aspect. Only the treatment of the curves borrows modernist features. Like the rest of the families in the Eixample series, Villa shows its origin as a display font, but it has been engineered to give good results at small sizes as well.

Toiban is a classy modern sans serif font. Each Toiban glyph has been modernly drawn and designed for this expansive new edition, which maintains the Swiss mantra of clarity, simplicity and neutrality for the demands of contemporary design and branding. The larger View version is drawn to show off Toiban's subtlety and is spaced with the headline in mind, while the Text size focuses on readability, using strong strokes and comfortable loose spaces. The Toiban struggles to be legible at a small size because of its compactness and closed aperture. The Toiban Micro's design is simplified and exaggerated to maintain impression in small, loosely spaced type, providing excellent legibility at microscopic sizes and in low-resolution environments.

XOVA Base, Color One, Color Two, Color Three and Color Four, is a 5 font system that can be layered in different ways to create infinite title effects used commonly in poster and 3D logo design. XOVA’s layer combinations give you complete control in producing styles like, modern, 3D, beveled. It can be used alone and/or in layered and allows you adjust leading and kerning. Each font contains the similar metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. XOVA works great in any graphics application that allows you to utilize layers or 3D effects.

Say hello to Just Lovely!—a flirty and sleek dry-brushed font family, with a big personality and a multitude of letter variations to make your design look uniquely hand-lettered. Just Lovely comes with a stylistic set of uppercase letters, 3 sets of lowercase stylistic alternates, and realistically created standard ligatures to ensure you get the look you are after. To top it all off, Just Lovely comes with a complimentary dingbat font with a set of 62 swashes, catchwords, and doodles to bring your type designs to life! Just Lovely comes in various styles—Regular, Slanted, and Wide Slanted—each with its own unique personality to suit the style you need for your design.

Holgada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a geometric sans serif typeface with refined rounded endings that provide a soft and friendly appearance. Its generic shapes make it suitable for any kind of project, text length and size. Thanks to its clear legibility, it can be used in long body texts in very small sizes, in big size headlines and everything in between. The rounded endings not only provide a particular softness when used in body text, but also a distinctive touch when used in display situations such as logos and headlines. Holgada consists of 12 styles, each containing small caps and glyph coverage for several languages.

Greatest Fortune is an incredibly realistic and perfect handwritten font duo. The combination of various ligature (uniquely designed letter combinations) makes the font look more natural. In addition, the Greatest Fortune font also includes an all-caps version, complete with an alternative to the letters A-Z. Suitable as emphasis in a word or as a standalone font. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. This font also contains 61 ligatures which make the font look very natural. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

American type designer Michael Abbink created this sans FontFont between 2006 and 2008. The family has 9 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising, packaging, book text, editorial, publishing, logo, branding, small text as well as wayfinding and signage. FF Milo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters.It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Milo received the Letter.2 award. This FontFont is a member of the FF Milo super family, which also includes FF Milo Serif.

"The Giant Monster" is a bold 3D display font featuring solid, inner, and shadow characters. Fonts like this offer various styles within the same typeface, providing depth and dimension to the text. The solid characters provide a bold and straightforward appearance, while the inner characters offer depth and a three-dimensional effect within the letterforms. The shadow characters contribute to the font's depth by adding shadowing or highlighting behind each character. With its multi-layered design, "The Giant Monster" allows you to create text that appears voluminous and impactful. This font is suitable for projects such as posters, titles, or any design endeavor that requires a bold and dynamic typographic style with a three-dimensional effect.

I'd like to introduce you Sigantural! a wonderful cursive signature font. As the name implies, this font is made for those who need a font with a signature style, with a real handwriting vibe. Scratches that are natural or arguably imperfect, actually add a warm and close impression to the user. Signatural is very valuable to additional your handwritten and signature font. Signatural comes with : - Ligatures - Swashes (including ending, begining, and underline swashes) for each letters. To access underline swashes you only need to type _1 until _6. - Multilingual support Signatural is perfect for many design needs such as merch, T-shirts, titles, book covers, social media posts, websites, events, and many more. Enjoy the font, Thank You!

Good Faster is a bold script typeface. In a quirky calligraphic style, this flowing font has a rustic look and soft lines. The Good Faster family consists of four styles: Regular, Bold, Italic and Bold Italic, complimenting each other for the greatest design possibilities. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Some scribbles on a bar napkin, a note from a cute girl passed in history class, what is there to say but why not a typeface? Actually it's that late night, �let's get this typeface done� madness that causes these flights of fancy. Anything to relieve the boredom of doing all those kerning pairs. Or maybe it's sunspots? Ms Kitty is all uppercase letterforms so there are two versions of each letter, one in the cap position, another in the lowercase position. Besides the regular weight and bold, there�s a bolder and much bolder in the works. And perhaps there will be a "too bold to be believed" version. Depends on the sunspots.

Monaly is a display serif font. Designed with large, heavy letters, Monaly is a display font that makes a bold statement. Each letter is meticulously crafted with strong, confident serifs that lend a sense of grandeur and sophistication to your design projects. The artistic flair of Monaly is evident in its carefully balanced letterforms, which blend tradition with a contemporary edge. The font's heavy weight adds a sense of weightiness and substance, making it a reliable choice for conveying authority in your designs. Monaly fits in headlines, logos, posters, flyers, invitations, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Groovy Orange feels playfully nostalgic and delivers an incredible vintage retro aesthetic. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word Fully accessible without additional design software. I really hope you'll get pleasure using Groovy Orange and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

German type designer Yanone created this serif FontFont in 2010. The family has 8 weights, ranging from Regular to Extra Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Amman Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Sans.

