Hello Everyone, introduce our new product Font ROXIES is a Modern Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font ROXIES is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, in wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text You can activate Alternate OpenType panel.

Hello Everyone, introduce our new product Font Rassie is a Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Rassie is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 13 Ligatures OpenType panel.

Hello Everyone, introduce our new product font Backstabber is a Unique Display Brush Font.font is a Natural Style and classy style with a clear style and dramatic movement. This font Backstabber is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is Backstabber has charming, authentic and relaxed characteristic more natural look to your text.

Hello Everyone, introduce our new product Font Knockoff is a Fun Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Knockoff is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding. That is has charming, authentic and relaxed characteristic more natural look to your text You can activate 6 Alternates glyphs and 14 Ligatures glyphs OpenType panel.

Problem Solver is a Playful Display Font that will make your designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more! That is why Problem Solver has a charming, authentic, and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel to make these two styles. It also has many and underlines that make your text and design more interesting.

Milkista is a vintage script font. Inspired by the retro print from the movies poster in the late 70's. With bold stroke, italic and fun character with a bit of ligatures and swashes. To give you an extra creative work. Milkista font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Milkista font. Cheers, MaulanaCreative

Urban Maxim" is a graffiti font that features three different layers: solid, shadow, and inner shadow. By using this combination of layers in your design, you can create a three-dimensional (3D) effect on your text. Fonts like this are often used in street art, posters, or other designs that aim to add depth and dimension to their typography. With "Urban Maxim," you have the flexibility to create text that looks distinct and more pronounced by using the various layers. This allows you to customize the appearance of your text to fit your design aesthetics.

Hellmut G. Bomm first released his Linotype Nautilus typeface in 1999. Ten years later, he updated and expanded the design. Now users have two additional families at their disposal: Nautilus Text and Nautilus Monoline. Nautilus Text bears more similarities to the original Linotype Nautilus. The letters shows a high degree of contrast in their stroke modulation. Bomm's intention was to create a clear, highly legible face. While the even strokes of most sans serif types eventually tire the eyes in long texts, the marked stroke contrast of Nautilus Text lends the face its legibility. The characters were drawn with a broad tipped pen. Like serif typefaces, the forms of Nautilus Text display a variety of elements. Its characters are narrow, with relatively large spaces between them. This helps create an overall open appearance, and allows a large quantity of text to fit into a small space. Nautilus Monoline's letters share the same overall proportions as Nautilus Text's. But as their name implies, they are monolinear. Their strokes do not have the calligraphic modulation that Nautilus Text features. This allows them to set another sort of headline, making Nautilus Monoline a refreshing display type choice to pair with body text set in Nautilus Text.

Yenda is a bold angular font with just a bit of swoosh. Great for short text and headlines! Don't leave this one out of your next sci-fi or bold designs! This typeface includes all the special diacritics required for European languages.

Winterflows is a handwritten font with quick dry strokes and a signature style. It is perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters.

This is Classic Hebrew Sefardi Font. This is a beautiful typeface to invitations, posters, cover books and small texts. All diacritic marks for vocalization are present (Nikud), including shevana, kamats katan, cholam chaser and dagesh hazak.

This is Classic Hebrew Sefardi Font. This is a beautiful typeface to invitations, posters, cover books and small texts. All diacritic marks for vocalization are present (Nikud), including shevana, kamats katan, cholam chaser and dagesh hazak.

Brounde font comes in four weights from extra light to medium. Legible texts can be created with its rounded slab serif configuration. Also it can be used in posters and every kind of graphic design works.

Introducing Rushfiel, a handwritten font made with quick-drying brush strokes in a distinctive styles. It's perfect for branding projects, household appliances design, product packaging or just as a text overlay for background images or posters.

Introducing Violette Brush Font!! Handwritten font with quick dry strokes and a signature style. perfect for branding projects, home ware designs, product packaging or simply as a stylish text overlay to any background image or posters.

Louisa Fröhlich’s Lisbeth is the charming all-italic trailblazer that handles branding and text with internal vividness. With no roman style, it’s an italic-only family whose creation was guided by imagination instead of restrictive writing tools. Some type families aren’t sure what they want. Lisbeth proceeds with the utmost confidence on its own terms — it’s a feisty three-dimensional thespian amidst the cast of strait-laced characters you’re used to. With branding and magazine usage in mind, Lisbeth addresses the distinct challenges of text and display in a characterful way. The curves of the text weights show a soft angularity, emphasising the handwritten quality and the subtle twist inside the letters. The stroke’s carefully balanced contrast is more pronounced in the vibrant heavier weights but almost absent in the graceful structure of the thin weight. The angle of the letters is almost upright and the x-height is relatively large, so longer texts can be read comfortably and without effort. Lisbeth is slightly condensed and so uses a smaller area to efficiently impart much information. So if a type design can be thought of as the clothing letters wear, then Lisbeth is an energetic, freely flowing stroke wrapped around practical and efficient letter proportions. Another highlight of the family is the quirky high-contrast display style, easily catching every eye. The design concept of the twisted stroke shows at the extreme here and makes the letters dance a little on the page. Even though the shapes behave wildly, every letter is carefully balanced in itself so that the rhythmic repetition of the lettershapes results in an even and harmonic total picture. Lisbeth’s five text weights (from thin to bold) perform excellently in text settings, and its funky display style amps up the internal shimmer within each glyph. It supports numerous languages (Latin-A extended) and comes with ligatures and contextual alternates to produce beautiful typography. The character set contains proportional lining and oldstyle figures, tabular figures, subscripts, superscripts, and fractions. The complete Lisbeth family, along with our entire catalogue, has been optimised for today’s varied screen uses.

