Hi...Thank for your visit :) Bertrade monoline stylish script Fonts are font designs that are made for various vector designs, printing such as digital wedding invitations, blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... Bertrade is equipped with complete alternates, so it can make your product look elegant and attractive, and also Multilingual support!!! Happy design ...

“Victoria Underwood” was found within the pages of the 1923 American Type Founders specimen book. It was one of many printing fonts faithfully replicating those used on various makes and models of actual typewriters. The purpose of such type was to allow mass production of letters or notices that could appear personalized rather than shop printed. Antique Typewriter JNL is the digital version of this design, and is available in both regular and oblique versions.

Perio is a small family, offering a distressed rendering of a conventional serif typeface in 4 varieties. There's Ordinary, All Caps, Small Caps, Clean and Jumbled. Many of the letters contain little bits of extra print around the body of the character, in imitation of imperfect printing, in all except the Clean version. It's especially useful for display, poster and headlines, but easily legible enough to be used in a paragraph of text.

A Geometrical font. This idea flashed to me in one of the boring classes we had in college. Since its my special masterpiece we come really cheap at its price of just $8.

Are you planning to do an amazing piece of work to make lots of people smile happily while taking your hat off every time? If so, this is the right time to give your work a little touch with a sincere and elegant writing. Introducing The Diary - A Stylish Script Font The Diary is a stylish and elegant handlettering typeface with characters that dance along the line. It will add a luxury spark to any design project that you wish to create! This font will be very interesting if you use it for all your design purposes such as; logos, wedding invitation, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. The diary includes Multilingual Options to make your branding globally acceptable. Features: Standard Ligatures Swash collection Stylistic Sets Multilingual Support PUA Encoded Numerals and Punctuation Special baseline collection Thank you for your visit and downloading premium fonts from Gie Studio

Are you planning to do an amazing piece of work to make lots of people smile happily while taking your hat off every time? If so, this is the right time to give your work a little touch with a sincere and elegant writing. Introducing Anthea- A Elegant Handlettering Font Anthea is a elegant and beautiful handlettering typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font will be very interesting if you use it for all your design purposes such as; logos, wedding invitation, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Anthea includes Multilingual Options to make your branding globally acceptable. Features: Standard Ligatures Swash collection Stylistic Sets Multilingual Support PUA Encoded Numerals and Punctuation Thank you for your visit and downloading premium fonts from Gie Studio

Need some help to finish your designs? There are a lot of considerations when selecting a font type for an important project either for your own company or a daily used font. Therefore, Automove, a display font in the racing theme capital letters, is carefully and accurately created to meet your design needs. This font is available in two versions, regular and italic. Automove, which seems to be a long lasting font amid other typographies owing to its unique styles and shapes, is generally applicable to large-sized texts in titles instead of the contents of the texts due to its readability in such large-sized letters. In addition, this font provides interesting features to help designers improve their design products. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Automove is perfectly suitable for doing design projects such as posters, logos, book covers, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview.

I present to you an elegant, playful and very harmonious duo of serif fonts "Favio", inspired by ancient printed texts. It looks great on its own as part of a minimalist design. Play with letters to get different effects. The font "Favio" is guaranteed to give your text an individual and very attractive look. Great for branding, wedding invitations, packaging, quotes and labels. And it is also a bold choice of typography for the design of logos, album covers, illustrations, children's books, posters and much more. Font Features: - A-Z; a-z character set; - 1 language (English); - numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

Are you planning to do an amazing piece of work to make lots of people smile happily while taking your hat off every time? If so, this is the right time to give your work a little touch with a sincere and elegant writing. Introducing Right Moment- A Elegant Calligraphy Font Right Moment is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font will be very interesting if you use it for all your design purposes such as; logos, wedding invitation, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Right Moment includes Multilingual Options to make your branding globally acceptable. Features: Standard Ligatures Stylistic Sets Multilingual Support PUA Encoded Numerals and Punctuation Thank you for your visit and downloading premium fonts from Gie Studio

Fishwrapper is a three-member font family (Regular, Bold, and Italic) designed to replicate the look of authentic vintage newspaper typography. The fonts are rough and are meant to be used at newspaper sizes. All three fonts have a complete alternate alphabet built in: using the contextual alternates feature will automatically substitute alternate versions of most glyphs, so that identical characters do not appear side by side, thus helping to create the look of metal type. Fishwrapper Regular has a complete set of small caps built in. Each font features assorted rule lines and other decorative material, many accessible through the discretionary ligature OpenType feature (three em dashes in a row, for example, will become a rule line), as well as fractions and a full international character set. Used in conjunction with some of E-phemera's vintage headline fonts, the Fishwrapper family is intended as a complete vintage newspaper and job-printing type solution.

Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? If you are looking for an elegant font with flair. Something that can makes your project or design being so special. You better not going to want to miss this one! Cagier-A Display Font Cagier is a display font in a luxurious, classy, and timeless style. Inspired from classic and vintage flair combine with recently trend style making this font the best choice to whatever your design is. Cagier is mainly intent for logo, headings, branding, magazine, cover album, book cover, movie, apparel design, quotes, invitations, flyer, poster, greeting cards, product packaging, printed quotes, etc. Hope it helps to capture the soul of any design. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Alternates Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Are you looking for a serif font? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? If you are looking for a modern but still elegant, something that can makes your project or design being so special. You better not going to want to miss this one! Ogilen-A Serif Font Ogilen is a serif font in a luxurious, classy, and timeless style. A font that is inspired from recently trend style making this font the best choice to whatever your design is. Ogilen is mainly intent for logo, headings, branding, magazine, cover album, book cover, movie, apparel design, quotes, invitations, flyer, poster, greeting cards, product packaging, printed quotes, etc. Hope it helps to capture the soul of any design. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

It all started with a simple idea back in 1998: do a digital version of a "lost" 70's typeface, and make up the missing letters that were not present in the only available example Jeff Levine had to work with. Jeff wasn't yet doing his own digital font creation, so he hooked up with Brad Nelson who owns a small foundry called Brain Eaters Fonts. Together, they collaborated on "Action Is"- a freeware font named after the source of the type example. This was a title page for a commemorative photo album of images from the 60's TV music show "Where the Action Is", formerly hosted by Jeff's employer at the time, singer-writer-producer Steve Alaimo. The free font took off like a rocket, being released just at the peak of the 60’s/70’s retro craze in the late 1990’s, and it was EVERYWHERE! It showed up on TV shows, packaging and web design -- and was even spotted on signage used on the side of a major amusement resort’s retro-themed hotel. From that point on, Jeff kept getting requests for a version with a lower case. Although they shared the copyright in the freeware version, Brad Nelson gave Jeff his blessing to re-work and take Action Is into the realm of commercial type. Newly improved and re-released as Groovy Happening JNL, it became one of Jeff's better selling type designs. A simplified, yet similar font was issued called Groovy Summer JNL. Now, after about a decade, Jeff had decided to clean up the 3-D (drop shadow) version that was originally freeware with many minute design flaws and re-release it commercially. Groovy 3D Caps JNL is an all-caps, limited character set font which ties in well with the previous releases, yet retains itís 1960s-1970s era charm. The font flag art is courtesy of Barbara D. Berney and is used by permission.

The "Ma" in "Ma Braille" is used as a minimalist way to say "Negative Space". "Ma" in japanese arts is an "esthetical usage of emptiness". Thus this font explicits the negative space around visible braille dots in each glyph. A. Font user guide a.1. Lowercase glyphs { A..Z } In these glyphs, dots are represented as "black squares" while the negative space is displayed as 1 or 2 white filled polygons. a.2. Uppercase glyphs { a..z } In these glyphs, dots are represented as "white squares" while the negative space is displayed as 1 or 2 black filled polygons. a.3. Digits: they are just the same than a..j, but the "North US version" is also provided in ascii codes 0xE0..0xE4 (1..5) and 0xE7..0xEB (6..0). a.5. "Dashed Border": a.5.1. "Black dashed" border glyphs; { £, ¥, µ, Â, Ä, Ê, Ë, Î, Ï, Ô } a.5.2. "White dashed" border glyphs; { Ö, Õ, °, ô, ö, î, ï, û, u, õ } B. Posters Poster 1: "Font Logo" version 1, it displays "Ma Braille" text surrounded by the "black dashed border" glyphs. Poster 2: "Font Logo" version 2, it displays "MA" glyphs in big size and smaller "Braille" glyphs within "M" and within "A" as well. Poster 3: the classical pangram to test a font "The Quick Brown Fox jumps over the Lazy dog". Poster 4: Article 1 of the Human Rights: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. Poster 5: the "Glyph set" (Border glyphs not included) with A..Z, a..z, digits and special characters.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

Melodi is the result of years of working with hand made types on my designs. Every time I draw the letters and words that I need for every design piece. One day I decided to go serious and make a real type of it and “Melodi” is the result of this work. It’s a calligraphic font, built using a regular stroke, and carefully crafted to have nice joins between all the letters. It has some playful but stylish capitals that brings lot of personality to the font. It work super nice either in lowercase writing as in all-caps texts. It looks specially good on lists of words or small sentences. Melodi is a playful but very versatile font, it can be used in lots of different scenarios. From creating a logo, writing the tittles of a catalogue or use it in a poster combined with other types (it work really well as counter point of more classical types) to motion graphics animations or advertising work. It can be cute but it also can do hard work!

The Skywalking font is inspired by sci-fi movies and video games. It purposely avoided the us of curves and preferred the sharp edges to get a more robot aesthetic into it. Designed by Mark Silva, the font is suited for logos, company branding, game titles and shirt designs.