Minimal Nahidha is a minimalist sans serif typeface with a casual and trendy outlook. Minimal Nahidha was built to balance the geometric qualities of a san-serif typeface with all the benefits of traditional serif fonts, like readability and personality. Minimal Nahidha comes in Regular and Slant version, each with its own unique set of characters & it has ligatures and stylistic alternates that make it easy to customize your designs. The fonts works best as display typefaces or as beautiful headline fonts, but can also be used in other ways to create stunning designs. Features : - Minimal Nahidha Family Font - Ligatures - Stylistic Alternates - Multilingual, US Roman, Latin 1 Support Hope you enjoy with our font! Attype Studio

Danish type designer Ole Søndergaard created this serif FontFont in 2005. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, film and tv, editorial and publishing as well as logo, branding and creative industries. FF Signa Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif Stencil, and FF Signa Stencil.

Introducing our new Lincoln Road Font Collection. Deco, but not too Deco. A Lincoln Road is a family of 9 fonts including 2 weights of Deco and 6 weights of a coordinating Sans and an Elements font that contains the frames and elements you see used in the previews. Each Deco weight has a corresponding Sans weight. Lincoln Road was inspired by art Deco styles, but is a modern interpretation - in other words - not too deco. It works for modern projects that need a hint of a decorative look and can also be used for a more vintage vibe. Check out the previews to see some of the ways you can use this family.

Johann Neudörffer the Elder's 1538 writing manual fascinated the German designer Helmut Bomm for years. Together with Albrecht Dürer and Hieronymus Andreä, Neudörffer helped create Fraktur, perhaps the most Germanic of all the blackletter styles. As a tribute to this master, and bringing its letterforms to a 21st century public, Boom released the Neudoerffer Fraktur family through Linotype in 2009. Neudoerffer Fraktur's appearance is based very much in handwriting, and Bomm had already begun using letters from prototype versions of this typeface as early as the 1990s. For years, Neudoerffer Fraktur'sletters would appear secretly and seductively in design projects like historical sign restorations or heraldry pieces. The sources that Bomm used while drawing the typeface were images from Jan Tschichold's Treasures of Calligraphy" and Albert Kapr's "Schriftkunst." The Neudoerffer Fraktur family has four separate fonts. Any user of Adobe CS applications should consider licensing Neudoerffer Fraktur Regular (the font without any numeral suffixes). This font contains three different OpenType stylistic sets. Users can pick and choose which versions of the letters that they would like to set. Anyone using Quark XPress, Microsoft Word, or other applications without support for Stylistic Sets should license Neudoeffer Fraktur Regular 1, Neudoeffer Fraktur Regular 2, and Neudoeffer Fraktur Regular 3. Each of these three fonts has letters with slightly different style of flourish, and all three may be combined with each other. Neudoerffer Fraktur Regular 1 is optimal for longer texts; Neudoerffer Fraktur Regular 2 contains alternate letters, and well as more ornamented capitals; Neudoerffer Fraktur Regular 3's letters have a stronger calligraphic accent."

Kungfu Brush is a captivating game-themed display font designed in uppercase, infusing the essence of martial arts and the artistry of brush strokes. It features a distinct brush-style accent that brings a sense of handcrafted artistry to each letter. Inspired by the fluid movements of martial arts, the font captures the energy and elegance of brush strokes. This unique feature adds a touch of creativity and authenticity, making this font stand out from conventional display fonts. Designed with fairly low contrast, Kungfu Brush prioritizes a balanced and harmonious visual experience. The subtle differences in stroke width across the letters create a smooth and comfortable reading experience. With its uppercase design, Kungfu Brush exudes power and strength. Each letter commands attention and showcases the boldness of martial arts. The font's uppercase style adds a sense of authority and captures the spirit of determination found in the martial arts realm. You can also enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Kungfu Brush fits in headlines, logos, posters, titles, branding materials, print media, editorial layouts, website headers, and any projects that aim to capture the essence of combat, adventure, and discipline. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Say hello to new serif font, The Beatrix! The Beatrix is a serif font that offers the perfect combination of modern and retro feel to each letter. Bold and well-contoured in character, The Beatrix embodies a boldness and charm that cannot be overlooked. The design exudes classic serif elegance but with a touch of fresh, up-to-date style. The Beatrix accentuates uniqueness with a variety of stylish alternatives. Each character alternative provides an interesting creative dimension, presenting a fun combination of modern and retro styles. You as a designer have the freedom to explore and express your unique ideas through captivating typography. The Beatrix is an ideal choice for a variety of design projects. With a modern and retro feel, this font is suitable for use in headlines, logos, branding, marketing materials, posters, and many more. Whether it's a project that wants to convey a contemporary feel or explore the charm of the retro era, The Beatrix has the flexibility to adapt and deliver a strong message. Here's what you get: The Beatrix Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino, Fino, and Fino Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino perform a range of roles far broader than your typical Bodoni or Didot.

Devil Inside is a spine-chilling display font that will send shivers down your spine. Designed in a large, bold font, this typeface demands attention and exudes an aura of darkness. Each letter is meticulously crafted with a square shape, high contrast, and haunting brush details, adding an eerie and sinister touch to the font. The large size of the letters enhances the font's ominous presence, making it impossible to ignore. The square shape of each letter adds a sense of rigidity and sharpness, while the high contrast brings an element of drama and intensity. These design choices contribute to the font's unsettling and sinister look, immersing the viewer into a world of darkness and fear. The brush details in Devil Inside give the font an organic and handcrafted appearance, as if it were inscribed with ancient symbols by a malevolent force. These haunting details add a sense of craftsmanship and enigma, creating an atmosphere of mystery and foreboding. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Devil Inside fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.