When did it start. One day I was designing some stuff for a fast food café. By style the Café was made as an old Soviet canteen. So I had to do a special accent on this in menu, advertising posters and other print products. I decided to do this by interesting old school font. There are many cool retro fonts on the Internet, but not one of them satisfied me on 100%. The next step was to look at the old posters and find some inspiration. So I found some cool pictures with exact letters that I needed, but there were no typefaces to buy so that I can print some text with this exact letters. That's why I decided to do such typeface for my own. You can use this typeface in the field of nutrition, and it also will suit for cinema posters.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Minister reminds us of old cinema posters or old magazine advertisements. Its vertical line is extremely bold, some of the stroke are curled and winding. With PAG Minister, usual typed text is changed into impressive design.

Smitta Bali is an amazing hand lettering, looking attractive and natural! Every single letter has been carefully crafted to make your text look beautiful. This font is suitable for invitation, branding, advertising, classic design, poster design etc.

BlueCreek is a extra condensed geometric typeface, and works best in text and display applications, such as headline, posters, signage, magazine, print, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.

Manor script is designed with an oval brush and a pen, with two alternate [ r's ] completing the connected lowercase handwritten appearance. Suitable for Captions, packaging, cards, posters, ads, book jackets, manuals, and menus, short text and paragraphs.

Paksa is a decorative sans-serif typeface. The name of this typeface is derived from the Thai word that means “bird.” It is suitable for use in text headlines, sub-headlines, packaging, posters, and other print media.

Free-form hand lettering on a 1979 poster for the Washington, D.C. exhibition of watercolors and etchings by the Elie Abrahami inspired Art Director JNL, which is available in both regular and oblique versions. This type of lettering was most popular in the late 50s through the mid-60s for movie titles, greeting cards and poster text.

Headline Brush is a versatile brush script font designed for a natural, casual feel. Crafted from hand-brushed letters scanned into vector format. Making it ideal for diverse projects like logo design, poster design, blog titles, posters, clothing, and branding. The font's variations and alternative underlines enhance text and design, adding a distinctive touch to any professional endeavor.

Adriane Lux is the decorative, "inline" or "openface" titling companion to Marconi Lima's acclaimed Adriane Text family. This single weight offering is modeled after the Regular weight of the primary family.

 While Adriane Text is intended for thoroughly classical book design, Adriane Lux enters the fold as an equally traditional display face. Have it foil-stamped on your next faux-leather book cover design or embossed on your personal calling card for a touch of well-behaved, regal formalism.

Flamante Sans is a group of eight corporate typographies of geometric construction, without serifs and neo-grotesque style, are fonts with an excellent readability for titles, short texts or for use in signage. The group of fonts is made up of 4 weights: Light, Book, Medium & Bold plus their respective italics. This initial development of Flamante Sans typography has been the basis for the drawing of the "Flamante family" fonts composed of 5 styles (Sans, Serif, SemiSlab, Round & Stencil) making a total of 40 fonts that are perfect corporate use, advertising or editorial titles or signage of public spaces for example. They include the Bitcoin symbol. Swiss-style fonts built on a 4 ◊ 6 building grid, formed with 144 x 119 units (Medium version), two digits taken from the fibonacci and Perrin sequences, these measures define the width and height of the vertical and horizontal antlers and the overall proportion of the font. The metrics and kerning have been carefully set up for fluent reading in paragraph texts. ================================== - OpenType Features: Standard Ligatures, Additional languages, All Alternates, Alternate Annotation Forms, Superscript, Kerning, Superiors, Capital Spacing, Localized Forms, Superior letters, Discretionary Ligatures, Subscript, Fractions, Slashed Zero, Inferiors, Extended Fractions, Scientific Inferiors, Ordinals, Denominators, Oldstyle Figures, Numerators, Historical Forms, Historical Ligatures. They include the Bitcoin symbol. - 500 glyphs. Latin Extended-A ï OTF & TTF

