The "C Elle F" is a typographic family, as a stencil letter, originally intended for cutting and engraving to carry out marking and signaling work. But of course, the very characteristic shape of these letters evokes much more. This typographic family can therefore be used for communication in various fields, commercial, import-export, military, etc.

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

It is an Extra Condensed, Extra Light, Extra experimental and Extra display font. Extra C is a fun font that doesn't take itself too seriously. Ideal for those who need a font with great character and personality but at the same time a delicate touch in their graphic pieces.

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

C-V dashes are transcribed from 72-pt ornaments designed by Enric Crous-Vidal and issued by Typefoundry Amsterdam c. 1950.

Core Sans C family is a part of the Core Sans Series, such as N, M, E, A, D, G, R and B. Core Sans C is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Greek, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.

A comprehensive set of initials (usually referred to as Uncials, Lombardic Initials, or Lombards) of the Germanic variety, designed after Henric Pieterszoon’s “Gothise Monnikke Letteren” as appearing in Enschedé, J. (1768), Proef van Letteren, Haarlem (p. 120); also mentioned as “Great Primer Uncials” and "2-line Brevier Uncials" in Vervliet, H.D.L. (1968), Sixteenth-Century Printing Types of the Low Countries, Amsterdam: Hertzberger (pp. 54-55, and 212-213). The font contains over one hundred glyphs, including as a bonus six layered plus two plain ornamental initials adapted from the Gutenberg Bible (Mainz, ca. 1455) and the Mainz Psalter (Mainz, 1457). Suitable to accompany most Gothic (especially Textura and Rotunda) typefaces, or to be displayed as drop caps or in full titles and headings. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Initials “Gothic C” Font Page. Note: Several uncial initials in The Oldtype “Psalterium” Font have been derived from corresponding characters in The Initials “Gothic C” Font, adjusting them to cope with the special (large) x-height and letter spacing of the Psalterium font (so the two sets of initials are not directly interchangeable).

PragmataPro™ is a condensed monospaced font optimized for screen, designed by Fabrizio Schiavi to be the ideal font for coding, math and engineering. More than 9000 characters optimized from 9pt to 48pt to guarantee the best possible readability. Designed for every programming language and context: Haskell, Agda, APL, Needle, IPA Phonetics, HTML 5 entities, all the Unicode arrows, Symbols for Legacy Computing, Git tree command line, Agnoster, Poker cards and all the functional programming languages.

PragmataFlash is the version of Pragmata to use in Macromedia Flash at 9, 11 and 12 point size.

This is a radically modernized uncial with many OpenType features and 415 characters: Caps, lower case, small caps, numerators, denominators, accents characters and so on. There are 21 ligatures. It is an experimental look at medieval writing for the 21st century.

Accolades C and C2 share the same main ornaments but differ in finishing. Accolades C uses pearls and diamonds, C2 does not. Accolades CX is an additional fitting set of borders. All fonts are available in two variations. A clean one and a distressed, grungy version (old). The layout samples from the PDF-specimen are included in the font packages and stored in InDesign CS3 format. Mostly all of the featured fonts of the specimen are available on MyFonts, too. Have a look at Secca Art Std, Secca Saloon Std, Gracia, Battista and Prillwitz.

Essential version of PragmataPro™. It contents a selection of glyphs useful for programming in English language only.

This font is an adaptation of the cyprus syllabic script to a Latin-based font. I tried to assign as many correct letters as possible, but there were too many characters so I had to fit them. Please review the alphabet table of Cypriot syllabic to use the Font. To see all the characters, you can see all the characters and add them to the text by selecting this font from the add character section on the word page. Cypriot syllabary The Cypriot syllabary was used in Cyprus from about 1500 and 300 BC and is thought to have developed from the Linear A. The earliest known inscriptions from between 1500 and 1200 BC are in an unknown language called 'Eteo-Cypriot', or 'True Cypriot', and the script in which they are written is called Cypro-Minoan. From around 1200 BC Cyprus began to be colonised by Mycenaean, Minoan and possibly Cretan Greek settlers, and they probably adapted the existing script to write their own language - the oldest known inscription in Greek dates from the 11th century BC. Cypriot Greek had much in common with Greek dialects of Arcadia and Pamphylia, which corresponds to the province of Antalya in Turkey.

Yarikha is a geometric display font and works best in display applications, such as posters, logos and titles. It has five weights: regular, semibold, demibold, bold and extrabold, each available in italic, making a total of ten styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.

Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.