Hardinge is born from an original and blackletter style font. It has a classic, vintage-style which is perfect for logos, branding materials, t-shirts, prints, business cards, and every other design which needs a unique and striking typeface.

Second Impression JNL is the solid version of Lasting Impression JNL by Jeff Levine. It emulates the look of ink-stamped letters and numerals. Based on a 1930s-era set of rubber stamps, there is a limited character set.

Futura is the fully developed prototype of the twentieth century Geometric Sanserif. The form is ancient, Greek capitals being inscribed by the Cretans twenty-five hundred years ago at the time of Pythagoras in the Gortyn Code, by the Imperial Romans, notably in the tomb of the Scipios, by classical revival architects in eighteenth century London, which formed the basis for Caslon’s first sanserif typeface in 1817. Some aspects of the Geometric sanserif survived in the flood of Gothics that followed, particularly in the work of Vincent Figgins. In 1927, stimulated by the Bauhaus experiments in geometric form and the Ludwig & Mayer typeface Erbar, Paul Renner sketched a set of Bauhaus forms; working from these, the professional letter design office at Bauer reinvented the sanserif based on strokes of even weight, perfect circles and isosceles triangles and brought the Universal Alphabet and Erbar to their definitive typographic form. Futura became the most popular sanserif of the middle years of the twentieth century. Ironically, given its generic past, Futura is the only typeface to have been granted registration under copyright as an original work of art, and, further irony, given the key part played by the Bauer letter design office, the full copyright belongs to Renner and his heirs. This decision in a Frankfurt court implies that a further small group of older typefaces may also be covered by copyright in Germany, particularly those designed for Stempel by Hermann Zapf. This situation appears to be limited to this small group of faces in this one country, although protection of designers’ rights in newer typefaces is now possible in France and Germany through legislation deriving from the 1973 Vienna Treaty for the protection of typefaces. Mergenthaler’s Spartan is a close copy of Futura; Ludlow’s Tempo is less close. Functional yet friendly, logical yet not overintellectual, German yet anti-Nazi... with hindsight the choice of Futura as Volkswagen’s ad font since the 1960s looks inevitable.

Ultra Heavy Weight Font Champion – that's Kotto Slab. Bold curves and catchy endings. You can always count on Kotto – quirky posters, creative projects or long texts. That doesn't matter. Easy to use and easy to pair with other typefaces. Matching italics and opentype features will make your work faster. Try it with sans and serif fonts, especially with Praho Pro – you won't regret it.

Locke is a stylish slab serif with a modern twist. Currently, it has 6 weights, ranging from ExtraLight to Bold. The presence of ball terminals on certain glyphs and its unusually high x-height give it a unique look, perfect for large titles or body copy. Locke has extensive multi-language support, counting over 390 glyphs per weight. Try out Locke Regular for free!

Lanetta is the perfect mixture between a blackletter and serif font. It's narrow characters give it stylistic appeal that you just can't get anywhere else. It's the perfect font for the fall/winter seasons, too. Perfect for use in letters and documents, branding and logos, websites, book and album design, themed projects, and anything else that could use edgy elegance. Glyph count: 440. Supports most western languages.

Sunbursting is the perfect, bright retro font for all of your summery needs. Great for use on book and album covers, websites, branding, clothing, and social media. It has playful, bubbly serifs on letters and alternates to give your projects all the personality they need. Glyph Count: 449 This font also has multilingual support, and supports most western languages! Comes with two styles, regular and outline.

Accura is a sans serif font with a technological aspect and simple letterforms. Its closed angles and smooth curves make it an unique source of personality, and still offers great readability. Perfectly fits to headline sizes and text blocks, Accura has seven precise-calculated weights and their matching italics, from thin to black. Offers support for more than 50 languages and count on opentype features.

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

Montauk Pro is named after a small village in Suffolk County, New York on the South Shore of Long Island. It is the easternmost area in Long Island, and thus the easternmost area in New York State. It is home to Montauk Point State Park, site of the Montauk Point Lighthouse. It is named after the Montauk Indians. Montauk Pro is a casual, jaunty and quite beautiful handwriting script. It comes with six styles as light, light italic, regular, regular italic, bold and bold italic, each style with about 1.000 characters covering the complete Latin glyph set for West and East including Baltic and Turkish, including a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.

In the late 1930s, old Egyptiennes (or Italiennes) returned to the collective consciousness of European printers and type houses — perhaps because political news were front a centre, especially in France where Le Figaro newspaper was seeing record circulation numbers. In 1939 both Monotype and Lettergieterij Amsterdam thought of the same idea: Make a new typeface similar to the reverse stress slab shapes that make up the titles of newspapers like Le Figaro and Le Frondeur. Both foundries intended to call their new type Figaro. Monotype finished theirs first, so they ended up with the name, and their type was already published when Stefan Schlesinger finished his take for the Amsterdam foundry. Schlesinger’s type was renamed Hidalgo (Spanish for a lower nobleman, ‘son of something’) and published in 1940 as ‘a very happy variation on an old motif’. Although it wasn’t a commercial success at the time, it was well received and considered subtler and more refined than the similar types available, Figaro and Playbill. In the Second World War, the Germans banned the use of the type, and Hidalgo never really recovered. Upon closer inspection, Schlesinger’s work on Hidalgo was much more Euro-sophisticated and ahead of its time than the too-wooden cut of Figaro and the thick tightness of Playbill. It has a modern high contrast, a squarer skeleton, contour cuts that work similarly outside and inside, and airy and minimal solutions to the more complicated shapes like G, K, M, N, Q and W. It is also much more aware of, and more accommodating to, the picket-fence effect the thick top slabs create in setting. Basilio (named after the signing teacher in Mozart’s Figaro) is the digital revival and major expansion of Hidalgo. With nearly 600 glyphs, it boasts Pan-European language support (most Latin languages, as well as Cyrillic and Greek), and a few OpenType tricks that gel it all together to make a very useful design tool. Stefan Schlesigner was born in Vienna in 1896. He moved to the Netherlands in 1925, where he worked for Van Houten’s chocolate, Metz department store, printing firm Trio and many other clients. He died in the gas chambers of Auschwitz in 1944. Digital revivals and expansions of two of his other designs, Minuet and Serena, have also been published by Canada Type.