Slowglass is a geometric semi-serif accompanied by geohumanist italics. Softly rounded edges lend it a friendly tone. The typeface includes two categories of stylistic alternates, available as font features as well as complementary font subfamilies. Text forms for increased legibility (Slowglass Text) and uncial-inspired unicase variants (Slowglass Alt). At over 1500 glyphs per weight, the fonts support 80+ Latin-based languages (incl. Vietnamese), 14 Cyrillic-based languages and polytonic Greek. OpenType features: Six sets of figures: proportional / tabular × oldstyle / lining / petite (ss20) Superscript and subscript figures Fractions, numerators, denominators Optional slashed zero Case-sensitive forms Glyph composition/decomposition (support for Navajo and Greek) Localization (Dutch, Marshallese, Bulgarian) Stylistic Sets: ss01 Roman: Two-story a, loopy α / Italic: Loopy α ss02 Roman: Simple g / Italic: Simple k ss03 Unicase r ss04 Alt f t г п т γ ss05 Descending η χ ss06 Unicase β ζ θ ξ ss07 Alt в г д ж з к п т ю ss08 Latinized ς, cursive и й ss09 Round Δ Λ Д д Л л Љ љ ss10 Full-stem a q ss11 Seriffed I ss12 Unicase A ss13 Unicase E Ω ss14 Descending F T Г П ss15 Descending G P Q Y ss16 Unicase M N И H Y ss17 Extending Φ Ψ ss20 Petite figures

Nick Belshaw designed Belshaw in 1980 as a nostalgic tribute to Jugendstil mixed with a 1980s feel. Belshaw is a headline font and should not be used with a smaller point size than 12. It is a good font for initials in magazines or on posters as well as for very short texts. It combines well with sans serif fonts. Belshaw gives a strong and lively feel to any text.

Danish type designer Jan Maack created this slab FontFont in 2013. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Marselis Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Our Galindo Pro was inspired by the heavy-weight animated fonts such as Ad Lib, Nightclub, and Bear Club, blending geometric cuts with light-hearted contours. The festive letterforms intrigue and draw in the reader, while the SmallCaps and extensive figure sets open the font up to a wider range of uses. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

French type designer Xavier Dupré created this serif FontFont in 2003. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, festive occasions as well as editorial and publishing. FF Angkoon provides advanced typographical support with features such as ligatures, small capitals, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2004, FF Angkoon received the TDC2 award.

German type designer Verena Gerlach created this sans FontFont in 2008. The family has 8 weights, ranging from Regular to Black (including italics) and is ideally suited for festive occasions, editorial and publishing, logo, branding and creative industries as well as sports. FF Chambers Sans provides advanced typographical support with features such as swashes, ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Alter Aves type is the first part of AlterType project – the serie of small display typefaces based on letterings, left-off types and altered foundry typefaces. Alter Aves is display condensed sans-serif typeface with couple of geometric-round letters, serif-styled elements and flat brush strokes. It supports Latin Extended-A (Western, Central Europe, Baltic, Turkish) and Cyrillic encoding languages and minimal opentype features – oldstyle digits, case sensitive punctuation, small-numeric forms and scripted fractions. Fully functional Demo style is distributed free for non-commercial using.

French type designer Xavier Dupré created this sans FontFont in 2005. The family has 11 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Megano provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Austrian type designer Viktor Solt-Bittner created this script FontFont in 2002. The font is ideally suited for advertising and packaging, festive occasions, film and tv as well as logo, branding and creative industries. FF Danubia Script provides advanced typographical support with features such as ligatures and alternate characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Danubia super family, which also includes FF Danubia."

Bowdon is a warm, Bodoni-inspired English Modern, influenced by the 1930s lettering of designer Barnett Freedman. Slightly rounded corners give characters a printed-look softness, and hairlines are thickened a little to increase legibility at smaller sizes, reducing the harshness and dazzle that can afflict Didone typefaces. Bowdon is supplied in three widths – Regular, Wide and Narrow – and each width is accompanied by a utilitarian oblique rather than a fancy italic. Each font includes a full Latin Extended-A character set and additional oldstyle numerals.

Our Marcellus Pro was inspired by classic Roman inscription letterforms. Clarity and beauty are embodied in the standard lowercase, while this historically influenced typeface also nods to the powerful presence of the Trajan titling style with its SmallCaps set. When combined together, Marcellus is a gorgeous flare-serif typeface, rich with presence and usability. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

This might be the font for your next tattoo, or even a poster of the newest movie.

Nighiri, a classy and elegant handbrush signature typeface that will shine for multiple projects. Nighiri is recommended for poster, logo, headline, quote, wedding, branding, fashion, or anything else you want. It's good for display or just a text.

BlueCreek Rounded is a extra condensed geometric typeface, and works best in text and display applications, such as headline, posters, signage, magazine, print, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.