Senkron is composed of "normal" and a "blok" styles. Senkron ("normal") was designed as a pure and modern neo grotesk font. The anatomy of the letters are designed to achieve an equal text color. For this purpose, the legs of the letters “R” and "K" are designed with a vertical angle to prevent the white space that would occur in the middle of these letters. In the minuscule, the characteristic features of letters such as ‘a’, ‘l’, ‘t’ are concretized and legibility is supported in the text. Considerable attention has been paid to the harmony between the anatomical structures of the letters and the diacritical mark’s structure. Senkron Blok is arranged for situations which have diacritical marks overflow to leadings of the headline and headline typographical color is affected negatively from this situation. For this purpose, majuscule diacritical letters are resolved within the letter height. However, when this is done, new forms are obtained by integrated diacritical marks with letters instead of directly merging them. The idea behind this approach is to preserve the typographic value of diacritical marks and emphasize the semantic value of diacritical letters. 82 letters have been redesigned in this way.

ButtonFaces explores just how much emotion and description of a character can be put into a simple iconic representation of a face. Use them as 'Emoticons' or traditional printers ornaments.

Goudy Catalogue was designed by Morris F. Benton in 1919. A medium weight adaptation of the of the original Goudy design, it is about 15 percent heavier than the Oldstyle.

"Introducing Badmood, a sleek and modern bold font designed to make a statement. With its clean lines and strong presence, Badmood adds a touch of sophistication to any project. Perfect for headlines, logos, branding, and more, this font exudes confidence and style. Embrace the power of modern design with Badmood and elevate your creative projects to new heights."

Afternoon Tea is inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring published in 1938. The striking features are the elegant balance between thick and thin strokes (demonstrating its obvious ink pen influence) while maintaining a sturdy presence which is ideal for titles and headings. Afternoon Tea is caps only.

Emeritus is born from the carved letters found on buildings and monuments in Washington, DC. Muscular and low contrast but with assymetrical flared serifs that soften its stately presence. Small caps, inline caps, chiseled characters, and multiple weights and numerals offer an array of typographic voices. Notably academia, military, monumental, automotive, logos, signage, and so on.

This unique font is characterized by the presence of only one sharp serif, skillfully positioned to give it an aggressive and distinctive appearance. This typographic singularity seamlessly blends the minimalism of sans-serif fonts with the visual intensity of a serif, resulting in a design that will undoubtedly catch the eye and make your message stand out.

Big, thick and chunky, Bastinado is imposing, but the bat-like, scalloped edges give it a sinister presence. Bastinado is an ancient Asian method of torture in which the bottoms of the victim's feet are beaten until he can no longer walk. This font looks like it wants to catch other fonts in a dark alley.

Afternoon Tea is inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring published in 1938. The striking features are the elegant balance between thick and thin strokes (demonstrating its obvious ink pen influence) while maintaining a sturdy presence which is ideal for titles and headings. Afternoon Tea is caps only.

KNF Damryl is a monospaced display font that can also be described as a modern geometric sans serif. Inspired by geometrics and postmodernist typefaces like Gridnik and FRAC, KNF Damryl is most suitable for headlines, posters, magazines, and logos. KNF Damryl has a bold presence and an artfully utilitarian feel, making it an incredible addition to your typeface library.

Embrace the future together with RAITOR. A slick and sophisticated bold sans-serif, with the touch of futuristic vibes to get prepared for the upcoming metaverse era. Conquer your presence in the future of the visual digital world, armored with RAITOR. Perfectly fit for your logo, branding, poster, album artwork, streaming assets design, futuristic themed design, you name it.

Designed by Ewen Prigent, Shaking is a set of four expressive hand-crafted titling typefaces ideal for packaging, posters, children's books… and many other media! Shaking one, two, three and four!

Built from the petroglyphs found on the island of Santa Catarina - Brazil. With elemental geometric signs and figurative human representations. It is a printer with a decorative characteristics of Art Deco.

Proudly present a bouncy pretty script called Blacky Anthurium. Every strike of the shape brings the vibes of pretty and elegant. Blacky Anthurium font comes with a lot of alternates, every letter uppercase and lowercase has the alternate characters from SS01-SS06. For more outstanding looks, this font comes with doodles and ornaments characters too so you can mix and match it for outstanding looks. Blacky Anthurium font is perfect for logo font, branding, greeting card, cut files for quotes, silhouette font design, monogram font, etc.