Nemade is a modern and elegant display font. Its unique, clean, and flowing letterforms add a luxurious and striking impression to every design project. The perfect choice for logos, branding, posters, magazines, printing, advertising, packaging, headlines, titles, web design, etc.

Tropicollo is a handwritten mono weight cursive font. Its super clean and tidy design will turn any idea into a true standout end result! Works great applied to logos, prints, quotes, magazine headers, clothing, advertisements, product designs, labels, and much more!

Editorial Comment JNL is another wood type in the Grotesk (also spelled Grotesque) style of sans serif faces. Popular in newspaper headlines as well as posters, the slightly irregular stroke widths add an old-fashioned charm to any print project.

Goodbees is built from a bold base, unique combinations, smooth curves, and sharp edges. Goodbees is best uses for headings, Logo types, quotes, apparel design, invitations, flyers, posters, greeting cards, product packaging, book covers, printed quotes, album covers, movies and more.

Quintton script is a casual clean brush stroke font, perfect for logo design, branding, invitations, t-shirts print, mock up, magazines, signage and so much more. With its handmade feel, Quintton is perfect for your upcoming projects so don't miss out.

Stange is a font with a futuristic edge, geometric corners, perfect for technology theme. As with its Stange, Stange makes a strong impression in print, headlines, video, and social media – whether paired with a contrasting typeface or on its own.

PUJI is an experimental sans serif perfectly suited for graphic design and any display use. It could work for web, print, motion graphics etc. PUJI has the other version "PUJI narrow" which has different letter's width in "A","V","W".

FT Thyson is a powerful and elegant display typeface. can be used to present your ideas in sports/fitness or editorials, Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

Auther is a modern design with a vintage feel. A monoline display font that combines classic & modern styles. Includes OpenType features with Stylistic Alternates and ligatures. Auther is suited for various print and digital designs, including logos, stationery, posters and more.

The Heista Killer – Handwritten Brush font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc.

Buttercell Script is a hand brush script available in clean and rough edge versions. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc.

Fayte is a modern blackletter font that gives focus on contemporary display type. This vintage-made new typeface is unmistakably blackletter, However, it is accessible enough to be used across many projects, for branding, Instagram, print posters, magazines, Fashion, whatever.

Franie is a variable geometric sans serif font family with 72 styles. Fully customize the width, weight and italic angle. This modern clean typeface is perfect for contemporary layouts for print, magazines, posters, web, social media, branding logos, or whatever.

Cachiyuyo is a bitmap font designed for screen titles and to be printed, has a large x height, is very tight and orthogonal. Cachiyuyo is meant for short texts and simple layouts. Is optimized for screen at 8px, 16px, 32px etc.

Selenic is a solid typeface with a clean look, interesting texture and quick impact. Friendly but also aggressive it is best suited for massive headlines, fashion photography, album covers, logo design or any other typographical work on digital and print.

Extreme Junction was created for use in designing logos, signs and letterheads and has a limited character set. The uppercase letters are outline versions of the plain lowercase letters. Characters can be overlapped or merged to indicate movement or direction.

Rits Calltown is casual script typeface. Perfect for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. FEATURES : – Uppercase – Lowercase – Number – Multilingual – Opentype FILES INCLUDED : OTF., TTF WOFF file

Syndebuk is designed with comics and print in mind. I’ve added 5 slightly different versions of each letter, which really comes in hand when you need a natural and organic handmade look. Play around with the different layers for nice effects!

Sunlight JNL takes the classic wood type from Jeff Levine's Twelve Oaks JNL and shatters it with bursts of light for a novelty effect. Limited to a very basic character set, it's best used for short words and phrases in headlines.

Display Exquisite is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. In place of a lowercase there are small caps. There are also small numbers. Punctuation is limited.

This messy, natural handwriting font is a mix of cursive and print. It seems that the busier my life is, the messier my handwriting gets- and this is based on my real-life scribbled notes to myself and shopping lists.

Wingfead is a bold and thick lettered serif font. It is perfect for any branding project such as logos, t-shirt printing, creative products, and more. Wingfead is PUA encoded which means you can access all glyphs and swashes with ease!

Wire Mesh JNL is an outline variation of the same design that produced Shady Characters JNL (lettering printed over a simulated halftone). This time around, the end effect gives the impression of looking at lettering cut out of a mesh screen.

The Black Isometric Family is the progression of the Isometric series from funk_king. Currently two fonts that evoke science and engineering. These are full sets with 99 characters each. Designed for use as display type and for limited text use.

Sweet Fig is a bold script. This font is suitable for any design like branding especially for food packaging, quotes, printing, etc. The design can elevate your design project. Features: Beautiful Ligatures Stylistics Set Many Swashes Multilingual Support Numerals and Punctuation

Introducing a new layered typeface called Dreadful. Inspired from classic horror movie and vintage comic. Dreadful typeface best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc.

Baksoda is a handlettering script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc.

GretchenHello is a typeface family of informal hand printing that looks as if it were done with a calligraphic pen. It has tall ascenders and long descenders that give it a certain elegance. The family has three weights, each with italics.