This hebrew typeface is inspired in prayer books from the beginning of the XX century. You can apply modern hebrew marks like Kamats Katan, Sheva Na, Dagesh Chazak and Cholam Chaser. It's a classic style with the most modern of a digital font technology and a easy lecture.

Elevate your designs with Rolever - Modern Sans Serif Font. This versatile typeface boasts three distinct weights - regular, semibold, and bold - allowing you to infuse your creations with a range of visual impact. With two versions available - clean and textured - Rolever offers design flexibility that caters to your unique preferences.

Harvey is a work of American graphic designer Dale R. Kramer. It is an all capital sans serif typeface which features a distinctive, light-hearted look and includes both conventional and unusual letter forms. Alternate letters give Harvey even more flexibility, making it a great typeface for any headline.

In 1885 Heinrich Wallau, printer and typographer in Mainz, picked up the idea of creating a rounded gothic font written with a broad nib. This idea was then realized by Rudolf Koch between 1925 and 1930. RMU Wallau is a bringing back this beautiful font for present typography.

A vintage booklet from the Japan Tourist Bureau entitled "How to See Matsushima and Environs" had the title hand lettered in the Art Deco style which is the basis for Travel Brochure JNL. For those who prefer a more traditional 'E', it is located on the broken bar keystroke.

Joe Canelli is a crooked cop working in a corrupt police force. Joe is haunted by nightmares of powerlessness. When his partner is brutally murdered and he's betrayed by his colleagues, it appears that Joe's nightmares are coming true. With his back against the wall there's only one thing he can do -- turn against the criminal network that he once embraced... KICKBACK is a fast-paced, action-filled, noir-style, crime thriller from the co-creator of V FOR VENDETTA, David Lloyd. KICKBACK is also a font. This one.

I just returned from a short holiday in Japan. I stayed in hostels and small guesthouses and noticed a peculiar thing they all had in common: they love little notes, telling you where to go, what to do, how to use the microwave oven and when to check out. These notes were sometimes printed, but more often they were handwritten. I found that the Japanese way of writing roman characters is a little, well, unusual. The letters are correct, but they have that typical ‘Japanese look’ - most notably the a and A the b, d and g, the p and P and the t and T. I can’t really tell you what makes them look different, maybe it’s the proportions, but I do know that a Nippon Note is highly recognisable. So, here is Nippon Note, a highly recognisable, handmade font. You don’t really have to be in Japan to use it, but it will give your designs that extra cachet. And don’t forget Nippon Note Kawaii - the cute doodle font which is free if you download the Nippon Note family! Comes with extensive language support, but unfortunately not Japanese…

Menagerie is a dot script font containing some unusual glyphs.

I fell in love at the age of twelve in Wales, recalls Bernard Philpot. "My father brought me to a small graveyard in the Welsh hills to show me two headstones carved by the great Eric Gill. I instantly fell in love with the beauty of the carving and the perfection of the letterforms. I still go back to marvel at these works of art." However, the ITC Bolthole™ design, Philpot's first commercial typographic endeavor, is quite unlike the works of Eric Gill that first captured his heart. Bolthole is a craggy sans serif with a definite grumpy attitude. It's not terribly legible, and, if more than a few words are set in the design, it's not very readable. To round out its cranky personality, Bolthole does not like to be set in small sizes. Like Cheez Whiz® and bullfights, you either love or hate this typeface. But whichever emotion dominates, there is no denying that Bolthole has a personality to be reckoned with - one with ample magnetism to ensure reader attraction. If used to set brief blocks of display copy, the typeface makes a powerful statement. Bolthole was originally designed to complement a whimsical ad for the Royal Society for the Prevention of Cruelty to Animals. As Philpot recalls, "although the ad didn't win any awards, the type attracted some very positive comments for its original look and feel." Philpot studied graphic design and typography at the London School of Printing, and soon after graduation found himself working in a large advertising agency in London. According to Philpot, "After designing type for everything from packaging to ads, I thought it time to convert one of my designs into a complete font - and Bolthole was born." ITC Bolthole could very well be the Shrek™ of typeface design - which might not be such a bad thing."

Pho Twice is a boisterous neoteric handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Jabogram is a quixotic fortuitous san serif typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 250+ glyphs including punctuation and numerical.

Earon is an inquisitive gubernatorial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Ornubs is an agile ministerial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Gvonz is a volitional innoxious tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions.

Barmo is an enigmatic vociferous mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Disclaimer JNL is a narrow, ultra-compact sans serif design that's perfect for fine print clauses or anywhere space is limited - but word copy isn't.

This font is based on real prints made out of a linocut. The glyphs were handprinted, then scanned and then turned into a computer font.

Flock Machine is an inerrant peppy handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Baregx is an enthralling restorative mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.