Obviosa is a serif font that is both chic and modern. Its slim strokes create a sense of elegance that is perfect for upscale design projects. Whether you're creating a wedding invitation or a business presentation, Obviasa will add a touch of refinement and class. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

In 2015, Amsi Pro was released with the intention of easy usage and headings. After more than 5 years, Amsi has developed itself into the direction of Grotesk, which can be use comfortably as Graphic, both text and headlines, keeping its friendliness trait with Semi-Rounded and Humanist approach looking pleasing to the eye, succeeding the DNA of Amsi. The font has been set to equipped with 3 widths (Normal / Narrow / Condensed) for flexibilities in various demands. We are truly proud to present Amsi Grotesk.

Octavian font was designed by Will Carter and David Kindersley for the Monotype Corporation in 1961. Mr. Carter writes: While the ultimate authority is the ancient inscriptional pattern, the physical characteristics of the present rendering are manifest in the economic proportions of the shapes and the modified relations of the strokes. Thus, the letters are narrower than the classical forms and their weight heavier." Octavian is a fine book font and works well for other text settings that are less demanding, such as magazines and brochures."

Whoever knew the Red Menace could be such fun? This bold and bouncy face is based on a Cyrillic alphabet presented in the book Schrifti Alphabeti, published in the Soviet Union in 1979. It rollicks and frolicks, and might even fetch your slippers. Special thanks to Charles Barsotti for permission to use The Pup to promote this doggone-good product. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Unleash a nostalgic vibe with 'Pixel Engine', a font that pays homage to the golden era of gaming. This pixel-inspired typeface effortlessly blends the charm of retro aesthetics with a touch of modern design. Ideal for gaming logos, pixel art, or any project that craves a vintage arcade feel, 'Pixel Enginel' brings a playful nod to the past while staying firmly rooted in the present. Features: - Uppercase & Lowercase - Numeral & Punctuation - PUA Encoded - Multilingual support - Simple Installation - Work both on Mac and Windows Thank you very much :)

The Urfa font family comes in nine weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. With the Urfa font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Urfa typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

Proudly present "Sacred Valley - Ligature Serif Font" Sacred Valley is modern ligature serif font with unique and elegant style. This font perfect for branding, logo, invitation, magazine, and many more. Feature and what will you get: Outstanding uppercase and lowercase Awesome ligature Punctuation Multilingual Support I really hope you enjoy it - please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Thank you

Introducing the display serif family for a variety of presentations. The Features of styles that each weight has will be an important reason for choosing a font family. The combination of dreamy grooves and sophisticated, sharp serifs will excite you. The psychedelic glyphs applied to some capital letters can be alternated with the classic stem forms. And the elegant and colorful transformation of italic styles will be the best inspirations for brand design. Be sure to try the Stylistic Alternates and Ligatures this family has to offer.

ITC Ronda, with its constructed forms, was designed by Herb Lubalin in 1970. Behind its figures lie the clear geometric forms of the circle, triangle, and rectangle. The typeface presents a clear, modern look in any application. Distinguishing characteristics are the shapes of the upper right third of the capital B, P and R as well as the half-circle form of the descender of the Q. ITC Ronda is similar to Michael Neugebauer's Litera; both fonts display styles characteristic of the Bauhaus' work. "

Proudly present New Yorkies - Bubble Type, created by ikiiko. New Yorkies is a handwritten bubble font with spontaneous curves inspired by the visual of the fashion street style. This type is in the form of free writing with a art, expressive, cheerful, and youth spirit. New Yorkies is very suitable for making a streetwear brand, poster or magazine layout, fashion design, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates Multilingual Support Works on PC & Mac

Approach is a modern approximation to the early grotesques. An utilitarian low contrast font, a bit mechanic but plenty of character. One of its characteristic elements is a kind of ‘elbow pipe’ shape that is present in many letters like the tail of the a, f, j, t, R, Q or 1 among others. Besides, the synthetic punctuation and quotes give it a more contemporary appearance. Approach tries to feel fresh against all odds, being familiar but different. For more details see the PDF.

We're excited to present to you our new font, "Chelsie Hilton"! A great thing about this font is that it is both chic and legible at the same time. You can confidently use it on such machines as Cricut since its edges are smooth enough and this font will fit just right. When creating this signature font, we took care to make it as crisp and modern as possible. "Chelsie Hilton" is perfect for logos, wedding designs, quotes, cards, stationery, signature, display text, and many more.

It was used in parts of Transylvania until the 1850s, although it was banned by Istvan, the first Christian king of the Hungarians (Szekel), in line with an order to "destroy all pre-Christian inscriptions". Hungarian runic script was usually written on wood-stone pieces in the bustrofedon style. In this method, the writing was written consecutively from right to left and from left to right. This article is available in Bosnian, Carpathian and Glozel editions. Whenever possible, I will present the fonts in these versions.

Broger Display belongs to the "twisted shape" category with beautiful ligatures, it's a little hard to read in small sizes but very awesome when in large sizes, that give any headline an elegant appearance. Broger Display presents luxury, glamour, exuberance, and beauty. It works perfectly for creative project such as logo, T-shirt / apparel, badge, invitation, packaging,headline, poster, magazine, greeting card, and wedding invitation. You can access the open type features and multilingual on mostly Adobe programs, such as Adobe Indesign, Adobe Illustrator, Adobe photoshop etc.

Couple vol1 is an extensive ampersand font with 230 glyphs and Valentine inspired doodles. Handmade with love. To accentuate two words or names in your text we designed these fun expressive ampersands. Couple vol1 contains a wide variety of styles, some glyphs can even be layered. You will surely find the perfect match for your Valentine project, wedding invite, logo design, etc. Everything is better together! Note: The font used in the presentation text is our Salt and Spices Pro SC2 (not included in Couple vol1)

Introducing new typeface!!! Warrior of World is a display modern serif. it has unic construction. The simplicity and smoothness of its forms is combined with the sharpness and suddenness of the details. There are two style hollow and regular. The font is intended for short inscriptions and texts and is adapted for use on the screen. Warrior of World perfectly used for movie poster, product presentation, elegant logo design, packaging or invitation cards or heading text. Features Two style/ Numbers & Punctuation / Extensive Language Support

A 1918 lettering instruction book by William Hugh Gordon presented a number of lettering styles that were geared toward sign and show card painters along with tips and tricks regarding the correct construction of such signs for maximum effect. One pen lettered Roman alphabet with a beautiful set of numerals has been recreated digitally as Pen Elegant JNL, which is available in both regular and oblique versions. To note, Gordon was the co-inventor of the Speedball lettering pen with Ross F. George in 1915.

During the 1960s Hippie movement, a large amount of the rock and roll poster art was strongly influenced by the Art Nouveau period of the early 1900s. A poster for an appearance by The Doors at San Francisco’s Cow Palace Exposition Center (presented by Fillmore East and West owner Bill Graham) featured some wonderfully eclectic Nouveau-styled serif hand lettering. Now recreated as a digital type face called Cow Palace JNL (and named for the performance venue), the font is available in both regular and oblique versions.

Brolian is playful and stylish designed font for any display use with 9 weights from Thin to Black. Brolian also includes with more than 200+ alternates characters (PUA Encoded) and 50+ ligatures to give you a wide range for create a beautiful typographic design results. Brolian is versatile font for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support PUA Encoded

Hello friends... We are proud to present our new font. New natural Longsile Display with a classy and Modern style makes this font look elegant, natural, stylish. Longsile would be perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else needed to create a theme. Longsile was built with OpenType features and includes initial and ending stylistics, alternative characters for most lowercase letters, numbers, punctuation, alternatives, ligatures and also supports other languages. Enjoy!

HS Almaha is a modern OpenType Arabic Typeface. It combines the features of linear Naskh and modern Kufi. Segments of its letters are curvy and sharp. They are refinement more readable and present in extended texts in magazines, newspapers, books and other publications. This typeface supports Arabic, Persian, Urdu and Kurdish languages and it contains four weights; light, regular, medium and bold which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes.

The Raleigh Hotel at 18th Street and Collins Avenue on Miami Beach is an Art Deco landmark and part of the city's popular tourist district. A vintage matchbook from the hotel had its name hand lettered in what is now Beachfront Hotel JNL; available in both regular and oblique versions. The lower case letters have been made more traditional, eliminating the Deco-influenced "overhangs" present on the capital letters, and an alternate "E" from the original matchbook design is available on the bar and broken bar keys.

Have a great day! My new font was present, Black Rover!! Black Rover is a Bold vintage style serif font with strong character and soft features. modern and classic font with a unique and bold look. It’s a very versatile font that works great in large. Black Rover was built with openType features, Many Ligature makes your project will be awesome!! Perfect for editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Introducing, new font, Retrips - a soft bold serif with ligatures and alternates! Retrips is a modern and soft bold serif with a bunch of ligatures and alternates that will make your presentation or logo even more stunning and stand out! This font will make your project looks retro and chic. You can use this font for poster, event, or your social media post. Retrips also support Multi Language. and already PUA Encoded! Features Uppercase & Lowercase Number & Symbol Multi language Ligatures Alternates for each characters PUA Encoded

Kanona JNL is modeled from one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Thanks to a wealth of source material provided by Tod Swormstedt of ST Media (and who is also the curator of the American Sign Museum in Cincinnati, Ohio), Jeff Levine has been redrawing many of these alphabets and presenting them in digital form. The original variations in letter widths from Becker’s hand-painted alphabet have been left intact.